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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CA755 it is the complementary color #E358AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CA755. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CA755 shade: #21A750, #32B963, #43CB76, #54DD89 and #65EF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CA755. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CA755 shade: #1CA755, #0B9542, #00832F, #00711C and #005F09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CA755 shade: #1CA554, #1CA52F, #2DA51C, #53A51C and #78A51C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CA755 shade: #1CA554, #1CA579, #1CA59E, #1C87A5 and #1C62A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CA755 shade matches the following richer shades: #1CA554 and #0CB551

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CA755 shade: #1CA554, #2B9657, #3B865A, #4B765C and #5A665F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CA755 shade: #2EA51C, #1CA52E, #1CA553, #1CA577 and #1CA59C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CA755 shade: #105F30, #168242, #1CA554, #22C866 and #37DD7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CA755 shade: #1CA755, #1C53A5 and #A51C1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CA755 shade: #1CA755, #531CA5 and #A5531C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CA755 shade: #1CA755, #1C53A5, #A51C6E and #A56E1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CA755 shade: #1CA755, #1C29A5, #A51C6E and #A5971C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 49 / 35

HEX #1CA755

RGB 28 167 85

HSL 144.6, 0.71%, 0.38%

LAB 60.37, -53.48, 32.54

 

Complementary color

CMYK 0 / 61 / 25 / 11

HEX #E358AA

RGB 227 88 170

HSL 324.6, 0.71%, 0.62%

LAB 58.24, 62.12, -16.25

 

CMYK 80 / 0 / 52 / 35

HEX #21A750

RGB 33 167 80

HSL 141.04, 0.67%, 0.39%

LAB 60.37, -53.73, 35.1

 

CMYK 73 / 0 / 46 / 27

HEX #32B963

RGB 50 185 99

HSL 141.78, 0.57%, 0.46%

LAB 66.73, -54.73, 33.48

 

CMYK 67 / 0 / 42 / 20

HEX #43CB76

RGB 67 203 118

HSL 142.5, 0.57%, 0.53%

LAB 73.03, -55.32, 31.95

 

CMYK 62 / 0 / 38 / 13

HEX #54DD89

RGB 84 221 137

HSL 143.21, 0.67%, 0.6%

LAB 79.27, -55.63, 30.51

 

CMYK 58 / 0 / 35 / 6

HEX #65EF9C

RGB 101 239 156

HSL 143.91, 0.81%, 0.67%

LAB 85.45, -55.76, 29.17

 

CMYK 83 / 0 / 49 / 35

HEX #1CA755

RGB 28 167 85

HSL 144.6, 0.71%, 0.38%

LAB 60.37, -53.48, 32.54

 

CMYK 93 / 0 / 56 / 42

HEX #0B9542

RGB 11 149 66

HSL 143.91, 0.86%, 0.31%

LAB 53.98, -51.74, 34.3

 

CMYK 100 / 0 / 64 / 49

HEX #00832F

RGB 0 131 47

HSL 141.53, 1%, 0.26%

LAB 47.54, -49.17, 36.04

 

CMYK 100 / 0 / 75 / 56

HEX #00711C

RGB 0 113 28

HSL 134.87, 1%, 0.22%

LAB 41.05, -45.55, 37.47

 

CMYK 100 / 0 / 91 / 63

HEX #005F09

RGB 0 95 9

HSL 125.68, 1%, 0.19%

LAB 34.4, -41.32, 37.68

 

CMYK 83 / 0 / 49 / 35

HEX #1CA554

RGB 28 165 84

HSL 144.53, 0.71%, 0.38%

LAB 59.71, -52.94, 32.21

 

CMYK 83 / 0 / 72 / 35

HEX #1CA52F

RGB 28 165 47

HSL 128.32, 0.71%, 0.38%

LAB 59.31, -57.76, 48.93

 

CMYK 73 / 0 / 83 / 35

HEX #2DA51C

RGB 45 165 28

HSL 112.55, 0.71%, 0.38%

LAB 59.48, -56.68, 55.59

 

CMYK 50 / 0 / 83 / 35

HEX #53A51C

RGB 83 165 28

HSL 95.91, 0.71%, 0.38%

LAB 60.63, -47.33, 57.07

 

CMYK 27 / 0 / 83 / 35

HEX #78A51C

RGB 120 165 28

HSL 79.71, 0.71%, 0.38%

LAB 62.5, -34.12, 59.44

 

CMYK 83 / 0 / 49 / 35

HEX #1CA554

RGB 28 165 84

HSL 144.53, 0.71%, 0.38%

LAB 59.71, -52.94, 32.21

 

CMYK 83 / 0 / 27 / 35

HEX #1CA579

RGB 28 165 121

HSL 160.73, 0.71%, 0.38%

LAB 60.37, -45.36, 13.12

 

CMYK 83 / 0 / 4 / 35

HEX #1CA59E

RGB 28 165 158

HSL 176.93, 0.71%, 0.38%

LAB 61.33, -35.4, -6.25

 

CMYK 83 / 18 / 0 / 35

HEX #1C87A5

RGB 28 135 165

HSL 193.14, 0.71%, 0.38%

LAB 52.17, -18.12, -24.11

 

CMYK 83 / 41 / 0 / 35

HEX #1C62A5

RGB 28 98 165

HSL 209.34, 0.71%, 0.38%

LAB 40.73, 3.74, -42.05

 

CMYK 83 / 0 / 49 / 35

HEX #1CA554

RGB 28 165 84

HSL 144.53, 0.71%, 0.38%

LAB 59.71, -52.94, 32.21

 

CMYK 93 / 0 / 55 / 29

HEX #0CB551

RGB 12 181 81

HSL 144.5, 0.88%, 0.38%

LAB 64.74, -60.03, 39.88

 

CMYK 83 / 0 / 49 / 35

HEX #1CA554

RGB 28 165 84

HSL 144.53, 0.71%, 0.38%

LAB 59.71, -52.94, 32.21

 

CMYK 71 / 0 / 42 / 41

HEX #2B9657

RGB 43 150 87

HSL 144.67, 0.55%, 0.38%

LAB 55.09, -44.74, 24.74

 

CMYK 56 / 0 / 33 / 47

HEX #3B865A

RGB 59 134 90

HSL 144.8, 0.39%, 0.38%

LAB 50.36, -33.98, 16.83

 

CMYK 36 / 0 / 22 / 54

HEX #4B765C

RGB 75 118 92

HSL 143.72, 0.22%, 0.38%

LAB 45.94, -21.05, 9.68

 

CMYK 12 / 0 / 7 / 60

HEX #5A665F

RGB 90 102 95

HSL 145, 0.06%, 0.38%

LAB 42, -6.11, 2.4

 

CMYK 72 / 0 / 83 / 35

HEX #2EA51C

RGB 46 165 28

HSL 112.12, 0.71%, 0.38%

LAB 59.5, -56.5, 55.62

 

CMYK 83 / 0 / 72 / 35

HEX #1CA52E

RGB 28 165 46

HSL 127.88, 0.71%, 0.38%

LAB 59.3, -57.86, 49.31

 

CMYK 83 / 0 / 50 / 35

HEX #1CA553

RGB 28 165 83

HSL 144.09, 0.71%, 0.38%

LAB 59.69, -53.11, 32.71

 

CMYK 83 / 0 / 28 / 35

HEX #1CA577

RGB 28 165 119

HSL 159.85, 0.71%, 0.38%

LAB 60.33, -45.84, 14.17

 

CMYK 83 / 0 / 5 / 35

HEX #1CA59C

RGB 28 165 156

HSL 176.06, 0.71%, 0.38%

LAB 61.27, -35.99, -5.21

 

CMYK 83 / 0 / 49 / 63

HEX #105F30

RGB 16 95 48

HSL 144.3, 0.71%, 0.22%

LAB 35.02, -34.59, 20.48

 

CMYK 83 / 0 / 49 / 49

HEX #168242

RGB 22 130 66

HSL 144.44, 0.71%, 0.3%

LAB 47.66, -44.03, 26.5

 

CMYK 83 / 0 / 49 / 35

HEX #1CA554

RGB 28 165 84

HSL 144.53, 0.71%, 0.38%

LAB 59.71, -52.94, 32.21

 

CMYK 83 / 0 / 49 / 22

HEX #22C866

RGB 34 200 102

HSL 144.58, 0.71%, 0.46%

LAB 71.29, -61.48, 37.68

 

CMYK 75 / 0 / 44 / 13

HEX #37DD7B

RGB 55 221 123

HSL 144.58, 0.71%, 0.54%

LAB 78.44, -62.85, 36.37

 

CMYK 83 / 0 / 49 / 35

HEX #1CA755

RGB 28 167 85

HSL 144.6, 0.71%, 0.38%

LAB 60.37, -53.48, 32.54

 

CMYK 83 / 50 / 0 / 35

HEX #1C53A5

RGB 28 83 165

HSL 215.91, 0.71%, 0.38%

LAB 36.27, 13.56, -49.21

 

CMYK 0 / 83 / 83 / 35

HEX #A51C1C

RGB 165 28 28

HSL 0, 0.71%, 0.38%

LAB 35.82, 53.54, 36.85

 

CMYK 83 / 0 / 49 / 35

HEX #1CA755

RGB 28 167 85

HSL 144.6, 0.71%, 0.38%

LAB 60.37, -53.48, 32.54

 

CMYK 50 / 83 / 0 / 35

HEX #531CA5

RGB 83 28 165

HSL 264.09, 0.71%, 0.38%

LAB 27.81, 53.16, -62.85

 

CMYK 0 / 50 / 83 / 35

HEX #A5531C

RGB 165 83 28

HSL 24.09, 0.71%, 0.38%

LAB 44.62, 30.15, 45.05

 

CMYK 83 / 0 / 49 / 35

HEX #1CA755

RGB 28 167 85

HSL 144.6, 0.71%, 0.38%

LAB 60.37, -53.48, 32.54

 

CMYK 83 / 50 / 0 / 35

HEX #1C53A5

RGB 28 83 165

HSL 215.91, 0.71%, 0.38%

LAB 36.27, 13.56, -49.21

 

CMYK 0 / 83 / 33 / 35

HEX #A51C6E

RGB 165 28 110

HSL 324.09, 0.71%, 0.38%

LAB 37.76, 59.31, -12.15

 

CMYK 0 / 33 / 83 / 35

HEX #A56E1C

RGB 165 110 28

HSL 35.91, 0.71%, 0.38%

LAB 50.96, 15.09, 50.74

 

CMYK 83 / 0 / 49 / 35

HEX #1CA755

RGB 28 167 85

HSL 144.6, 0.71%, 0.38%

LAB 60.37, -53.48, 32.54

 

CMYK 83 / 75 / 0 / 35

HEX #1C29A5

RGB 28 41 165

HSL 234.31, 0.71%, 0.38%

LAB 25.41, 41.21, -66.96

 

CMYK 0 / 83 / 33 / 35

HEX #A51C6E

RGB 165 28 110

HSL 324.09, 0.71%, 0.38%

LAB 37.76, 59.31, -12.15

 

CMYK 0 / 8 / 83 / 35

HEX #A5971C

RGB 165 151 28

HSL 53.87, 0.71%, 0.38%

LAB 61.84, -7.68, 60.19

 

Description

Color code: HEX #1CA755 | qconv.com Color code: HEX #1CA755 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 167 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 167 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 49 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 49% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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