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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19D59F it is the complementary color #E62A60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19D59F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19D59F shade: #1ED59A, #2FE7AD, #40F9C0, #51FFD3 and #62FFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19D59F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19D59F shade: #19D59F, #08C38C, #00B179, #009F66 and #008D53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19D59F shade: #19D6A0, #19D66D, #19D63A, #2BD619 and #5ED619

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19D59F shade: #19D6A0, #19D6D3, #19A6D6, #1973D6 and #1940D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19D59F shade matches the following richer shades: #19D6A0 and #05E9A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19D59F shade: #19D6A0, #2CC397, #3FAF8F, #539C87 and #66887F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19D59F shade: #19D638, #19D66B, #19D69D, #19D6D0 and #19AAD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19D59F shade: #108C69, #14B184, #19D6A0, #32E6B2 and #56EBC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19D59F shade: #19D59F, #192CD6 and #D65119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19D59F shade: #19D59F, #9D19D6 and #D69D19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19D59F shade: #19D59F, #192CD6, #D61951 and #D6C319

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19D59F shade: #19D59F, #3F19D6, #D61951 and #B0D619

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 25 / 16

HEX #19D59F

RGB 25 213 159

HSL 162.77, 0.79%, 0.47%

LAB 76.25, -55.5, 14.74

 

Complementary color

CMYK 0 / 82 / 58 / 10

HEX #E62A60

RGB 230 42 96

HSL 342.77, 0.79%, 0.53%

LAB 51.06, 71.26, 17.34

 

CMYK 86 / 0 / 28 / 16

HEX #1ED59A

RGB 30 213 154

HSL 160.66, 0.75%, 0.48%

LAB 76.19, -56.33, 17.31

 

CMYK 80 / 0 / 25 / 9

HEX #2FE7AD

RGB 47 231 173

HSL 161.09, 0.79%, 0.55%

LAB 82.26, -57.48, 15.83

 

CMYK 74 / 0 / 23 / 2

HEX #40F9C0

RGB 64 249 192

HSL 161.51, 0.94%, 0.61%

LAB 88.28, -58.33, 14.47

 

CMYK 68 / 0 / 17 / 0

HEX #51FFD3

RGB 81 255 211

HSL 164.83, 1%, 0.66%

LAB 90.77, -54.14, 8.24

 

CMYK 62 / 0 / 10 / 0

HEX #62FFE6

RGB 98 255 230

HSL 170.45, 1%, 0.69%

LAB 91.61, -46.97, -0.32

 

CMYK 88 / 0 / 25 / 16

HEX #19D59F

RGB 25 213 159

HSL 162.77, 0.79%, 0.47%

LAB 76.25, -55.5, 14.74

 

CMYK 96 / 0 / 28 / 24

HEX #08C38C

RGB 8 195 140

HSL 162.35, 0.92%, 0.4%

LAB 70.16, -53.82, 16.36

 

CMYK 100 / 0 / 32 / 31

HEX #00B179

RGB 0 177 121

HSL 161.02, 1%, 0.35%

LAB 64.02, -51.67, 18.14

 

CMYK 100 / 0 / 36 / 38

HEX #009F66

RGB 0 159 102

HSL 158.49, 1%, 0.31%

LAB 57.8, -49.15, 20.06

 

CMYK 100 / 0 / 41 / 45

HEX #008D53

RGB 0 141 83

HSL 155.32, 1%, 0.28%

LAB 51.47, -46.51, 22.07

 

CMYK 88 / 0 / 25 / 16

HEX #19D6A0

RGB 25 214 160

HSL 162.86, 0.79%, 0.47%

LAB 76.58, -55.65, 14.67

 

CMYK 88 / 0 / 49 / 16

HEX #19D66D

RGB 25 214 109

HSL 146.67, 0.79%, 0.47%

LAB 75.7, -65.74, 39.74

 

CMYK 88 / 0 / 73 / 16

HEX #19D63A

RGB 25 214 58

HSL 130.48, 0.79%, 0.47%

LAB 75.21, -71.87, 61.21

 

CMYK 80 / 0 / 88 / 16

HEX #2BD619

RGB 43 214 25

HSL 114.29, 0.79%, 0.47%

LAB 75.25, -72.03, 70.25

 

CMYK 56 / 0 / 88 / 16

HEX #5ED619

RGB 94 214 25

HSL 98.1, 0.79%, 0.47%

LAB 76.4, -62.3, 71.69

 

CMYK 88 / 0 / 25 / 16

HEX #19D6A0

RGB 25 214 160

HSL 162.86, 0.79%, 0.47%

LAB 76.58, -55.65, 14.67

 

CMYK 88 / 0 / 1 / 16

HEX #19D6D3

RGB 25 214 211

HSL 179.05, 0.79%, 0.47%

LAB 77.88, -42.19, -10.72

 

CMYK 88 / 22 / 0 / 16

HEX #19A6D6

RGB 25 166 214

HSL 195.24, 0.79%, 0.47%

LAB 63.62, -17.88, -34.08

 

CMYK 88 / 46 / 0 / 16

HEX #1973D6

RGB 25 115 214

HSL 211.43, 0.79%, 0.47%

LAB 48.66, 11.92, -57.75

 

CMYK 88 / 70 / 0 / 16

HEX #1940D6

RGB 25 64 214

HSL 227.62, 0.79%, 0.47%

LAB 35.46, 44.58, -79.29

 

CMYK 88 / 0 / 25 / 16

HEX #19D6A0

RGB 25 214 160

HSL 162.86, 0.79%, 0.47%

LAB 76.58, -55.65, 14.67

 

CMYK 98 / 0 / 28 / 9

HEX #05E9A8

RGB 5 233 168

HSL 162.89, 0.96%, 0.47%

LAB 82.45, -61.7, 18.67

 

CMYK 88 / 0 / 25 / 16

HEX #19D6A0

RGB 25 214 160

HSL 162.86, 0.79%, 0.47%

LAB 76.58, -55.65, 14.67

 

CMYK 77 / 0 / 23 / 24

HEX #2CC397

RGB 44 195 151

HSL 162.52, 0.63%, 0.47%

LAB 70.73, -48.69, 11.28

 

CMYK 64 / 0 / 18 / 31

HEX #3FAF8F

RGB 63 175 143

HSL 162.86, 0.47%, 0.47%

LAB 64.72, -39.39, 7.16

 

CMYK 47 / 0 / 13 / 39

HEX #539C87

RGB 83 156 135

HSL 162.74, 0.31%, 0.47%

LAB 59.31, -28.07, 3.95

 

CMYK 25 / 0 / 7 / 47

HEX #66887F

RGB 102 136 127

HSL 164.12, 0.14%, 0.47%

LAB 53.99, -13.94, 0.94

 

CMYK 88 / 0 / 74 / 16

HEX #19D638

RGB 25 214 56

HSL 129.84, 0.79%, 0.47%

LAB 75.19, -72.03, 61.89

 

CMYK 88 / 0 / 50 / 16

HEX #19D66B

RGB 25 214 107

HSL 146.03, 0.79%, 0.47%

LAB 75.68, -66.06, 40.69

 

CMYK 88 / 0 / 27 / 16

HEX #19D69D

RGB 25 214 157

HSL 161.9, 0.79%, 0.47%

LAB 76.52, -56.35, 16.18

 

CMYK 88 / 0 / 3 / 16

HEX #19D6D0

RGB 25 214 208

HSL 178.1, 0.79%, 0.47%

LAB 77.79, -43.06, -9.24

 

CMYK 88 / 21 / 0 / 16

HEX #19AAD6

RGB 25 170 214

HSL 193.97, 0.79%, 0.47%

LAB 64.81, -20, -32.23

 

CMYK 89 / 0 / 25 / 45

HEX #108C69

RGB 16 140 105

HSL 163.06, 0.79%, 0.31%

LAB 51.71, -40.03, 9.97

 

CMYK 89 / 0 / 25 / 31

HEX #14B184

RGB 20 177 132

HSL 162.8, 0.8%, 0.39%

LAB 64.37, -48.16, 12.63

 

CMYK 88 / 0 / 25 / 16

HEX #19D6A0

RGB 25 214 160

HSL 162.86, 0.79%, 0.47%

LAB 76.58, -55.65, 14.67

 

CMYK 78 / 0 / 23 / 10

HEX #32E6B2

RGB 50 230 178

HSL 162.67, 0.78%, 0.55%

LAB 82.1, -55.65, 13

 

CMYK 63 / 0 / 18 / 8

HEX #56EBC0

RGB 86 235 192

HSL 162.68, 0.79%, 0.63%

LAB 84.59, -49.55, 9.29

 

CMYK 88 / 0 / 25 / 16

HEX #19D59F

RGB 25 213 159

HSL 162.77, 0.79%, 0.47%

LAB 76.25, -55.5, 14.74

 

CMYK 88 / 79 / 0 / 16

HEX #192CD6

RGB 25 44 214

HSL 233.97, 0.79%, 0.47%

LAB 31.49, 55.77, -85.85

 

CMYK 0 / 62 / 88 / 16

HEX #D65119

RGB 214 81 25

HSL 17.78, 0.79%, 0.47%

LAB 52.12, 49.99, 55.71

 

CMYK 88 / 0 / 25 / 16

HEX #19D59F

RGB 25 213 159

HSL 162.77, 0.79%, 0.47%

LAB 76.25, -55.5, 14.74

 

CMYK 27 / 88 / 0 / 16

HEX #9D19D6

RGB 157 25 214

HSL 281.9, 0.79%, 0.47%

LAB 42.34, 74.74, -67.55

 

CMYK 0 / 27 / 88 / 16

HEX #D69D19

RGB 214 157 25

HSL 41.9, 0.79%, 0.47%

LAB 68.37, 10.9, 68.36

 

CMYK 88 / 0 / 25 / 16

HEX #19D59F

RGB 25 213 159

HSL 162.77, 0.79%, 0.47%

LAB 76.25, -55.5, 14.74

 

CMYK 88 / 79 / 0 / 16

HEX #192CD6

RGB 25 44 214

HSL 233.97, 0.79%, 0.47%

LAB 31.49, 55.77, -85.85

 

CMYK 0 / 88 / 62 / 16

HEX #D61951

RGB 214 25 81

HSL 342.22, 0.79%, 0.47%

LAB 46.43, 69.7, 19.76

 

CMYK 0 / 9 / 88 / 16

HEX #D6C319

RGB 214 195 25

HSL 53.97, 0.79%, 0.47%

LAB 78.11, -9.07, 76.03

 

CMYK 88 / 0 / 25 / 16

HEX #19D59F

RGB 25 213 159

HSL 162.77, 0.79%, 0.47%

LAB 76.25, -55.5, 14.74

 

CMYK 71 / 88 / 0 / 16

HEX #3F19D6

RGB 63 25 214

HSL 252.06, 0.79%, 0.47%

LAB 30.9, 65.25, -86.79

 

CMYK 0 / 88 / 62 / 16

HEX #D61951

RGB 214 25 81

HSL 342.22, 0.79%, 0.47%

LAB 46.43, 69.7, 19.76

 

CMYK 18 / 0 / 88 / 16

HEX #B0D619

RGB 176 214 25

HSL 72.06, 0.79%, 0.47%

LAB 80.4, -34.3, 76.65

 

Description

Color code: HEX #19D59F | qconv.com Color code: HEX #19D59F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 213 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 213 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 25 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 25% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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