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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AE065 it is the complementary color #E51F9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AE065. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AE065 shade: #1FE060, #30F273, #41FF86, #52FF99 and #63FFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AE065. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AE065 shade: #1AE065, #09CE52, #00BC3F, #00AA2C and #009819

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AE065 shade: #1ADF65, #1ADF2F, #39DF1A, #6FDF1A and #A4DF1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AE065 shade: #1ADF65, #1ADF9A, #1ADFCF, #1ABADF and #1A85DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AE065 shade matches the following richer shades: #1ADF65 and #06F360

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AE065 shade: #1ADF65, #2ECB69, #42B76E, #56A373 and #6B8E78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AE065 shade: #3BDF1A, #1ADF2D, #1ADF62, #1ADF97 and #1ADFCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AE065 shade: #119543, #15BA54, #1ADF65, #3BE87C and #60EC95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AE065 shade: #1AE065, #1A6FDF and #DF1A20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AE065 shade: #1AE065, #621ADF and #DF621A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AE065 shade: #1AE065, #1A6FDF, #DF1A97 and #DF8A1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AE065 shade: #1AE065, #1A34DF, #DF1A97 and #DFC51A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 55 / 12

HEX #1AE065

RGB 26 224 101

HSL 142.73, 0.79%, 0.49%

LAB 78.74, -70.08, 47.28

 

Complementary color

CMYK 0 / 86 / 33 / 10

HEX #E51F9A

RGB 229 31 154

HSL 322.73, 0.79%, 0.51%

LAB 51.8, 78.12, -16.61

 

CMYK 86 / 0 / 57 / 12

HEX #1FE060

RGB 31 224 96

HSL 140.21, 0.76%, 0.5%

LAB 78.72, -70.4, 49.57

 

CMYK 80 / 0 / 52 / 5

HEX #30F273

RGB 48 242 115

HSL 140.72, 0.88%, 0.57%

LAB 84.67, -71.96, 48.02

 

CMYK 75 / 0 / 47 / 0

HEX #41FF86

RGB 65 255 134

HSL 141.79, 1%, 0.63%

LAB 89.09, -71.42, 44.61

 

CMYK 68 / 0 / 40 / 0

HEX #52FF99

RGB 82 255 153

HSL 144.62, 1%, 0.66%

LAB 89.68, -65.85, 36.2

 

CMYK 61 / 0 / 33 / 0

HEX #63FFAC

RGB 99 255 172

HSL 148.08, 1%, 0.69%

LAB 90.39, -59.44, 27.73

 

CMYK 88 / 0 / 55 / 12

HEX #1AE065

RGB 26 224 101

HSL 142.73, 0.79%, 0.49%

LAB 78.74, -70.08, 47.28

 

CMYK 96 / 0 / 60 / 19

HEX #09CE52

RGB 9 206 82

HSL 142.23, 0.92%, 0.42%

LAB 72.77, -67.88, 48.88

 

CMYK 100 / 0 / 66 / 26

HEX #00BC3F

RGB 0 188 63

HSL 140.11, 1%, 0.37%

LAB 66.77, -65.02, 50.35

 

CMYK 100 / 0 / 74 / 33

HEX #00AA2C

RGB 0 170 44

HSL 135.53, 1%, 0.33%

LAB 60.72, -61.52, 51.46

 

CMYK 100 / 0 / 84 / 40

HEX #009819

RGB 0 152 25

HSL 129.87, 1%, 0.3%

LAB 54.58, -57.62, 51.7

 

CMYK 88 / 0 / 55 / 13

HEX #1ADF65

RGB 26 223 101

HSL 142.84, 0.79%, 0.49%

LAB 78.42, -69.76, 46.91

 

CMYK 88 / 0 / 79 / 13

HEX #1ADF2F

RGB 26 223 47

HSL 126.4, 0.79%, 0.49%

LAB 77.99, -75.14, 67.47

 

CMYK 74 / 0 / 88 / 13

HEX #39DF1A

RGB 57 223 26

HSL 110.56, 0.79%, 0.49%

LAB 78.3, -72.73, 72.78

 

CMYK 50 / 0 / 88 / 13

HEX #6FDF1A

RGB 111 223 26

HSL 94.11, 0.79%, 0.49%

LAB 79.74, -60.81, 74.59

 

CMYK 26 / 0 / 88 / 13

HEX #A4DF1A

RGB 164 223 26

HSL 77.97, 0.79%, 0.49%

LAB 82.24, -42.96, 77.68

 

CMYK 88 / 0 / 55 / 13

HEX #1ADF65

RGB 26 223 101

HSL 142.84, 0.79%, 0.49%

LAB 78.42, -69.76, 46.91

 

CMYK 88 / 0 / 31 / 13

HEX #1ADF9A

RGB 26 223 154

HSL 158.98, 0.79%, 0.49%

LAB 79.23, -60.31, 21.51

 

CMYK 88 / 0 / 7 / 13

HEX #1ADFCF

RGB 26 223 207

HSL 175.13, 0.79%, 0.49%

LAB 80.46, -47.19, -4.75

 

CMYK 88 / 17 / 0 / 13

HEX #1ABADF

RGB 26 186 223

HSL 191.27, 0.79%, 0.49%

LAB 69.94, -25.14, -29.25

 

CMYK 88 / 40 / 0 / 13

HEX #1A85DF

RGB 26 133 223

HSL 207.41, 0.79%, 0.49%

LAB 54.37, 4.3, -53.69

 

CMYK 88 / 0 / 55 / 13

HEX #1ADF65

RGB 26 223 101

HSL 142.84, 0.79%, 0.49%

LAB 78.42, -69.76, 46.91

 

CMYK 98 / 0 / 60 / 5

HEX #06F360

RGB 6 243 96

HSL 142.78, 0.95%, 0.49%

LAB 84.48, -77.33, 56.22

 

CMYK 88 / 0 / 55 / 13

HEX #1ADF65

RGB 26 223 101

HSL 142.84, 0.79%, 0.49%

LAB 78.42, -69.76, 46.91

 

CMYK 77 / 0 / 48 / 20

HEX #2ECB69

RGB 46 203 105

HSL 142.55, 0.63%, 0.49%

LAB 72.44, -60.7, 37.67

 

CMYK 64 / 0 / 40 / 28

HEX #42B76E

RGB 66 183 110

HSL 142.56, 0.47%, 0.49%

LAB 66.64, -49.22, 27.71

 

CMYK 47 / 0 / 29 / 36

HEX #56A373

RGB 86 163 115

HSL 142.6, 0.31%, 0.49%

LAB 61.14, -34.97, 17.74

 

CMYK 25 / 0 / 15 / 44

HEX #6B8E78

RGB 107 142 120

HSL 142.29, 0.14%, 0.49%

LAB 55.92, -16.98, 7.78

 

CMYK 74 / 0 / 88 / 13

HEX #3BDF1A

RGB 59 223 26

HSL 109.95, 0.79%, 0.49%

LAB 78.33, -72.43, 72.82

 

CMYK 88 / 0 / 80 / 13

HEX #1ADF2D

RGB 26 223 45

HSL 125.79, 0.79%, 0.49%

LAB 77.98, -75.26, 68.03

 

CMYK 88 / 0 / 56 / 13

HEX #1ADF62

RGB 26 223 98

HSL 141.93, 0.79%, 0.49%

LAB 78.39, -70.18, 48.25

 

CMYK 88 / 0 / 32 / 13

HEX #1ADF97

RGB 26 223 151

HSL 158.07, 0.79%, 0.49%

LAB 79.17, -60.95, 23

 

CMYK 88 / 0 / 9 / 13

HEX #1ADFCB

RGB 26 223 203

HSL 173.91, 0.79%, 0.49%

LAB 80.35, -48.29, -2.78

 

CMYK 89 / 0 / 55 / 42

HEX #119543

RGB 17 149 67

HSL 142.73, 0.8%, 0.33%

LAB 54.05, -51.15, 33.88

 

CMYK 89 / 0 / 55 / 27

HEX #15BA54

RGB 21 186 84

HSL 142.91, 0.8%, 0.41%

LAB 66.46, -60.68, 40.52

 

CMYK 88 / 0 / 55 / 13

HEX #1ADF65

RGB 26 223 101

HSL 142.84, 0.79%, 0.49%

LAB 78.42, -69.76, 46.91

 

CMYK 75 / 0 / 47 / 9

HEX #3BE87C

RGB 59 232 124

HSL 142.54, 0.79%, 0.57%

LAB 81.89, -65.98, 40.3

 

CMYK 59 / 0 / 37 / 7

HEX #60EC95

RGB 96 236 149

HSL 142.71, 0.79%, 0.65%

LAB 84.3, -56.88, 31.15

 

CMYK 88 / 0 / 55 / 12

HEX #1AE065

RGB 26 224 101

HSL 142.73, 0.79%, 0.49%

LAB 78.74, -70.08, 47.28

 

CMYK 88 / 50 / 0 / 13

HEX #1A6FDF

RGB 26 111 223

HSL 214.11, 0.79%, 0.49%

LAB 48.15, 18.01, -63.67

 

CMYK 0 / 88 / 86 / 13

HEX #DF1A20

RGB 223 26 32

HSL 358.17, 0.79%, 0.49%

LAB 47.66, 69.99, 49.9

 

CMYK 88 / 0 / 55 / 12

HEX #1AE065

RGB 26 224 101

HSL 142.73, 0.79%, 0.49%

LAB 78.74, -70.08, 47.28

 

CMYK 56 / 88 / 0 / 13

HEX #621ADF

RGB 98 26 223

HSL 261.93, 0.79%, 0.49%

LAB 35.33, 69.7, -84.53

 

CMYK 0 / 56 / 88 / 13

HEX #DF621A

RGB 223 98 26

HSL 21.93, 0.79%, 0.49%

LAB 56.58, 45.48, 59.43

 

CMYK 88 / 0 / 55 / 12

HEX #1AE065

RGB 26 224 101

HSL 142.73, 0.79%, 0.49%

LAB 78.74, -70.08, 47.28

 

CMYK 88 / 50 / 0 / 13

HEX #1A6FDF

RGB 26 111 223

HSL 214.11, 0.79%, 0.49%

LAB 48.15, 18.01, -63.67

 

CMYK 0 / 88 / 32 / 13

HEX #DF1A97

RGB 223 26 151

HSL 321.93, 0.79%, 0.49%

LAB 50.29, 77.33, -17.23

 

CMYK 0 / 38 / 88 / 13

HEX #DF8A1A

RGB 223 138 26

HSL 34.11, 0.79%, 0.49%

LAB 64.91, 25.01, 65.87

 

CMYK 88 / 0 / 55 / 12

HEX #1AE065

RGB 26 224 101

HSL 142.73, 0.79%, 0.49%

LAB 78.74, -70.08, 47.28

 

CMYK 88 / 77 / 0 / 13

HEX #1A34DF

RGB 26 52 223

HSL 232.08, 0.79%, 0.49%

LAB 33.99, 54.57, -86.89

 

CMYK 0 / 88 / 32 / 13

HEX #DF1A97

RGB 223 26 151

HSL 321.93, 0.79%, 0.49%

LAB 50.29, 77.33, -17.23

 

CMYK 0 / 12 / 88 / 13

HEX #DFC51A

RGB 223 197 26

HSL 52.08, 0.79%, 0.49%

LAB 79.44, -6.19, 77.23

 

Description

Color code: HEX #1AE065 | qconv.com Color code: HEX #1AE065 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 224 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 224 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 55 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 55% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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