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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A246E it is the complementary color #E5DB91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A246E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A246E shade: #1F2469, #30367C, #41488F, #525AA2 and #636CB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A246E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A246E shade: #1A246E, #09125B, #000048, #000035 and #000022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A246E shade: #1A246F, #271A6F, #3E1A6F, #551A6F and #6C1A6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A246E shade: #1A246F and #1A1A6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A246E shade matches the following richer shades: #1A246F, #0F1B7A and #031385

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A246E shade: #1A246F, #252C64, #303559, #3B3D4E and #464642

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A246E shade: #1A536F, #1A3C6F, #1A256F, #251A6F and #3C1A6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A246E shade: #0A0E2C, #12194E, #1A246F, #222F90 and #293AB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A246E shade: #1A246E, #6F1A69 and #476F1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A246E shade: #1A246E, #6F1A25 and #256F1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A246E shade: #1A246E, #6F1A69, #6F641A and #1A6F1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A246E shade: #1A246E, #6F1A50, #6F641A and #1A6F39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 67 / 0 / 57

HEX #1A246E

RGB 26 36 110

HSL 232.86, 0.62%, 0.27%

LAB 18.4, 23.77, -44.11

 

Complementary color

CMYK 0 / 4 / 37 / 10

HEX #E5DB91

RGB 229 219 145

HSL 52.86, 0.62%, 0.73%

LAB 86.68, -7.22, 37.64

 

CMYK 70 / 66 / 0 / 59

HEX #1F2469

RGB 31 36 105

HSL 235.95, 0.54%, 0.27%

LAB 18.25, 22.54, -41.09

 

CMYK 61 / 56 / 0 / 51

HEX #30367C

RGB 48 54 124

HSL 235.26, 0.44%, 0.34%

LAB 25.93, 20.29, -40.74

 

CMYK 55 / 50 / 0 / 44

HEX #41488F

RGB 65 72 143

HSL 234.62, 0.38%, 0.41%

LAB 33.44, 18.58, -40.38

 

CMYK 49 / 44 / 0 / 36

HEX #525AA2

RGB 82 90 162

HSL 234, 0.33%, 0.48%

LAB 40.76, 17.23, -40.08

 

CMYK 45 / 40 / 0 / 29

HEX #636CB5

RGB 99 108 181

HSL 233.41, 0.36%, 0.55%

LAB 47.9, 16.15, -39.85

 

CMYK 76 / 67 / 0 / 57

HEX #1A246E

RGB 26 36 110

HSL 232.86, 0.62%, 0.27%

LAB 18.4, 23.77, -44.11

 

CMYK 90 / 80 / 0 / 64

HEX #09125B

RGB 9 18 91

HSL 233.41, 0.82%, 0.2%

LAB 10.89, 26.95, -43.93

 

CMYK 100 / 100 / 0 / 72

HEX #000048

RGB 0 0 72

HSL 240, 1%, 0.14%

LAB 4.23, 28.26, -41.9

 

CMYK 100 / 100 / 0 / 79

HEX #000035

RGB 0 0 53

HSL 240, 1%, 0.1%

LAB 2.32, 16.32, -31.29

 

CMYK 100 / 100 / 0 / 87

HEX #000022

RGB 0 0 34

HSL 240, 1%, 0.07%

LAB 1.04, 7.33, -18.78

 

CMYK 77 / 68 / 0 / 56

HEX #1A246F

RGB 26 36 111

HSL 232.94, 0.62%, 0.27%

LAB 18.49, 24.17, -44.6

 

CMYK 65 / 77 / 0 / 56

HEX #271A6F

RGB 39 26 111

HSL 249.18, 0.62%, 0.27%

LAB 17.07, 32.44, -46.89

 

CMYK 44 / 77 / 0 / 56

HEX #3E1A6F

RGB 62 26 111

HSL 265.41, 0.62%, 0.27%

LAB 19.68, 36.32, -42.51

 

CMYK 23 / 77 / 0 / 56

HEX #551A6F

RGB 85 26 111

HSL 281.65, 0.62%, 0.27%

LAB 23.06, 41.07, -36.88

 

CMYK 3 / 77 / 0 / 56

HEX #6C1A6F

RGB 108 26 111

HSL 297.88, 0.62%, 0.27%

LAB 26.95, 46.3, -30.43

 

CMYK 77 / 68 / 0 / 56

HEX #1A246F

RGB 26 36 111

HSL 232.94, 0.62%, 0.27%

LAB 18.49, 24.17, -44.6

 

CMYK 77 / 77 / 0 / 56

HEX #1A1A6F

RGB 26 26 111

HSL 240, 0.62%, 0.27%

LAB 16.03, 30.84, -48.64

 

CMYK 77 / 68 / 0 / 56

HEX #1A246F

RGB 26 36 111

HSL 232.94, 0.62%, 0.27%

LAB 18.49, 24.17, -44.6

 

CMYK 88 / 78 / 0 / 52

HEX #0F1B7A

RGB 15 27 122

HSL 233.27, 0.78%, 0.27%

LAB 16.94, 33.38, -54.25

 

CMYK 98 / 86 / 0 / 48

HEX #031385

RGB 3 19 133

HSL 232.62, 0.96%, 0.27%

LAB 16.4, 41.29, -62.16

 

CMYK 77 / 68 / 0 / 56

HEX #1A246F

RGB 26 36 111

HSL 232.94, 0.62%, 0.27%

LAB 18.49, 24.17, -44.6

 

CMYK 63 / 56 / 0 / 61

HEX #252C64

RGB 37 44 100

HSL 233.33, 0.46%, 0.27%

LAB 20.5, 16.07, -34.14

 

CMYK 46 / 40 / 0 / 65

HEX #303559

RGB 48 53 89

HSL 232.68, 0.3%, 0.27%

LAB 23.32, 8.59, -22.37

 

CMYK 24 / 22 / 0 / 69

HEX #3B3D4E

RGB 59 61 78

HSL 233.68, 0.14%, 0.27%

LAB 26.21, 3.49, -10.58

 

CMYK 0 / 0 / 6 / 73

HEX #464642

RGB 70 70 66

HSL 60, 0.03%, 0.27%

LAB 29.6, -0.86, 2.41

 

CMYK 77 / 25 / 0 / 56

HEX #1A536F

RGB 26 83 111

HSL 199.76, 0.62%, 0.27%

LAB 33.04, -8.07, -21.35

 

CMYK 77 / 46 / 0 / 56

HEX #1A3C6F

RGB 26 60 111

HSL 216, 0.62%, 0.27%

LAB 25.56, 7.09, -33.15

 

CMYK 77 / 67 / 0 / 56

HEX #1A256F

RGB 26 37 111

HSL 232.24, 0.62%, 0.27%

LAB 18.76, 23.47, -44.16

 

CMYK 67 / 77 / 0 / 56

HEX #251A6F

RGB 37 26 111

HSL 247.76, 0.62%, 0.27%

LAB 16.89, 32.16, -47.2

 

CMYK 46 / 77 / 0 / 56

HEX #3C1A6F

RGB 60 26 111

HSL 264, 0.62%, 0.27%

LAB 19.42, 35.94, -42.95

 

CMYK 77 / 68 / 0 / 83

HEX #0A0E2C

RGB 10 14 44

HSL 232.94, 0.63%, 0.11%

LAB 5.06, 8.36, -20.17

 

CMYK 77 / 68 / 0 / 69

HEX #12194E

RGB 18 25 78

HSL 233, 0.63%, 0.19%

LAB 11.78, 17.64, -33.6

 

CMYK 77 / 68 / 0 / 56

HEX #1A246F

RGB 26 36 111

HSL 232.94, 0.62%, 0.27%

LAB 18.49, 24.17, -44.6

 

CMYK 76 / 67 / 0 / 44

HEX #222F90

RGB 34 47 144

HSL 232.91, 0.62%, 0.35%

LAB 24.91, 30.31, -54.93

 

CMYK 77 / 67 / 0 / 30

HEX #293AB2

RGB 41 58 178

HSL 232.55, 0.63%, 0.43%

LAB 31.14, 36.44, -65.3

 

CMYK 76 / 67 / 0 / 57

HEX #1A246E

RGB 26 36 110

HSL 232.86, 0.62%, 0.27%

LAB 18.4, 23.77, -44.11

 

CMYK 0 / 77 / 5 / 56

HEX #6F1A69

RGB 111 26 105

HSL 304.24, 0.62%, 0.27%

LAB 27.12, 45.95, -26.25

 

CMYK 36 / 0 / 77 / 56

HEX #476F1A

RGB 71 111 26

HSL 88.24, 0.62%, 0.27%

LAB 42.43, -28.55, 40.35

 

CMYK 76 / 67 / 0 / 57

HEX #1A246E

RGB 26 36 110

HSL 232.86, 0.62%, 0.27%

LAB 18.4, 23.77, -44.11

 

CMYK 0 / 77 / 67 / 56

HEX #6F1A25

RGB 111 26 37

HSL 352.24, 0.62%, 0.27%

LAB 24.49, 37.62, 15.43

 

CMYK 67 / 0 / 77 / 56

HEX #256F1A

RGB 37 111 26

HSL 112.24, 0.62%, 0.27%

LAB 40.96, -39.63, 38.39

 

CMYK 76 / 67 / 0 / 57

HEX #1A246E

RGB 26 36 110

HSL 232.86, 0.62%, 0.27%

LAB 18.4, 23.77, -44.11

 

CMYK 0 / 77 / 5 / 56

HEX #6F1A69

RGB 111 26 105

HSL 304.24, 0.62%, 0.27%

LAB 27.12, 45.95, -26.25

 

CMYK 0 / 10 / 77 / 56

HEX #6F641A

RGB 111 100 26

HSL 52.24, 0.62%, 0.27%

LAB 42.11, -4.6, 41.09

 

CMYK 77 / 0 / 72 / 56

HEX #1A6F1F

RGB 26 111 31

HSL 123.53, 0.62%, 0.27%

LAB 40.71, -41.49, 35.95

 

CMYK 76 / 67 / 0 / 57

HEX #1A246E

RGB 26 36 110

HSL 232.86, 0.62%, 0.27%

LAB 18.4, 23.77, -44.11

 

CMYK 0 / 77 / 28 / 56

HEX #6F1A50

RGB 111 26 80

HSL 321.88, 0.62%, 0.27%

LAB 25.85, 42.07, -11.79

 

CMYK 0 / 10 / 77 / 56

HEX #6F641A

RGB 111 100 26

HSL 52.24, 0.62%, 0.27%

LAB 42.11, -4.6, 41.09

 

CMYK 77 / 0 / 49 / 56

HEX #1A6F39

RGB 26 111 57

HSL 141.88, 0.62%, 0.27%

LAB 41.03, -37.76, 23.06

 

Description

Color code: HEX #1A246E | qconv.com Color code: HEX #1A246E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 36 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 36 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 67 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 67% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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