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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AE004 it is the complementary color #E51FFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AE004. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AE004 shade: #1FE000, #30F212, #41FF25, #52FF38 and #63FF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AE004. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AE004 shade: #1AE004, #09CE00, #00BC00, #00AA00 and #009800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AE004 shade: #1AE004, #56E004, #91E004, #CCE004 and #E0B904

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AE004 shade: #1AE004, #04E029, #04E065, #04E0A0 and #04E0DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AE004 shade matches the following richer shades: #1AE004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AE004 shade: #1AE004, #29CE17, #38BB29, #47A93C and #56964E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AE004 shade: #90E004, #55E004, #1AE004, #04E029 and #04E064

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AE004 shade: #119002, #15B803, #1AE004, #2BFA14 and #4FFB3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AE004 shade: #1AE004, #04CAE0 and #E00472

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AE004 shade: #1AE004, #041AE0 and #E0041A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AE004 shade: #1AE004, #04CAE0, #CA04E0 and #E01A04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AE004 shade: #1AE004, #0488E0, #CA04E0 and #E05C04

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 98 / 12

HEX #1AE004

RGB 26 224 4

HSL 114, 0.96%, 0.45%

LAB 78.19, -76.9, 75.21

 

Complementary color

CMYK 9 / 88 / 0 / 2

HEX #E51FFB

RGB 229 31 251

HSL 294, 0.96%, 0.55%

LAB 56.69, 90.9, -64.69

 

CMYK 86 / 0 / 100 / 12

HEX #1FE000

RGB 31 224 0

HSL 111.7, 1%, 0.44%

LAB 78.23, -76.58, 75.63

 

CMYK 80 / 0 / 93 / 5

HEX #30F212

RGB 48 242 18

HSL 111.96, 0.9%, 0.51%

LAB 84.06, -79.58, 78.76

 

CMYK 75 / 0 / 85 / 0

HEX #41FF25

RGB 65 255 37

HSL 112.29, 1%, 0.57%

LAB 88.34, -80.52, 79.48

 

CMYK 68 / 0 / 78 / 0

HEX #52FF38

RGB 82 255 56

HSL 112.16, 1%, 0.61%

LAB 88.73, -76.89, 75.38

 

CMYK 61 / 0 / 71 / 0

HEX #63FF4B

RGB 99 255 75

HSL 112, 1%, 0.65%

LAB 89.24, -72.27, 69.99

 

CMYK 88 / 0 / 98 / 12

HEX #1AE004

RGB 26 224 4

HSL 114, 0.96%, 0.45%

LAB 78.19, -76.9, 75.21

 

CMYK 96 / 0 / 100 / 19

HEX #09CE00

RGB 9 206 0

HSL 117.38, 1%, 0.4%

LAB 72.36, -73.02, 70.87

 

CMYK 100 / 0 / 100 / 26

HEX #00BC00

RGB 0 188 0

HSL 120, 1%, 0.37%

LAB 66.49, -68.54, 66.15

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 88 / 0 / 98 / 12

HEX #1AE004

RGB 26 224 4

HSL 114, 0.96%, 0.45%

LAB 78.19, -76.9, 75.21

 

CMYK 62 / 0 / 98 / 12

HEX #56E004

RGB 86 224 4

HSL 97.64, 0.96%, 0.45%

LAB 79.21, -68.03, 76.46

 

CMYK 35 / 0 / 98 / 12

HEX #91E004

RGB 145 224 4

HSL 81.55, 0.96%, 0.45%

LAB 81.48, -50.68, 79.21

 

CMYK 9 / 0 / 98 / 12

HEX #CCE004

RGB 204 224 4

HSL 65.45, 0.96%, 0.45%

LAB 85.08, -27.84, 83.54

 

CMYK 0 / 17 / 98 / 12

HEX #E0B904

RGB 224 185 4

HSL 49.36, 0.96%, 0.45%

LAB 76.41, 0.17, 77.94

 

CMYK 88 / 0 / 98 / 12

HEX #1AE004

RGB 26 224 4

HSL 114, 0.96%, 0.45%

LAB 78.19, -76.9, 75.21

 

CMYK 98 / 0 / 82 / 12

HEX #04E029

RGB 4 224 41

HSL 130.09, 0.96%, 0.45%

LAB 78.17, -76.78, 69.22

 

CMYK 98 / 0 / 55 / 12

HEX #04E065

RGB 4 224 101

HSL 146.45, 0.96%, 0.45%

LAB 78.62, -71.04, 47.12

 

CMYK 98 / 0 / 29 / 12

HEX #04E0A0

RGB 4 224 160

HSL 162.55, 0.96%, 0.45%

LAB 79.54, -60.22, 18.79

 

CMYK 98 / 0 / 2 / 12

HEX #04E0DC

RGB 4 224 220

HSL 178.91, 0.96%, 0.45%

LAB 81.02, -44.67, -10.85

 

CMYK 88 / 0 / 98 / 12

HEX #1AE004

RGB 26 224 4

HSL 114, 0.96%, 0.45%

LAB 78.19, -76.9, 75.21

 

CMYK 88 / 0 / 98 / 12

HEX #1AE004

RGB 26 224 4

HSL 114, 0.96%, 0.45%

LAB 78.19, -76.9, 75.21

 

CMYK 80 / 0 / 89 / 19

HEX #29CE17

RGB 41 206 23

HSL 114.1, 0.8%, 0.45%

LAB 72.68, -70.02, 68.38

 

CMYK 70 / 0 / 78 / 27

HEX #38BB29

RGB 56 187 41

HSL 113.84, 0.64%, 0.45%

LAB 66.93, -61.06, 58.85

 

CMYK 58 / 0 / 64 / 34

HEX #47A93C

RGB 71 169 60

HSL 113.94, 0.48%, 0.45%

LAB 61.69, -49.87, 46.36

 

CMYK 43 / 0 / 48 / 41

HEX #56964E

RGB 86 150 78

HSL 113.33, 0.32%, 0.45%

LAB 56.43, -35.43, 31.57

 

CMYK 36 / 0 / 98 / 12

HEX #90E004

RGB 144 224 4

HSL 81.82, 0.96%, 0.45%

LAB 81.43, -51.03, 79.15

 

CMYK 62 / 0 / 98 / 12

HEX #55E004

RGB 85 224 4

HSL 97.91, 0.96%, 0.45%

LAB 79.19, -68.26, 76.43

 

CMYK 88 / 0 / 98 / 12

HEX #1AE004

RGB 26 224 4

HSL 114, 0.96%, 0.45%

LAB 78.19, -76.9, 75.21

 

CMYK 98 / 0 / 82 / 12

HEX #04E029

RGB 4 224 41

HSL 130.09, 0.96%, 0.45%

LAB 78.17, -76.78, 69.22

 

CMYK 98 / 0 / 55 / 12

HEX #04E064

RGB 4 224 100

HSL 146.18, 0.96%, 0.45%

LAB 78.61, -71.18, 47.57

 

CMYK 88 / 0 / 99 / 44

HEX #119002

RGB 17 144 2

HSL 113.66, 0.97%, 0.29%

LAB 51.92, -55.02, 54.16

 

CMYK 89 / 0 / 98 / 28

HEX #15B803

RGB 21 184 3

HSL 114.03, 0.97%, 0.37%

LAB 65.32, -66.23, 64.88

 

CMYK 88 / 0 / 98 / 12

HEX #1AE004

RGB 26 224 4

HSL 114, 0.96%, 0.45%

LAB 78.19, -76.9, 75.21

 

CMYK 83 / 0 / 92 / 2

HEX #2BFA14

RGB 43 250 20

HSL 114, 0.96%, 0.53%

LAB 86.47, -82.26, 80.5

 

CMYK 69 / 0 / 76 / 2

HEX #4FFB3C

RGB 79 251 60

HSL 114.03, 0.96%, 0.61%

LAB 87.48, -75.95, 72.99

 

CMYK 88 / 0 / 98 / 12

HEX #1AE004

RGB 26 224 4

HSL 114, 0.96%, 0.45%

LAB 78.19, -76.9, 75.21

 

CMYK 98 / 10 / 0 / 12

HEX #04CAE0

RGB 4 202 224

HSL 186, 0.96%, 0.45%

LAB 74.6, -33.43, -22.66

 

CMYK 0 / 98 / 49 / 12

HEX #E00472

RGB 224 4 114

HSL 330, 0.96%, 0.45%

LAB 48.45, 76.52, 2.49

 

CMYK 88 / 0 / 98 / 12

HEX #1AE004

RGB 26 224 4

HSL 114, 0.96%, 0.45%

LAB 78.19, -76.9, 75.21

 

CMYK 98 / 88 / 0 / 12

HEX #041AE0

RGB 4 26 224

HSL 234, 0.96%, 0.45%

LAB 29.78, 65.94, -94.48

 

CMYK 0 / 98 / 88 / 12

HEX #E0041A

RGB 224 4 26

HSL 354, 0.96%, 0.45%

LAB 46.99, 72.57, 52.25

 

CMYK 88 / 0 / 98 / 12

HEX #1AE004

RGB 26 224 4

HSL 114, 0.96%, 0.45%

LAB 78.19, -76.9, 75.21

 

CMYK 98 / 10 / 0 / 12

HEX #04CAE0

RGB 4 202 224

HSL 186, 0.96%, 0.45%

LAB 74.6, -33.43, -22.66

 

CMYK 10 / 98 / 0 / 12

HEX #CA04E0

RGB 202 4 224

HSL 294, 0.96%, 0.45%

LAB 49.53, 85.43, -61.27

 

CMYK 0 / 88 / 98 / 12

HEX #E01A04

RGB 224 26 4

HSL 6, 0.96%, 0.45%

LAB 47.75, 69.9, 60.14

 

CMYK 88 / 0 / 98 / 12

HEX #1AE004

RGB 26 224 4

HSL 114, 0.96%, 0.45%

LAB 78.19, -76.9, 75.21

 

CMYK 98 / 39 / 0 / 12

HEX #0488E0

RGB 4 136 224

HSL 204, 0.96%, 0.45%

LAB 55.09, 2.01, -53.11

 

CMYK 10 / 98 / 0 / 12

HEX #CA04E0

RGB 202 4 224

HSL 294, 0.96%, 0.45%

LAB 49.53, 85.43, -61.27

 

CMYK 0 / 59 / 98 / 12

HEX #E05C04

RGB 224 92 4

HSL 24, 0.96%, 0.45%

LAB 55.59, 48.38, 64.2

 

Description

Color code: HEX #1AE004 | qconv.com Color code: HEX #1AE004 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 224 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 224 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 98 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 98% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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