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Color name
HEX #1A7B8E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A7B8E it is the complementary color #E58471. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A7B8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A7B8E shade: #1F7B89, #308D9C, #419FAF, #52B1C2 and #63C3D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A7B8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A7B8E shade: #1A7B8E, #09697B, #005768, #004555 and #003342

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A7B8E shade: #1A7B8E, #1A5B8E, #1A3C8E, #1A1D8E and #361A8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A7B8E shade: #1A7B8E, #1A5B8E, #1A3C8E, #1A1D8E and #1A1A8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A7B8E shade matches the following richer shades: #1A7B8E and #0C849B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A7B8E shade: #1A7B8E, #277280, #356872, #425F65 and #505657

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A7B8E shade: #1A8E61, #1A8E80, #1A7C8E, #1A5D8E and #1A3E8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A7B8E shade: #0D3E48, #135C6B, #1A7B8E, #2099B1 and #26B7D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A7B8E shade: #1A7B8E, #421A8E and #8E711A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A7B8E shade: #1A7B8E, #8E1A7C and #7C8E1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A7B8E shade: #1A7B8E, #421A8E, #8E2B1A and #658E1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A7B8E shade: #1A7B8E, #651A8E, #8E2B1A and #428E1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 13 / 0 / 44

HEX #1A7B8E

RGB 26 123 142

HSL 189.83, 0.69%, 0.33%

LAB 47.42, -19.81, -17.98

 

Complementary color

CMYK 0 / 42 / 51 / 10

HEX #E58471

RGB 229 132 113

HSL 9.83, 0.69%, 0.67%

LAB 65.24, 35.27, 26.46

 

CMYK 77 / 10 / 0 / 46

HEX #1F7B89

RGB 31 123 137

HSL 187.92, 0.63%, 0.33%

LAB 47.32, -20.96, -15.17

 

CMYK 69 / 10 / 0 / 39

HEX #308D9C

RGB 48 141 156

HSL 188.33, 0.53%, 0.4%

LAB 54.11, -21.9, -15.9

 

CMYK 63 / 9 / 0 / 31

HEX #419FAF

RGB 65 159 175

HSL 188.73, 0.46%, 0.47%

LAB 60.8, -22.56, -16.55

 

CMYK 58 / 9 / 0 / 24

HEX #52B1C2

RGB 82 177 194

HSL 189.11, 0.48%, 0.54%

LAB 67.38, -23.01, -17.13

 

CMYK 54 / 8 / 0 / 16

HEX #63C3D5

RGB 99 195 213

HSL 189.47, 0.58%, 0.61%

LAB 73.86, -23.33, -17.67

 

CMYK 82 / 13 / 0 / 44

HEX #1A7B8E

RGB 26 123 142

HSL 189.83, 0.69%, 0.33%

LAB 47.42, -19.81, -17.98

 

CMYK 93 / 15 / 0 / 52

HEX #09697B

RGB 9 105 123

HSL 189.47, 0.86%, 0.26%

LAB 40.56, -18.11, -17.14

 

CMYK 100 / 16 / 0 / 59

HEX #005768

RGB 0 87 104

HSL 189.81, 1%, 0.2%

LAB 33.6, -15.73, -16.14

 

CMYK 100 / 19 / 0 / 67

HEX #004555

RGB 0 69 85

HSL 191.29, 1%, 0.17%

LAB 26.48, -12.63, -14.97

 

CMYK 100 / 23 / 0 / 74

HEX #003342

RGB 0 51 66

HSL 193.64, 1%, 0.13%

LAB 19.06, -9.34, -13.81

 

CMYK 82 / 13 / 0 / 44

HEX #1A7B8E

RGB 26 123 142

HSL 189.83, 0.69%, 0.33%

LAB 47.42, -19.81, -17.98

 

CMYK 82 / 36 / 0 / 44

HEX #1A5B8E

RGB 26 91 142

HSL 206.38, 0.69%, 0.33%

LAB 37.22, -1.06, -33.87

 

CMYK 82 / 58 / 0 / 44

HEX #1A3C8E

RGB 26 60 142

HSL 222.41, 0.69%, 0.33%

LAB 27.86, 19.79, -48.89

 

CMYK 82 / 80 / 0 / 44

HEX #1A1D8E

RGB 26 29 142

HSL 238.45, 0.69%, 0.33%

LAB 20.25, 40.01, -61.39

 

CMYK 62 / 82 / 0 / 44

HEX #361A8E

RGB 54 26 142

HSL 254.48, 0.69%, 0.33%

LAB 21.86, 44.12, -58.66

 

CMYK 82 / 13 / 0 / 44

HEX #1A7B8E

RGB 26 123 142

HSL 189.83, 0.69%, 0.33%

LAB 47.42, -19.81, -17.98

 

CMYK 82 / 36 / 0 / 44

HEX #1A5B8E

RGB 26 91 142

HSL 206.38, 0.69%, 0.33%

LAB 37.22, -1.06, -33.87

 

CMYK 82 / 58 / 0 / 44

HEX #1A3C8E

RGB 26 60 142

HSL 222.41, 0.69%, 0.33%

LAB 27.86, 19.79, -48.89

 

CMYK 82 / 80 / 0 / 44

HEX #1A1D8E

RGB 26 29 142

HSL 238.45, 0.69%, 0.33%

LAB 20.25, 40.01, -61.39

 

CMYK 82 / 82 / 0 / 44

HEX #1A1A8E

RGB 26 26 142

HSL 240, 0.69%, 0.33%

LAB 19.69, 41.64, -62.32

 

CMYK 82 / 13 / 0 / 44

HEX #1A7B8E

RGB 26 123 142

HSL 189.83, 0.69%, 0.33%

LAB 47.42, -19.81, -17.98

 

CMYK 92 / 15 / 0 / 39

HEX #0C849B

RGB 12 132 155

HSL 189.65, 0.86%, 0.33%

LAB 50.63, -21.13, -20.7

 

CMYK 82 / 13 / 0 / 44

HEX #1A7B8E

RGB 26 123 142

HSL 189.83, 0.69%, 0.33%

LAB 47.42, -19.81, -17.98

 

CMYK 70 / 11 / 0 / 50

HEX #277280

RGB 39 114 128

HSL 189.44, 0.53%, 0.33%

LAB 44.27, -17.97, -14.44

 

CMYK 54 / 9 / 0 / 55

HEX #356872

RGB 53 104 114

HSL 189.84, 0.37%, 0.33%

LAB 41.01, -14.06, -10.88

 

CMYK 35 / 6 / 0 / 60

HEX #425F65

RGB 66 95 101

HSL 190.29, 0.21%, 0.33%

LAB 38.34, -9.01, -6.86

 

CMYK 8 / 1 / 0 / 66

HEX #505657

RGB 80 86 87

HSL 188.57, 0.04%, 0.33%

LAB 36.08, -2.15, -1.41

 

CMYK 82 / 0 / 32 / 44

HEX #1A8E61

RGB 26 142 97

HSL 156.72, 0.69%, 0.33%

LAB 52.32, -41.87, 15.41

 

CMYK 82 / 0 / 10 / 44

HEX #1A8E80

RGB 26 142 128

HSL 172.76, 0.69%, 0.33%

LAB 53.09, -33.75, -1.3

 

CMYK 82 / 13 / 0 / 44

HEX #1A7C8E

RGB 26 124 142

HSL 189.31, 0.69%, 0.33%

LAB 47.74, -20.35, -17.49

 

CMYK 82 / 35 / 0 / 44

HEX #1A5D8E

RGB 26 93 142

HSL 205.34, 0.69%, 0.33%

LAB 37.84, -2.33, -32.87

 

CMYK 82 / 56 / 0 / 44

HEX #1A3E8E

RGB 26 62 142

HSL 221.38, 0.69%, 0.33%

LAB 28.43, 18.4, -47.96

 

CMYK 82 / 14 / 0 / 72

HEX #0D3E48

RGB 13 62 72

HSL 190.17, 0.69%, 0.17%

LAB 23.67, -11.95, -10.73

 

CMYK 82 / 14 / 0 / 58

HEX #135C6B

RGB 19 92 107

HSL 190.23, 0.7%, 0.25%

LAB 35.7, -15.8, -14.75

 

CMYK 82 / 13 / 0 / 44

HEX #1A7B8E

RGB 26 123 142

HSL 189.83, 0.69%, 0.33%

LAB 47.42, -19.81, -17.98

 

CMYK 82 / 14 / 0 / 31

HEX #2099B1

RGB 32 153 177

HSL 189.93, 0.69%, 0.41%

LAB 58.29, -23.19, -21.57

 

CMYK 82 / 13 / 0 / 17

HEX #26B7D3

RGB 38 183 211

HSL 189.71, 0.69%, 0.49%

LAB 68.74, -26.76, -24.52

 

CMYK 82 / 13 / 0 / 44

HEX #1A7B8E

RGB 26 123 142

HSL 189.83, 0.69%, 0.33%

LAB 47.42, -19.81, -17.98

 

CMYK 54 / 82 / 0 / 44

HEX #421A8E

RGB 66 26 142

HSL 260.69, 0.69%, 0.33%

LAB 23.17, 45.61, -56.45

 

CMYK 0 / 20 / 82 / 44

HEX #8E711A

RGB 142 113 26

HSL 45, 0.69%, 0.33%

LAB 49.05, 2.68, 48.73

 

CMYK 82 / 13 / 0 / 44

HEX #1A7B8E

RGB 26 123 142

HSL 189.83, 0.69%, 0.33%

LAB 47.42, -19.81, -17.98

 

CMYK 0 / 82 / 13 / 44

HEX #8E1A7C

RGB 142 26 124

HSL 309.31, 0.69%, 0.33%

LAB 33.87, 56.23, -27.34

 

CMYK 13 / 0 / 82 / 44

HEX #7C8E1A

RGB 124 142 26

HSL 69.31, 0.69%, 0.33%

LAB 55.79, -21.41, 54.15

 

CMYK 82 / 13 / 0 / 44

HEX #1A7B8E

RGB 26 123 142

HSL 189.83, 0.69%, 0.33%

LAB 47.42, -19.81, -17.98

 

CMYK 54 / 82 / 0 / 44

HEX #421A8E

RGB 66 26 142

HSL 260.69, 0.69%, 0.33%

LAB 23.17, 45.61, -56.45

 

CMYK 0 / 70 / 82 / 44

HEX #8E2B1A

RGB 142 43 26

HSL 8.79, 0.69%, 0.33%

LAB 33.03, 40.9, 33.67

 

CMYK 29 / 0 / 82 / 44

HEX #658E1A

RGB 101 142 26

HSL 81.21, 0.69%, 0.33%

LAB 54.23, -31.14, 52.15

 

CMYK 82 / 13 / 0 / 44

HEX #1A7B8E

RGB 26 123 142

HSL 189.83, 0.69%, 0.33%

LAB 47.42, -19.81, -17.98

 

CMYK 29 / 82 / 0 / 44

HEX #651A8E

RGB 101 26 142

HSL 278.79, 0.69%, 0.33%

LAB 28, 51.15, -48.35

 

CMYK 0 / 70 / 82 / 44

HEX #8E2B1A

RGB 142 43 26

HSL 8.79, 0.69%, 0.33%

LAB 33.03, 40.9, 33.67

 

CMYK 54 / 0 / 82 / 44

HEX #428E1A

RGB 66 142 26

HSL 99.31, 0.69%, 0.33%

LAB 52.49, -43.63, 49.91

 

Description

Color code: HEX #1A7B8E | qconv.com Color code: HEX #1A7B8E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 123 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 123 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 13 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 13% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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