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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19FE4B it is the complementary color #E601B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19FE4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19FE4B shade: #1EFE46, #2FFF59, #40FF6C, #51FF7F and #62FF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19FE4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19FE4B shade: #19FE4B, #08EC38, #00DA25, #00C812 and #00B600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19FE4B shade: #1AFD4C, #26FD1A, #63FD1A, #A0FD1A and #DEFD1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19FE4B shade: #1AFD4C, #1AFD89, #1AFDC6, #1AF7FD and #1ABAFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19FE4B shade matches the following richer shades: #1AFD4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19FE4B shade: #1AFD4C, #2DEB56, #3FD861, #52C66B and #64B376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19FE4B shade: #62FD1A, #26FD1A, #1AFD4B, #1AFD88 and #1AFDC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19FE4B shade: #00C42B, #01EE34, #1AFD4C, #43FE6C and #6CFE8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19FE4B shade: #19FE4B, #1A9FFD and #FD1A44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19FE4B shade: #19FE4B, #4B1AFD and #FD4B1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19FE4B shade: #19FE4B, #1A9FFD, #FD1ACC and #FD791A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19FE4B shade: #19FE4B, #1A5BFD, #FD1ACC and #FDBD1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 70 / 0

HEX #19FE4B

RGB 25 254 75

HSL 133.1, 0.99%, 0.55%

LAB 87.77, -81.85, 68.11

 

Complementary color

CMYK 0 / 100 / 22 / 10

HEX #E601B4

RGB 230 1 180

HSL 313.1, 0.99%, 0.45%

LAB 52, 84.35, -31.65

 

CMYK 88 / 0 / 72 / 0

HEX #1EFE46

RGB 30 254 70

HSL 130.71, 0.99%, 0.56%

LAB 87.78, -81.96, 69.85

 

CMYK 82 / 0 / 65 / 0

HEX #2FFF59

RGB 47 255 89

HSL 132.12, 1%, 0.59%

LAB 88.37, -79.18, 63.55

 

CMYK 75 / 0 / 58 / 0

HEX #40FF6C

RGB 64 255 108

HSL 133.82, 1%, 0.63%

LAB 88.78, -75.12, 56.14

 

CMYK 68 / 0 / 50 / 0

HEX #51FF7F

RGB 81 255 127

HSL 135.86, 1%, 0.66%

LAB 89.3, -70.09, 48.23

 

CMYK 62 / 0 / 43 / 0

HEX #62FF92

RGB 98 255 146

HSL 138.34, 1%, 0.69%

LAB 89.95, -64.15, 40.06

 

CMYK 90 / 0 / 70 / 0

HEX #19FE4B

RGB 25 254 75

HSL 133.1, 0.99%, 0.55%

LAB 87.77, -81.85, 68.11

 

CMYK 97 / 0 / 76 / 7

HEX #08EC38

RGB 8 236 56

HSL 132.63, 0.93%, 0.48%

LAB 82.02, -79.02, 68.62

 

CMYK 100 / 0 / 83 / 15

HEX #00DA25

RGB 0 218 37

HSL 130.18, 1%, 0.43%

LAB 76.24, -75.5, 68.45

 

CMYK 100 / 0 / 91 / 22

HEX #00C812

RGB 0 200 18

HSL 125.4, 1%, 0.39%

LAB 70.42, -71.38, 67.17

 

CMYK 100 / 0 / 100 / 29

HEX #00B600

RGB 0 182 0

HSL 120, 1%, 0.36%

LAB 64.53, -66.9, 64.57

 

CMYK 90 / 0 / 70 / 1

HEX #1AFD4C

RGB 26 253 76

HSL 133.22, 0.98%, 0.55%

LAB 87.48, -81.43, 67.45

 

CMYK 85 / 0 / 90 / 1

HEX #26FD1A

RGB 38 253 26

HSL 116.83, 0.98%, 0.55%

LAB 87.36, -83.37, 80.41

 

CMYK 61 / 0 / 90 / 1

HEX #63FD1A

RGB 99 253 26

HSL 100.7, 0.98%, 0.55%

LAB 88.44, -74.04, 81.76

 

CMYK 37 / 0 / 90 / 1

HEX #A0FD1A

RGB 160 253 26

HSL 84.58, 0.98%, 0.55%

LAB 90.69, -56.75, 84.54

 

CMYK 12 / 0 / 90 / 1

HEX #DEFD1A

RGB 222 253 26

HSL 68.19, 0.98%, 0.55%

LAB 94.25, -33.72, 88.9

 

CMYK 90 / 0 / 70 / 1

HEX #1AFD4C

RGB 26 253 76

HSL 133.22, 0.98%, 0.55%

LAB 87.48, -81.43, 67.45

 

CMYK 90 / 0 / 46 / 1

HEX #1AFD89

RGB 26 253 137

HSL 149.34, 0.98%, 0.55%

LAB 88.1, -73.81, 41.82

 

CMYK 90 / 0 / 22 / 1

HEX #1AFDC6

RGB 26 253 198

HSL 165.46, 0.98%, 0.55%

LAB 89.18, -61.53, 12.6

 

CMYK 90 / 2 / 0 / 1

HEX #1AF7FD

RGB 26 247 253

HSL 181.59, 0.98%, 0.55%

LAB 88.84, -44.51, -16.5

 

CMYK 90 / 26 / 0 / 1

HEX #1ABAFD

RGB 26 186 253

HSL 197.71, 0.98%, 0.55%

LAB 71.17, -14.91, -43.62

 

CMYK 90 / 0 / 70 / 1

HEX #1AFD4C

RGB 26 253 76

HSL 133.22, 0.98%, 0.55%

LAB 87.48, -81.43, 67.45

 

CMYK 90 / 0 / 70 / 1

HEX #1AFD4C

RGB 26 253 76

HSL 133.22, 0.98%, 0.55%

LAB 87.48, -81.43, 67.45

 

CMYK 81 / 0 / 63 / 8

HEX #2DEB56

RGB 45 235 86

HSL 132.95, 0.83%, 0.55%

LAB 82.19, -73.69, 57.92

 

CMYK 71 / 0 / 55 / 15

HEX #3FD861

RGB 63 216 97

HSL 133.33, 0.66%, 0.55%

LAB 76.7, -63.87, 46.81

 

CMYK 59 / 0 / 46 / 22

HEX #52C66B

RGB 82 198 107

HSL 132.93, 0.5%, 0.55%

LAB 71.72, -52.17, 35.93

 

CMYK 44 / 0 / 34 / 30

HEX #64B376

RGB 100 179 118

HSL 133.67, 0.34%, 0.55%

LAB 66.72, -37.7, 23.78

 

CMYK 61 / 0 / 90 / 1

HEX #62FD1A

RGB 98 253 26

HSL 100.97, 0.98%, 0.55%

LAB 88.41, -74.26, 81.72

 

CMYK 85 / 0 / 90 / 1

HEX #26FD1A

RGB 38 253 26

HSL 116.83, 0.98%, 0.55%

LAB 87.36, -83.37, 80.41

 

CMYK 90 / 0 / 70 / 1

HEX #1AFD4B

RGB 26 253 75

HSL 132.95, 0.98%, 0.55%

LAB 87.47, -81.52, 67.8

 

CMYK 90 / 0 / 46 / 1

HEX #1AFD88

RGB 26 253 136

HSL 149.07, 0.98%, 0.55%

LAB 88.09, -73.97, 42.29

 

CMYK 90 / 0 / 22 / 1

HEX #1AFDC5

RGB 26 253 197

HSL 165.2, 0.98%, 0.55%

LAB 89.16, -61.77, 13.08

 

CMYK 100 / 0 / 78 / 23

HEX #00C42B

RGB 0 196 43

HSL 133.16, 1%, 0.38%

LAB 69.22, -69.07, 60.22

 

CMYK 100 / 0 / 78 / 7

HEX #01EE34

RGB 1 238 52

HSL 132.91, 0.99%, 0.47%

LAB 82.6, -80.04, 70.37

 

CMYK 90 / 0 / 70 / 1

HEX #1AFD4C

RGB 26 253 76

HSL 133.22, 0.98%, 0.55%

LAB 87.48, -81.43, 67.45

 

CMYK 74 / 0 / 57 / 0

HEX #43FE6C

RGB 67 254 108

HSL 133.16, 0.99%, 0.63%

LAB 88.52, -74.4, 55.85

 

CMYK 57 / 0 / 45 / 0

HEX #6CFE8C

RGB 108 254 140

HSL 133.15, 0.99%, 0.71%

LAB 89.84, -62.64, 42.88

 

CMYK 90 / 0 / 70 / 0

HEX #19FE4B

RGB 25 254 75

HSL 133.1, 0.99%, 0.55%

LAB 87.77, -81.85, 68.11

 

CMYK 90 / 37 / 0 / 1

HEX #1A9FFD

RGB 26 159 253

HSL 204.85, 0.98%, 0.55%

LAB 63.43, 0.14, -55.83

 

CMYK 0 / 90 / 73 / 1

HEX #FD1A44

RGB 253 26 68

HSL 348.9, 0.98%, 0.55%

LAB 54.07, 78.58, 38.77

 

CMYK 90 / 0 / 70 / 0

HEX #19FE4B

RGB 25 254 75

HSL 133.1, 0.99%, 0.55%

LAB 87.77, -81.85, 68.11

 

CMYK 70 / 90 / 0 / 1

HEX #4B1AFD

RGB 75 26 253

HSL 252.95, 0.98%, 0.55%

LAB 36.61, 75.53, -99.48

 

CMYK 0 / 70 / 90 / 1

HEX #FD4B1A

RGB 253 75 26

HSL 12.95, 0.98%, 0.55%

LAB 58.03, 65.38, 62.76

 

CMYK 90 / 0 / 70 / 0

HEX #19FE4B

RGB 25 254 75

HSL 133.1, 0.99%, 0.55%

LAB 87.77, -81.85, 68.11

 

CMYK 90 / 37 / 0 / 1

HEX #1A9FFD

RGB 26 159 253

HSL 204.85, 0.98%, 0.55%

LAB 63.43, 0.14, -55.83

 

CMYK 0 / 90 / 19 / 1

HEX #FD1ACC

RGB 253 26 204

HSL 312.95, 0.98%, 0.55%

LAB 58.02, 89.3, -35.81

 

CMYK 0 / 52 / 90 / 1

HEX #FD791A

RGB 253 121 26

HSL 25.11, 0.98%, 0.55%

LAB 65.46, 45.75, 68.09

 

CMYK 90 / 0 / 70 / 0

HEX #19FE4B

RGB 25 254 75

HSL 133.1, 0.99%, 0.55%

LAB 87.77, -81.85, 68.11

 

CMYK 90 / 64 / 0 / 1

HEX #1A5BFD

RGB 26 91 253

HSL 222.82, 0.98%, 0.55%

LAB 45.35, 42.07, -85.09

 

CMYK 0 / 90 / 19 / 1

HEX #FD1ACC

RGB 253 26 204

HSL 312.95, 0.98%, 0.55%

LAB 58.02, 89.3, -35.81

 

CMYK 0 / 25 / 90 / 1

HEX #FDBD1A

RGB 253 189 26

HSL 43.08, 0.98%, 0.55%

LAB 80.38, 10.84, 79.23

 

Description

Color code: HEX #19FE4B | qconv.com Color code: HEX #19FE4B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 254 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 254 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 70 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 70% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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