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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19B3EA it is the complementary color #E64C15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19B3EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19B3EA shade: #1EB3E5, #2FC5F8, #40D7FF, #51E9FF and #62FBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19B3EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19B3EA shade: #19B3EA, #08A1D7, #008FC4, #007DB1 and #006B9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19B3EA shade: #1AB3E9, #1A7BE9, #1A43E9, #291AE9 and #611AE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19B3EA shade: #1AB3E9, #1A7BE9, #1A43E9 and #1A1AE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19B3EA shade matches the following richer shades: #1AB3E9 and #06BCFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19B3EA shade: #1AB3E9, #2EA9D5, #42A0C1, #5696AD and #6B8C98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19B3EA shade: #1AE9AE, #1AE9E6, #1AB5E9, #1A7EE9 and #1A47E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19B3EA shade: #0F7BA2, #1298C8, #1AB3E9, #40BFED and #65CCF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19B3EA shade: #19B3EA, #771AE9 and #E9CA1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19B3EA shade: #19B3EA, #E91AB5 and #B5E91A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19B3EA shade: #19B3EA, #771AE9, #E94E1A and #8CE91A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19B3EA shade: #19B3EA, #B51AE9, #E94E1A and #4EE91A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 24 / 0 / 8

HEX #19B3EA

RGB 25 179 234

HSL 195.79, 0.83%, 0.51%

LAB 68.31, -17.84, -37.78

 

Complementary color

CMYK 0 / 67 / 91 / 10

HEX #E64C15

RGB 230 76 21

HSL 15.79, 0.83%, 0.49%

LAB 54.08, 57.53, 59.74

 

CMYK 87 / 22 / 0 / 10

HEX #1EB3E5

RGB 30 179 229

HSL 195.08, 0.79%, 0.51%

LAB 68.15, -19.28, -35.29

 

CMYK 81 / 21 / 0 / 3

HEX #2FC5F8

RGB 47 197 248

HSL 195.22, 0.93%, 0.58%

LAB 74.39, -21.01, -35.89

 

CMYK 75 / 16 / 0 / 0

HEX #40D7FF

RGB 64 215 255

HSL 192.57, 1%, 0.63%

LAB 80.13, -26.2, -30.75

 

CMYK 68 / 9 / 0 / 0

HEX #51E9FF

RGB 81 233 255

HSL 187.59, 1%, 0.66%

LAB 85.63, -32.87, -22.32

 

CMYK 62 / 2 / 0 / 0

HEX #62FBFF

RGB 98 251 255

HSL 181.53, 1%, 0.69%

LAB 91.15, -38.77, -13.97

 

CMYK 89 / 24 / 0 / 8

HEX #19B3EA

RGB 25 179 234

HSL 195.79, 0.83%, 0.51%

LAB 68.31, -17.84, -37.78

 

CMYK 96 / 25 / 0 / 16

HEX #08A1D7

RGB 8 161 215

HSL 195.65, 0.93%, 0.44%

LAB 62.04, -15.54, -37.11

 

CMYK 100 / 27 / 0 / 23

HEX #008FC4

RGB 0 143 196

HSL 196.22, 1%, 0.38%

LAB 55.72, -12.79, -36.35

 

CMYK 100 / 29 / 0 / 31

HEX #007DB1

RGB 0 125 177

HSL 197.63, 1%, 0.35%

LAB 49.3, -9.67, -35.53

 

CMYK 100 / 32 / 0 / 38

HEX #006B9E

RGB 0 107 158

HSL 199.37, 1%, 0.31%

LAB 42.74, -6.39, -34.75

 

CMYK 89 / 23 / 0 / 9

HEX #1AB3E9

RGB 26 179 233

HSL 195.65, 0.82%, 0.51%

LAB 68.27, -18.13, -37.29

 

CMYK 89 / 47 / 0 / 9

HEX #1A7BE9

RGB 26 123 233

HSL 211.88, 0.82%, 0.51%

LAB 52.14, 14.3, -62.86

 

CMYK 89 / 71 / 0 / 9

HEX #1A43E9

RGB 26 67 233

HSL 228.12, 0.82%, 0.51%

LAB 38.05, 49.51, -85.87

 

CMYK 82 / 89 / 0 / 9

HEX #291AE9

RGB 41 26 233

HSL 244.35, 0.82%, 0.51%

LAB 32.02, 69.05, -95.87

 

CMYK 58 / 89 / 0 / 9

HEX #611AE9

RGB 97 26 233

HSL 260.58, 0.82%, 0.51%

LAB 36.3, 72.01, -88.64

 

CMYK 89 / 23 / 0 / 9

HEX #1AB3E9

RGB 26 179 233

HSL 195.65, 0.82%, 0.51%

LAB 68.27, -18.13, -37.29

 

CMYK 89 / 47 / 0 / 9

HEX #1A7BE9

RGB 26 123 233

HSL 211.88, 0.82%, 0.51%

LAB 52.14, 14.3, -62.86

 

CMYK 89 / 71 / 0 / 9

HEX #1A43E9

RGB 26 67 233

HSL 228.12, 0.82%, 0.51%

LAB 38.05, 49.51, -85.87

 

CMYK 89 / 89 / 0 / 9

HEX #1A1AE9

RGB 26 26 233

HSL 240, 0.82%, 0.51%

LAB 31.44, 68.69, -96.84

 

CMYK 89 / 23 / 0 / 9

HEX #1AB3E9

RGB 26 179 233

HSL 195.65, 0.82%, 0.51%

LAB 68.27, -18.13, -37.29

 

CMYK 98 / 26 / 0 / 1

HEX #06BCFD

RGB 6 188 253

HSL 195.79, 0.98%, 0.51%

LAB 71.62, -16.62, -42.92

 

CMYK 89 / 23 / 0 / 9

HEX #1AB3E9

RGB 26 179 233

HSL 195.65, 0.82%, 0.51%

LAB 68.27, -18.13, -37.29

 

CMYK 78 / 21 / 0 / 16

HEX #2EA9D5

RGB 46 169 213

HSL 195.81, 0.67%, 0.51%

LAB 64.77, -18.16, -31.71

 

CMYK 66 / 17 / 0 / 24

HEX #42A0C1

RGB 66 160 193

HSL 195.59, 0.51%, 0.51%

LAB 61.78, -17.31, -25.16

 

CMYK 50 / 13 / 0 / 32

HEX #5696AD

RGB 86 150 173

HSL 195.86, 0.35%, 0.51%

LAB 58.8, -14.07, -18.38

 

CMYK 30 / 8 / 0 / 40

HEX #6B8C98

RGB 107 140 152

HSL 196, 0.18%, 0.51%

LAB 56.24, -8.57, -10.14

 

CMYK 89 / 0 / 25 / 9

HEX #1AE9AE

RGB 26 233 174

HSL 162.9, 0.82%, 0.51%

LAB 82.68, -59.57, 15.87

 

CMYK 89 / 0 / 1 / 9

HEX #1AE9E6

RGB 26 233 230

HSL 179.13, 0.82%, 0.51%

LAB 84.08, -45.02, -11.57

 

CMYK 89 / 22 / 0 / 9

HEX #1AB5E9

RGB 26 181 233

HSL 195.07, 0.82%, 0.51%

LAB 68.86, -19.19, -36.37

 

CMYK 89 / 46 / 0 / 9

HEX #1A7EE9

RGB 26 126 233

HSL 211.01, 0.82%, 0.51%

LAB 52.98, 12.43, -61.51

 

CMYK 89 / 70 / 0 / 9

HEX #1A47E9

RGB 26 71 233

HSL 226.96, 0.82%, 0.51%

LAB 38.91, 47.14, -84.44

 

CMYK 91 / 24 / 0 / 36

HEX #0F7BA2

RGB 15 123 162

HSL 195.92, 0.83%, 0.35%

LAB 48.1, -13.5, -28.68

 

CMYK 91 / 24 / 0 / 22

HEX #1298C8

RGB 18 152 200

HSL 195.82, 0.83%, 0.43%

LAB 58.75, -15.64, -33.86

 

CMYK 89 / 23 / 0 / 9

HEX #1AB3E9

RGB 26 179 233

HSL 195.65, 0.82%, 0.51%

LAB 68.27, -18.13, -37.29

 

CMYK 73 / 19 / 0 / 7

HEX #40BFED

RGB 64 191 237

HSL 195.95, 0.83%, 0.59%

LAB 72.54, -19.77, -32.8

 

CMYK 58 / 15 / 0 / 6

HEX #65CCF0

RGB 101 204 240

HSL 195.54, 0.82%, 0.67%

LAB 77.43, -19.79, -26.81

 

CMYK 89 / 24 / 0 / 8

HEX #19B3EA

RGB 25 179 234

HSL 195.79, 0.83%, 0.51%

LAB 68.31, -17.84, -37.78

 

CMYK 49 / 89 / 0 / 9

HEX #771AE9

RGB 119 26 233

HSL 266.96, 0.82%, 0.51%

LAB 38.8, 73.94, -84.42

 

CMYK 0 / 13 / 89 / 9

HEX #E9CA1A

RGB 233 202 26

HSL 51.01, 0.82%, 0.51%

LAB 81.64, -4.44, 79.35

 

CMYK 89 / 24 / 0 / 8

HEX #19B3EA

RGB 25 179 234

HSL 195.79, 0.83%, 0.51%

LAB 68.31, -17.84, -37.78

 

CMYK 0 / 89 / 22 / 9

HEX #E91AB5

RGB 233 26 181

HSL 315.07, 0.82%, 0.51%

LAB 53.38, 82.72, -30.03

 

CMYK 22 / 0 / 89 / 9

HEX #B5E91A

RGB 181 233 26

HSL 75.07, 0.82%, 0.51%

LAB 86.09, -40.84, 81.25

 

CMYK 89 / 24 / 0 / 8

HEX #19B3EA

RGB 25 179 234

HSL 195.79, 0.83%, 0.51%

LAB 68.31, -17.84, -37.78

 

CMYK 49 / 89 / 0 / 9

HEX #771AE9

RGB 119 26 233

HSL 266.96, 0.82%, 0.51%

LAB 38.8, 73.94, -84.42

 

CMYK 0 / 67 / 89 / 9

HEX #E94E1A

RGB 233 78 26

HSL 15.07, 0.82%, 0.51%

LAB 54.91, 57.82, 58.9

 

CMYK 40 / 0 / 89 / 9

HEX #8CE91A

RGB 140 233 26

HSL 86.96, 0.82%, 0.51%

LAB 83.93, -55.59, 78.58

 

CMYK 89 / 24 / 0 / 8

HEX #19B3EA

RGB 25 179 234

HSL 195.79, 0.83%, 0.51%

LAB 68.31, -17.84, -37.78

 

CMYK 22 / 89 / 0 / 9

HEX #B51AE9

RGB 181 26 233

HSL 284.93, 0.82%, 0.51%

LAB 47.55, 81.46, -69.73

 

CMYK 0 / 67 / 89 / 9

HEX #E94E1A

RGB 233 78 26

HSL 15.07, 0.82%, 0.51%

LAB 54.91, 57.82, 58.9

 

CMYK 67 / 0 / 89 / 9

HEX #4EE91A

RGB 78 233 26

HSL 104.93, 0.82%, 0.51%

LAB 81.82, -72.13, 75.96

 

Description

Color code: HEX #19B3EA | qconv.com Color code: HEX #19B3EA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 179 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 179 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 24 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 24% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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