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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AEF58 it is the complementary color #E510A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AEF58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AEF58 shade: #1FEF53, #30FF66, #41FF79, #52FF8C and #63FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AEF58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AEF58 shade: #1AEF58, #09DD45, #00CB32, #00B91F and #00A70C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AEF58 shade: #1AEF58, #1AEF1E, #4FEF1A, #88EF1A and #C1EF1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AEF58 shade: #1AEF58, #1AEF91, #1AEFCA, #1AD9EF and #1AA0EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AEF58 shade matches the following richer shades: #1AEF58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AEF58 shade: #1AEF58, #2DDB60, #41C768, #55B370 and #699F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AEF58 shade: #4FEF1A, #1AEF1D, #1AEF56, #1AEF8F and #1AEFC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AEF58 shade: #0BAA3A, #0ED147, #1AEF58, #40F174 and #67F490

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AEF58 shade: #1AEF58, #1A88EF and #EF1A32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AEF58 shade: #1AEF58, #561AEF and #EF561A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AEF58 shade: #1AEF58, #1A88EF, #EF1AB2 and #EF811A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AEF58 shade: #1AEF58, #1A48EF, #EF1AB2 and #EFC01A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 63 / 6

HEX #1AEF58

RGB 26 239 88

HSL 137.46, 0.87%, 0.52%

LAB 83.26, -76.24, 58.24

 

Complementary color

CMYK 0 / 93 / 27 / 10

HEX #E510A7

RGB 229 16 167

HSL 317.46, 0.87%, 0.48%

LAB 51.63, 81.53, -24.58

 

CMYK 87 / 0 / 65 / 6

HEX #1FEF53

RGB 31 239 83

HSL 135, 0.87%, 0.53%

LAB 83.26, -76.44, 60.29

 

CMYK 81 / 0 / 60 / 0

HEX #30FF66

RGB 48 255 102

HSL 135.65, 1%, 0.59%

LAB 88.5, -77.69, 58.35

 

CMYK 75 / 0 / 53 / 0

HEX #41FF79

RGB 65 255 121

HSL 137.68, 1%, 0.63%

LAB 88.93, -73.31, 50.5

 

CMYK 68 / 0 / 45 / 0

HEX #52FF8C

RGB 82 255 140

HSL 140.12, 1%, 0.66%

LAB 89.49, -67.99, 42.3

 

CMYK 61 / 0 / 38 / 0

HEX #63FF9F

RGB 99 255 159

HSL 143.08, 1%, 0.69%

LAB 90.17, -61.79, 33.95

 

CMYK 89 / 0 / 63 / 6

HEX #1AEF58

RGB 26 239 88

HSL 137.46, 0.87%, 0.52%

LAB 83.26, -76.24, 58.24

 

CMYK 96 / 0 / 69 / 13

HEX #09DD45

RGB 9 221 69

HSL 136.98, 0.92%, 0.45%

LAB 77.4, -73.73, 59.42

 

CMYK 100 / 0 / 75 / 20

HEX #00CB32

RGB 0 203 50

HSL 134.78, 1%, 0.4%

LAB 71.52, -70.55, 60.2

 

CMYK 100 / 0 / 83 / 27

HEX #00B91F

RGB 0 185 31

HSL 130.05, 1%, 0.36%

LAB 65.59, -66.71, 60.23

 

CMYK 100 / 0 / 93 / 35

HEX #00A70C

RGB 0 167 12

HSL 124.31, 1%, 0.33%

LAB 59.58, -62.46, 58.91

 

CMYK 89 / 0 / 63 / 6

HEX #1AEF58

RGB 26 239 88

HSL 137.46, 0.87%, 0.52%

LAB 83.26, -76.24, 58.24

 

CMYK 89 / 0 / 87 / 6

HEX #1AEF1E

RGB 26 239 30

HSL 121.13, 0.87%, 0.52%

LAB 82.94, -80.34, 75.93

 

CMYK 67 / 0 / 89 / 6

HEX #4FEF1A

RGB 79 239 26

HSL 105.07, 0.87%, 0.52%

LAB 83.69, -73.8, 77.55

 

CMYK 43 / 0 / 89 / 6

HEX #88EF1A

RGB 136 239 26

HSL 89.01, 0.87%, 0.52%

LAB 85.53, -59.18, 79.84

 

CMYK 19 / 0 / 89 / 6

HEX #C1EF1A

RGB 193 239 26

HSL 72.96, 0.87%, 0.52%

LAB 88.52, -38.84, 83.52

 

CMYK 89 / 0 / 63 / 6

HEX #1AEF58

RGB 26 239 88

HSL 137.46, 0.87%, 0.52%

LAB 83.26, -76.24, 58.24

 

CMYK 89 / 0 / 39 / 6

HEX #1AEF91

RGB 26 239 145

HSL 153.52, 0.87%, 0.52%

LAB 83.96, -67.77, 32.51

 

CMYK 89 / 0 / 15 / 6

HEX #1AEFCA

RGB 26 239 202

HSL 169.58, 0.87%, 0.52%

LAB 85.11, -55.11, 4.68

 

CMYK 89 / 9 / 0 / 6

HEX #1AD9EF

RGB 26 217 239

HSL 186.2, 0.87%, 0.52%

LAB 79.66, -35.08, -23

 

CMYK 89 / 33 / 0 / 6

HEX #1AA0EF

RGB 26 160 239

HSL 202.25, 0.87%, 0.52%

LAB 63.01, -5.58, -48.84

 

CMYK 89 / 0 / 63 / 6

HEX #1AEF58

RGB 26 239 88

HSL 137.46, 0.87%, 0.52%

LAB 83.26, -76.24, 58.24

 

CMYK 89 / 0 / 63 / 6

HEX #1AEF58

RGB 26 239 88

HSL 137.46, 0.87%, 0.52%

LAB 83.26, -76.24, 58.24

 

CMYK 79 / 0 / 56 / 14

HEX #2DDB60

RGB 45 219 96

HSL 137.59, 0.71%, 0.52%

LAB 77.32, -67.48, 47.95

 

CMYK 67 / 0 / 48 / 22

HEX #41C768

RGB 65 199 104

HSL 137.46, 0.54%, 0.52%

LAB 71.53, -56.51, 37.1

 

CMYK 53 / 0 / 37 / 30

HEX #55B370

RGB 85 179 112

HSL 137.23, 0.38%, 0.52%

LAB 66.01, -42.88, 25.94

 

CMYK 34 / 0 / 24 / 38

HEX #699F79

RGB 105 159 121

HSL 137.78, 0.22%, 0.52%

LAB 60.94, -26.16, 14.28

 

CMYK 67 / 0 / 89 / 6

HEX #4FEF1A

RGB 79 239 26

HSL 105.07, 0.87%, 0.52%

LAB 83.69, -73.8, 77.55

 

CMYK 89 / 0 / 88 / 6

HEX #1AEF1D

RGB 26 239 29

HSL 120.85, 0.87%, 0.52%

LAB 82.94, -80.38, 76.1

 

CMYK 89 / 0 / 64 / 6

HEX #1AEF56

RGB 26 239 86

HSL 136.9, 0.87%, 0.52%

LAB 83.24, -76.45, 59.05

 

CMYK 89 / 0 / 40 / 6

HEX #1AEF8F

RGB 26 239 143

HSL 152.96, 0.87%, 0.52%

LAB 83.93, -68.14, 33.47

 

CMYK 89 / 0 / 16 / 6

HEX #1AEFC8

RGB 26 239 200

HSL 169.01, 0.87%, 0.52%

LAB 85.06, -55.62, 5.66

 

CMYK 94 / 0 / 66 / 33

HEX #0BAA3A

RGB 11 170 58

HSL 137.74, 0.88%, 0.35%

LAB 60.89, -59.58, 46.04

 

CMYK 93 / 0 / 66 / 18

HEX #0ED147

RGB 14 209 71

HSL 137.54, 0.87%, 0.44%

LAB 73.64, -69.84, 54.59

 

CMYK 89 / 0 / 63 / 6

HEX #1AEF58

RGB 26 239 88

HSL 137.46, 0.87%, 0.52%

LAB 83.26, -76.24, 58.24

 

CMYK 73 / 0 / 52 / 5

HEX #40F174

RGB 64 241 116

HSL 137.63, 0.86%, 0.6%

LAB 84.62, -69.53, 47.54

 

CMYK 58 / 0 / 41 / 4

HEX #67F490

RGB 103 244 144

HSL 137.45, 0.87%, 0.68%

LAB 86.8, -59.33, 36.98

 

CMYK 89 / 0 / 63 / 6

HEX #1AEF58

RGB 26 239 88

HSL 137.46, 0.87%, 0.52%

LAB 83.26, -76.24, 58.24

 

CMYK 89 / 43 / 0 / 6

HEX #1A88EF

RGB 26 136 239

HSL 209.01, 0.87%, 0.52%

LAB 56.15, 8.56, -59.76

 

CMYK 0 / 89 / 79 / 6

HEX #EF1A32

RGB 239 26 50

HSL 353.24, 0.87%, 0.52%

LAB 51.06, 74.52, 44.87

 

CMYK 89 / 0 / 63 / 6

HEX #1AEF58

RGB 26 239 88

HSL 137.46, 0.87%, 0.52%

LAB 83.26, -76.24, 58.24

 

CMYK 64 / 89 / 0 / 6

HEX #561AEF

RGB 86 26 239

HSL 256.9, 0.87%, 0.52%

LAB 35.89, 72.69, -92.76

 

CMYK 0 / 64 / 89 / 6

HEX #EF561A

RGB 239 86 26

HSL 16.9, 0.87%, 0.52%

LAB 57.15, 56.58, 61.02

 

CMYK 89 / 0 / 63 / 6

HEX #1AEF58

RGB 26 239 88

HSL 137.46, 0.87%, 0.52%

LAB 83.26, -76.24, 58.24

 

CMYK 89 / 43 / 0 / 6

HEX #1A88EF

RGB 26 136 239

HSL 209.01, 0.87%, 0.52%

LAB 56.15, 8.56, -59.76

 

CMYK 0 / 89 / 26 / 6

HEX #EF1AB2

RGB 239 26 178

HSL 317.18, 0.87%, 0.52%

LAB 54.35, 83.57, -26.69

 

CMYK 0 / 46 / 89 / 6

HEX #EF811A

RGB 239 129 26

HSL 29.01, 0.87%, 0.52%

LAB 65.06, 36.31, 66.9

 

CMYK 89 / 0 / 63 / 6

HEX #1AEF58

RGB 26 239 88

HSL 137.46, 0.87%, 0.52%

LAB 83.26, -76.24, 58.24

 

CMYK 89 / 70 / 0 / 6

HEX #1A48EF

RGB 26 72 239

HSL 227.04, 0.87%, 0.52%

LAB 39.73, 48.64, -86.5

 

CMYK 0 / 89 / 26 / 6

HEX #EF1AB2

RGB 239 26 178

HSL 317.18, 0.87%, 0.52%

LAB 54.35, 83.57, -26.69

 

CMYK 0 / 20 / 89 / 6

HEX #EFC01A

RGB 239 192 26

HSL 46.76, 0.87%, 0.52%

LAB 79.68, 3.29, 78.08

 

Description

Color code: HEX #1AEF58 | qconv.com Color code: HEX #1AEF58 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 239 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 239 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 63 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 63% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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