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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B1833 it is the complementary color #E4E7CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B1833. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B1833 shade: #20182E, #312A41, #423C54, #534E67 and #64607A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B1833. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B1833 shade: #1B1833, #0A0620 and #00000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B1833 shade: #1B1834, #221834, #2A1834, #311834 and #34182E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B1833 shade: #1B1834 and #181834

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B1833 shade matches the following richer shades: #1B1834, #16123A, #110C40 and #0D0546

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B1833 shade: #1B1834, #201E2D, #252427, #292B21 and #2E311B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B1833 shade: #182434, #181D34, #1B1834, #221834 and #291834

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B1833 shade: #1B1833, #34182B and #203418

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B1833 shade: #1B1833, #341B18 and #18341B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B1833 shade: #1B1833, #34182B, #313418 and #183420

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B1833 shade: #1B1833, #341823, #313418 and #183429

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 53 / 0 / 80

HEX #1B1833

RGB 27 24 51

HSL 246.67, 0.36%, 0.15%

LAB 9.99, 9.82, -17.39

 

Complementary color

CMYK 1 / 0 / 12 / 9

HEX #E4E7CC

RGB 228 231 204

HSL 66.67, 0.36%, 0.85%

LAB 90.78, -5.6, 12.81

 

CMYK 30 / 48 / 0 / 82

HEX #20182E

RGB 32 24 46

HSL 261.82, 0.31%, 0.14%

LAB 10.24, 9.91, -13.32

 

CMYK 25 / 35 / 0 / 75

HEX #312A41

RGB 49 42 65

HSL 258.26, 0.21%, 0.21%

LAB 18.76, 9.04, -13.37

 

CMYK 21 / 29 / 0 / 67

HEX #423C54

RGB 66 60 84

HSL 255, 0.17%, 0.28%

LAB 26.82, 8.39, -13.52

 

CMYK 19 / 24 / 0 / 60

HEX #534E67

RGB 83 78 103

HSL 252, 0.14%, 0.35%

LAB 34.53, 7.86, -13.74

 

CMYK 18 / 21 / 0 / 52

HEX #64607A

RGB 100 96 122

HSL 249.23, 0.12%, 0.43%

LAB 41.97, 7.42, -14

 

CMYK 47 / 53 / 0 / 80

HEX #1B1833

RGB 27 24 51

HSL 246.67, 0.36%, 0.15%

LAB 9.99, 9.82, -17.39

 

CMYK 69 / 81 / 0 / 87

HEX #0A0620

RGB 10 6 32

HSL 249.23, 0.68%, 0.07%

LAB 2.7, 6.83, -14.62

 

CMYK 100 / 100 / 0 / 95

HEX #00000D

RGB 0 0 13

HSL 240, 1%, 0.03%

LAB 0.26, 1.84, -5.02

 

CMYK 48 / 54 / 0 / 80

HEX #1B1834

RGB 27 24 52

HSL 246.43, 0.37%, 0.15%

LAB 10.06, 10.18, -18.01

 

CMYK 35 / 54 / 0 / 80

HEX #221834

RGB 34 24 52

HSL 261.43, 0.37%, 0.15%

LAB 10.86, 12.54, -16.7

 

CMYK 19 / 54 / 0 / 80

HEX #2A1834

RGB 42 24 52

HSL 278.57, 0.37%, 0.15%

LAB 11.91, 15.41, -14.96

 

CMYK 6 / 54 / 0 / 80

HEX #311834

RGB 49 24 52

HSL 293.57, 0.37%, 0.15%

LAB 12.95, 18, -13.27

 

CMYK 0 / 54 / 12 / 80

HEX #34182E

RGB 52 24 46

HSL 312.86, 0.37%, 0.15%

LAB 13.11, 17.79, -8.64

 

CMYK 48 / 54 / 0 / 80

HEX #1B1834

RGB 27 24 52

HSL 246.43, 0.37%, 0.15%

LAB 10.06, 10.18, -18.01

 

CMYK 54 / 54 / 0 / 80

HEX #181834

RGB 24 24 52

HSL 240, 0.37%, 0.15%

LAB 9.76, 9.24, -18.5

 

CMYK 48 / 54 / 0 / 80

HEX #1B1834

RGB 27 24 52

HSL 246.43, 0.37%, 0.15%

LAB 10.06, 10.18, -18.01

 

CMYK 62 / 69 / 0 / 77

HEX #16123A

RGB 22 18 58

HSL 246, 0.53%, 0.15%

LAB 8.21, 15.57, -25.35

 

CMYK 73 / 81 / 0 / 75

HEX #110C40

RGB 17 12 64

HSL 245.77, 0.68%, 0.15%

LAB 6.8, 20.95, -31.97

 

CMYK 81 / 93 / 0 / 73

HEX #0D0546

RGB 13 5 70

HSL 247.38, 0.87%, 0.15%

LAB 5.75, 26.62, -37.96

 

CMYK 48 / 54 / 0 / 80

HEX #1B1834

RGB 27 24 52

HSL 246.43, 0.37%, 0.15%

LAB 10.06, 10.18, -18.01

 

CMYK 29 / 33 / 0 / 82

HEX #201E2D

RGB 32 30 45

HSL 248, 0.2%, 0.15%

LAB 12.12, 5.12, -9.67

 

CMYK 5 / 8 / 0 / 85

HEX #252427

RGB 37 36 39

HSL 260, 0.04%, 0.15%

LAB 14.41, 1.21, -1.83

 

CMYK 5 / 0 / 23 / 83

HEX #292B21

RGB 41 43 33

HSL 72, 0.13%, 0.15%

LAB 17.03, -3.13, 6.23

 

CMYK 6 / 0 / 45 / 81

HEX #2E311B

RGB 46 49 27

HSL 68.18, 0.29%, 0.15%

LAB 19.46, -5.69, 13.62

 

CMYK 54 / 31 / 0 / 80

HEX #182434

RGB 24 36 52

HSL 214.29, 0.37%, 0.15%

LAB 13.85, 0.21, -12.08

 

CMYK 54 / 44 / 0 / 80

HEX #181D34

RGB 24 29 52

HSL 229.29, 0.37%, 0.15%

LAB 11.42, 5.41, -15.88

 

CMYK 48 / 54 / 0 / 80

HEX #1B1834

RGB 27 24 52

HSL 246.43, 0.37%, 0.15%

LAB 10.06, 10.18, -18.01

 

CMYK 35 / 54 / 0 / 80

HEX #221834

RGB 34 24 52

HSL 261.43, 0.37%, 0.15%

LAB 10.86, 12.54, -16.7

 

CMYK 21 / 54 / 0 / 80

HEX #291834

RGB 41 24 52

HSL 276.43, 0.37%, 0.15%

LAB 11.77, 15.05, -15.19

 

CMYK 47 / 53 / 0 / 80

HEX #1B1833

RGB 27 24 51

HSL 246.67, 0.36%, 0.15%

LAB 9.99, 9.82, -17.39

 

CMYK 0 / 54 / 17 / 80

HEX #34182B

RGB 52 24 43

HSL 319.29, 0.37%, 0.15%

LAB 12.97, 17.16, -6.68

 

CMYK 38 / 0 / 54 / 80

HEX #203418

RGB 32 52 24

HSL 102.86, 0.37%, 0.15%

LAB 19.35, -14.58, 15.17

 

CMYK 47 / 53 / 0 / 80

HEX #1B1833

RGB 27 24 51

HSL 246.67, 0.36%, 0.15%

LAB 9.99, 9.82, -17.39

 

CMYK 0 / 48 / 54 / 80

HEX #341B18

RGB 52 27 24

HSL 6.43, 0.37%, 0.15%

LAB 13.11, 11.95, 7.41

 

CMYK 54 / 0 / 48 / 80

HEX #18341B

RGB 24 52 27

HSL 126.43, 0.37%, 0.15%

LAB 18.93, -17.2, 12.61

 

CMYK 47 / 53 / 0 / 80

HEX #1B1833

RGB 27 24 51

HSL 246.67, 0.36%, 0.15%

LAB 9.99, 9.82, -17.39

 

CMYK 0 / 54 / 17 / 80

HEX #34182B

RGB 52 24 43

HSL 319.29, 0.37%, 0.15%

LAB 12.97, 17.16, -6.68

 

CMYK 6 / 0 / 54 / 80

HEX #313418

RGB 49 52 24

HSL 66.43, 0.37%, 0.15%

LAB 20.73, -6.53, 17.19

 

CMYK 54 / 0 / 38 / 80

HEX #183420

RGB 24 52 32

HSL 137.14, 0.37%, 0.15%

LAB 19.03, -16.13, 9.45

 

CMYK 47 / 53 / 0 / 80

HEX #1B1833

RGB 27 24 51

HSL 246.67, 0.36%, 0.15%

LAB 9.99, 9.82, -17.39

 

CMYK 0 / 54 / 33 / 80

HEX #341823

RGB 52 24 35

HSL 336.43, 0.37%, 0.15%

LAB 12.64, 15.65, -1.31

 

CMYK 6 / 0 / 54 / 80

HEX #313418

RGB 49 52 24

HSL 66.43, 0.37%, 0.15%

LAB 20.73, -6.53, 17.19

 

CMYK 54 / 0 / 21 / 80

HEX #183429

RGB 24 52 41

HSL 156.43, 0.37%, 0.15%

LAB 19.27, -13.86, 3.7

 

Description

Color code: HEX #1B1833 | qconv.com Color code: HEX #1B1833 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 24 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 24 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 53 magenta, none yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 53% 0% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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