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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19A6B5 it is the complementary color #E6594A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19A6B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19A6B5 shade: #1EA6B0, #2FB8C3, #40CAD6, #51DCE9 and #62EEFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19A6B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19A6B5 shade: #19A6B5, #0894A2, #00828F, #00707C and #005E69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19A6B5 shade: #18A4B3, #187AB3, #1850B3, #1827B3 and #3318B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19A6B5 shade: #18A4B3, #187AB3, #1850B3, #1827B3 and #1818B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19A6B5 shade matches the following richer shades: #18A4B3 and #07B1C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19A6B5 shade: #18A4B3, #2897A3, #398992, #497C82 and #5A6F71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19A6B5 shade: #18B36D, #18B397, #18A6B3, #187DB3 and #1853B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19A6B5 shade: #0E626A, #13838F, #18A4B3, #1DC5D7 and #3AD3E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19A6B5 shade: #19A6B5, #4418B3 and #B38218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19A6B5 shade: #19A6B5, #B318A6 and #A6B318

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19A6B5 shade: #19A6B5, #4418B3, #B32518 and #87B318

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19A6B5 shade: #19A6B5, #7218B3, #B32518 and #59B318

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 8 / 0 / 29

HEX #19A6B5

RGB 25 166 181

HSL 185.77, 0.76%, 0.4%

LAB 62.35, -28.98, -17.64

 

Complementary color

CMYK 0 / 61 / 68 / 10

HEX #E6594A

RGB 230 89 74

HSL 5.77, 0.76%, 0.6%

LAB 56.55, 53.82, 37.23

 

CMYK 83 / 6 / 0 / 31

HEX #1EA6B0

RGB 30 166 176

HSL 184.11, 0.71%, 0.4%

LAB 62.24, -30.2, -15

 

CMYK 76 / 6 / 0 / 24

HEX #2FB8C3

RGB 47 184 195

HSL 184.46, 0.61%, 0.47%

LAB 68.62, -31.42, -15.88

 

CMYK 70 / 6 / 0 / 16

HEX #40CAD6

RGB 64 202 214

HSL 184.8, 0.65%, 0.55%

LAB 74.94, -32.34, -16.68

 

CMYK 65 / 6 / 0 / 9

HEX #51DCE9

RGB 81 220 233

HSL 185.13, 0.78%, 0.62%

LAB 81.19, -33.04, -17.4

 

CMYK 61 / 6 / 0 / 1

HEX #62EEFC

RGB 98 238 252

HSL 185.45, 0.96%, 0.69%

LAB 87.38, -33.57, -18.07

 

CMYK 86 / 8 / 0 / 29

HEX #19A6B5

RGB 25 166 181

HSL 185.77, 0.76%, 0.4%

LAB 62.35, -28.98, -17.64

 

CMYK 95 / 9 / 0 / 36

HEX #0894A2

RGB 8 148 162

HSL 185.45, 0.91%, 0.33%

LAB 55.93, -27.15, -16.65

 

CMYK 100 / 9 / 0 / 44

HEX #00828F

RGB 0 130 143

HSL 185.45, 1%, 0.28%

LAB 49.43, -24.82, -15.52

 

CMYK 100 / 10 / 0 / 51

HEX #00707C

RGB 0 112 124

HSL 185.81, 1%, 0.24%

LAB 42.83, -22.08, -14.29

 

CMYK 100 / 10 / 0 / 59

HEX #005E69

RGB 0 94 105

HSL 186.29, 1%, 0.21%

LAB 36.03, -19.26, -13.03

 

CMYK 87 / 8 / 0 / 30

HEX #18A4B3

RGB 24 164 179

HSL 185.81, 0.76%, 0.4%

LAB 61.65, -28.71, -17.57

 

CMYK 87 / 32 / 0 / 30

HEX #187AB3

RGB 24 122 179

HSL 202.06, 0.76%, 0.4%

LAB 48.72, -5.96, -37.59

 

CMYK 87 / 55 / 0 / 30

HEX #1850B3

RGB 24 80 179

HSL 218.32, 0.76%, 0.4%

LAB 36.34, 20.85, -57.42

 

CMYK 87 / 78 / 0 / 30

HEX #1827B3

RGB 24 39 179

HSL 234.19, 0.76%, 0.4%

LAB 26.45, 46.93, -73.67

 

CMYK 72 / 87 / 0 / 30

HEX #3318B3

RGB 51 24 179

HSL 250.45, 0.76%, 0.4%

LAB 25.6, 55.38, -75.04

 

CMYK 87 / 8 / 0 / 30

HEX #18A4B3

RGB 24 164 179

HSL 185.81, 0.76%, 0.4%

LAB 61.65, -28.71, -17.57

 

CMYK 87 / 32 / 0 / 30

HEX #187AB3

RGB 24 122 179

HSL 202.06, 0.76%, 0.4%

LAB 48.72, -5.96, -37.59

 

CMYK 87 / 55 / 0 / 30

HEX #1850B3

RGB 24 80 179

HSL 218.32, 0.76%, 0.4%

LAB 36.34, 20.85, -57.42

 

CMYK 87 / 78 / 0 / 30

HEX #1827B3

RGB 24 39 179

HSL 234.19, 0.76%, 0.4%

LAB 26.45, 46.93, -73.67

 

CMYK 87 / 87 / 0 / 30

HEX #1818B3

RGB 24 24 179

HSL 240, 0.76%, 0.4%

LAB 24.01, 54.1, -77.73

 

CMYK 87 / 8 / 0 / 30

HEX #18A4B3

RGB 24 164 179

HSL 185.81, 0.76%, 0.4%

LAB 61.65, -28.71, -17.57

 

CMYK 96 / 10 / 0 / 23

HEX #07B1C4

RGB 7 177 196

HSL 186.03, 0.93%, 0.4%

LAB 66.12, -30.32, -20.28

 

CMYK 87 / 8 / 0 / 30

HEX #18A4B3

RGB 24 164 179

HSL 185.81, 0.76%, 0.4%

LAB 61.65, -28.71, -17.57

 

CMYK 75 / 7 / 0 / 36

HEX #2897A3

RGB 40 151 163

HSL 185.85, 0.61%, 0.4%

LAB 57.3, -25.9, -15.1

 

CMYK 61 / 6 / 0 / 43

HEX #398992

RGB 57 137 146

HSL 186.07, 0.44%, 0.4%

LAB 52.77, -21.38, -12.12

 

CMYK 44 / 5 / 0 / 49

HEX #497C82

RGB 73 124 130

HSL 186.32, 0.28%, 0.4%

LAB 48.81, -15.41, -8.64

 

CMYK 20 / 2 / 0 / 56

HEX #5A6F71

RGB 90 111 113

HSL 185.22, 0.11%, 0.4%

LAB 45.27, -7.26, -3.7

 

CMYK 87 / 0 / 39 / 30

HEX #18B36D

RGB 24 179 109

HSL 152.9, 0.76%, 0.4%

LAB 64.59, -53.72, 25.41

 

CMYK 87 / 0 / 16 / 30

HEX #18B397

RGB 24 179 151

HSL 169.16, 0.76%, 0.4%

LAB 65.49, -43.87, 3.75

 

CMYK 87 / 7 / 0 / 30

HEX #18A6B3

RGB 24 166 179

HSL 185.03, 0.76%, 0.4%

LAB 62.27, -29.69, -16.64

 

CMYK 87 / 30 / 0 / 30

HEX #187DB3

RGB 24 125 179

HSL 200.9, 0.76%, 0.4%

LAB 49.64, -7.72, -36.15

 

CMYK 87 / 54 / 0 / 30

HEX #1853B3

RGB 24 83 179

HSL 217.16, 0.76%, 0.4%

LAB 37.18, 18.84, -56.06

 

CMYK 87 / 8 / 0 / 58

HEX #0E626A

RGB 14 98 106

HSL 185.22, 0.77%, 0.24%

LAB 37.61, -19.99, -11.24

 

CMYK 87 / 8 / 0 / 44

HEX #13838F

RGB 19 131 143

HSL 185.81, 0.77%, 0.32%

LAB 49.92, -24.29, -14.76

 

CMYK 87 / 8 / 0 / 30

HEX #18A4B3

RGB 24 164 179

HSL 185.81, 0.76%, 0.4%

LAB 61.65, -28.71, -17.57

 

CMYK 87 / 8 / 0 / 16

HEX #1DC5D7

RGB 29 197 215

HSL 185.81, 0.76%, 0.48%

LAB 72.96, -32.95, -20.28

 

CMYK 75 / 7 / 0 / 11

HEX #3AD3E4

RGB 58 211 228

HSL 186, 0.76%, 0.56%

LAB 77.93, -33.18, -19.71

 

CMYK 86 / 8 / 0 / 29

HEX #19A6B5

RGB 25 166 181

HSL 185.77, 0.76%, 0.4%

LAB 62.35, -28.98, -17.64

 

CMYK 62 / 87 / 0 / 30

HEX #4418B3

RGB 68 24 179

HSL 257.03, 0.76%, 0.4%

LAB 27.12, 56.66, -72.46

 

CMYK 0 / 27 / 87 / 30

HEX #B38218

RGB 179 130 24

HSL 41.03, 0.76%, 0.4%

LAB 57.67, 10.08, 58.39

 

CMYK 86 / 8 / 0 / 29

HEX #19A6B5

RGB 25 166 181

HSL 185.77, 0.76%, 0.4%

LAB 62.35, -28.98, -17.64

 

CMYK 0 / 87 / 7 / 30

HEX #B318A6

RGB 179 24 166

HSL 305.03, 0.76%, 0.4%

LAB 42.75, 70.51, -38.56

 

CMYK 7 / 0 / 87 / 30

HEX #A6B318

RGB 166 179 24

HSL 65.03, 0.76%, 0.4%

LAB 69.76, -21.79, 67.83

 

CMYK 86 / 8 / 0 / 29

HEX #19A6B5

RGB 25 166 181

HSL 185.77, 0.76%, 0.4%

LAB 62.35, -28.98, -17.64

 

CMYK 62 / 87 / 0 / 30

HEX #4418B3

RGB 68 24 179

HSL 257.03, 0.76%, 0.4%

LAB 27.12, 56.66, -72.46

 

CMYK 0 / 79 / 87 / 30

HEX #B32518

RGB 179 37 24

HSL 5.03, 0.76%, 0.4%

LAB 39.53, 55.1, 43.34

 

CMYK 25 / 0 / 87 / 30

HEX #87B318

RGB 135 179 24

HSL 77.03, 0.76%, 0.4%

LAB 67.62, -34.7, 65.17

 

CMYK 86 / 8 / 0 / 29

HEX #19A6B5

RGB 25 166 181

HSL 185.77, 0.76%, 0.4%

LAB 62.35, -28.98, -17.64

 

CMYK 36 / 87 / 0 / 30

HEX #7218B3

RGB 114 24 179

HSL 274.84, 0.76%, 0.4%

LAB 32.89, 61.88, -62.77

 

CMYK 0 / 79 / 87 / 30

HEX #B32518

RGB 179 37 24

HSL 5.03, 0.76%, 0.4%

LAB 39.53, 55.1, 43.34

 

CMYK 50 / 0 / 87 / 30

HEX #59B318

RGB 89 179 24

HSL 94.84, 0.76%, 0.4%

LAB 65.3, -51.05, 62.28

 

Description

Color code: HEX #19A6B5 | qconv.com Color code: HEX #19A6B5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 166 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 166 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 8 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 8% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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