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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CA166 it is the complementary color #E35E99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CA166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CA166 shade: #21A161, #32B374, #43C587, #54D79A and #65E9AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CA166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CA166 shade: #1CA166, #0B8F53, #007D40, #006B2D and #00591A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CA166 shade: #1CA065, #1CA042, #1CA01E, #3DA01C and #61A01C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CA166 shade: #1CA065, #1CA089, #1C93A0, #1C70A0 and #1C4CA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CA166 shade matches the following richer shades: #1CA065 and #0DAF67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CA166 shade: #1CA065, #2B9164, #3A8162, #4A7260 and #59635E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CA166 shade: #1CA01E, #1CA041, #1CA064, #1CA088 and #1C95A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CA166 shade: #0F5A39, #167D4F, #1CA065, #22C37C and #34DB91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CA166 shade: #1CA166, #1C3DA0 and #A0301C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CA166 shade: #1CA166, #641CA0 and #A0641C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CA166 shade: #1CA166, #1C3DA0, #A01C57 and #A07F1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CA166 shade: #1CA166, #221CA0, #A01C57 and #99A01C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 37 / 37

HEX #1CA166

RGB 28 161 102

HSL 153.38, 0.7%, 0.37%

LAB 58.69, -48.06, 21.3

 

Complementary color

CMYK 0 / 59 / 33 / 11

HEX #E35E99

RGB 227 94 153

HSL 333.38, 0.7%, 0.63%

LAB 58.64, 57.4, -5.79

 

CMYK 80 / 0 / 40 / 37

HEX #21A161

RGB 33 161 97

HSL 150, 0.66%, 0.38%

LAB 58.67, -48.52, 24.01

 

CMYK 72 / 0 / 35 / 30

HEX #32B374

RGB 50 179 116

HSL 150.7, 0.56%, 0.45%

LAB 65.1, -49.31, 22.41

 

CMYK 66 / 0 / 31 / 23

HEX #43C587

RGB 67 197 135

HSL 151.38, 0.53%, 0.52%

LAB 71.47, -49.75, 20.97

 

CMYK 61 / 0 / 28 / 16

HEX #54D79A

RGB 84 215 154

HSL 152.06, 0.62%, 0.59%

LAB 77.77, -49.97, 19.65

 

CMYK 57 / 0 / 26 / 9

HEX #65E9AD

RGB 101 233 173

HSL 152.73, 0.75%, 0.65%

LAB 84, -50.04, 18.44

 

CMYK 83 / 0 / 37 / 37

HEX #1CA166

RGB 28 161 102

HSL 153.38, 0.7%, 0.37%

LAB 58.69, -48.06, 21.3

 

CMYK 92 / 0 / 42 / 44

HEX #0B8F53

RGB 11 143 83

HSL 152.73, 0.86%, 0.3%

LAB 52.22, -46.6, 23.08

 

CMYK 100 / 0 / 49 / 51

HEX #007D40

RGB 0 125 64

HSL 150.72, 1%, 0.25%

LAB 45.69, -44.42, 25.04

 

CMYK 100 / 0 / 58 / 58

HEX #006B2D

RGB 0 107 45

HSL 145.23, 1%, 0.21%

LAB 39.08, -41.34, 27.14

 

CMYK 100 / 0 / 71 / 65

HEX #00591A

RGB 0 89 26

HSL 137.53, 1%, 0.17%

LAB 32.3, -37.84, 29.03

 

CMYK 83 / 0 / 37 / 37

HEX #1CA065

RGB 28 160 101

HSL 153.18, 0.7%, 0.37%

LAB 58.35, -47.89, 21.38

 

CMYK 83 / 0 / 59 / 37

HEX #1CA042

RGB 28 160 66

HSL 137.27, 0.7%, 0.37%

LAB 57.83, -53.96, 38.93

 

CMYK 83 / 0 / 81 / 37

HEX #1CA01E

RGB 28 160 30

HSL 120.91, 0.7%, 0.37%

LAB 57.54, -57.51, 53.1

 

CMYK 62 / 0 / 83 / 37

HEX #3DA01C

RGB 61 160 28

HSL 105, 0.7%, 0.37%

LAB 58.24, -51.6, 54.6

 

CMYK 39 / 0 / 83 / 37

HEX #61A01C

RGB 97 160 28

HSL 88.64, 0.7%, 0.37%

LAB 59.68, -40.61, 56.44

 

CMYK 83 / 0 / 37 / 37

HEX #1CA065

RGB 28 160 101

HSL 153.18, 0.7%, 0.37%

LAB 58.35, -47.89, 21.38

 

CMYK 83 / 0 / 14 / 37

HEX #1CA089

RGB 28 160 137

HSL 169.55, 0.7%, 0.37%

LAB 59.15, -39.14, 2.41

 

CMYK 83 / 8 / 0 / 37

HEX #1C93A0

RGB 28 147 160

HSL 185.91, 0.7%, 0.37%

LAB 55.74, -26.09, -15.77

 

CMYK 83 / 30 / 0 / 37

HEX #1C70A0

RGB 28 112 160

HSL 201.82, 0.7%, 0.37%

LAB 44.76, -6.84, -32.72

 

CMYK 83 / 53 / 0 / 37

HEX #1C4CA0

RGB 28 76 160

HSL 218.18, 0.7%, 0.37%

LAB 33.89, 16.27, -50.07

 

CMYK 83 / 0 / 37 / 37

HEX #1CA065

RGB 28 160 101

HSL 153.18, 0.7%, 0.37%

LAB 58.35, -47.89, 21.38

 

CMYK 93 / 0 / 41 / 31

HEX #0DAF67

RGB 13 175 103

HSL 153.33, 0.86%, 0.37%

LAB 63.11, -54.18, 26.62

 

CMYK 83 / 0 / 37 / 37

HEX #1CA065

RGB 28 160 101

HSL 153.18, 0.7%, 0.37%

LAB 58.35, -47.89, 21.38

 

CMYK 70 / 0 / 31 / 43

HEX #2B9164

RGB 43 145 100

HSL 153.53, 0.54%, 0.37%

LAB 53.69, -40.02, 15.65

 

CMYK 55 / 0 / 24 / 49

HEX #3A8162

RGB 58 129 98

HSL 153.8, 0.38%, 0.37%

LAB 48.86, -30.15, 10.15

 

CMYK 35 / 0 / 16 / 55

HEX #4A7260

RGB 74 114 96

HSL 153, 0.21%, 0.37%

LAB 44.71, -18.37, 5.55

 

CMYK 10 / 0 / 5 / 61

HEX #59635E

RGB 89 99 94

HSL 150, 0.05%, 0.37%

LAB 40.99, -4.94, 1.52

 

CMYK 83 / 0 / 81 / 37

HEX #1CA01E

RGB 28 160 30

HSL 120.91, 0.7%, 0.37%

LAB 57.54, -57.51, 53.1

 

CMYK 83 / 0 / 59 / 37

HEX #1CA041

RGB 28 160 65

HSL 136.82, 0.7%, 0.37%

LAB 57.82, -54.1, 39.39

 

CMYK 83 / 0 / 38 / 37

HEX #1CA064

RGB 28 160 100

HSL 152.73, 0.7%, 0.37%

LAB 58.33, -48.1, 21.9

 

CMYK 83 / 0 / 15 / 37

HEX #1CA088

RGB 28 160 136

HSL 169.09, 0.7%, 0.37%

LAB 59.13, -39.41, 2.93

 

CMYK 83 / 7 / 0 / 37

HEX #1C95A0

RGB 28 149 160

HSL 185, 0.7%, 0.37%

LAB 56.37, -27.09, -14.82

 

CMYK 83 / 0 / 37 / 65

HEX #0F5A39

RGB 15 90 57

HSL 153.6, 0.71%, 0.21%

LAB 33.37, -30.7, 12.95

 

CMYK 82 / 0 / 37 / 51

HEX #167D4F

RGB 22 125 79

HSL 153.2, 0.7%, 0.29%

LAB 46.18, -39.48, 17.3

 

CMYK 83 / 0 / 37 / 37

HEX #1CA065

RGB 28 160 101

HSL 153.18, 0.7%, 0.37%

LAB 58.35, -47.89, 21.38

 

CMYK 83 / 0 / 36 / 24

HEX #22C37C

RGB 34 195 124

HSL 153.54, 0.7%, 0.45%

LAB 70.05, -55.71, 24.78

 

CMYK 76 / 0 / 34 / 14

HEX #34DB91

RGB 52 219 145

HSL 153.41, 0.7%, 0.53%

LAB 78.13, -58.42, 24.74

 

CMYK 83 / 0 / 37 / 37

HEX #1CA166

RGB 28 161 102

HSL 153.38, 0.7%, 0.37%

LAB 58.69, -48.06, 21.3

 

CMYK 83 / 62 / 0 / 37

HEX #1C3DA0

RGB 28 61 160

HSL 225, 0.7%, 0.37%

LAB 29.72, 26.47, -56.85

 

CMYK 0 / 70 / 83 / 37

HEX #A0301C

RGB 160 48 28

HSL 9.09, 0.7%, 0.37%

LAB 37.25, 45.2, 37.88

 

CMYK 83 / 0 / 37 / 37

HEX #1CA166

RGB 28 161 102

HSL 153.38, 0.7%, 0.37%

LAB 58.69, -48.06, 21.3

 

CMYK 38 / 83 / 0 / 37

HEX #641CA0

RGB 100 28 160

HSL 272.73, 0.7%, 0.37%

LAB 29.61, 54.36, -56.78

 

CMYK 0 / 38 / 83 / 37

HEX #A0641C

RGB 160 100 28

HSL 32.73, 0.7%, 0.37%

LAB 47.84, 18.51, 47.71

 

CMYK 83 / 0 / 37 / 37

HEX #1CA166

RGB 28 161 102

HSL 153.38, 0.7%, 0.37%

LAB 58.69, -48.06, 21.3

 

CMYK 83 / 62 / 0 / 37

HEX #1C3DA0

RGB 28 61 160

HSL 225, 0.7%, 0.37%

LAB 29.72, 26.47, -56.85

 

CMYK 0 / 83 / 46 / 37

HEX #A01C57

RGB 160 28 87

HSL 333.18, 0.7%, 0.37%

LAB 35.97, 55.66, -0.26

 

CMYK 0 / 21 / 83 / 37

HEX #A07F1C

RGB 160 127 28

HSL 45, 0.7%, 0.37%

LAB 54.8, 3.2, 53.9

 

CMYK 83 / 0 / 37 / 37

HEX #1CA166

RGB 28 161 102

HSL 153.38, 0.7%, 0.37%

LAB 58.69, -48.06, 21.3

 

CMYK 79 / 83 / 0 / 37

HEX #221CA0

RGB 34 28 160

HSL 242.73, 0.7%, 0.37%

LAB 22.68, 46.95, -68.43

 

CMYK 0 / 83 / 46 / 37

HEX #A01C57

RGB 160 28 87

HSL 333.18, 0.7%, 0.37%

LAB 35.97, 55.66, -0.26

 

CMYK 4 / 0 / 83 / 37

HEX #99A01C

RGB 153 160 28

HSL 63.18, 0.7%, 0.37%

LAB 63.34, -17.76, 61.07

 

Description

Color code: HEX #1CA166 | qconv.com Color code: HEX #1CA166 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 161 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 161 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 37 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 37% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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