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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CAE97 it is the complementary color #E35168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CAE97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CAE97 shade: #21AE92, #32C0A5, #43D2B8, #54E4CB and #65F6DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CAE97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CAE97 shade: #1CAE97, #0B9C84, #008A71, #00785E and #00664B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CAE97 shade: #1CAF98, #1CAF70, #1CAF49, #1CAF21 and #3FAF1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CAE97 shade: #1CAF98, #1C9EAF, #1C77AF, #1C4FAF and #1C28AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CAE97 shade matches the following richer shades: #1CAF98 and #0CBFA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CAE97 shade: #1CAF98, #2D9E8D, #3D8E81, #4E7D76 and #5E6D6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CAE97 shade: #1CAF48, #1CAF6F, #1CAF96, #1CA0AF and #1C79AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CAE97 shade: #11685A, #168B79, #1CAF98, #22D2B7 and #3EDFC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CAE97 shade: #1CAE97, #211CAF and #AF5C1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CAE97 shade: #1CAE97, #961CAF and #AF961C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CAE97 shade: #1CAE97, #211CAF, #AF1C35 and #AAAF1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CAE97 shade: #1CAE97, #4D1CAF, #AF1C35 and #7EAF1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 13 / 32

HEX #1CAE97

RGB 28 174 151

HSL 170.55, 0.72%, 0.4%

LAB 63.96, -41.43, 1.54

 

Complementary color

CMYK 0 / 64 / 54 / 11

HEX #E35168

RGB 227 81 104

HSL 350.55, 0.72%, 0.6%

LAB 55.29, 58.18, 18.22

 

CMYK 81 / 0 / 16 / 32

HEX #21AE92

RGB 33 174 146

HSL 168.09, 0.68%, 0.41%

LAB 63.89, -42.33, 4.23

 

CMYK 74 / 0 / 14 / 25

HEX #32C0A5

RGB 50 192 165

HSL 168.59, 0.59%, 0.47%

LAB 70.24, -43.22, 2.98

 

CMYK 68 / 0 / 12 / 18

HEX #43D2B8

RGB 67 210 184

HSL 169.09, 0.61%, 0.54%

LAB 76.53, -43.84, 1.85

 

CMYK 63 / 0 / 11 / 11

HEX #54E4CB

RGB 84 228 203

HSL 169.58, 0.73%, 0.61%

LAB 82.74, -44.25, 0.83

 

CMYK 59 / 0 / 10 / 4

HEX #65F6DE

RGB 101 246 222

HSL 170.07, 0.89%, 0.68%

LAB 88.9, -44.51, -0.11

 

CMYK 84 / 0 / 13 / 32

HEX #1CAE97

RGB 28 174 151

HSL 170.55, 0.72%, 0.4%

LAB 63.96, -41.43, 1.54

 

CMYK 93 / 0 / 15 / 39

HEX #0B9C84

RGB 11 156 132

HSL 170.07, 0.87%, 0.33%

LAB 57.57, -39.95, 2.93

 

CMYK 100 / 0 / 18 / 46

HEX #008A71

RGB 0 138 113

HSL 169.13, 1%, 0.27%

LAB 51.12, -37.98, 4.5

 

CMYK 100 / 0 / 22 / 53

HEX #00785E

RGB 0 120 94

HSL 167, 1%, 0.24%

LAB 44.58, -35.45, 6.27

 

CMYK 100 / 0 / 26 / 60

HEX #00664B

RGB 0 102 75

HSL 164.12, 1%, 0.2%

LAB 37.86, -32.84, 8.16

 

CMYK 84 / 0 / 13 / 31

HEX #1CAF98

RGB 28 175 152

HSL 170.61, 0.72%, 0.4%

LAB 64.3, -41.59, 1.48

 

CMYK 84 / 0 / 36 / 31

HEX #1CAF70

RGB 28 175 112

HSL 154.29, 0.72%, 0.4%

LAB 63.41, -51.29, 22.22

 

CMYK 84 / 0 / 58 / 31

HEX #1CAF49

RGB 28 175 73

HSL 138.37, 0.72%, 0.4%

LAB 62.83, -58.02, 41.48

 

CMYK 84 / 0 / 81 / 31

HEX #1CAF21

RGB 28 175 33

HSL 122.04, 0.72%, 0.4%

LAB 62.52, -61.9, 56.91

 

CMYK 64 / 0 / 84 / 31

HEX #3FAF1C

RGB 63 175 28

HSL 105.71, 0.72%, 0.4%

LAB 63.18, -56.35, 59.12

 

CMYK 84 / 0 / 13 / 31

HEX #1CAF98

RGB 28 175 152

HSL 170.61, 0.72%, 0.4%

LAB 64.3, -41.59, 1.48

 

CMYK 84 / 10 / 0 / 31

HEX #1C9EAF

RGB 28 158 175

HSL 186.94, 0.72%, 0.4%

LAB 59.7, -26.73, -18.28

 

CMYK 84 / 32 / 0 / 31

HEX #1C77AF

RGB 28 119 175

HSL 202.86, 0.72%, 0.4%

LAB 47.67, -5.36, -36.92

 

CMYK 84 / 55 / 0 / 31

HEX #1C4FAF

RGB 28 79 175

HSL 219.18, 0.72%, 0.4%

LAB 35.86, 20.24, -55.83

 

CMYK 84 / 77 / 0 / 31

HEX #1C28AF

RGB 28 40 175

HSL 235.1, 0.72%, 0.4%

LAB 26.33, 45.23, -71.47

 

CMYK 84 / 0 / 13 / 31

HEX #1CAF98

RGB 28 175 152

HSL 170.61, 0.72%, 0.4%

LAB 64.3, -41.59, 1.48

 

CMYK 94 / 0 / 15 / 25

HEX #0CBFA3

RGB 12 191 163

HSL 170.61, 0.88%, 0.4%

LAB 69.46, -46.32, 2.88

 

CMYK 84 / 0 / 13 / 31

HEX #1CAF98

RGB 28 175 152

HSL 170.61, 0.72%, 0.4%

LAB 64.3, -41.59, 1.48

 

CMYK 72 / 0 / 11 / 38

HEX #2D9E8D

RGB 45 158 141

HSL 170.97, 0.56%, 0.4%

LAB 58.91, -35.15, -0.17

 

CMYK 57 / 0 / 9 / 44

HEX #3D8E81

RGB 61 142 129

HSL 170.37, 0.4%, 0.4%

LAB 53.95, -27.97, -0.52

 

CMYK 38 / 0 / 6 / 51

HEX #4E7D76

RGB 78 125 118

HSL 171.06, 0.23%, 0.4%

LAB 49, -17.73, -1.26

 

CMYK 14 / 0 / 2 / 57

HEX #5E6D6B

RGB 94 109 107

HSL 172, 0.07%, 0.4%

LAB 44.77, -6.07, -0.79

 

CMYK 84 / 0 / 59 / 31

HEX #1CAF48

RGB 28 175 72

HSL 137.96, 0.72%, 0.4%

LAB 62.82, -58.16, 41.94

 

CMYK 84 / 0 / 37 / 31

HEX #1CAF6F

RGB 28 175 111

HSL 153.88, 0.72%, 0.4%

LAB 63.39, -51.5, 22.73

 

CMYK 84 / 0 / 14 / 31

HEX #1CAF96

RGB 28 175 150

HSL 169.8, 0.72%, 0.4%

LAB 64.25, -42.13, 2.51

 

CMYK 84 / 9 / 0 / 31

HEX #1CA0AF

RGB 28 160 175

HSL 186.12, 0.72%, 0.4%

LAB 60.32, -27.73, -17.34

 

CMYK 84 / 31 / 0 / 31

HEX #1C79AF

RGB 28 121 175

HSL 202.04, 0.72%, 0.4%

LAB 48.28, -6.55, -35.96

 

CMYK 84 / 0 / 13 / 59

HEX #11685A

RGB 17 104 90

HSL 170.34, 0.72%, 0.24%

LAB 39.17, -27.95, 0.91

 

CMYK 84 / 0 / 13 / 45

HEX #168B79

RGB 22 139 121

HSL 170.77, 0.73%, 0.32%

LAB 51.86, -34.77, 0.95

 

CMYK 84 / 0 / 13 / 31

HEX #1CAF98

RGB 28 175 152

HSL 170.61, 0.72%, 0.4%

LAB 64.3, -41.59, 1.48

 

CMYK 84 / 0 / 13 / 18

HEX #22D2B7

RGB 34 210 183

HSL 170.8, 0.72%, 0.48%

LAB 75.98, -47.71, 1.53

 

CMYK 72 / 0 / 11 / 13

HEX #3EDFC6

RGB 62 223 198

HSL 170.68, 0.72%, 0.56%

LAB 80.67, -46.52, 0.4

 

CMYK 84 / 0 / 13 / 32

HEX #1CAE97

RGB 28 174 151

HSL 170.55, 0.72%, 0.4%

LAB 63.96, -41.43, 1.54

 

CMYK 81 / 84 / 0 / 31

HEX #211CAF

RGB 33 28 175

HSL 242.04, 0.72%, 0.4%

LAB 24.48, 51.55, -74.53

 

CMYK 0 / 47 / 84 / 31

HEX #AF5C1C

RGB 175 92 28

HSL 26.12, 0.72%, 0.4%

LAB 48.07, 29.49, 48.71

 

CMYK 84 / 0 / 13 / 32

HEX #1CAE97

RGB 28 174 151

HSL 170.55, 0.72%, 0.4%

LAB 63.96, -41.43, 1.54

 

CMYK 14 / 84 / 0 / 31

HEX #961CAF

RGB 150 28 175

HSL 289.8, 0.72%, 0.4%

LAB 38.57, 65.77, -50.9

 

CMYK 0 / 14 / 84 / 31

HEX #AF961C

RGB 175 150 28

HSL 49.8, 0.72%, 0.4%

LAB 62.52, -2.62, 61.14

 

CMYK 84 / 0 / 13 / 32

HEX #1CAE97

RGB 28 174 151

HSL 170.55, 0.72%, 0.4%

LAB 63.96, -41.43, 1.54

 

CMYK 81 / 84 / 0 / 31

HEX #211CAF

RGB 33 28 175

HSL 242.04, 0.72%, 0.4%

LAB 24.48, 51.55, -74.53

 

CMYK 0 / 84 / 70 / 31

HEX #AF1C35

RGB 175 28 53

HSL 349.8, 0.72%, 0.4%

LAB 38.2, 57.37, 25.08

 

CMYK 3 / 0 / 84 / 31

HEX #AAAF1C

RGB 170 175 28

HSL 62.04, 0.72%, 0.4%

LAB 68.96, -17.95, 66.4

 

CMYK 84 / 0 / 13 / 32

HEX #1CAE97

RGB 28 174 151

HSL 170.55, 0.72%, 0.4%

LAB 63.96, -41.43, 1.54

 

CMYK 56 / 84 / 0 / 31

HEX #4D1CAF

RGB 77 28 175

HSL 260, 0.72%, 0.4%

LAB 28.12, 55.04, -68.38

 

CMYK 0 / 84 / 70 / 31

HEX #AF1C35

RGB 175 28 53

HSL 349.8, 0.72%, 0.4%

LAB 38.2, 57.37, 25.08

 

CMYK 28 / 0 / 84 / 31

HEX #7EAF1C

RGB 126 175 28

HSL 80, 0.72%, 0.4%

LAB 65.89, -36.31, 62.56

 

Description

Color code: HEX #1CAE97 | qconv.com Color code: HEX #1CAE97 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 174 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 174 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 13 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 13% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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