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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #199386 it is the complementary color #E66C79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #199386. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #199386 shade: #1E9381, #2FA594, #40B7A7, #51C9BA and #62DBCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #199386. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #199386 shade: #199386, #088173, #006F60, #005D4D and #004B3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #199386 shade: #199487, #199465, #199444, #199423 and #2F9419

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #199386 shade: #199487, #198094, #195E94, #193D94 and #191C94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #199386 shade matches the following richer shades: #199487 and #0BA292

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #199386 shade: #199487, #27867C, #357871, #436A66 and #515C5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #199386 shade: #199444, #199465, #199485, #198194 and #196094

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #199386 shade: #0D4D46, #137066, #199487, #1FB7A7 and #25DAC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #199386 shade: #199386, #231994 and #945419

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #199386 shade: #199386, #851994 and #948519

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #199386 shade: #199386, #231994, #941927 and #899419

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #199386 shade: #199386, #481994, #941927 and #659419

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 9 / 42

HEX #199386

RGB 25 147 134

HSL 173.61, 0.71%, 0.34%

LAB 54.86, -34.41, -2.15

 

Complementary color

CMYK 0 / 53 / 47 / 10

HEX #E66C79

RGB 230 108 121

HSL 353.61, 0.71%, 0.66%

LAB 60.72, 48.48, 15.83

 

CMYK 80 / 0 / 12 / 42

HEX #1E9381

RGB 30 147 129

HSL 170.77, 0.66%, 0.35%

LAB 54.79, -35.35, 0.63

 

CMYK 72 / 0 / 10 / 35

HEX #2FA594

RGB 47 165 148

HSL 171.36, 0.56%, 0.42%

LAB 61.35, -36.16, -0.55

 

CMYK 65 / 0 / 9 / 28

HEX #40B7A7

RGB 64 183 167

HSL 171.93, 0.48%, 0.48%

LAB 67.83, -36.68, -1.59

 

CMYK 60 / 0 / 7 / 21

HEX #51C9BA

RGB 81 201 186

HSL 172.5, 0.53%, 0.55%

LAB 74.23, -37.01, -2.53

 

CMYK 55 / 0 / 6 / 14

HEX #62DBCD

RGB 98 219 205

HSL 173.06, 0.63%, 0.62%

LAB 80.55, -37.2, -3.39

 

CMYK 83 / 0 / 9 / 42

HEX #199386

RGB 25 147 134

HSL 173.61, 0.71%, 0.34%

LAB 54.86, -34.41, -2.15

 

CMYK 94 / 0 / 11 / 49

HEX #088173

RGB 8 129 115

HSL 173.06, 0.88%, 0.27%

LAB 48.25, -32.93, -0.83

 

CMYK 100 / 0 / 14 / 56

HEX #006F60

RGB 0 111 96

HSL 171.89, 1%, 0.22%

LAB 41.55, -30.83, 0.72

 

CMYK 100 / 0 / 17 / 64

HEX #005D4D

RGB 0 93 77

HSL 169.68, 1%, 0.18%

LAB 34.73, -28.2, 2.47

 

CMYK 100 / 0 / 23 / 71

HEX #004B3A

RGB 0 75 58

HSL 166.4, 1%, 0.15%

LAB 27.68, -25.48, 4.36

 

CMYK 83 / 0 / 9 / 42

HEX #199487

RGB 25 148 135

HSL 173.66, 0.71%, 0.34%

LAB 55.21, -34.58, -2.21

 

CMYK 83 / 0 / 32 / 42

HEX #199465

RGB 25 148 101

HSL 157.07, 0.71%, 0.34%

LAB 54.37, -43.48, 15.97

 

CMYK 83 / 0 / 54 / 42

HEX #199444

RGB 25 148 68

HSL 140.98, 0.71%, 0.34%

LAB 53.82, -49.87, 33.12

 

CMYK 83 / 0 / 76 / 42

HEX #199423

RGB 25 148 35

HSL 124.88, 0.71%, 0.34%

LAB 53.5, -53.76, 47.52

 

CMYK 68 / 0 / 83 / 42

HEX #2F9419

RGB 47 148 25

HSL 109.27, 0.71%, 0.34%

LAB 53.87, -50.78, 51.28

 

CMYK 83 / 0 / 9 / 42

HEX #199487

RGB 25 148 135

HSL 173.66, 0.71%, 0.34%

LAB 55.21, -34.58, -2.21

 

CMYK 83 / 14 / 0 / 42

HEX #198094

RGB 25 128 148

HSL 189.76, 0.71%, 0.34%

LAB 49.23, -20.52, -18.73

 

CMYK 83 / 36 / 0 / 42

HEX #195E94

RGB 25 94 148

HSL 206.34, 0.71%, 0.34%

LAB 38.46, -0.71, -35.51

 

CMYK 83 / 59 / 0 / 42

HEX #193D94

RGB 25 61 148

HSL 222.44, 0.71%, 0.34%

LAB 28.6, 21.42, -51.38

 

CMYK 83 / 81 / 0 / 42

HEX #191C94

RGB 25 28 148

HSL 238.54, 0.71%, 0.34%

LAB 20.73, 42.53, -64.31

 

CMYK 83 / 0 / 9 / 42

HEX #199487

RGB 25 148 135

HSL 173.66, 0.71%, 0.34%

LAB 55.21, -34.58, -2.21

 

CMYK 93 / 0 / 10 / 36

HEX #0BA292

RGB 11 162 146

HSL 173.64, 0.87%, 0.34%

LAB 59.88, -38.62, -1.64

 

CMYK 83 / 0 / 9 / 42

HEX #199487

RGB 25 148 135

HSL 173.66, 0.71%, 0.34%

LAB 55.21, -34.58, -2.21

 

CMYK 71 / 0 / 7 / 47

HEX #27867C

RGB 39 134 124

HSL 173.68, 0.55%, 0.34%

LAB 50.61, -29.51, -2.58

 

CMYK 56 / 0 / 6 / 53

HEX #357871

RGB 53 120 113

HSL 173.73, 0.39%, 0.34%

LAB 46.15, -23.02, -2.61

 

CMYK 37 / 0 / 4 / 58

HEX #436A66

RGB 67 106 102

HSL 173.85, 0.23%, 0.34%

LAB 41.94, -14.75, -2.13

 

CMYK 12 / 0 / 2 / 64

HEX #515C5A

RGB 81 92 90

HSL 169.09, 0.06%, 0.34%

LAB 38.1, -4.72, -0.31

 

CMYK 83 / 0 / 54 / 42

HEX #199444

RGB 25 148 68

HSL 140.98, 0.71%, 0.34%

LAB 53.82, -49.87, 33.12

 

CMYK 83 / 0 / 32 / 42

HEX #199465

RGB 25 148 101

HSL 157.07, 0.71%, 0.34%

LAB 54.37, -43.48, 15.97

 

CMYK 83 / 0 / 10 / 42

HEX #199485

RGB 25 148 133

HSL 172.68, 0.71%, 0.34%

LAB 55.15, -35.16, -1.15

 

CMYK 83 / 13 / 0 / 42

HEX #198194

RGB 25 129 148

HSL 189.27, 0.71%, 0.34%

LAB 49.55, -21.05, -18.25

 

CMYK 83 / 35 / 0 / 42

HEX #196094

RGB 25 96 148

HSL 205.37, 0.71%, 0.34%

LAB 39.09, -1.97, -34.52

 

CMYK 83 / 0 / 9 / 70

HEX #0D4D46

RGB 13 77 70

HSL 173.44, 0.71%, 0.18%

LAB 28.99, -21.11, -1.44

 

CMYK 83 / 0 / 9 / 56

HEX #137066

RGB 19 112 102

HSL 173.55, 0.71%, 0.26%

LAB 42.29, -27.98, -1.81

 

CMYK 83 / 0 / 9 / 42

HEX #199487

RGB 25 148 135

HSL 173.66, 0.71%, 0.34%

LAB 55.21, -34.58, -2.21

 

CMYK 83 / 0 / 9 / 28

HEX #1FB7A7

RGB 31 183 167

HSL 173.68, 0.71%, 0.42%

LAB 67.24, -40.69, -2.54

 

CMYK 83 / 0 / 9 / 15

HEX #25DAC6

RGB 37 218 198

HSL 173.37, 0.71%, 0.5%

LAB 78.82, -46.84, -2.35

 

CMYK 83 / 0 / 9 / 42

HEX #199386

RGB 25 147 134

HSL 173.61, 0.71%, 0.34%

LAB 54.86, -34.41, -2.15

 

CMYK 76 / 83 / 0 / 42

HEX #231994

RGB 35 25 148

HSL 244.88, 0.71%, 0.34%

LAB 20.79, 44.68, -64.2

 

CMYK 0 / 43 / 83 / 42

HEX #945419

RGB 148 84 25

HSL 28.78, 0.71%, 0.34%

LAB 42.32, 22.14, 43.31

 

CMYK 83 / 0 / 9 / 42

HEX #199386

RGB 25 147 134

HSL 173.61, 0.71%, 0.34%

LAB 54.86, -34.41, -2.15

 

CMYK 10 / 83 / 0 / 42

HEX #851994

RGB 133 25 148

HSL 292.68, 0.71%, 0.34%

LAB 33.61, 58.57, -42.73

 

CMYK 0 / 10 / 83 / 42

HEX #948519

RGB 148 133 25

HSL 52.68, 0.71%, 0.34%

LAB 55.22, -5.78, 54.73

 

CMYK 83 / 0 / 9 / 42

HEX #199386

RGB 25 147 134

HSL 173.61, 0.71%, 0.34%

LAB 54.86, -34.41, -2.15

 

CMYK 76 / 83 / 0 / 42

HEX #231994

RGB 35 25 148

HSL 244.88, 0.71%, 0.34%

LAB 20.79, 44.68, -64.2

 

CMYK 0 / 83 / 74 / 42

HEX #941927

RGB 148 25 39

HSL 353.17, 0.71%, 0.34%

LAB 32.12, 49.72, 25.25

 

CMYK 7 / 0 / 83 / 42

HEX #899419

RGB 137 148 25

HSL 65.37, 0.71%, 0.34%

LAB 58.57, -18.77, 57.26

 

CMYK 83 / 0 / 9 / 42

HEX #199386

RGB 25 147 134

HSL 173.61, 0.71%, 0.34%

LAB 54.86, -34.41, -2.15

 

CMYK 51 / 83 / 0 / 42

HEX #481994

RGB 72 25 148

HSL 262.93, 0.71%, 0.34%

LAB 24.36, 48.46, -58.19

 

CMYK 0 / 83 / 74 / 42

HEX #941927

RGB 148 25 39

HSL 353.17, 0.71%, 0.34%

LAB 32.12, 49.72, 25.25

 

CMYK 32 / 0 / 83 / 42

HEX #659419

RGB 101 148 25

HSL 82.93, 0.71%, 0.34%

LAB 56.1, -33.96, 54.13

 

Description

Color code: HEX #199386 | qconv.com Color code: HEX #199386 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 147 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 147 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 9 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 9% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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