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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CDDF1 it is the complementary color #E3220E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CDDF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CDDF1 shade: #21DDEC, #32EFFF, #43FFFF, #54FFFF and #65FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CDDF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CDDF1 shade: #1CDDF1, #0BCBDE, #00B9CB, #00A7B8 and #0095A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CDDF1 shade: #1DDCF0, #1DA3F0, #1D6BF0, #1D32F0 and #421DF0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CDDF1 shade: #1DDCF0, #1DA3F0, #1D6BF0, #1D32F0 and #1D1DF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CDDF1 shade matches the following richer shades: #1DDCF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CDDF1 shade: #1DDCF0, #31CDDD, #44BDC9, #57ADB6 and #6B9DA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CDDF1 shade: #1DF091, #1DF0C9, #1DDFF0, #1DA6F0 and #1D6EF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CDDF1 shade: #0BA1B0, #0DC4D7, #1DDCF0, #44E2F3 and #6BE8F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CDDF1 shade: #1CDDF1, #591DF0 and #F0AD1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CDDF1 shade: #1CDDF1, #F01DDF and #DFF01D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CDDF1 shade: #1CDDF1, #591DF0, #F02F1D and #B4F01D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CDDF1 shade: #1CDDF1, #981DF0, #F02F1D and #75F01D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 8 / 0 / 5

HEX #1CDDF1

RGB 28 221 241

HSL 185.63, 0.88%, 0.53%

LAB 80.91, -36.24, -22.16

 

Complementary color

CMYK 0 / 85 / 94 / 11

HEX #E3220E

RGB 227 34 14

HSL 5.63, 0.88%, 0.47%

LAB 48.89, 69.32, 58.33

 

CMYK 86 / 6 / 0 / 7

HEX #21DDEC

RGB 33 221 236

HSL 184.43, 0.84%, 0.53%

LAB 80.79, -37.5, -19.68

 

CMYK 80 / 6 / 0 / 0

HEX #32EFFF

RGB 50 239 255

HSL 184.68, 1%, 0.6%

LAB 86.82, -38.92, -20.58

 

CMYK 74 / 0 / 0 / 0

HEX #43FFFF

RGB 67 255 255

HSL 180, 1%, 0.63%

LAB 91.65, -44.55, -13.28

 

CMYK 67 / 0 / 0 / 0

HEX #54FFFF

RGB 84 255 255

HSL 180, 1%, 0.66%

LAB 91.96, -42.57, -12.78

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 88 / 8 / 0 / 5

HEX #1CDDF1

RGB 28 221 241

HSL 185.63, 0.88%, 0.53%

LAB 80.91, -36.24, -22.16

 

CMYK 95 / 9 / 0 / 13

HEX #0BCBDE

RGB 11 203 222

HSL 185.4, 0.91%, 0.46%

LAB 74.86, -34.36, -21.19

 

CMYK 100 / 9 / 0 / 20

HEX #00B9CB

RGB 0 185 203

HSL 185.32, 1%, 0.4%

LAB 68.76, -32.14, -20.12

 

CMYK 100 / 9 / 0 / 28

HEX #00A7B8

RGB 0 167 184

HSL 185.54, 1%, 0.36%

LAB 62.59, -29.58, -18.97

 

CMYK 100 / 10 / 0 / 35

HEX #0095A5

RGB 0 149 165

HSL 185.82, 1%, 0.32%

LAB 56.3, -26.97, -17.8

 

CMYK 88 / 8 / 0 / 6

HEX #1DDCF0

RGB 29 220 240

HSL 185.69, 0.88%, 0.53%

LAB 80.59, -36.03, -22.11

 

CMYK 88 / 32 / 0 / 6

HEX #1DA3F0

RGB 29 163 240

HSL 201.9, 0.88%, 0.53%

LAB 63.96, -6.75, -47.89

 

CMYK 88 / 55 / 0 / 6

HEX #1D6BF0

RGB 29 107 240

HSL 217.82, 0.88%, 0.53%

LAB 48.35, 27.27, -72.92

 

CMYK 88 / 79 / 0 / 6

HEX #1D32F0

RGB 29 50 240

HSL 234.03, 0.88%, 0.53%

LAB 35.66, 61.09, -93.79

 

CMYK 73 / 88 / 0 / 6

HEX #421DF0

RGB 66 29 240

HSL 250.52, 0.88%, 0.53%

LAB 34.66, 70.97, -95.41

 

CMYK 88 / 8 / 0 / 6

HEX #1DDCF0

RGB 29 220 240

HSL 185.69, 0.88%, 0.53%

LAB 80.59, -36.03, -22.11

 

CMYK 88 / 32 / 0 / 6

HEX #1DA3F0

RGB 29 163 240

HSL 201.9, 0.88%, 0.53%

LAB 63.96, -6.75, -47.89

 

CMYK 88 / 55 / 0 / 6

HEX #1D6BF0

RGB 29 107 240

HSL 217.82, 0.88%, 0.53%

LAB 48.35, 27.27, -72.92

 

CMYK 88 / 79 / 0 / 6

HEX #1D32F0

RGB 29 50 240

HSL 234.03, 0.88%, 0.53%

LAB 35.66, 61.09, -93.79

 

CMYK 88 / 88 / 0 / 6

HEX #1D1DF0

RGB 29 29 240

HSL 240, 0.88%, 0.53%

LAB 32.77, 69.69, -98.61

 

CMYK 88 / 8 / 0 / 6

HEX #1DDCF0

RGB 29 220 240

HSL 185.69, 0.88%, 0.53%

LAB 80.59, -36.03, -22.11

 

CMYK 88 / 8 / 0 / 6

HEX #1DDCF0

RGB 29 220 240

HSL 185.69, 0.88%, 0.53%

LAB 80.59, -36.03, -22.11

 

CMYK 78 / 7 / 0 / 13

HEX #31CDDD

RGB 49 205 221

HSL 185.58, 0.72%, 0.53%

LAB 75.78, -33.36, -19.21

 

CMYK 66 / 6 / 0 / 21

HEX #44BDC9

RGB 68 189 201

HSL 185.41, 0.55%, 0.53%

LAB 70.76, -29.34, -15.91

 

CMYK 52 / 5 / 0 / 29

HEX #57ADB6

RGB 87 173 182

HSL 185.68, 0.39%, 0.53%

LAB 65.97, -23.37, -12.58

 

CMYK 34 / 4 / 0 / 36

HEX #6B9DA3

RGB 107 157 163

HSL 186.43, 0.23%, 0.53%

LAB 61.55, -15.08, -8.46

 

CMYK 88 / 0 / 40 / 6

HEX #1DF091

RGB 29 240 145

HSL 152.99, 0.88%, 0.53%

LAB 84.29, -67.94, 32.94

 

CMYK 88 / 0 / 16 / 6

HEX #1DF0C9

RGB 29 240 201

HSL 168.91, 0.88%, 0.53%

LAB 85.4, -55.61, 5.63

 

CMYK 88 / 7 / 0 / 6

HEX #1DDFF0

RGB 29 223 240

HSL 184.83, 0.88%, 0.53%

LAB 81.47, -37.43, -20.78

 

CMYK 88 / 31 / 0 / 6

HEX #1DA6F0

RGB 29 166 240

HSL 201.04, 0.88%, 0.53%

LAB 64.82, -8.43, -46.52

 

CMYK 88 / 54 / 0 / 6

HEX #1D6EF0

RGB 29 110 240

HSL 216.97, 0.88%, 0.53%

LAB 49.14, 25.36, -71.64

 

CMYK 94 / 9 / 0 / 31

HEX #0BA1B0

RGB 11 161 176

HSL 185.45, 0.88%, 0.37%

LAB 60.51, -28.87, -17.63

 

CMYK 94 / 9 / 0 / 16

HEX #0DC4D7

RGB 13 196 215

HSL 185.64, 0.89%, 0.45%

LAB 72.54, -33.19, -20.92

 

CMYK 88 / 8 / 0 / 6

HEX #1DDCF0

RGB 29 220 240

HSL 185.69, 0.88%, 0.53%

LAB 80.59, -36.03, -22.11

 

CMYK 72 / 7 / 0 / 5

HEX #44E2F3

RGB 68 226 243

HSL 185.83, 0.88%, 0.61%

LAB 82.96, -34.69, -20.06

 

CMYK 56 / 5 / 0 / 4

HEX #6BE8F5

RGB 107 232 245

HSL 185.65, 0.87%, 0.69%

LAB 85.72, -31.09, -16.86

 

CMYK 88 / 8 / 0 / 5

HEX #1CDDF1

RGB 28 221 241

HSL 185.63, 0.88%, 0.53%

LAB 80.91, -36.24, -22.16

 

CMYK 63 / 88 / 0 / 6

HEX #591DF0

RGB 89 29 240

HSL 257.06, 0.88%, 0.53%

LAB 36.54, 72.33, -92.23

 

CMYK 0 / 28 / 88 / 6

HEX #F0AD1D

RGB 240 173 29

HSL 40.95, 0.88%, 0.53%

LAB 75.14, 13.72, 73.97

 

CMYK 88 / 8 / 0 / 5

HEX #1CDDF1

RGB 28 221 241

HSL 185.63, 0.88%, 0.53%

LAB 80.91, -36.24, -22.16

 

CMYK 0 / 88 / 7 / 6

HEX #F01DDF

RGB 240 29 223

HSL 304.83, 0.88%, 0.53%

LAB 56.81, 88.95, -48.68

 

CMYK 7 / 0 / 88 / 6

HEX #DFF01D

RGB 223 240 29

HSL 64.83, 0.88%, 0.53%

LAB 90.82, -27.25, 85.75

 

CMYK 88 / 8 / 0 / 5

HEX #1CDDF1

RGB 28 221 241

HSL 185.63, 0.88%, 0.53%

LAB 80.91, -36.24, -22.16

 

CMYK 63 / 88 / 0 / 6

HEX #591DF0

RGB 89 29 240

HSL 257.06, 0.88%, 0.53%

LAB 36.54, 72.33, -92.23

 

CMYK 0 / 80 / 88 / 6

HEX #F02F1D

RGB 240 47 29

HSL 5.12, 0.88%, 0.53%

LAB 52.56, 70.13, 56.56

 

CMYK 25 / 0 / 88 / 6

HEX #B4F01D

RGB 180 240 29

HSL 77.06, 0.88%, 0.53%

LAB 88.02, -44.2, 82.31

 

CMYK 88 / 8 / 0 / 5

HEX #1CDDF1

RGB 28 221 241

HSL 185.63, 0.88%, 0.53%

LAB 80.91, -36.24, -22.16

 

CMYK 37 / 88 / 0 / 6

HEX #981DF0

RGB 152 29 240

HSL 274.98, 0.88%, 0.53%

LAB 44.01, 78.39, -79.65

 

CMYK 0 / 80 / 88 / 6

HEX #F02F1D

RGB 240 47 29

HSL 5.12, 0.88%, 0.53%

LAB 52.56, 70.13, 56.56

 

CMYK 51 / 0 / 88 / 6

HEX #75F01D

RGB 117 240 29

HSL 94.98, 0.88%, 0.53%

LAB 85.09, -65.1, 78.68

 

Description

Color code: HEX #1CDDF1 | qconv.com Color code: HEX #1CDDF1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 221 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 221 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 8 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 8% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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