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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A4F6F it is the complementary color #E5B090. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A4F6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A4F6F shade: #1F4F6A, #30617D, #417390, #5285A3 and #6397B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A4F6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A4F6F shade: #1A4F6F, #093D5C, #002B49, #001936 and #000723

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A4F6F shade: #1A4F6F, #1A386F, #1A216F, #291A6F and #411A6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A4F6F shade: #1A4F6F, #1A386F, #1A216F and #1A1A6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A4F6F shade matches the following richer shades: #1A4F6F, #0F527A and #035485

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A4F6F shade: #1A4F6F, #254C64, #304959, #3B474E and #464442

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A4F6F shade: #1A6F61, #1A666F, #1A506F, #1A396F and #1A226F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A4F6F shade: #0A1F2C, #12374E, #1A4F6F, #226790 and #297EB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A4F6F shade: #1A4F6F, #4A1A6F and #6F6C1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A4F6F shade: #1A4F6F, #6F1A50 and #506F1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A4F6F shade: #1A4F6F, #4A1A6F, #6F391A and #3F6F1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A4F6F shade: #1A4F6F, #641A6F, #6F391A and #256F1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 29 / 0 / 56

HEX #1A4F6F

RGB 26 79 111

HSL 202.59, 0.62%, 0.27%

LAB 31.71, -5.57, -23.41

 

Complementary color

CMYK 0 / 23 / 37 / 10

HEX #E5B090

RGB 229 176 144

HSL 22.59, 0.62%, 0.73%

LAB 75.9, 15.1, 23.84

 

CMYK 71 / 25 / 0 / 58

HEX #1F4F6A

RGB 31 79 106

HSL 201.6, 0.55%, 0.27%

LAB 31.63, -6.64, -20.38

 

CMYK 62 / 22 / 0 / 51

HEX #30617D

RGB 48 97 125

HSL 201.82, 0.45%, 0.34%

LAB 39, -7.53, -20.68

 

CMYK 55 / 20 / 0 / 44

HEX #417390

RGB 65 115 144

HSL 202.03, 0.38%, 0.41%

LAB 46.18, -8.13, -20.97

 

CMYK 50 / 18 / 0 / 36

HEX #5285A3

RGB 82 133 163

HSL 202.22, 0.33%, 0.48%

LAB 53.18, -8.55, -21.25

 

CMYK 46 / 17 / 0 / 29

HEX #6397B6

RGB 99 151 182

HSL 202.41, 0.36%, 0.55%

LAB 60.04, -8.86, -21.53

 

CMYK 77 / 29 / 0 / 56

HEX #1A4F6F

RGB 26 79 111

HSL 202.59, 0.62%, 0.27%

LAB 31.71, -5.57, -23.41

 

CMYK 90 / 34 / 0 / 64

HEX #093D5C

RGB 9 61 92

HSL 202.41, 0.82%, 0.2%

LAB 24.22, -3.71, -23.05

 

CMYK 100 / 41 / 0 / 71

HEX #002B49

RGB 0 43 73

HSL 204.66, 1%, 0.14%

LAB 16.55, -0.74, -22.53

HEX #002B49

CMYK 100 / 54 / 0 / 79

HEX #001936

RGB 0 25 54

HSL 212.22, 1%, 0.11%

LAB 8.67, 3.73, -21.79

HEX #001936

CMYK 100 / 80 / 0 / 86

HEX #000723

RGB 0 7 35

HSL 228, 1%, 0.07%

LAB 2.47, 4.9, -17.38

HEX #000723

CMYK 77 / 29 / 0 / 56

HEX #1A4F6F

RGB 26 79 111

HSL 202.59, 0.62%, 0.27%

LAB 31.71, -5.57, -23.41

 

CMYK 77 / 50 / 0 / 56

HEX #1A386F

RGB 26 56 111

HSL 218.82, 0.62%, 0.27%

LAB 24.31, 9.9, -35.16

 

CMYK 77 / 70 / 0 / 56

HEX #1A216F

RGB 26 33 111

HSL 235.06, 0.62%, 0.27%

LAB 17.71, 26.24, -45.87

 

CMYK 63 / 77 / 0 / 56

HEX #291A6F

RGB 41 26 111

HSL 250.59, 0.62%, 0.27%

LAB 17.26, 32.73, -46.57

 

CMYK 41 / 77 / 0 / 56

HEX #411A6F

RGB 65 26 111

HSL 267.53, 0.62%, 0.27%

LAB 20.09, 36.9, -41.84

 

CMYK 77 / 29 / 0 / 56

HEX #1A4F6F

RGB 26 79 111

HSL 202.59, 0.62%, 0.27%

LAB 31.71, -5.57, -23.41

 

CMYK 77 / 50 / 0 / 56

HEX #1A386F

RGB 26 56 111

HSL 218.82, 0.62%, 0.27%

LAB 24.31, 9.9, -35.16

 

CMYK 77 / 70 / 0 / 56

HEX #1A216F

RGB 26 33 111

HSL 235.06, 0.62%, 0.27%

LAB 17.71, 26.24, -45.87

 

CMYK 77 / 77 / 0 / 56

HEX #1A1A6F

RGB 26 26 111

HSL 240, 0.62%, 0.27%

LAB 16.03, 30.84, -48.64

 

CMYK 77 / 29 / 0 / 56

HEX #1A4F6F

RGB 26 79 111

HSL 202.59, 0.62%, 0.27%

LAB 31.71, -5.57, -23.41

 

CMYK 88 / 33 / 0 / 52

HEX #0F527A

RGB 15 82 122

HSL 202.43, 0.78%, 0.27%

LAB 33.01, -4.42, -28.26

 

CMYK 98 / 37 / 0 / 48

HEX #035485

RGB 3 84 133

HSL 202.62, 0.96%, 0.27%

LAB 34.09, -2.02, -33.35

 

CMYK 77 / 29 / 0 / 56

HEX #1A4F6F

RGB 26 79 111

HSL 202.59, 0.62%, 0.27%

LAB 31.71, -5.57, -23.41

 

CMYK 63 / 24 / 0 / 61

HEX #254C64

RGB 37 76 100

HSL 202.86, 0.46%, 0.27%

LAB 30.6, -5.74, -18.17

 

CMYK 46 / 18 / 0 / 65

HEX #304959

RGB 48 73 89

HSL 203.41, 0.3%, 0.27%

LAB 29.7, -4.71, -12.47

 

CMYK 24 / 9 / 0 / 69

HEX #3B474E

RGB 59 71 78

HSL 202.11, 0.14%, 0.27%

LAB 29.38, -3, -5.8

 

CMYK 0 / 3 / 6 / 73

HEX #464442

RGB 70 68 66

HSL 30, 0.03%, 0.27%

LAB 28.98, 0.41, 1.5

 

CMYK 77 / 0 / 13 / 56

HEX #1A6F61

RGB 26 111 97

HSL 170.12, 0.62%, 0.27%

LAB 41.92, -28.13, 0.69

 

CMYK 77 / 8 / 0 / 56

HEX #1A666F

RGB 26 102 111

HSL 186.35, 0.62%, 0.27%

LAB 39.36, -19.08, -11.64

 

CMYK 77 / 28 / 0 / 56

HEX #1A506F

RGB 26 80 111

HSL 201.88, 0.62%, 0.27%

LAB 32.04, -6.2, -22.89

 

CMYK 77 / 49 / 0 / 56

HEX #1A396F

RGB 26 57 111

HSL 218.12, 0.62%, 0.27%

LAB 24.62, 9.2, -34.66

 

CMYK 77 / 69 / 0 / 56

HEX #1A226F

RGB 26 34 111

HSL 234.35, 0.62%, 0.27%

LAB 17.97, 25.55, -45.45

 

CMYK 77 / 30 / 0 / 83

HEX #0A1F2C

RGB 10 31 44

HSL 202.94, 0.63%, 0.11%

LAB 10.75, -3.25, -11.2

 

CMYK 77 / 29 / 0 / 69

HEX #12374E

RGB 18 55 78

HSL 203, 0.63%, 0.19%

LAB 21.62, -4.3, -17.87

 

CMYK 77 / 29 / 0 / 56

HEX #1A4F6F

RGB 26 79 111

HSL 202.59, 0.62%, 0.27%

LAB 31.71, -5.57, -23.41

 

CMYK 76 / 28 / 0 / 44

HEX #226790

RGB 34 103 144

HSL 202.36, 0.62%, 0.35%

LAB 41.3, -6.74, -28.62

 

CMYK 77 / 29 / 0 / 30

HEX #297EB2

RGB 41 126 178

HSL 202.77, 0.63%, 0.43%

LAB 50.22, -7.03, -34.62

 

CMYK 77 / 29 / 0 / 56

HEX #1A4F6F

RGB 26 79 111

HSL 202.59, 0.62%, 0.27%

LAB 31.71, -5.57, -23.41

 

CMYK 33 / 77 / 0 / 56

HEX #4A1A6F

RGB 74 26 111

HSL 273.88, 0.62%, 0.27%

LAB 21.37, 38.72, -39.7

 

CMYK 0 / 3 / 77 / 56

HEX #6F6C1A

RGB 111 108 26

HSL 57.88, 0.62%, 0.27%

LAB 44.49, -9.17, 43.38

 

CMYK 77 / 29 / 0 / 56

HEX #1A4F6F

RGB 26 79 111

HSL 202.59, 0.62%, 0.27%

LAB 31.71, -5.57, -23.41

 

CMYK 0 / 77 / 28 / 56

HEX #6F1A50

RGB 111 26 80

HSL 321.88, 0.62%, 0.27%

LAB 25.85, 42.07, -11.79

 

CMYK 28 / 0 / 77 / 56

HEX #506F1A

RGB 80 111 26

HSL 81.88, 0.62%, 0.27%

LAB 42.99, -24.85, 41.08

 

CMYK 77 / 29 / 0 / 56

HEX #1A4F6F

RGB 26 79 111

HSL 202.59, 0.62%, 0.27%

LAB 31.71, -5.57, -23.41

 

CMYK 33 / 77 / 0 / 56

HEX #4A1A6F

RGB 74 26 111

HSL 273.88, 0.62%, 0.27%

LAB 21.37, 38.72, -39.7

 

CMYK 0 / 49 / 77 / 56

HEX #6F391A

RGB 111 57 26

HSL 21.88, 0.62%, 0.27%

LAB 30.35, 21.18, 29.19

 

CMYK 43 / 0 / 77 / 56

HEX #3F6F1A

RGB 63 111 26

HSL 93.88, 0.62%, 0.27%

LAB 42, -31.6, 39.78

 

CMYK 77 / 29 / 0 / 56

HEX #1A4F6F

RGB 26 79 111

HSL 202.59, 0.62%, 0.27%

LAB 31.71, -5.57, -23.41

 

CMYK 10 / 77 / 0 / 56

HEX #641A6F

RGB 100 26 111

HSL 292.24, 0.62%, 0.27%

LAB 25.55, 44.45, -32.74

 

CMYK 0 / 49 / 77 / 56

HEX #6F391A

RGB 111 57 26

HSL 21.88, 0.62%, 0.27%

LAB 30.35, 21.18, 29.19

 

CMYK 67 / 0 / 77 / 56

HEX #256F1A

RGB 37 111 26

HSL 112.24, 0.62%, 0.27%

LAB 40.96, -39.63, 38.39

 

Description

Color code: HEX #1A4F6F | qconv.com Color code: HEX #1A4F6F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 79 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 79 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 29 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 29% 0% 56% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - MathWorks - MATLAB a...
Link: http://www.mathworks.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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