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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CBAA6 it is the complementary color #E34559. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CBAA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CBAA6 shade: #21BAA1, #32CCB4, #43DEC7, #54F0DA and #65FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CBAA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CBAA6 shade: #1CBAA6, #0BA893, #009680, #00846D and #00725A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CBAA6 shade: #1BBAA6, #1BBA7B, #1BBA50, #1BBA26 and #3CBA1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CBAA6 shade: #1BBAA6, #1BA3BA, #1B78BA, #1B4EBA and #1B23BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CBAA6 shade matches the following richer shades: #1BBAA6 and #0ACBB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CBAA6 shade: #1BBAA6, #2DA999, #3E978C, #4F867F and #617572

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CBAA6 shade: #1BBA50, #1BBA7A, #1BBAA5, #1BA5BA and #1B7ABA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CBAA6 shade: #117266, #169686, #1BBAA6, #21DDC6 and #45E3CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CBAA6 shade: #1CBAA6, #261BBA and #BA651B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CBAA6 shade: #1CBAA6, #A51BBA and #BAA51B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CBAA6 shade: #1CBAA6, #261BBA, #BA1B30 and #AFBA1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CBAA6 shade: #1CBAA6, #551BBA, #BA1B30 and #80BA1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 11 / 27

HEX #1CBAA6

RGB 28 186 166

HSL 172.41, 0.74%, 0.42%

LAB 68.11, -42.51, -0.71

 

Complementary color

CMYK 0 / 70 / 61 / 11

HEX #E34559

RGB 227 69 89

HSL 352.41, 0.74%, 0.58%

LAB 53.29, 61.81, 24.41

 

CMYK 82 / 0 / 13 / 27

HEX #21BAA1

RGB 33 186 161

HSL 170.2, 0.7%, 0.43%

LAB 68.03, -43.48, 1.93

 

CMYK 75 / 0 / 12 / 20

HEX #32CCB4

RGB 50 204 180

HSL 170.65, 0.61%, 0.5%

LAB 74.29, -44.47, 0.72

 

CMYK 70 / 0 / 10 / 13

HEX #43DEC7

RGB 67 222 199

HSL 171.1, 0.7%, 0.57%

LAB 80.49, -45.19, -0.38

 

CMYK 65 / 0 / 9 / 6

HEX #54F0DA

RGB 84 240 218

HSL 171.54, 0.84%, 0.64%

LAB 86.64, -45.69, -1.38

 

CMYK 60 / 0 / 7 / 0

HEX #65FFED

RGB 101 255 237

HSL 172.99, 1%, 0.7%

LAB 91.86, -44.74, -3.56

 

CMYK 85 / 0 / 11 / 27

HEX #1CBAA6

RGB 28 186 166

HSL 172.41, 0.74%, 0.42%

LAB 68.11, -42.51, -0.71

 

CMYK 93 / 0 / 13 / 34

HEX #0BA893

RGB 11 168 147

HSL 171.97, 0.88%, 0.35%

LAB 61.81, -40.97, 0.63

 

CMYK 100 / 0 / 15 / 41

HEX #009680

RGB 0 150 128

HSL 171.2, 1%, 0.29%

LAB 55.45, -38.97, 2.13

 

CMYK 100 / 0 / 17 / 48

HEX #00846D

RGB 0 132 109

HSL 169.55, 1%, 0.26%

LAB 49.02, -36.49, 3.8

 

CMYK 100 / 0 / 21 / 55

HEX #00725A

RGB 0 114 90

HSL 167.37, 1%, 0.22%

LAB 42.42, -33.94, 5.57

 

CMYK 85 / 0 / 11 / 27

HEX #1BBAA6

RGB 27 186 166

HSL 172.45, 0.75%, 0.42%

LAB 68.1, -42.58, -0.73

 

CMYK 85 / 0 / 34 / 27

HEX #1BBA7B

RGB 27 186 123

HSL 156.23, 0.75%, 0.42%

LAB 67.11, -53.19, 21.32

 

CMYK 85 / 0 / 57 / 27

HEX #1BBA50

RGB 27 186 80

HSL 140, 0.75%, 0.42%

LAB 66.47, -60.77, 42.46

 

CMYK 85 / 0 / 80 / 27

HEX #1BBA26

RGB 27 186 38

HSL 124.15, 0.75%, 0.42%

LAB 66.13, -64.97, 58.84

 

CMYK 68 / 0 / 85 / 27

HEX #3CBA1B

RGB 60 186 27

HSL 107.55, 0.75%, 0.42%

LAB 66.64, -60.71, 62.43

 

CMYK 85 / 0 / 11 / 27

HEX #1BBAA6

RGB 27 186 166

HSL 172.45, 0.75%, 0.42%

LAB 68.1, -42.58, -0.73

 

CMYK 85 / 12 / 0 / 27

HEX #1BA3BA

RGB 27 163 186

HSL 188.68, 0.75%, 0.42%

LAB 61.63, -25.71, -21.54

 

CMYK 85 / 35 / 0 / 27

HEX #1B78BA

RGB 27 120 186

HSL 204.91, 0.75%, 0.42%

LAB 48.52, -1.87, -41.94

 

CMYK 85 / 58 / 0 / 27

HEX #1B4EBA

RGB 27 78 186

HSL 220.75, 0.75%, 0.42%

LAB 36.42, 25.17, -61.42

 

CMYK 85 / 81 / 0 / 27

HEX #1B23BA

RGB 27 35 186

HSL 236.98, 0.75%, 0.42%

LAB 26.68, 51.42, -77.45

 

CMYK 85 / 0 / 11 / 27

HEX #1BBAA6

RGB 27 186 166

HSL 172.45, 0.75%, 0.42%

LAB 68.1, -42.58, -0.73

 

CMYK 95 / 0 / 12 / 20

HEX #0ACBB3

RGB 10 203 179

HSL 172.54, 0.91%, 0.42%

LAB 73.57, -47.08, 0.15

 

CMYK 85 / 0 / 11 / 27

HEX #1BBAA6

RGB 27 186 166

HSL 172.45, 0.75%, 0.42%

LAB 68.1, -42.58, -0.73

 

CMYK 73 / 0 / 9 / 34

HEX #2DA999

RGB 45 169 153

HSL 172.26, 0.58%, 0.42%

LAB 62.7, -36.88, -1.38

 

CMYK 59 / 0 / 7 / 41

HEX #3E978C

RGB 62 151 140

HSL 172.58, 0.42%, 0.42%

LAB 57.12, -29.2, -2.17

 

CMYK 41 / 0 / 5 / 47

HEX #4F867F

RGB 79 134 127

HSL 172.36, 0.26%, 0.42%

LAB 52.11, -19.95, -1.96

 

CMYK 17 / 0 / 3 / 54

HEX #617572

RGB 97 117 114

HSL 171, 0.09%, 0.42%

LAB 47.6, -8.02, -0.81

 

CMYK 85 / 0 / 57 / 27

HEX #1BBA50

RGB 27 186 80

HSL 140, 0.75%, 0.42%

LAB 66.47, -60.77, 42.46

 

CMYK 85 / 0 / 34 / 27

HEX #1BBA7A

RGB 27 186 122

HSL 155.85, 0.75%, 0.42%

LAB 67.09, -53.4, 21.83

 

CMYK 85 / 0 / 11 / 27

HEX #1BBAA5

RGB 27 186 165

HSL 172.08, 0.75%, 0.42%

LAB 68.07, -42.86, -0.22

 

CMYK 85 / 11 / 0 / 27

HEX #1BA5BA

RGB 27 165 186

HSL 187.92, 0.75%, 0.42%

LAB 62.24, -26.72, -20.6

 

CMYK 85 / 34 / 0 / 27

HEX #1B7ABA

RGB 27 122 186

HSL 204.15, 0.75%, 0.42%

LAB 49.13, -3.07, -40.99

 

CMYK 85 / 0 / 11 / 55

HEX #117266

RGB 17 114 102

HSL 172.58, 0.74%, 0.26%

LAB 42.93, -29.15, -0.87

 

CMYK 85 / 0 / 11 / 41

HEX #169686

RGB 22 150 134

HSL 172.5, 0.74%, 0.34%

LAB 55.79, -36.04, -0.79

 

CMYK 85 / 0 / 11 / 27

HEX #1BBAA6

RGB 27 186 166

HSL 172.45, 0.75%, 0.42%

LAB 68.1, -42.58, -0.73

 

CMYK 85 / 0 / 10 / 13

HEX #21DDC6

RGB 33 221 198

HSL 172.66, 0.74%, 0.5%

LAB 79.68, -48.39, -1.1

 

CMYK 70 / 0 / 9 / 11

HEX #45E3CF

RGB 69 227 207

HSL 172.41, 0.74%, 0.58%

LAB 82.22, -45.01, -2.09

 

CMYK 85 / 0 / 11 / 27

HEX #1CBAA6

RGB 28 186 166

HSL 172.41, 0.74%, 0.42%

LAB 68.11, -42.51, -0.71

 

CMYK 80 / 85 / 0 / 27

HEX #261BBA

RGB 38 27 186

HSL 244.15, 0.75%, 0.42%

LAB 25.98, 55.5, -78.59

 

CMYK 0 / 46 / 85 / 27

HEX #BA651B

RGB 186 101 27

HSL 27.92, 0.75%, 0.42%

LAB 51.64, 29.24, 52.78

 

CMYK 85 / 0 / 11 / 27

HEX #1CBAA6

RGB 28 186 166

HSL 172.41, 0.74%, 0.42%

LAB 68.11, -42.51, -0.71

 

CMYK 11 / 85 / 0 / 27

HEX #A51BBA

RGB 165 27 186

HSL 292.08, 0.75%, 0.42%

LAB 41.73, 70.53, -52.17

 

CMYK 0 / 11 / 85 / 27

HEX #BAA51B

RGB 186 165 27

HSL 52.08, 0.75%, 0.42%

LAB 67.6, -5.74, 66.07

 

CMYK 85 / 0 / 11 / 27

HEX #1CBAA6

RGB 28 186 166

HSL 172.41, 0.74%, 0.42%

LAB 68.11, -42.51, -0.71

 

CMYK 80 / 85 / 0 / 27

HEX #261BBA

RGB 38 27 186

HSL 244.15, 0.75%, 0.42%

LAB 25.98, 55.5, -78.59

 

CMYK 0 / 85 / 74 / 27

HEX #BA1B30

RGB 186 27 48

HSL 352.08, 0.75%, 0.42%

LAB 40.31, 60.41, 31.22

 

CMYK 6 / 0 / 85 / 27

HEX #AFBA1B

RGB 175 186 27

HSL 64.15, 0.75%, 0.42%

LAB 72.44, -21.32, 69.69

 

CMYK 85 / 0 / 11 / 27

HEX #1CBAA6

RGB 28 186 166

HSL 172.41, 0.74%, 0.42%

LAB 68.11, -42.51, -0.71

 

CMYK 54 / 85 / 0 / 27

HEX #551BBA

RGB 85 27 186

HSL 261.89, 0.75%, 0.42%

LAB 30.06, 59.09, -71.71

 

CMYK 0 / 85 / 74 / 27

HEX #BA1B30

RGB 186 27 48

HSL 352.08, 0.75%, 0.42%

LAB 40.31, 60.41, 31.22

 

CMYK 31 / 0 / 85 / 27

HEX #80BA1B

RGB 128 186 27

HSL 81.89, 0.75%, 0.42%

LAB 69.32, -40.45, 65.81

 

Description

Color code: HEX #1CBAA6 | qconv.com Color code: HEX #1CBAA6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 186 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 186 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 11 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 11% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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