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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ABAF9 it is the complementary color #E54506. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ABAF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ABAF9 shade: #1FBAF4, #30CCFF, #41DEFF, #52F0FF and #63FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ABAF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ABAF9 shade: #1ABAF9, #09A8E6, #0096D3, #0084C0 and #0072AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ABAF9 shade: #1ABAF9, #1A7EF9, #1A41F9, #2E1AF9 and #6A1AF9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ABAF9 shade: #1ABAF9, #1A7EF9, #1A41F9 and #1A1AF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ABAF9 shade matches the following richer shades: #1ABAF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ABAF9 shade: #1ABAF9, #2DB1E6, #40A9D3, #53A1C0 and #6699AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ABAF9 shade: #1AF9BD, #1AF9F9, #1ABDF9, #1A82F9 and #1A46F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ABAF9 shade: #0488BC, #05A5E4, #1ABAF9, #42C6FA and #6AD2FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ABAF9 shade: #1ABAF9, #821AF9 and #F9DB1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ABAF9 shade: #1ABAF9, #F91ABD and #BDF91A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ABAF9 shade: #1ABAF9, #821AF9, #F9551A and #91F91A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ABAF9 shade: #1ABAF9, #C51AF9, #F9551A and #4EF91A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 25 / 0 / 2

HEX #1ABAF9

RGB 26 186 249

HSL 196.95, 0.95%, 0.54%

LAB 70.99, -16.3, -41.73

 

Complementary color

CMYK 0 / 70 / 97 / 10

HEX #E54506

RGB 229 69 6

HSL 16.95, 0.95%, 0.46%

LAB 52.87, 59.72, 62.71

 

CMYK 87 / 24 / 0 / 4

HEX #1FBAF4

RGB 31 186 244

HSL 196.34, 0.91%, 0.54%

LAB 70.83, -17.76, -39.28

 

CMYK 81 / 20 / 0 / 0

HEX #30CCFF

RGB 48 204 255

HSL 194.78, 1%, 0.59%

LAB 76.7, -22.2, -36.06

 

CMYK 75 / 13 / 0 / 0

HEX #41DEFF

RGB 65 222 255

HSL 190.42, 1%, 0.63%

LAB 82.16, -29.53, -27.64

 

CMYK 68 / 6 / 0 / 0

HEX #52F0FF

RGB 82 240 255

HSL 185.2, 1%, 0.66%

LAB 87.65, -36.02, -19.27

 

CMYK 61 / 0 / 0 / 0

HEX #63FFFF

RGB 99 255 255

HSL 180, 1%, 0.69%

LAB 92.31, -40.42, -12.24

 

CMYK 90 / 25 / 0 / 2

HEX #1ABAF9

RGB 26 186 249

HSL 196.95, 0.95%, 0.54%

LAB 70.99, -16.3, -41.73

 

CMYK 96 / 27 / 0 / 10

HEX #09A8E6

RGB 9 168 230

HSL 196.83, 0.92%, 0.47%

LAB 64.78, -13.95, -41.1

 

CMYK 100 / 29 / 0 / 17

HEX #0096D3

RGB 0 150 211

HSL 197.35, 1%, 0.41%

LAB 58.52, -11.17, -40.39

 

CMYK 100 / 31 / 0 / 25

HEX #0084C0

RGB 0 132 192

HSL 198.75, 1%, 0.38%

LAB 52.18, -8.02, -39.62

 

CMYK 100 / 34 / 0 / 32

HEX #0072AD

RGB 0 114 173

HSL 200.46, 1%, 0.34%

LAB 45.71, -4.71, -38.88

 

CMYK 90 / 25 / 0 / 2

HEX #1ABAF9

RGB 26 186 249

HSL 196.95, 0.95%, 0.54%

LAB 70.99, -16.3, -41.73

 

CMYK 90 / 49 / 0 / 2

HEX #1A7EF9

RGB 26 126 249

HSL 213.09, 0.95%, 0.54%

LAB 54.01, 18.55, -68.75

 

CMYK 90 / 74 / 0 / 2

HEX #1A41F9

RGB 26 65 249

HSL 229.51, 0.95%, 0.54%

LAB 39.31, 56.07, -92.82

 

CMYK 82 / 90 / 0 / 2

HEX #2E1AF9

RGB 46 26 249

HSL 245.38, 0.95%, 0.54%

LAB 34.31, 73.4, -101.1

 

CMYK 57 / 90 / 0 / 2

HEX #6A1AF9

RGB 106 26 249

HSL 261.52, 0.95%, 0.54%

LAB 38.97, 76.48, -93.23

 

CMYK 90 / 25 / 0 / 2

HEX #1ABAF9

RGB 26 186 249

HSL 196.95, 0.95%, 0.54%

LAB 70.99, -16.3, -41.73

 

CMYK 90 / 49 / 0 / 2

HEX #1A7EF9

RGB 26 126 249

HSL 213.09, 0.95%, 0.54%

LAB 54.01, 18.55, -68.75

 

CMYK 90 / 74 / 0 / 2

HEX #1A41F9

RGB 26 65 249

HSL 229.51, 0.95%, 0.54%

LAB 39.31, 56.07, -92.82

 

CMYK 90 / 90 / 0 / 2

HEX #1A1AF9

RGB 26 26 249

HSL 240, 0.95%, 0.54%

LAB 33.56, 72.95, -102.38

 

CMYK 90 / 25 / 0 / 2

HEX #1ABAF9

RGB 26 186 249

HSL 196.95, 0.95%, 0.54%

LAB 70.99, -16.3, -41.73

 

CMYK 90 / 25 / 0 / 2

HEX #1ABAF9

RGB 26 186 249

HSL 196.95, 0.95%, 0.54%

LAB 70.99, -16.3, -41.73

 

CMYK 80 / 23 / 0 / 10

HEX #2DB1E6

RGB 45 177 230

HSL 197.19, 0.79%, 0.54%

LAB 67.81, -16.75, -36.35

 

CMYK 70 / 20 / 0 / 17

HEX #40A9D3

RGB 64 169 211

HSL 197.14, 0.63%, 0.54%

LAB 65.1, -16.62, -30.07

 

CMYK 57 / 16 / 0 / 25

HEX #53A1C0

RGB 83 161 192

HSL 197.06, 0.46%, 0.54%

LAB 62.62, -15.03, -23.26

 

CMYK 41 / 12 / 0 / 32

HEX #6699AD

RGB 102 153 173

HSL 196.9, 0.3%, 0.54%

LAB 60.45, -11.69, -15.8

 

CMYK 90 / 0 / 24 / 2

HEX #1AF9BD

RGB 26 249 189

HSL 163.86, 0.95%, 0.54%

LAB 87.8, -62.12, 15.28

 

CMYK 90 / 0 / 0 / 2

HEX #1AF9F9

RGB 26 249 249

HSL 180, 0.95%, 0.54%

LAB 89.3, -46.54, -13.72

 

CMYK 90 / 24 / 0 / 2

HEX #1ABDF9

RGB 26 189 249

HSL 196.14, 0.95%, 0.54%

LAB 71.86, -17.89, -40.38

 

CMYK 90 / 48 / 0 / 2

HEX #1A82F9

RGB 26 130 249

HSL 212.02, 0.95%, 0.54%

LAB 55.1, 16.06, -66.99

 

CMYK 90 / 72 / 0 / 2

HEX #1A46F9

RGB 26 70 249

HSL 228.16, 0.95%, 0.54%

LAB 40.31, 53.26, -91.16

 

CMYK 98 / 28 / 0 / 26

HEX #0488BC

RGB 4 136 188

HSL 196.96, 0.96%, 0.38%

LAB 53.24, -11.67, -35.68

 

CMYK 98 / 28 / 0 / 11

HEX #05A5E4

RGB 5 165 228

HSL 196.95, 0.96%, 0.46%

LAB 63.79, -13.14, -41.56

 

CMYK 90 / 25 / 0 / 2

HEX #1ABAF9

RGB 26 186 249

HSL 196.95, 0.95%, 0.54%

LAB 70.99, -16.3, -41.73

 

CMYK 74 / 21 / 0 / 2

HEX #42C6FA

RGB 66 198 250

HSL 196.96, 0.95%, 0.62%

LAB 75.11, -18.96, -35.82

 

CMYK 58 / 16 / 0 / 2

HEX #6AD2FB

RGB 106 210 251

HSL 196.97, 0.95%, 0.7%

LAB 79.68, -18.72, -29.21

 

CMYK 90 / 25 / 0 / 2

HEX #1ABAF9

RGB 26 186 249

HSL 196.95, 0.95%, 0.54%

LAB 70.99, -16.3, -41.73

 

CMYK 48 / 90 / 0 / 2

HEX #821AF9

RGB 130 26 249

HSL 267.98, 0.95%, 0.54%

LAB 41.73, 78.53, -88.58

 

CMYK 0 / 12 / 90 / 2

HEX #F9DB1A

RGB 249 219 26

HSL 51.93, 0.95%, 0.54%

LAB 87.43, -6.22, 84.46

 

CMYK 90 / 25 / 0 / 2

HEX #1ABAF9

RGB 26 186 249

HSL 196.95, 0.95%, 0.54%

LAB 70.99, -16.3, -41.73

 

CMYK 0 / 90 / 24 / 2

HEX #F91ABD

RGB 249 26 189

HSL 316.14, 0.95%, 0.54%

LAB 56.64, 86.79, -29.39

 

CMYK 24 / 0 / 90 / 2

HEX #BDF91A

RGB 189 249 26

HSL 76.14, 0.95%, 0.54%

LAB 91.07, -44.74, 85.49

 

CMYK 90 / 25 / 0 / 2

HEX #1ABAF9

RGB 26 186 249

HSL 196.95, 0.95%, 0.54%

LAB 70.99, -16.3, -41.73

 

CMYK 48 / 90 / 0 / 2

HEX #821AF9

RGB 130 26 249

HSL 267.98, 0.95%, 0.54%

LAB 41.73, 78.53, -88.58

 

CMYK 0 / 66 / 90 / 2

HEX #F9551A

RGB 249 85 26

HSL 15.87, 0.95%, 0.54%

LAB 58.71, 60.34, 62.92

 

CMYK 42 / 0 / 90 / 2

HEX #91F91A

RGB 145 249 26

HSL 87.98, 0.95%, 0.54%

LAB 88.85, -60.12, 82.75

 

CMYK 90 / 25 / 0 / 2

HEX #1ABAF9

RGB 26 186 249

HSL 196.95, 0.95%, 0.54%

LAB 70.99, -16.3, -41.73

 

CMYK 21 / 90 / 0 / 2

HEX #C51AF9

RGB 197 26 249

HSL 286.01, 0.95%, 0.54%

LAB 51.21, 86.54, -72.68

 

CMYK 0 / 66 / 90 / 2

HEX #F9551A

RGB 249 85 26

HSL 15.87, 0.95%, 0.54%

LAB 58.71, 60.34, 62.92

 

CMYK 69 / 0 / 90 / 2

HEX #4EF91A

RGB 78 249 26

HSL 106.01, 0.95%, 0.54%

LAB 86.72, -77.02, 80.11

 

Description

Color code: HEX #1ABAF9 | qconv.com Color code: HEX #1ABAF9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 186 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 186 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 25 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 25% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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