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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19EB66 it is the complementary color #E61499. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19EB66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19EB66 shade: #1EEB61, #2FFD74, #40FF87, #51FF9A and #62FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19EB66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19EB66 shade: #19EB66, #08D953, #00C740, #00B52D and #00A31A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19EB66 shade: #19EB66, #19EB2D, #3DEB19, #75EB19 and #AEEB19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19EB66 shade: #19EB66, #19EB9E, #19EBD7, #19C6EB and #198DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19EB66 shade matches the following richer shades: #19EB66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19EB66 shade: #19EB66, #2DD66B, #41C270, #55AE76 and #699A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19EB66 shade: #3CEB19, #19EB2E, #19EB66, #19EB9E and #19EBD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19EB66 shade: #0EA344, #11C954, #19EB66, #3FEE7F and #65F198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19EB66 shade: #19EB66, #1974EB and #EB1920

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19EB66 shade: #19EB66, #6619EB and #EB6619

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19EB66 shade: #19EB66, #1974EB, #EB199E and #EB9019

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19EB66 shade: #19EB66, #1935EB, #EB199E and #EBCF19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 57 / 8

HEX #19EB66

RGB 25 235 102

HSL 142, 0.84%, 0.51%

LAB 82.15, -73.41, 50.9

 

Complementary color

CMYK 0 / 91 / 33 / 10

HEX #E61499

RGB 230 20 153

HSL 322, 0.84%, 0.49%

LAB 51.41, 79.82, -16.6

 

CMYK 87 / 0 / 59 / 8

HEX #1EEB61

RGB 30 235 97

HSL 139.61, 0.84%, 0.52%

LAB 82.14, -73.73, 53.12

 

CMYK 81 / 0 / 54 / 1

HEX #2FFD74

RGB 47 253 116

HSL 140.1, 0.98%, 0.59%

LAB 88.02, -75.41, 51.62

 

CMYK 75 / 0 / 47 / 0

HEX #40FF87

RGB 64 255 135

HSL 142.3, 1%, 0.63%

LAB 89.09, -71.4, 44.13

 

CMYK 68 / 0 / 40 / 0

HEX #51FF9A

RGB 81 255 154

HSL 145.17, 1%, 0.66%

LAB 89.67, -65.84, 35.7

 

CMYK 62 / 0 / 32 / 0

HEX #62FFAD

RGB 98 255 173

HSL 148.66, 1%, 0.69%

LAB 90.38, -59.44, 27.21

 

CMYK 89 / 0 / 57 / 8

HEX #19EB66

RGB 25 235 102

HSL 142, 0.84%, 0.51%

LAB 82.15, -73.41, 50.9

 

CMYK 96 / 0 / 62 / 15

HEX #08D953

RGB 8 217 83

HSL 141.53, 0.93%, 0.44%

LAB 76.25, -71.11, 52.44

 

CMYK 100 / 0 / 68 / 22

HEX #00C740

RGB 0 199 64

HSL 139.3, 1%, 0.39%

LAB 70.33, -68.17, 53.81

 

CMYK 100 / 0 / 75 / 29

HEX #00B52D

RGB 0 181 45

HSL 134.92, 1%, 0.35%

LAB 64.35, -64.65, 54.76

 

CMYK 100 / 0 / 84 / 36

HEX #00A31A

RGB 0 163 26

HSL 129.57, 1%, 0.32%

LAB 58.29, -60.75, 54.85

 

CMYK 89 / 0 / 57 / 8

HEX #19EB66

RGB 25 235 102

HSL 142, 0.84%, 0.51%

LAB 82.15, -73.41, 50.9

 

CMYK 89 / 0 / 81 / 8

HEX #19EB2D

RGB 25 235 45

HSL 125.71, 0.84%, 0.51%

LAB 81.74, -78.65, 71.53

 

CMYK 74 / 0 / 89 / 8

HEX #3DEB19

RGB 61 235 25

HSL 109.71, 0.84%, 0.51%

LAB 82.1, -75.7, 76.22

 

CMYK 50 / 0 / 89 / 8

HEX #75EB19

RGB 117 235 25

HSL 93.71, 0.84%, 0.51%

LAB 83.58, -63.44, 78.07

 

CMYK 26 / 0 / 89 / 8

HEX #AEEB19

RGB 174 235 25

HSL 77.43, 0.84%, 0.51%

LAB 86.25, -44.39, 81.36

 

CMYK 89 / 0 / 57 / 8

HEX #19EB66

RGB 25 235 102

HSL 142, 0.84%, 0.51%

LAB 82.15, -73.41, 50.9

 

CMYK 89 / 0 / 33 / 8

HEX #19EB9E

RGB 25 235 158

HSL 158, 0.84%, 0.51%

LAB 82.96, -63.86, 24.55

 

CMYK 89 / 0 / 9 / 8

HEX #19EBD7

RGB 25 235 215

HSL 174.29, 0.84%, 0.51%

LAB 84.24, -50.1, -3.42

 

CMYK 89 / 16 / 0 / 8

HEX #19C6EB

RGB 25 198 235

HSL 190.57, 0.84%, 0.51%

LAB 73.93, -27.24, -29.62

 

CMYK 89 / 40 / 0 / 8

HEX #198DEB

RGB 25 141 235

HSL 206.86, 0.84%, 0.51%

LAB 57.32, 3.98, -55.66

 

CMYK 89 / 0 / 57 / 8

HEX #19EB66

RGB 25 235 102

HSL 142, 0.84%, 0.51%

LAB 82.15, -73.41, 50.9

 

CMYK 89 / 0 / 57 / 8

HEX #19EB66

RGB 25 235 102

HSL 142, 0.84%, 0.51%

LAB 82.15, -73.41, 50.9

 

CMYK 79 / 0 / 50 / 16

HEX #2DD66B

RGB 45 214 107

HSL 142.01, 0.67%, 0.51%

LAB 75.89, -64.26, 41

 

CMYK 66 / 0 / 42 / 24

HEX #41C270

RGB 65 194 112

HSL 141.86, 0.51%, 0.51%

LAB 70.09, -53.32, 31.19

 

CMYK 51 / 0 / 32 / 32

HEX #55AE76

RGB 85 174 118

HSL 142.25, 0.35%, 0.51%

LAB 64.57, -39.59, 20.78

 

CMYK 32 / 0 / 20 / 40

HEX #699A7B

RGB 105 154 123

HSL 142.04, 0.2%, 0.51%

LAB 59.47, -23.26, 11.1

 

CMYK 74 / 0 / 89 / 8

HEX #3CEB19

RGB 60 235 25

HSL 110, 0.84%, 0.51%

LAB 82.08, -75.84, 76.2

 

CMYK 89 / 0 / 80 / 8

HEX #19EB2E

RGB 25 235 46

HSL 126, 0.84%, 0.51%

LAB 81.74, -78.6, 71.27

 

CMYK 89 / 0 / 57 / 8

HEX #19EB66

RGB 25 235 102

HSL 142, 0.84%, 0.51%

LAB 82.15, -73.41, 50.9

 

CMYK 89 / 0 / 33 / 8

HEX #19EB9E

RGB 25 235 158

HSL 158, 0.84%, 0.51%

LAB 82.96, -63.86, 24.55

 

CMYK 89 / 0 / 9 / 8

HEX #19EBD6

RGB 25 235 214

HSL 174, 0.84%, 0.51%

LAB 84.21, -50.38, -2.93

 

CMYK 91 / 0 / 58 / 36

HEX #0EA344

RGB 14 163 68

HSL 141.74, 0.84%, 0.35%

LAB 58.7, -55.92, 38.96

 

CMYK 92 / 0 / 58 / 21

HEX #11C954

RGB 17 201 84

HSL 141.85, 0.84%, 0.43%

LAB 71.24, -65.72, 46.2

 

CMYK 89 / 0 / 57 / 8

HEX #19EB66

RGB 25 235 102

HSL 142, 0.84%, 0.51%

LAB 82.15, -73.41, 50.9

 

CMYK 74 / 0 / 47 / 7

HEX #3FEE7F

RGB 63 238 127

HSL 141.94, 0.84%, 0.59%

LAB 83.83, -67.02, 41.32

 

CMYK 58 / 0 / 37 / 5

HEX #65F198

RGB 101 241 152

HSL 141.86, 0.83%, 0.67%

LAB 85.98, -57.25, 31.9

 

CMYK 89 / 0 / 57 / 8

HEX #19EB66

RGB 25 235 102

HSL 142, 0.84%, 0.51%

LAB 82.15, -73.41, 50.9

 

CMYK 89 / 51 / 0 / 8

HEX #1974EB

RGB 25 116 235

HSL 214, 0.84%, 0.51%

LAB 50.33, 19.42, -66.91

 

CMYK 0 / 89 / 86 / 8

HEX #EB1920

RGB 235 25 32

HSL 358, 0.84%, 0.51%

LAB 50.05, 73.23, 52.86

 

CMYK 89 / 0 / 57 / 8

HEX #19EB66

RGB 25 235 102

HSL 142, 0.84%, 0.51%

LAB 82.15, -73.41, 50.9

 

CMYK 57 / 89 / 0 / 8

HEX #6619EB

RGB 102 25 235

HSL 262, 0.84%, 0.51%

LAB 36.96, 73.13, -88.65

 

CMYK 0 / 57 / 89 / 8

HEX #EB6619

RGB 235 102 25

HSL 22, 0.84%, 0.51%

LAB 59.19, 48.04, 62.54

 

CMYK 89 / 0 / 57 / 8

HEX #19EB66

RGB 25 235 102

HSL 142, 0.84%, 0.51%

LAB 82.15, -73.41, 50.9

 

CMYK 89 / 51 / 0 / 8

HEX #1974EB

RGB 25 116 235

HSL 214, 0.84%, 0.51%

LAB 50.33, 19.42, -66.91

 

CMYK 0 / 89 / 33 / 8

HEX #EB199E

RGB 235 25 158

HSL 322, 0.84%, 0.51%

LAB 52.76, 80.74, -17.43

 

CMYK 0 / 39 / 89 / 8

HEX #EB9019

RGB 235 144 25

HSL 34, 0.84%, 0.51%

LAB 67.78, 26.85, 68.98

 

CMYK 89 / 0 / 57 / 8

HEX #19EB66

RGB 25 235 102

HSL 142, 0.84%, 0.51%

LAB 82.15, -73.41, 50.9

 

CMYK 89 / 77 / 0 / 8

HEX #1935EB

RGB 25 53 235

HSL 232, 0.84%, 0.51%

LAB 35.5, 57.89, -91.23

 

CMYK 0 / 89 / 33 / 8

HEX #EB199E

RGB 235 25 158

HSL 322, 0.84%, 0.51%

LAB 52.76, 80.74, -17.43

 

CMYK 0 / 12 / 89 / 8

HEX #EBCF19

RGB 235 207 25

HSL 52, 0.84%, 0.51%

LAB 83.1, -6.14, 80.74

 

Description

Color code: HEX #19EB66 | qconv.com Color code: HEX #19EB66 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 235 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 235 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 57 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 57% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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