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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CBE99 it is the complementary color #E34166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CBE99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CBE99 shade: #21BE94, #32D0A7, #43E2BA, #54F4CD and #65FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CBE99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CBE99 shade: #1CBE99, #0BAC86, #009A73, #008860 and #00764D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CBE99 shade: #1CBE99, #1CBE6D, #1CBE42, #22BE1C and #4EBE1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CBE99 shade: #1CBE99, #1CB8BE, #1C8CBE, #1C60BE and #1C34BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CBE99 shade matches the following richer shades: #1CBE99 and #0AD0A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CBE99 shade: #1CBE99, #2EAD90, #3F9B86, #51897C and #637773

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CBE99 shade: #1CBE42, #1CBE6D, #1CBE98, #1CB9BE and #1C8EBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CBE99 shade: #11775F, #179A7C, #1CBE99, #25DEB4 and #49E3C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CBE99 shade: #1CBE99, #1C21BE and #BE581C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CBE99 shade: #1CBE99, #981CBE and #BE981C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CBE99 shade: #1CBE99, #1C21BE, #BE1C42 and #BEB91C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CBE99 shade: #1CBE99, #471CBE, #BE1C42 and #93BE1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 19 / 25

HEX #1CBE99

RGB 28 190 153

HSL 166.3, 0.74%, 0.43%

LAB 69.02, -47.65, 7.73

 

Complementary color

CMYK 0 / 71 / 55 / 11

HEX #E34166

RGB 227 65 102

HSL 346.3, 0.74%, 0.57%

LAB 53.03, 64.12, 16.31

 

CMYK 83 / 0 / 22 / 25

HEX #21BE94

RGB 33 190 148

HSL 163.95, 0.7%, 0.44%

LAB 68.96, -48.49, 10.38

 

CMYK 76 / 0 / 20 / 18

HEX #32D0A7

RGB 50 208 167

HSL 164.43, 0.63%, 0.51%

LAB 75.19, -49.45, 9.01

 

CMYK 70 / 0 / 18 / 11

HEX #43E2BA

RGB 67 226 186

HSL 164.91, 0.73%, 0.57%

LAB 81.36, -50.12, 7.78

 

CMYK 66 / 0 / 16 / 4

HEX #54F4CD

RGB 84 244 205

HSL 165.38, 0.88%, 0.64%

LAB 87.48, -50.58, 6.64

 

CMYK 60 / 0 / 12 / 0

HEX #65FFE0

RGB 101 255 224

HSL 167.92, 1%, 0.7%

LAB 91.54, -47.92, 2.69

 

CMYK 85 / 0 / 19 / 25

HEX #1CBE99

RGB 28 190 153

HSL 166.3, 0.74%, 0.43%

LAB 69.02, -47.65, 7.73

 

CMYK 94 / 0 / 22 / 33

HEX #0BAC86

RGB 11 172 134

HSL 165.84, 0.88%, 0.36%

LAB 62.76, -46.13, 9.24

 

CMYK 100 / 0 / 25 / 40

HEX #009A73

RGB 0 154 115

HSL 164.81, 1%, 0.3%

LAB 56.44, -44.14, 10.92

 

CMYK 100 / 0 / 29 / 47

HEX #008860

RGB 0 136 96

HSL 162.35, 1%, 0.27%

LAB 50.04, -41.62, 12.79

 

CMYK 100 / 0 / 35 / 54

HEX #00764D

RGB 0 118 77

HSL 159.15, 1%, 0.23%

LAB 43.5, -39, 14.78

 

CMYK 85 / 0 / 19 / 25

HEX #1CBE99

RGB 28 190 153

HSL 166.3, 0.74%, 0.43%

LAB 69.02, -47.65, 7.73

 

CMYK 85 / 0 / 43 / 25

HEX #1CBE6D

RGB 28 190 109

HSL 150, 0.74%, 0.43%

LAB 68.15, -57.35, 30.1

 

CMYK 85 / 0 / 65 / 25

HEX #1CBE42

RGB 28 190 66

HSL 134.07, 0.74%, 0.43%

LAB 67.63, -63.68, 50.09

 

CMYK 82 / 0 / 85 / 25

HEX #22BE1C

RGB 34 190 28

HSL 117.78, 0.74%, 0.43%

LAB 67.46, -65.97, 62.76

 

CMYK 59 / 0 / 85 / 25

HEX #4EBE1C

RGB 78 190 28

HSL 101.48, 0.74%, 0.43%

LAB 68.41, -57.94, 63.96

 

CMYK 85 / 0 / 19 / 25

HEX #1CBE99

RGB 28 190 153

HSL 166.3, 0.74%, 0.43%

LAB 69.02, -47.65, 7.73

 

CMYK 85 / 3 / 0 / 25

HEX #1CB8BE

RGB 28 184 190

HSL 182.22, 0.74%, 0.43%

LAB 68.2, -34.6, -13.8

 

CMYK 85 / 26 / 0 / 25

HEX #1C8CBE

RGB 28 140 190

HSL 198.52, 0.74%, 0.43%

LAB 54.78, -11.97, -34.38

 

CMYK 85 / 49 / 0 / 25

HEX #1C60BE

RGB 28 96 190

HSL 214.81, 0.74%, 0.43%

LAB 41.74, 14.92, -55.12

 

CMYK 85 / 73 / 0 / 25

HEX #1C34BE

RGB 28 52 190

HSL 231.11, 0.74%, 0.43%

LAB 30.45, 43.46, -73.57

 

CMYK 85 / 0 / 19 / 25

HEX #1CBE99

RGB 28 190 153

HSL 166.3, 0.74%, 0.43%

LAB 69.02, -47.65, 7.73

 

CMYK 95 / 0 / 22 / 18

HEX #0AD0A3

RGB 10 208 163

HSL 166.36, 0.91%, 0.43%

LAB 74.71, -53.27, 10.42

 

CMYK 85 / 0 / 19 / 25

HEX #1CBE99

RGB 28 190 153

HSL 166.3, 0.74%, 0.43%

LAB 69.02, -47.65, 7.73

 

CMYK 73 / 0 / 17 / 32

HEX #2EAD90

RGB 46 173 144

HSL 166.3, 0.58%, 0.43%

LAB 63.74, -40.93, 5.15

 

CMYK 59 / 0 / 14 / 39

HEX #3F9B86

RGB 63 155 134

HSL 166.3, 0.42%, 0.43%

LAB 58.25, -32.5, 2.88

 

CMYK 41 / 0 / 9 / 46

HEX #51897C

RGB 81 137 124

HSL 166.07, 0.26%, 0.43%

LAB 53.05, -21.7, 1.17

 

CMYK 17 / 0 / 3 / 53

HEX #637773

RGB 99 119 115

HSL 168, 0.09%, 0.43%

LAB 48.37, -8.22, -0.26

 

CMYK 85 / 0 / 65 / 25

HEX #1CBE42

RGB 28 190 66

HSL 134.07, 0.74%, 0.43%

LAB 67.63, -63.68, 50.09

 

CMYK 85 / 0 / 43 / 25

HEX #1CBE6D

RGB 28 190 109

HSL 150, 0.74%, 0.43%

LAB 68.15, -57.35, 30.1

 

CMYK 85 / 0 / 20 / 25

HEX #1CBE98

RGB 28 190 152

HSL 165.93, 0.74%, 0.43%

LAB 69, -47.9, 8.24

 

CMYK 85 / 3 / 0 / 25

HEX #1CB9BE

RGB 28 185 190

HSL 181.85, 0.74%, 0.43%

LAB 68.51, -35.07, -13.34

 

CMYK 85 / 25 / 0 / 25

HEX #1C8EBE

RGB 28 142 190

HSL 197.78, 0.74%, 0.43%

LAB 55.39, -13.09, -33.43

 

CMYK 86 / 0 / 20 / 53

HEX #11775F

RGB 17 119 95

HSL 165.88, 0.75%, 0.27%

LAB 44.43, -33.49, 5.49

 

CMYK 85 / 0 / 19 / 40

HEX #179A7C

RGB 23 154 124

HSL 166.26, 0.74%, 0.35%

LAB 56.83, -40.47, 6.41

 

CMYK 85 / 0 / 19 / 25

HEX #1CBE99

RGB 28 190 153

HSL 166.3, 0.74%, 0.43%

LAB 69.02, -47.65, 7.73

 

CMYK 83 / 0 / 19 / 13

HEX #25DEB4

RGB 37 222 180

HSL 166.38, 0.74%, 0.51%

LAB 79.57, -53.16, 8.33

 

CMYK 68 / 0 / 15 / 11

HEX #49E3C0

RGB 73 227 192

HSL 166.36, 0.73%, 0.59%

LAB 81.93, -48.24, 5.43

 

CMYK 85 / 0 / 19 / 25

HEX #1CBE99

RGB 28 190 153

HSL 166.3, 0.74%, 0.43%

LAB 69.02, -47.65, 7.73

 

CMYK 85 / 83 / 0 / 25

HEX #1C21BE

RGB 28 33 190

HSL 238.15, 0.74%, 0.43%

LAB 26.88, 53.67, -79.48

 

CMYK 0 / 54 / 85 / 25

HEX #BE581C

RGB 190 88 28

HSL 22.22, 0.74%, 0.43%

LAB 49.51, 37.71, 50.84

 

CMYK 85 / 0 / 19 / 25

HEX #1CBE99

RGB 28 190 153

HSL 166.3, 0.74%, 0.43%

LAB 69.02, -47.65, 7.73

 

CMYK 20 / 85 / 0 / 25

HEX #981CBE

RGB 152 28 190

HSL 285.93, 0.74%, 0.43%

LAB 39.95, 68.84, -57.5

 

CMYK 0 / 20 / 85 / 25

HEX #BE981C

RGB 190 152 28

HSL 45.93, 0.74%, 0.43%

LAB 64.55, 3.04, 63.46

 

CMYK 85 / 0 / 19 / 25

HEX #1CBE99

RGB 28 190 153

HSL 166.3, 0.74%, 0.43%

LAB 69.02, -47.65, 7.73

 

CMYK 85 / 83 / 0 / 25

HEX #1C21BE

RGB 28 33 190

HSL 238.15, 0.74%, 0.43%

LAB 26.88, 53.67, -79.48

 

CMYK 0 / 85 / 65 / 25

HEX #BE1C42

RGB 190 28 66

HSL 345.93, 0.74%, 0.43%

LAB 41.49, 62.13, 21.72

 

CMYK 0 / 3 / 85 / 25

HEX #BEB91C

RGB 190 185 28

HSL 58.15, 0.74%, 0.43%

LAB 73.37, -14.32, 70.74

 

CMYK 85 / 0 / 19 / 25

HEX #1CBE99

RGB 28 190 153

HSL 166.3, 0.74%, 0.43%

LAB 69.02, -47.65, 7.73

 

CMYK 63 / 85 / 0 / 25

HEX #471CBE

RGB 71 28 190

HSL 255.93, 0.74%, 0.43%

LAB 29.13, 58.45, -75.67

 

CMYK 0 / 85 / 65 / 25

HEX #BE1C42

RGB 190 28 66

HSL 345.93, 0.74%, 0.43%

LAB 41.49, 62.13, 21.72

 

CMYK 23 / 0 / 85 / 25

HEX #93BE1C

RGB 147 190 28

HSL 75.93, 0.74%, 0.43%

LAB 71.63, -34.83, 68.01

 

Description

Color code: HEX #1CBE99 | qconv.com Color code: HEX #1CBE99 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 190 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 190 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 19 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 19% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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