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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CD1BE it is the complementary color #E32E41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CD1BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CD1BE shade: #21D1B9, #32E3CC, #43F5DF, #54FFF2 and #65FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CD1BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CD1BE shade: #1CD1BE, #0BBFAB, #00AD98, #009B85 and #008972

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CD1BE shade: #1CCEBB, #1CCE8B, #1CCE5B, #1CCE2B and #3CCE1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CD1BE shade: #1CCEBB, #1CB1CE, #1C81CE, #1C50CE and #1C20CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CD1BE shade matches the following richer shades: #1CCEBB and #09E1CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CD1BE shade: #1CCEBB, #2FBBAC, #42A89D, #55958E and #68827F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CD1BE shade: #1CCE5A, #1CCE8A, #1CCEB9, #1CB3CE and #1C84CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CD1BE shade: #128579, #17AA9A, #1CCEBB, #30E2D0 and #55E7D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CD1BE shade: #1CD1BE, #2B1CCE and #CE721C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CD1BE shade: #1CD1BE, #B91CCE and #CEB91C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CD1BE shade: #1CD1BE, #2B1CCE, #CE1C30 and #BFCE1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CD1BE shade: #1CD1BE, #601CCE, #CE1C30 and #8ACE1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 9 / 18

HEX #1CD1BE

RGB 28 209 190

HSL 173.7, 0.76%, 0.46%

LAB 75.8, -45.8, -2.5

 

Complementary color

CMYK 0 / 80 / 71 / 11

HEX #E32E41

RGB 227 46 65

HSL 353.7, 0.76%, 0.54%

LAB 50.29, 67.82, 34.82

 

CMYK 84 / 0 / 11 / 18

HEX #21D1B9

RGB 33 209 185

HSL 171.82, 0.73%, 0.47%

LAB 75.72, -46.83, 0.07

 

CMYK 78 / 0 / 10 / 11

HEX #32E3CC

RGB 50 227 204

HSL 172.2, 0.76%, 0.54%

LAB 81.83, -47.96, -1.12

 

CMYK 73 / 0 / 9 / 4

HEX #43F5DF

RGB 67 245 223

HSL 172.58, 0.9%, 0.61%

LAB 87.88, -48.82, -2.21

 

CMYK 67 / 0 / 5 / 0

HEX #54FFF2

RGB 84 255 242

HSL 175.44, 1%, 0.66%

LAB 91.6, -46.03, -6.58

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 87 / 0 / 9 / 18

HEX #1CD1BE

RGB 28 209 190

HSL 173.7, 0.76%, 0.46%

LAB 75.8, -45.8, -2.5

 

CMYK 94 / 0 / 10 / 25

HEX #0BBFAB

RGB 11 191 171

HSL 173.33, 0.89%, 0.4%

LAB 69.66, -44.17, -1.2

 

CMYK 100 / 0 / 12 / 32

HEX #00AD98

RGB 0 173 152

HSL 172.72, 1%, 0.34%

LAB 63.47, -42.15, 0.24

 

CMYK 100 / 0 / 14 / 39

HEX #009B85

RGB 0 155 133

HSL 171.48, 1%, 0.3%

LAB 57.21, -39.73, 1.82

 

CMYK 100 / 0 / 17 / 46

HEX #008972

RGB 0 137 114

HSL 169.93, 1%, 0.27%

LAB 50.81, -37.27, 3.48

 

CMYK 86 / 0 / 9 / 19

HEX #1CCEBB

RGB 28 206 187

HSL 173.6, 0.76%, 0.46%

LAB 74.81, -45.34, -2.34

 

CMYK 86 / 0 / 33 / 19

HEX #1CCE8B

RGB 28 206 139

HSL 157.42, 0.76%, 0.46%

LAB 73.71, -57.14, 21.81

 

CMYK 86 / 0 / 56 / 19

HEX #1CCE5B

RGB 28 206 91

HSL 141.24, 0.76%, 0.46%

LAB 72.99, -65.62, 45.05

 

CMYK 86 / 0 / 79 / 19

HEX #1CCE2B

RGB 28 206 43

HSL 125.06, 0.76%, 0.46%

LAB 72.6, -70.4, 63.52

 

CMYK 71 / 0 / 86 / 19

HEX #3CCE1C

RGB 60 206 28

HSL 109.21, 0.76%, 0.46%

LAB 73.01, -67.02, 67.84

 

CMYK 86 / 0 / 9 / 19

HEX #1CCEBB

RGB 28 206 187

HSL 173.6, 0.76%, 0.46%

LAB 74.81, -45.34, -2.34

 

CMYK 86 / 14 / 0 / 19

HEX #1CB1CE

RGB 28 177 206

HSL 189.78, 0.76%, 0.46%

LAB 66.63, -26.11, -25

 

CMYK 86 / 37 / 0 / 19

HEX #1C81CE

RGB 28 129 206

HSL 205.96, 0.76%, 0.46%

LAB 52.29, 0.39, -47.41

 

CMYK 86 / 61 / 0 / 19

HEX #1C50CE

RGB 28 80 206

HSL 222.47, 0.76%, 0.46%

LAB 38.62, 31.65, -69.47

 

CMYK 86 / 84 / 0 / 19

HEX #1C20CE

RGB 28 32 206

HSL 238.65, 0.76%, 0.46%

LAB 28.74, 58.95, -85.79

 

CMYK 86 / 0 / 9 / 19

HEX #1CCEBB

RGB 28 206 187

HSL 173.6, 0.76%, 0.46%

LAB 74.81, -45.34, -2.34

 

CMYK 96 / 0 / 10 / 12

HEX #09E1CA

RGB 9 225 202

HSL 173.61, 0.92%, 0.46%

LAB 80.83, -50.03, -1.55

 

CMYK 86 / 0 / 9 / 19

HEX #1CCEBB

RGB 28 206 187

HSL 173.6, 0.76%, 0.46%

LAB 74.81, -45.34, -2.34

 

CMYK 75 / 0 / 8 / 27

HEX #2FBBAC

RGB 47 187 172

HSL 173.57, 0.6%, 0.46%

LAB 68.84, -39.51, -2.91

 

CMYK 61 / 0 / 7 / 34

HEX #42A89D

RGB 66 168 157

HSL 173.53, 0.44%, 0.46%

LAB 63.01, -32.01, -3.12

 

CMYK 43 / 0 / 5 / 42

HEX #55958E

RGB 85 149 142

HSL 173.44, 0.27%, 0.46%

LAB 57.44, -22.29, -2.74

 

CMYK 20 / 0 / 2 / 49

HEX #68827F

RGB 104 130 127

HSL 173.08, 0.11%, 0.46%

LAB 52.33, -9.96, -1.47

 

CMYK 86 / 0 / 56 / 19

HEX #1CCE5A

RGB 28 206 90

HSL 140.9, 0.76%, 0.46%

LAB 72.98, -65.76, 45.51

 

CMYK 86 / 0 / 33 / 19

HEX #1CCE8A

RGB 28 206 138

HSL 157.08, 0.76%, 0.46%

LAB 73.69, -57.36, 22.31

 

CMYK 86 / 0 / 10 / 19

HEX #1CCEB9

RGB 28 206 185

HSL 172.92, 0.76%, 0.46%

LAB 74.76, -45.89, -1.34

 

CMYK 86 / 13 / 0 / 19

HEX #1CB3CE

RGB 28 179 206

HSL 189.1, 0.76%, 0.46%

LAB 67.23, -27.11, -24.08

 

CMYK 86 / 36 / 0 / 19

HEX #1C84CE

RGB 28 132 206

HSL 204.94, 0.76%, 0.46%

LAB 53.17, -1.41, -46

 

CMYK 86 / 0 / 9 / 48

HEX #128579

RGB 18 133 121

HSL 173.74, 0.76%, 0.3%

LAB 49.84, -32.34, -2

 

CMYK 86 / 0 / 9 / 33

HEX #17AA9A

RGB 23 170 154

HSL 173.47, 0.76%, 0.38%

LAB 62.73, -39.21, -1.94

 

CMYK 86 / 0 / 9 / 19

HEX #1CCEBB

RGB 28 206 187

HSL 173.6, 0.76%, 0.46%

LAB 74.81, -45.34, -2.34

 

CMYK 79 / 0 / 8 / 11

HEX #30E2D0

RGB 48 226 208

HSL 173.93, 0.75%, 0.54%

LAB 81.61, -46.65, -3.56

 

CMYK 63 / 0 / 6 / 9

HEX #55E7D8

RGB 85 231 216

HSL 173.84, 0.75%, 0.62%

LAB 83.99, -42.1, -4.21

 

CMYK 87 / 0 / 9 / 18

HEX #1CD1BE

RGB 28 209 190

HSL 173.7, 0.76%, 0.46%

LAB 75.8, -45.8, -2.5

 

CMYK 79 / 86 / 0 / 19

HEX #2B1CCE

RGB 43 28 206

HSL 245.06, 0.76%, 0.46%

LAB 28.9, 61.07, -85.5

 

CMYK 0 / 45 / 86 / 19

HEX #CE721C

RGB 206 114 28

HSL 28.99, 0.76%, 0.46%

LAB 57.31, 30.69, 58.28

 

CMYK 87 / 0 / 9 / 18

HEX #1CD1BE

RGB 28 209 190

HSL 173.7, 0.76%, 0.46%

LAB 75.8, -45.8, -2.5

 

CMYK 10 / 86 / 0 / 19

HEX #B91CCE

RGB 185 28 206

HSL 292.92, 0.76%, 0.46%

LAB 46.45, 77.08, -56.06

 

CMYK 0 / 10 / 86 / 19

HEX #CEB91C

RGB 206 185 28

HSL 52.92, 0.76%, 0.46%

LAB 74.76, -7.35, 72.45

 

CMYK 87 / 0 / 9 / 18

HEX #1CD1BE

RGB 28 209 190

HSL 173.7, 0.76%, 0.46%

LAB 75.8, -45.8, -2.5

 

CMYK 79 / 86 / 0 / 19

HEX #2B1CCE

RGB 43 28 206

HSL 245.06, 0.76%, 0.46%

LAB 28.9, 61.07, -85.5

 

CMYK 0 / 86 / 77 / 19

HEX #CE1C30

RGB 206 28 48

HSL 353.26, 0.76%, 0.46%

LAB 44.47, 65.6, 37.01

 

CMYK 7 / 0 / 86 / 19

HEX #BFCE1C

RGB 191 206 28

HSL 65.06, 0.76%, 0.46%

LAB 79.22, -24.31, 75.56

 

CMYK 87 / 0 / 9 / 18

HEX #1CD1BE

RGB 28 209 190

HSL 173.7, 0.76%, 0.46%

LAB 75.8, -45.8, -2.5

 

CMYK 53 / 86 / 0 / 19

HEX #601CCE

RGB 96 28 206

HSL 262.92, 0.76%, 0.46%

LAB 33.51, 64.85, -77.72

 

CMYK 0 / 86 / 77 / 19

HEX #CE1C30

RGB 206 28 48

HSL 353.26, 0.76%, 0.46%

LAB 44.47, 65.6, 37.01

 

CMYK 33 / 0 / 86 / 19

HEX #8ACE1C

RGB 138 206 28

HSL 82.92, 0.76%, 0.46%

LAB 75.84, -45.29, 71.38

 

Description

Color code: HEX #1CD1BE | qconv.com Color code: HEX #1CD1BE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 209 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 209 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 9 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 9% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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