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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ACB66 it is the complementary color #E53499. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ACB66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ACB66 shade: #1FCB61, #30DD74, #41EF87, #52FF9A and #63FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ACB66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ACB66 shade: #1ACB66, #09B953, #00A740, #00952D and #00831A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ACB66 shade: #1ACB66, #1ACB36, #2DCB1A, #5DCB1A and #8DCB1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ACB66 shade: #1ACB66, #1ACB95, #1ACBC5, #1AA0CB and #1A71CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ACB66 shade matches the following richer shades: #1ACB66 and #07DD63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ACB66 shade: #1ACB66, #2CB868, #3FA56B, #52936E and #648070

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ACB66 shade: #2FCB1A, #1ACB34, #1ACB64, #1ACB93 and #1ACBC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ACB66 shade: #108241, #15A653, #1ACB66, #2BE37A and #4FE891

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ACB66 shade: #1ACB66, #1A5ECB and #CB1D1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ACB66 shade: #1ACB66, #641ACB and #CB641A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ACB66 shade: #1ACB66, #1A5ECB, #CB1A81 and #CB871A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ACB66 shade: #1ACB66, #1A29CB, #CB1A81 and #CBBC1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 50 / 20

HEX #1ACB66

RGB 26 203 102

HSL 145.76, 0.77%, 0.45%

LAB 72.16, -63.16, 38.74

 

Complementary color

CMYK 0 / 77 / 33 / 10

HEX #E53499

RGB 229 52 153

HSL 325.76, 0.77%, 0.55%

LAB 53.4, 73.33, -13.59

 

CMYK 85 / 0 / 52 / 20

HEX #1FCB61

RGB 31 203 97

HSL 143.02, 0.74%, 0.46%

LAB 72.14, -63.54, 41.18

 

CMYK 78 / 0 / 48 / 13

HEX #30DD74

RGB 48 221 116

HSL 143.58, 0.72%, 0.53%

LAB 78.23, -64.87, 39.55

 

CMYK 73 / 0 / 44 / 6

HEX #41EF87

RGB 65 239 135

HSL 144.14, 0.84%, 0.6%

LAB 84.28, -65.79, 37.99

 

CMYK 68 / 0 / 40 / 0

HEX #52FF9A

RGB 82 255 154

HSL 144.97, 1%, 0.66%

LAB 89.7, -65.68, 35.73

 

CMYK 61 / 0 / 32 / 0

HEX #63FFAD

RGB 99 255 173

HSL 148.46, 1%, 0.69%

LAB 90.41, -59.25, 27.25

 

CMYK 87 / 0 / 50 / 20

HEX #1ACB66

RGB 26 203 102

HSL 145.76, 0.77%, 0.45%

LAB 72.16, -63.16, 38.74

 

CMYK 95 / 0 / 55 / 27

HEX #09B953

RGB 9 185 83

HSL 145.23, 0.91%, 0.38%

LAB 66.04, -61.17, 40.49

 

CMYK 100 / 0 / 62 / 35

HEX #00A740

RGB 0 167 64

HSL 142.99, 1%, 0.33%

LAB 59.9, -58.48, 42.21

 

CMYK 100 / 0 / 70 / 42

HEX #00952D

RGB 0 149 45

HSL 138.12, 1%, 0.29%

LAB 53.69, -55.11, 43.73

 

CMYK 100 / 0 / 80 / 49

HEX #00831A

RGB 0 131 26

HSL 131.91, 1%, 0.26%

LAB 47.37, -51.32, 44.56

 

CMYK 87 / 0 / 50 / 20

HEX #1ACB66

RGB 26 203 102

HSL 145.76, 0.77%, 0.45%

LAB 72.16, -63.16, 38.74

 

CMYK 87 / 0 / 73 / 20

HEX #1ACB36

RGB 26 203 54

HSL 129.49, 0.77%, 0.45%

LAB 71.69, -68.91, 59.05

 

CMYK 78 / 0 / 87 / 20

HEX #2DCB1A

RGB 45 203 26

HSL 113.56, 0.77%, 0.45%

LAB 71.79, -68.52, 67.07

 

CMYK 54 / 0 / 87 / 20

HEX #5DCB1A

RGB 93 203 26

HSL 97.29, 0.77%, 0.45%

LAB 72.97, -58.67, 68.55

 

CMYK 31 / 0 / 87 / 20

HEX #8DCB1A

RGB 141 203 26

HSL 81.02, 0.77%, 0.45%

LAB 75.11, -42.97, 71.22

 

CMYK 87 / 0 / 50 / 20

HEX #1ACB66

RGB 26 203 102

HSL 145.76, 0.77%, 0.45%

LAB 72.16, -63.16, 38.74

 

CMYK 87 / 0 / 27 / 20

HEX #1ACB95

RGB 26 203 149

HSL 161.69, 0.77%, 0.45%

LAB 72.96, -53.92, 15.46

 

CMYK 87 / 0 / 3 / 20

HEX #1ACBC5

RGB 26 203 197

HSL 177.97, 0.77%, 0.45%

LAB 74.17, -41.32, -8.7

 

CMYK 87 / 21 / 0 / 20

HEX #1AA0CB

RGB 26 160 203

HSL 194.58, 0.77%, 0.45%

LAB 61.37, -18.45, -31.45

 

CMYK 87 / 44 / 0 / 20

HEX #1A71CB

RGB 26 113 203

HSL 210.51, 0.77%, 0.45%

LAB 47.42, 8.96, -53.48

 

CMYK 87 / 0 / 50 / 20

HEX #1ACB66

RGB 26 203 102

HSL 145.76, 0.77%, 0.45%

LAB 72.16, -63.16, 38.74

 

CMYK 97 / 0 / 55 / 13

HEX #07DD63

RGB 7 221 99

HSL 145.79, 0.94%, 0.45%

LAB 77.67, -70.3, 46.91

 

CMYK 87 / 0 / 50 / 20

HEX #1ACB66

RGB 26 203 102

HSL 145.76, 0.77%, 0.45%

LAB 72.16, -63.16, 38.74

 

CMYK 76 / 0 / 43 / 28

HEX #2CB868

RGB 44 184 104

HSL 145.71, 0.61%, 0.45%

LAB 66.38, -54.36, 30.43

 

CMYK 62 / 0 / 35 / 35

HEX #3FA56B

RGB 63 165 107

HSL 145.88, 0.45%, 0.45%

LAB 60.81, -43.09, 21.54

 

CMYK 44 / 0 / 25 / 42

HEX #52936E

RGB 82 147 110

HSL 145.85, 0.28%, 0.45%

LAB 55.87, -29.6, 13.22

 

CMYK 22 / 0 / 13 / 50

HEX #648070

RGB 100 128 112

HSL 145.71, 0.12%, 0.45%

LAB 51.06, -13.54, 5.4

 

CMYK 77 / 0 / 87 / 20

HEX #2FCB1A

RGB 47 203 26

HSL 112.88, 0.77%, 0.45%

LAB 71.82, -68.25, 67.11

 

CMYK 87 / 0 / 74 / 20

HEX #1ACB34

RGB 26 203 52

HSL 128.81, 0.77%, 0.45%

LAB 71.68, -69.06, 59.74

 

CMYK 87 / 0 / 51 / 20

HEX #1ACB64

RGB 26 203 100

HSL 145.08, 0.77%, 0.45%

LAB 72.13, -63.48, 39.69

 

CMYK 87 / 0 / 28 / 20

HEX #1ACB93

RGB 26 203 147

HSL 161.02, 0.77%, 0.45%

LAB 72.92, -54.38, 16.47

 

CMYK 87 / 0 / 4 / 20

HEX #1ACBC2

RGB 26 203 194

HSL 176.95, 0.77%, 0.45%

LAB 74.08, -42.18, -7.2

 

CMYK 88 / 0 / 50 / 49

HEX #108241

RGB 16 130 65

HSL 145.79, 0.78%, 0.29%

LAB 47.57, -44.84, 26.91

 

CMYK 87 / 0 / 50 / 35

HEX #15A653

RGB 21 166 83

HSL 145.66, 0.78%, 0.37%

LAB 59.94, -54.12, 33

 

CMYK 87 / 0 / 50 / 20

HEX #1ACB66

RGB 26 203 102

HSL 145.76, 0.77%, 0.45%

LAB 72.16, -63.16, 38.74

 

CMYK 81 / 0 / 46 / 11

HEX #2BE37A

RGB 43 227 122

HSL 145.76, 0.77%, 0.53%

LAB 80.1, -66.46, 38.96

 

CMYK 66 / 0 / 38 / 9

HEX #4FE891

RGB 79 232 145

HSL 145.88, 0.77%, 0.61%

LAB 82.6, -59.3, 30.84

 

CMYK 87 / 0 / 50 / 20

HEX #1ACB66

RGB 26 203 102

HSL 145.76, 0.77%, 0.45%

LAB 72.16, -63.16, 38.74

 

CMYK 87 / 54 / 0 / 20

HEX #1A5ECB

RGB 26 94 203

HSL 216.95, 0.77%, 0.45%

LAB 42.06, 21.2, -62.14

 

CMYK 0 / 86 / 87 / 20

HEX #CB1D1A

RGB 203 29 26

HSL 1.02, 0.77%, 0.45%

LAB 43.73, 64, 47.84

 

CMYK 87 / 0 / 50 / 20

HEX #1ACB66

RGB 26 203 102

HSL 145.76, 0.77%, 0.45%

LAB 72.16, -63.16, 38.74

 

CMYK 51 / 87 / 0 / 20

HEX #641ACB

RGB 100 26 203

HSL 265.08, 0.77%, 0.45%

LAB 33.48, 65.12, -76.01

 

CMYK 0 / 51 / 87 / 20

HEX #CB641A

RGB 203 100 26

HSL 25.08, 0.77%, 0.45%

LAB 53.91, 36.73, 56.02

 

CMYK 87 / 0 / 50 / 20

HEX #1ACB66

RGB 26 203 102

HSL 145.76, 0.77%, 0.45%

LAB 72.16, -63.16, 38.74

 

CMYK 87 / 54 / 0 / 20

HEX #1A5ECB

RGB 26 94 203

HSL 216.95, 0.77%, 0.45%

LAB 42.06, 21.2, -62.14

 

CMYK 0 / 87 / 36 / 20

HEX #CB1A81

RGB 203 26 129

HSL 325.08, 0.77%, 0.45%

LAB 45.66, 70.67, -11.3

 

CMYK 0 / 33 / 87 / 20

HEX #CB871A

RGB 203 135 26

HSL 36.95, 0.77%, 0.45%

LAB 61.74, 18.03, 62.31

 

CMYK 87 / 0 / 50 / 20

HEX #1ACB66

RGB 26 203 102

HSL 145.76, 0.77%, 0.45%

LAB 72.16, -63.16, 38.74

 

CMYK 87 / 80 / 0 / 20

HEX #1A29CB

RGB 26 41 203

HSL 234.92, 0.77%, 0.45%

LAB 29.71, 53.81, -82.43

 

CMYK 0 / 87 / 36 / 20

HEX #CB1A81

RGB 203 26 129

HSL 325.08, 0.77%, 0.45%

LAB 45.66, 70.67, -11.3

 

CMYK 0 / 7 / 87 / 20

HEX #CBBC1A

RGB 203 188 26

HSL 54.92, 0.77%, 0.45%

LAB 75.29, -10.25, 73.18

 

Description

Color code: HEX #1ACB66 | qconv.com Color code: HEX #1ACB66 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 203 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 203 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 50 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 50% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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