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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19BCAA it is the complementary color #E64355. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19BCAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19BCAA shade: #1EBCA5, #2FCEB8, #40E0CB, #51F2DE and #62FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19BCAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19BCAA shade: #19BCAA, #08AA97, #009884, #008671 and #00745E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19BCAA shade: #18BDAB, #18BD7E, #18BD52, #18BD25 and #37BD18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19BCAA shade: #18BDAB, #18A3BD, #1876BD, #184ABD and #181DBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19BCAA shade matches the following richer shades: #18BDAB and #07CEB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19BCAA shade: #18BDAB, #29AC9D, #3B9A90, #4C8982 and #5D7875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19BCAA shade: #18BD52, #18BD7E, #18BDAA, #18A4BD and #1878BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19BCAA shade: #0F7469, #13998A, #18BDAB, #1DE1CC and #42E6D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19BCAA shade: #19BCAA, #2618BD and #BD6818

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19BCAA shade: #19BCAA, #AA18BD and #BDAA18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19BCAA shade: #19BCAA, #2618BD, #BD182B and #AFBD18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19BCAA shade: #19BCAA, #5718BD, #BD182B and #7EBD18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 10 / 26

HEX #19BCAA

RGB 25 188 170

HSL 173.37, 0.77%, 0.42%

LAB 68.81, -42.47, -1.89

 

Complementary color

CMYK 0 / 71 / 63 / 10

HEX #E64355

RGB 230 67 85

HSL 353.37, 0.77%, 0.58%

LAB 53.49, 63.19, 27.13

 

CMYK 84 / 0 / 12 / 26

HEX #1EBCA5

RGB 30 188 165

HSL 171.27, 0.72%, 0.43%

LAB 68.72, -43.5, 0.73

 

CMYK 77 / 0 / 11 / 19

HEX #2FCEB8

RGB 47 206 184

HSL 171.7, 0.63%, 0.5%

LAB 74.96, -44.59, -0.48

 

CMYK 71 / 0 / 9 / 12

HEX #40E0CB

RGB 64 224 203

HSL 172.13, 0.72%, 0.56%

LAB 81.13, -45.4, -1.57

 

CMYK 67 / 0 / 8 / 5

HEX #51F2DE

RGB 81 242 222

HSL 172.55, 0.86%, 0.63%

LAB 87.25, -45.98, -2.58

 

CMYK 62 / 0 / 5 / 0

HEX #62FFF1

RGB 98 255 241

HSL 174.65, 1%, 0.69%

LAB 91.89, -44.22, -5.6

 

CMYK 87 / 0 / 10 / 26

HEX #19BCAA

RGB 25 188 170

HSL 173.37, 0.77%, 0.42%

LAB 68.81, -42.47, -1.89

 

CMYK 95 / 0 / 11 / 33

HEX #08AA97

RGB 8 170 151

HSL 172.96, 0.91%, 0.35%

LAB 62.54, -40.83, -0.56

 

CMYK 100 / 0 / 13 / 40

HEX #009884

RGB 0 152 132

HSL 172.11, 1%, 0.3%

LAB 56.21, -38.71, 0.94

 

CMYK 100 / 0 / 16 / 47

HEX #008671

RGB 0 134 113

HSL 170.6, 1%, 0.26%

LAB 49.79, -36.23, 2.58

 

CMYK 100 / 0 / 19 / 55

HEX #00745E

RGB 0 116 94

HSL 168.62, 1%, 0.23%

LAB 43.21, -33.69, 4.31

 

CMYK 87 / 0 / 10 / 26

HEX #18BDAB

RGB 24 189 171

HSL 173.45, 0.77%, 0.42%

LAB 69.13, -42.69, -1.96

 

CMYK 87 / 0 / 33 / 26

HEX #18BD7E

RGB 24 189 126

HSL 157.09, 0.77%, 0.42%

LAB 68.09, -53.89, 21.04

 

CMYK 87 / 0 / 57 / 26

HEX #18BD52

RGB 24 189 82

HSL 141.09, 0.77%, 0.42%

LAB 67.43, -61.72, 42.64

 

CMYK 87 / 0 / 80 / 26

HEX #18BD25

RGB 24 189 37

HSL 124.73, 0.77%, 0.42%

LAB 67.07, -66.17, 60.01

 

CMYK 71 / 0 / 87 / 26

HEX #37BD18

RGB 55 189 24

HSL 108.73, 0.77%, 0.42%

LAB 67.48, -62.75, 63.78

 

CMYK 87 / 0 / 10 / 26

HEX #18BDAB

RGB 24 189 171

HSL 173.45, 0.77%, 0.42%

LAB 69.13, -42.69, -1.96

 

CMYK 87 / 14 / 0 / 26

HEX #18A3BD

RGB 24 163 189

HSL 189.45, 0.77%, 0.42%

LAB 61.71, -24.92, -23.1

 

CMYK 87 / 38 / 0 / 26

HEX #1876BD

RGB 24 118 189

HSL 205.82, 0.77%, 0.42%

LAB 48.04, 0.28, -44.45

 

CMYK 87 / 61 / 0 / 26

HEX #184ABD

RGB 24 74 189

HSL 221.82, 0.77%, 0.42%

LAB 35.53, 28.8, -64.63

 

CMYK 87 / 85 / 0 / 26

HEX #181DBD

RGB 24 29 189

HSL 238.18, 0.77%, 0.42%

LAB 26, 55.01, -80.36

 

CMYK 87 / 0 / 10 / 26

HEX #18BDAB

RGB 24 189 171

HSL 173.45, 0.77%, 0.42%

LAB 69.13, -42.69, -1.96

 

CMYK 97 / 0 / 11 / 19

HEX #07CEB8

RGB 7 206 184

HSL 173.37, 0.93%, 0.42%

LAB 74.6, -47.06, -1.04

 

CMYK 87 / 0 / 10 / 26

HEX #18BDAB

RGB 24 189 171

HSL 173.45, 0.77%, 0.42%

LAB 69.13, -42.69, -1.96

 

CMYK 76 / 0 / 9 / 33

HEX #29AC9D

RGB 41 172 157

HSL 173.13, 0.62%, 0.42%

LAB 63.68, -37.61, -2.19

 

CMYK 62 / 0 / 6 / 40

HEX #3B9A90

RGB 59 154 144

HSL 173.68, 0.45%, 0.42%

LAB 58.09, -30.14, -3.04

 

CMYK 45 / 0 / 5 / 46

HEX #4C8982

RGB 76 137 130

HSL 173.11, 0.29%, 0.42%

LAB 52.99, -21.56, -2.43

 

CMYK 23 / 0 / 3 / 53

HEX #5D7875

RGB 93 120 117

HSL 173.33, 0.13%, 0.42%

LAB 48.32, -10.42, -1.57

 

CMYK 87 / 0 / 57 / 26

HEX #18BD52

RGB 24 189 82

HSL 141.09, 0.77%, 0.42%

LAB 67.43, -61.72, 42.64

 

CMYK 87 / 0 / 33 / 26

HEX #18BD7E

RGB 24 189 126

HSL 157.09, 0.77%, 0.42%

LAB 68.09, -53.89, 21.04

 

CMYK 87 / 0 / 10 / 26

HEX #18BDAA

RGB 24 189 170

HSL 173.09, 0.77%, 0.42%

LAB 69.11, -42.97, -1.45

 

CMYK 87 / 13 / 0 / 26

HEX #18A4BD

RGB 24 164 189

HSL 189.09, 0.77%, 0.42%

LAB 62.01, -25.43, -22.63

 

CMYK 87 / 37 / 0 / 26

HEX #1878BD

RGB 24 120 189

HSL 205.09, 0.77%, 0.42%

LAB 48.64, -0.94, -43.5

 

CMYK 87 / 0 / 9 / 55

HEX #0F7469

RGB 15 116 105

HSL 173.47, 0.77%, 0.26%

LAB 43.67, -29.37, -1.59

 

CMYK 88 / 0 / 10 / 40

HEX #13998A

RGB 19 153 138

HSL 173.28, 0.78%, 0.34%

LAB 56.84, -36.46, -1.55

 

CMYK 87 / 0 / 10 / 26

HEX #18BDAB

RGB 24 189 171

HSL 173.45, 0.77%, 0.42%

LAB 69.13, -42.69, -1.96

 

CMYK 87 / 0 / 9 / 12

HEX #1DE1CC

RGB 29 225 204

HSL 173.57, 0.77%, 0.5%

LAB 81, -48.7, -2.35

 

CMYK 71 / 0 / 8 / 10

HEX #42E6D4

RGB 66 230 212

HSL 173.41, 0.77%, 0.58%

LAB 83.18, -45.38, -3.33

 

CMYK 87 / 0 / 10 / 26

HEX #19BCAA

RGB 25 188 170

HSL 173.37, 0.77%, 0.42%

LAB 68.81, -42.47, -1.89

 

CMYK 80 / 87 / 0 / 26

HEX #2618BD

RGB 38 24 189

HSL 245.09, 0.77%, 0.42%

LAB 25.98, 57.52, -80.38

 

CMYK 0 / 45 / 87 / 26

HEX #BD6818

RGB 189 104 24

HSL 29.09, 0.77%, 0.42%

LAB 52.71, 28.82, 54.88

 

CMYK 87 / 0 / 10 / 26

HEX #19BCAA

RGB 25 188 170

HSL 173.37, 0.77%, 0.42%

LAB 68.81, -42.47, -1.89

 

CMYK 10 / 87 / 0 / 26

HEX #AA18BD

RGB 170 24 189

HSL 293.09, 0.77%, 0.42%

LAB 42.57, 72.48, -52.54

 

CMYK 0 / 10 / 87 / 26

HEX #BDAA18

RGB 189 170 24

HSL 53.09, 0.77%, 0.42%

LAB 69.21, -7.11, 68.18

 

CMYK 87 / 0 / 10 / 26

HEX #19BCAA

RGB 25 188 170

HSL 173.37, 0.77%, 0.42%

LAB 68.81, -42.47, -1.89

 

CMYK 80 / 87 / 0 / 26

HEX #2618BD

RGB 38 24 189

HSL 245.09, 0.77%, 0.42%

LAB 25.98, 57.52, -80.38

 

CMYK 0 / 87 / 77 / 26

HEX #BD182B

RGB 189 24 43

HSL 353.09, 0.77%, 0.42%

LAB 40.65, 61.65, 34.77

 

CMYK 7 / 0 / 87 / 26

HEX #AFBD18

RGB 175 189 24

HSL 65.09, 0.77%, 0.42%

LAB 73.27, -22.88, 70.99

 

CMYK 87 / 0 / 10 / 26

HEX #19BCAA

RGB 25 188 170

HSL 173.37, 0.77%, 0.42%

LAB 68.81, -42.47, -1.89

 

CMYK 54 / 87 / 0 / 26

HEX #5718BD

RGB 87 24 189

HSL 262.91, 0.77%, 0.42%

LAB 30.29, 60.99, -73.11

 

CMYK 0 / 87 / 77 / 26

HEX #BD182B

RGB 189 24 43

HSL 353.09, 0.77%, 0.42%

LAB 40.65, 61.65, 34.77

 

CMYK 33 / 0 / 87 / 26

HEX #7EBD18

RGB 126 189 24

HSL 82.91, 0.77%, 0.42%

LAB 70.1, -42.59, 67.07

 

Description

Color code: HEX #19BCAA | qconv.com Color code: HEX #19BCAA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 188 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 188 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 10 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 10% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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