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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19D53E it is the complementary color #E62AC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19D53E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19D53E shade: #1ED539, #2FE74C, #40F95F, #51FF72 and #62FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19D53E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19D53E shade: #19D53E, #08C32B, #00B118, #009F05 and #008D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19D53E shade: #19D63E, #26D619, #5AD619, #8DD619 and #C0D619

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19D53E shade: #19D63E, #19D671, #19D6A4, #19D5D6 and #19A2D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19D53E shade matches the following richer shades: #19D63E and #05E932

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19D53E shade: #19D63E, #2CC34A, #3FAF55, #539C61 and #66886D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19D53E shade: #5BD619, #28D619, #19D63B, #19D66E and #19D6A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19D53E shade: #108C28, #14B133, #19D63E, #32E655 and #56EB74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19D53E shade: #19D53E, #198DD6 and #D61942

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19D53E shade: #19D53E, #3B19D6 and #D63B19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19D53E shade: #19D53E, #198DD6, #D619B3 and #D66119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19D53E shade: #19D53E, #1955D6, #D619B3 and #D69A19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 71 / 16

HEX #19D53E

RGB 25 213 62

HSL 131.81, 0.79%, 0.47%

LAB 74.92, -71.24, 59.47

 

Complementary color

CMYK 0 / 82 / 16 / 10

HEX #E62AC1

RGB 230 42 193

HSL 311.81, 0.79%, 0.53%

LAB 54.37, 80.76, -35.49

 

CMYK 86 / 0 / 73 / 16

HEX #1ED539

RGB 30 213 57

HSL 128.85, 0.75%, 0.48%

LAB 74.93, -71.27, 61.29

 

CMYK 80 / 0 / 67 / 9

HEX #2FE74C

RGB 47 231 76

HSL 129.46, 0.79%, 0.55%

LAB 80.89, -73.27, 60.54

 

CMYK 74 / 0 / 62 / 2

HEX #40F95F

RGB 64 249 95

HSL 130.05, 0.94%, 0.61%

LAB 86.83, -74.73, 59.47

 

CMYK 68 / 0 / 55 / 0

HEX #51FF72

RGB 81 255 114

HSL 131.38, 1%, 0.66%

LAB 89.15, -71.82, 54

 

CMYK 62 / 0 / 48 / 0

HEX #62FF85

RGB 98 255 133

HSL 133.38, 1%, 0.69%

LAB 89.77, -66.12, 46.08

 

CMYK 88 / 0 / 71 / 16

HEX #19D53E

RGB 25 213 62

HSL 131.81, 0.79%, 0.47%

LAB 74.92, -71.24, 59.47

 

CMYK 96 / 0 / 78 / 24

HEX #08C32B

RGB 8 195 43

HSL 131.23, 0.92%, 0.4%

LAB 68.94, -68.46, 59.95

 

CMYK 100 / 0 / 86 / 31

HEX #00B118

RGB 0 177 24

HSL 128.14, 1%, 0.35%

LAB 62.94, -64.82, 59.53

 

CMYK 100 / 0 / 97 / 38

HEX #009F05

RGB 0 159 5

HSL 121.89, 1%, 0.31%

LAB 56.89, -60.41, 57.68

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 88 / 0 / 71 / 16

HEX #19D63E

RGB 25 214 62

HSL 131.75, 0.79%, 0.47%

LAB 75.23, -71.53, 59.8

 

CMYK 82 / 0 / 88 / 16

HEX #26D619

RGB 38 214 25

HSL 115.87, 0.79%, 0.47%

LAB 75.19, -72.59, 70.17

 

CMYK 58 / 0 / 88 / 16

HEX #5AD619

RGB 90 214 25

HSL 99.37, 0.79%, 0.47%

LAB 76.28, -63.32, 71.54

 

CMYK 34 / 0 / 88 / 16

HEX #8DD619

RGB 141 214 25

HSL 83.17, 0.79%, 0.47%

LAB 78.36, -47.64, 74.13

 

CMYK 10 / 0 / 88 / 16

HEX #C0D619

RGB 192 214 25

HSL 66.98, 0.79%, 0.47%

LAB 81.49, -27.78, 77.99

 

CMYK 88 / 0 / 71 / 16

HEX #19D63E

RGB 25 214 62

HSL 131.75, 0.79%, 0.47%

LAB 75.23, -71.53, 59.8

 

CMYK 88 / 0 / 47 / 16

HEX #19D671

RGB 25 214 113

HSL 147.94, 0.79%, 0.47%

LAB 75.76, -65.09, 37.84

 

CMYK 88 / 0 / 23 / 16

HEX #19D6A4

RGB 25 214 164

HSL 164.13, 0.79%, 0.47%

LAB 76.67, -54.7, 12.67

 

CMYK 88 / 0 / 0 / 16

HEX #19D5D6

RGB 25 213 214

HSL 180.32, 0.79%, 0.47%

LAB 77.67, -40.87, -12.64

 

CMYK 88 / 24 / 0 / 16

HEX #19A2D6

RGB 25 162 214

HSL 196.51, 0.79%, 0.47%

LAB 62.43, -15.73, -35.94

 

CMYK 88 / 0 / 71 / 16

HEX #19D63E

RGB 25 214 62

HSL 131.75, 0.79%, 0.47%

LAB 75.23, -71.53, 59.8

 

CMYK 98 / 0 / 79 / 9

HEX #05E932

RGB 5 233 50

HSL 131.84, 0.96%, 0.47%

LAB 81.04, -78.68, 69.47

 

CMYK 88 / 0 / 71 / 16

HEX #19D63E

RGB 25 214 62

HSL 131.75, 0.79%, 0.47%

LAB 75.23, -71.53, 59.8

 

CMYK 77 / 0 / 62 / 24

HEX #2CC34A

RGB 44 195 74

HSL 131.92, 0.63%, 0.47%

LAB 69.51, -62.57, 48.8

 

CMYK 64 / 0 / 51 / 31

HEX #3FAF55

RGB 63 175 85

HSL 131.79, 0.47%, 0.47%

LAB 63.65, -50.86, 36.77

 

CMYK 47 / 0 / 38 / 39

HEX #539C61

RGB 83 156 97

HSL 131.51, 0.31%, 0.47%

LAB 58.49, -36.01, 24.02

 

CMYK 25 / 0 / 20 / 47

HEX #66886D

RGB 102 136 109

HSL 132.35, 0.14%, 0.47%

LAB 53.53, -17.75, 10.68

 

CMYK 57 / 0 / 88 / 16

HEX #5BD619

RGB 91 214 25

HSL 99.05, 0.79%, 0.47%

LAB 76.31, -63.07, 71.57

 

CMYK 81 / 0 / 88 / 16

HEX #28D619

RGB 40 214 25

HSL 115.24, 0.79%, 0.47%

LAB 75.21, -72.38, 70.2

 

CMYK 88 / 0 / 72 / 16

HEX #19D63B

RGB 25 214 59

HSL 130.79, 0.79%, 0.47%

LAB 75.21, -71.79, 60.87

 

CMYK 88 / 0 / 49 / 16

HEX #19D66E

RGB 25 214 110

HSL 146.98, 0.79%, 0.47%

LAB 75.72, -65.58, 39.27

 

CMYK 88 / 0 / 25 / 16

HEX #19D6A0

RGB 25 214 160

HSL 162.86, 0.79%, 0.47%

LAB 76.58, -55.65, 14.67

 

CMYK 89 / 0 / 71 / 45

HEX #108C28

RGB 16 140 40

HSL 131.61, 0.79%, 0.31%

LAB 50.71, -51.7, 42.67

 

CMYK 89 / 0 / 71 / 31

HEX #14B133

RGB 20 177 51

HSL 131.85, 0.8%, 0.39%

LAB 63.2, -61.86, 51.41

 

CMYK 88 / 0 / 71 / 16

HEX #19D63E

RGB 25 214 62

HSL 131.75, 0.79%, 0.47%

LAB 75.23, -71.53, 59.8

 

CMYK 78 / 0 / 63 / 10

HEX #32E655

RGB 50 230 85

HSL 131.67, 0.78%, 0.55%

LAB 80.7, -71.7, 56.7

 

CMYK 63 / 0 / 51 / 8

HEX #56EB74

RGB 86 235 116

HSL 132.08, 0.79%, 0.63%

LAB 83.26, -63.76, 45.98

 

CMYK 88 / 0 / 71 / 16

HEX #19D53E

RGB 25 213 62

HSL 131.81, 0.79%, 0.47%

LAB 74.92, -71.24, 59.47

 

CMYK 88 / 34 / 0 / 16

HEX #198DD6

RGB 25 141 214

HSL 203.17, 0.79%, 0.47%

LAB 56.2, -3.91, -45.72

 

CMYK 0 / 88 / 69 / 16

HEX #D61942

RGB 214 25 66

HSL 346.98, 0.79%, 0.47%

LAB 46.16, 68.93, 28.63

 

CMYK 88 / 0 / 71 / 16

HEX #19D53E

RGB 25 213 62

HSL 131.81, 0.79%, 0.47%

LAB 74.92, -71.24, 59.47

 

CMYK 72 / 88 / 0 / 16

HEX #3B19D6

RGB 59 25 214

HSL 250.79, 0.79%, 0.47%

LAB 30.59, 65.03, -87.3

 

CMYK 0 / 72 / 88 / 16

HEX #D63B19

RGB 214 59 25

HSL 10.79, 0.79%, 0.47%

LAB 48.88, 58.78, 53.23

 

CMYK 88 / 0 / 71 / 16

HEX #19D53E

RGB 25 213 62

HSL 131.81, 0.79%, 0.47%

LAB 74.92, -71.24, 59.47

 

CMYK 88 / 34 / 0 / 16

HEX #198DD6

RGB 25 141 214

HSL 203.17, 0.79%, 0.47%

LAB 56.2, -3.91, -45.72

 

CMYK 0 / 88 / 16 / 16

HEX #D619B3

RGB 214 25 179

HSL 311.11, 0.79%, 0.47%

LAB 49.79, 78.89, -34.72

 

CMYK 0 / 55 / 88 / 16

HEX #D66119

RGB 214 97 25

HSL 22.86, 0.79%, 0.47%

LAB 54.99, 42.52, 57.92

 

CMYK 88 / 0 / 71 / 16

HEX #19D53E

RGB 25 213 62

HSL 131.81, 0.79%, 0.47%

LAB 74.92, -71.24, 59.47

 

CMYK 88 / 60 / 0 / 16

HEX #1955D6

RGB 25 85 214

HSL 220.95, 0.79%, 0.47%

LAB 40.51, 31.29, -70.99

 

CMYK 0 / 88 / 16 / 16

HEX #D619B3

RGB 214 25 179

HSL 311.11, 0.79%, 0.47%

LAB 49.79, 78.89, -34.72

 

CMYK 0 / 28 / 88 / 16

HEX #D69A19

RGB 214 154 25

HSL 40.95, 0.79%, 0.47%

LAB 67.63, 12.52, 67.78

 

Description

Color code: HEX #19D53E | qconv.com Color code: HEX #19D53E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 213 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 213 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 71 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 71% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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