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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CD2BD it is the complementary color #E32D42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CD2BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CD2BD shade: #21D2B8, #32E4CB, #43F6DE, #54FFF1 and #65FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CD2BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CD2BD shade: #1CD2BD, #0BC0AA, #00AE97, #009C84 and #008A71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CD2BD shade: #1CD2BD, #1CD28C, #1CD25B, #1CD22A and #40D21C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CD2BD shade: #1CD2BD, #1CB6D2, #1C85D2, #1C54D2 and #1C23D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CD2BD shade matches the following richer shades: #1CD2BD and #09E6CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CD2BD shade: #1CD2BD, #30BFAF, #43ACA0, #569891 and #6A8582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CD2BD shade: #1CD25C, #1CD28D, #1CD2BD, #1CB7D2 and #1C87D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CD2BD shade: #128A7C, #17AE9D, #1CD2BD, #35E3CF and #59E8D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CD2BD shade: #1CD2BD, #2B1CD2 and #D2741C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CD2BD shade: #1CD2BD, #BD1CD2 and #D2BD1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CD2BD shade: #1CD2BD, #2B1CD2, #D21C32 and #C3D21C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CD2BD shade: #1CD2BD, #621CD2, #D21C32 and #8DD21C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 10 / 18

HEX #1CD2BD

RGB 28 210 189

HSL 173.08, 0.76%, 0.47%

LAB 76.08, -46.5, -1.56

 

Complementary color

CMYK 0 / 80 / 71 / 11

HEX #E32D42

RGB 227 45 66

HSL 353.08, 0.76%, 0.53%

LAB 50.22, 68.12, 34.15

 

CMYK 84 / 0 / 12 / 18

HEX #21D2B8

RGB 33 210 184

HSL 171.19, 0.73%, 0.48%

LAB 75.99, -47.51, 1.02

 

CMYK 78 / 0 / 11 / 11

HEX #32E4CB

RGB 50 228 203

HSL 171.57, 0.77%, 0.55%

LAB 82.1, -48.64, -0.19

 

CMYK 73 / 0 / 10 / 4

HEX #43F6DE

RGB 67 246 222

HSL 171.96, 0.91%, 0.61%

LAB 88.15, -49.5, -1.29

 

CMYK 67 / 0 / 5 / 0

HEX #54FFF1

RGB 84 255 241

HSL 175.09, 1%, 0.66%

LAB 91.58, -46.29, -6.1

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 87 / 0 / 10 / 18

HEX #1CD2BD

RGB 28 210 189

HSL 173.08, 0.76%, 0.47%

LAB 76.08, -46.5, -1.56

 

CMYK 94 / 0 / 11 / 25

HEX #0BC0AA

RGB 11 192 170

HSL 172.71, 0.89%, 0.4%

LAB 69.95, -44.87, -0.24

 

CMYK 100 / 0 / 13 / 32

HEX #00AE97

RGB 0 174 151

HSL 172.07, 1%, 0.34%

LAB 63.76, -42.86, 1.22

 

CMYK 100 / 0 / 15 / 39

HEX #009C84

RGB 0 156 132

HSL 170.77, 1%, 0.31%

LAB 57.5, -40.45, 2.82

 

CMYK 100 / 0 / 18 / 46

HEX #008A71

RGB 0 138 113

HSL 169.13, 1%, 0.27%

LAB 51.12, -37.98, 4.5

 

CMYK 87 / 0 / 10 / 18

HEX #1CD2BD

RGB 28 210 189

HSL 173.08, 0.76%, 0.47%

LAB 76.08, -46.5, -1.56

 

CMYK 87 / 0 / 33 / 18

HEX #1CD28C

RGB 28 210 140

HSL 156.92, 0.76%, 0.47%

LAB 74.97, -58.4, 23.01

 

CMYK 87 / 0 / 57 / 18

HEX #1CD25B

RGB 28 210 91

HSL 140.77, 0.76%, 0.47%

LAB 74.25, -66.89, 46.56

 

CMYK 87 / 0 / 80 / 18

HEX #1CD22A

RGB 28 210 42

HSL 124.62, 0.76%, 0.47%

LAB 73.87, -71.6, 65

 

CMYK 70 / 0 / 87 / 18

HEX #40D21C

RGB 64 210 28

HSL 108.13, 0.76%, 0.47%

LAB 74.36, -67.55, 69.05

 

CMYK 87 / 0 / 10 / 18

HEX #1CD2BD

RGB 28 210 189

HSL 173.08, 0.76%, 0.47%

LAB 76.08, -46.5, -1.56

 

CMYK 87 / 13 / 0 / 18

HEX #1CB6D2

RGB 28 182 210

HSL 189.23, 0.76%, 0.47%

LAB 68.28, -27.3, -24.68

 

CMYK 87 / 37 / 0 / 18

HEX #1C85D2

RGB 28 133 210

HSL 205.38, 0.76%, 0.47%

LAB 53.68, -0.5, -47.46

 

CMYK 87 / 60 / 0 / 18

HEX #1C54D2

RGB 28 84 210

HSL 221.54, 0.76%, 0.47%

LAB 39.98, 30.58, -69.55

 

CMYK 87 / 83 / 0 / 18

HEX #1C23D2

RGB 28 35 210

HSL 237.69, 0.76%, 0.47%

LAB 29.67, 58.86, -86.57

 

CMYK 87 / 0 / 10 / 18

HEX #1CD2BD

RGB 28 210 189

HSL 173.08, 0.76%, 0.47%

LAB 76.08, -46.5, -1.56

 

CMYK 96 / 0 / 11 / 10

HEX #09E6CC

RGB 9 230 204

HSL 172.94, 0.92%, 0.47%

LAB 82.38, -51.55, -0.34

 

CMYK 87 / 0 / 10 / 18

HEX #1CD2BD

RGB 28 210 189

HSL 173.08, 0.76%, 0.47%

LAB 76.08, -46.5, -1.56

 

CMYK 75 / 0 / 8 / 25

HEX #30BFAF

RGB 48 191 175

HSL 173.29, 0.6%, 0.47%

LAB 70.17, -40.35, -2.6

 

CMYK 61 / 0 / 7 / 33

HEX #43ACA0

RGB 67 172 160

HSL 173.14, 0.44%, 0.47%

LAB 64.35, -32.92, -2.81

 

CMYK 43 / 0 / 5 / 40

HEX #569891

RGB 86 152 145

HSL 173.64, 0.28%, 0.47%

LAB 58.49, -22.81, -2.91

 

CMYK 20 / 0 / 2 / 48

HEX #6A8582

RGB 106 133 130

HSL 173.33, 0.11%, 0.47%

LAB 53.44, -10.27, -1.58

 

CMYK 87 / 0 / 56 / 18

HEX #1CD25C

RGB 28 210 92

HSL 141.1, 0.76%, 0.47%

LAB 74.26, -66.76, 46.11

 

CMYK 87 / 0 / 33 / 18

HEX #1CD28D

RGB 28 210 141

HSL 157.25, 0.76%, 0.47%

LAB 74.99, -58.19, 22.51

 

CMYK 87 / 0 / 10 / 18

HEX #1CD2BD

RGB 28 210 189

HSL 173.08, 0.76%, 0.47%

LAB 76.08, -46.5, -1.56

 

CMYK 87 / 13 / 0 / 18

HEX #1CB7D2

RGB 28 183 210

HSL 188.9, 0.76%, 0.47%

LAB 68.58, -27.8, -24.22

 

CMYK 87 / 36 / 0 / 18

HEX #1C87D2

RGB 28 135 210

HSL 204.73, 0.76%, 0.47%

LAB 54.27, -1.69, -46.53

 

CMYK 87 / 0 / 10 / 46

HEX #128A7C

RGB 18 138 124

HSL 173, 0.77%, 0.31%

LAB 51.57, -33.77, -1.22

 

CMYK 87 / 0 / 10 / 32

HEX #17AE9D

RGB 23 174 157

HSL 173.25, 0.77%, 0.39%

LAB 64.07, -40.13, -1.65

 

CMYK 87 / 0 / 10 / 18

HEX #1CD2BD

RGB 28 210 189

HSL 173.08, 0.76%, 0.47%

LAB 76.08, -46.5, -1.56

 

CMYK 77 / 0 / 9 / 11

HEX #35E3CF

RGB 53 227 207

HSL 173.1, 0.76%, 0.55%

LAB 81.95, -46.87, -2.53

 

CMYK 62 / 0 / 7 / 9

HEX #59E8D8

RGB 89 232 216

HSL 173.29, 0.76%, 0.63%

LAB 84.38, -41.9, -3.63

 

CMYK 87 / 0 / 10 / 18

HEX #1CD2BD

RGB 28 210 189

HSL 173.08, 0.76%, 0.47%

LAB 76.08, -46.5, -1.56

 

CMYK 80 / 87 / 0 / 18

HEX #2B1CD2

RGB 43 28 210

HSL 244.95, 0.76%, 0.47%

LAB 29.41, 62.19, -86.99

 

CMYK 0 / 45 / 87 / 18

HEX #D2741C

RGB 210 116 28

HSL 29.01, 0.76%, 0.47%

LAB 58.3, 31.29, 59.32

 

CMYK 87 / 0 / 10 / 18

HEX #1CD2BD

RGB 28 210 189

HSL 173.08, 0.76%, 0.47%

LAB 76.08, -46.5, -1.56

 

CMYK 10 / 87 / 0 / 18

HEX #BD1CD2

RGB 189 28 210

HSL 293.08, 0.76%, 0.47%

LAB 47.37, 78.4, -56.85

 

CMYK 0 / 10 / 87 / 18

HEX #D2BD1C

RGB 210 189 28

HSL 53.08, 0.76%, 0.47%

LAB 76.18, -7.67, 73.75

 

CMYK 87 / 0 / 10 / 18

HEX #1CD2BD

RGB 28 210 189

HSL 173.08, 0.76%, 0.47%

LAB 76.08, -46.5, -1.56

 

CMYK 80 / 87 / 0 / 18

HEX #2B1CD2

RGB 43 28 210

HSL 244.95, 0.76%, 0.47%

LAB 29.41, 62.19, -86.99

 

CMYK 0 / 87 / 76 / 18

HEX #D21C32

RGB 210 28 50

HSL 352.75, 0.76%, 0.47%

LAB 45.31, 66.72, 37

 

CMYK 7 / 0 / 87 / 18

HEX #C3D21C

RGB 195 210 28

HSL 64.95, 0.76%, 0.47%

LAB 80.62, -24.56, 76.83

 

CMYK 87 / 0 / 10 / 18

HEX #1CD2BD

RGB 28 210 189

HSL 173.08, 0.76%, 0.47%

LAB 76.08, -46.5, -1.56

 

CMYK 53 / 87 / 0 / 18

HEX #621CD2

RGB 98 28 210

HSL 263.08, 0.76%, 0.47%

LAB 34.15, 66.02, -78.98

 

CMYK 0 / 87 / 76 / 18

HEX #D21C32

RGB 210 28 50

HSL 352.75, 0.76%, 0.47%

LAB 45.31, 66.72, 37

 

CMYK 33 / 0 / 87 / 18

HEX #8DD21C

RGB 141 210 28

HSL 82.75, 0.76%, 0.47%

LAB 77.18, -45.89, 72.58

 

Description

Color code: HEX #1CD2BD | qconv.com Color code: HEX #1CD2BD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 210 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 210 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 10 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 10% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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