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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A9EA2 it is the complementary color #E5615D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A9EA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A9EA2 shade: #1F9E9D, #30B0B0, #41C2C3, #52D4D6 and #63E6E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A9EA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A9EA2 shade: #1A9EA2, #098C8F, #007A7C, #006869 and #005656

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A9EA2 shade: #1A9EA2, #1A79A2, #1A55A2, #1A30A2 and #291AA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A9EA2 shade: #1A9EA2, #1A79A2, #1A55A2, #1A30A2 and #1A1AA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A9EA2 shade matches the following richer shades: #1A9EA2 and #0BACB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A9EA2 shade: #1A9EA2, #298F93, #388183, #487374 and #576465

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A9EA2 shade: #1AA25C, #1AA280, #1AA0A2, #1A7BA2 and #1A57A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A9EA2 shade: #0E595B, #147B7E, #1A9EA2, #20C0C5 and #31D8DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A9EA2 shade: #1A9EA2, #371AA2 and #A26E1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A9EA2 shade: #1A9EA2, #A21AA0 and #A0A21A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A9EA2 shade: #1A9EA2, #371AA2, #A21C1A and #84A21A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A9EA2 shade: #1A9EA2, #601AA2, #A21C1A and #5CA21A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 2 / 0 / 36

HEX #1A9EA2

RGB 26 158 162

HSL 181.76, 0.72%, 0.37%

LAB 59.23, -31.04, -11.64

 

Complementary color

CMYK 0 / 58 / 59 / 10

HEX #E5615D

RGB 229 97 93

HSL 1.76, 0.72%, 0.63%

LAB 58.03, 51.04, 28.31

 

CMYK 80 / 0 / 1 / 38

HEX #1F9E9D

RGB 31 158 157

HSL 179.53, 0.67%, 0.37%

LAB 59.14, -32.15, -8.94

 

CMYK 73 / 0 / 0 / 31

HEX #30B0B0

RGB 48 176 176

HSL 180, 0.57%, 0.44%

LAB 65.6, -33.18, -9.92

 

CMYK 67 / 1 / 0 / 24

HEX #41C2C3

RGB 65 194 195

HSL 180.46, 0.52%, 0.51%

LAB 71.99, -33.92, -10.79

 

CMYK 62 / 1 / 0 / 16

HEX #52D4D6

RGB 82 212 214

HSL 180.91, 0.62%, 0.58%

LAB 78.31, -34.44, -11.58

 

CMYK 58 / 1 / 0 / 9

HEX #63E6E9

RGB 99 230 233

HSL 181.34, 0.75%, 0.65%

LAB 84.55, -34.82, -12.31

 

CMYK 84 / 2 / 0 / 36

HEX #1A9EA2

RGB 26 158 162

HSL 181.76, 0.72%, 0.37%

LAB 59.23, -31.04, -11.64

 

CMYK 94 / 2 / 0 / 44

HEX #098C8F

RGB 9 140 143

HSL 181.34, 0.88%, 0.3%

LAB 52.73, -29.39, -10.54

 

CMYK 100 / 2 / 0 / 51

HEX #007A7C

RGB 0 122 124

HSL 180.97, 1%, 0.24%

LAB 46.14, -27.2, -9.28

 

CMYK 100 / 1 / 0 / 59

HEX #006869

RGB 0 104 105

HSL 180.57, 1%, 0.21%

LAB 39.45, -24.53, -7.87

 

CMYK 100 / 0 / 0 / 66

HEX #005656

RGB 0 86 86

HSL 180, 1%, 0.17%

LAB 32.54, -21.79, -6.41

 

CMYK 84 / 2 / 0 / 36

HEX #1A9EA2

RGB 26 158 162

HSL 181.76, 0.72%, 0.37%

LAB 59.23, -31.04, -11.64

 

CMYK 84 / 25 / 0 / 36

HEX #1A79A2

RGB 26 121 162

HSL 198.09, 0.72%, 0.37%

LAB 47.63, -11.56, -29.41

 

CMYK 84 / 48 / 0 / 36

HEX #1A55A2

RGB 26 85 162

HSL 213.97, 0.72%, 0.37%

LAB 36.6, 10.84, -46.89

 

CMYK 84 / 70 / 0 / 36

HEX #1A30A2

RGB 26 48 162

HSL 230.29, 0.72%, 0.37%

LAB 26.57, 35.68, -63.23

 

CMYK 75 / 84 / 0 / 36

HEX #291AA2

RGB 41 26 162

HSL 246.62, 0.72%, 0.37%

LAB 23.06, 48.96, -69.01

 

CMYK 84 / 2 / 0 / 36

HEX #1A9EA2

RGB 26 158 162

HSL 181.76, 0.72%, 0.37%

LAB 59.23, -31.04, -11.64

 

CMYK 84 / 25 / 0 / 36

HEX #1A79A2

RGB 26 121 162

HSL 198.09, 0.72%, 0.37%

LAB 47.63, -11.56, -29.41

 

CMYK 84 / 48 / 0 / 36

HEX #1A55A2

RGB 26 85 162

HSL 213.97, 0.72%, 0.37%

LAB 36.6, 10.84, -46.89

 

CMYK 84 / 70 / 0 / 36

HEX #1A30A2

RGB 26 48 162

HSL 230.29, 0.72%, 0.37%

LAB 26.57, 35.68, -63.23

 

CMYK 84 / 84 / 0 / 36

HEX #1A1AA2

RGB 26 26 162

HSL 240, 0.72%, 0.37%

LAB 22.19, 48.11, -70.49

 

CMYK 84 / 2 / 0 / 36

HEX #1A9EA2

RGB 26 158 162

HSL 181.76, 0.72%, 0.37%

LAB 59.23, -31.04, -11.64

 

CMYK 94 / 3 / 0 / 31

HEX #0BACB1

RGB 11 172 177

HSL 181.81, 0.88%, 0.37%

LAB 63.96, -33.86, -12.98

 

CMYK 84 / 2 / 0 / 36

HEX #1A9EA2

RGB 26 158 162

HSL 181.76, 0.72%, 0.37%

LAB 59.23, -31.04, -11.64

 

CMYK 72 / 3 / 0 / 42

HEX #298F93

RGB 41 143 147

HSL 182.26, 0.56%, 0.37%

LAB 54.26, -26.76, -10.5

 

CMYK 57 / 2 / 0 / 49

HEX #388183

RGB 56 129 131

HSL 181.6, 0.4%, 0.37%

LAB 49.71, -21.87, -7.96

 

CMYK 38 / 1 / 0 / 55

HEX #487374

RGB 72 115 116

HSL 181.36, 0.23%, 0.37%

LAB 45.5, -14.55, -5.28

 

CMYK 14 / 1 / 0 / 60

HEX #576465

RGB 87 100 101

HSL 184.29, 0.07%, 0.37%

LAB 41.34, -4.72, -2.25

 

CMYK 84 / 0 / 43 / 36

HEX #1AA25C

RGB 26 162 92

HSL 149.12, 0.72%, 0.37%

LAB 58.82, -50.64, 26.87

 

CMYK 84 / 0 / 21 / 36

HEX #1AA280

RGB 26 162 128

HSL 165, 0.72%, 0.37%

LAB 59.54, -42.57, 8.03

 

CMYK 84 / 1 / 0 / 36

HEX #1AA0A2

RGB 26 160 162

HSL 180.88, 0.72%, 0.37%

LAB 59.86, -32, -10.69

 

CMYK 84 / 24 / 0 / 36

HEX #1A7BA2

RGB 26 123 162

HSL 197.21, 0.72%, 0.37%

LAB 48.25, -12.7, -28.44

 

CMYK 84 / 46 / 0 / 36

HEX #1A57A2

RGB 26 87 162

HSL 213.09, 0.72%, 0.37%

LAB 37.2, 9.51, -45.93

 

CMYK 85 / 2 / 0 / 64

HEX #0E595B

RGB 14 89 91

HSL 181.56, 0.73%, 0.21%

LAB 33.97, -20.34, -7.4

 

CMYK 84 / 2 / 0 / 51

HEX #147B7E

RGB 20 123 126

HSL 181.7, 0.73%, 0.29%

LAB 46.74, -25.75, -9.55

 

CMYK 84 / 2 / 0 / 36

HEX #1A9EA2

RGB 26 158 162

HSL 181.76, 0.72%, 0.37%

LAB 59.23, -31.04, -11.64

 

CMYK 84 / 3 / 0 / 23

HEX #20C0C5

RGB 32 192 197

HSL 181.82, 0.72%, 0.45%

LAB 70.9, -35.94, -13.58

 

CMYK 78 / 2 / 0 / 13

HEX #31D8DD

RGB 49 216 221

HSL 181.74, 0.72%, 0.53%

LAB 79.03, -38.48, -14.31

 

CMYK 84 / 2 / 0 / 36

HEX #1A9EA2

RGB 26 158 162

HSL 181.76, 0.72%, 0.37%

LAB 59.23, -31.04, -11.64

 

CMYK 66 / 84 / 0 / 36

HEX #371AA2

RGB 55 26 162

HSL 252.79, 0.72%, 0.37%

LAB 24.19, 50.06, -67.1

 

CMYK 0 / 32 / 84 / 36

HEX #A26E1A

RGB 162 110 26

HSL 37.06, 0.72%, 0.37%

LAB 50.58, 13.66, 50.97

 

CMYK 84 / 2 / 0 / 36

HEX #1A9EA2

RGB 26 158 162

HSL 181.76, 0.72%, 0.37%

LAB 59.23, -31.04, -11.64

 

CMYK 0 / 84 / 1 / 36

HEX #A21AA0

RGB 162 26 160

HSL 300.88, 0.72%, 0.37%

LAB 39.51, 65.93, -40.29

 

CMYK 1 / 0 / 84 / 36

HEX #A0A21A

RGB 160 162 26

HSL 60.88, 0.72%, 0.37%

LAB 64.47, -15.76, 62.78

 

CMYK 84 / 2 / 0 / 36

HEX #1A9EA2

RGB 26 158 162

HSL 181.76, 0.72%, 0.37%

LAB 59.23, -31.04, -11.64

 

CMYK 66 / 84 / 0 / 36

HEX #371AA2

RGB 55 26 162

HSL 252.79, 0.72%, 0.37%

LAB 24.19, 50.06, -67.1

 

CMYK 0 / 83 / 84 / 36

HEX #A21C1A

RGB 162 28 26

HSL 0.88, 0.72%, 0.37%

LAB 35.18, 52.6, 37.12

 

CMYK 19 / 0 / 84 / 36

HEX #84A21A

RGB 132 162 26

HSL 73.24, 0.72%, 0.37%

LAB 62.36, -27.88, 60.13

 

CMYK 84 / 2 / 0 / 36

HEX #1A9EA2

RGB 26 158 162

HSL 181.76, 0.72%, 0.37%

LAB 59.23, -31.04, -11.64

 

CMYK 41 / 84 / 0 / 36

HEX #601AA2

RGB 96 26 162

HSL 270.88, 0.72%, 0.37%

LAB 28.99, 54.91, -59.03

 

CMYK 0 / 83 / 84 / 36

HEX #A21C1A

RGB 162 28 26

HSL 0.88, 0.72%, 0.37%

LAB 35.18, 52.6, 37.12

 

CMYK 43 / 0 / 84 / 36

HEX #5CA21A

RGB 92 162 26

HSL 90.88, 0.72%, 0.37%

LAB 60.06, -43.29, 57.23

 

Description

Color code: HEX #1A9EA2 | qconv.com Color code: HEX #1A9EA2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 158 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 158 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 2 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 2% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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