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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #199296 it is the complementary color #E66D69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #199296. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #199296 shade: #1E9291, #2FA4A4, #40B6B7, #51C8CA and #62DADD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #199296. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #199296 shade: #199296, #088083, #006E70, #005C5D and #004A4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #199296 shade: #199094, #196F94, #194D94, #192C94 and #261994

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #199296 shade: #199094, #196F94, #194D94, #192C94 and #191994

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #199296 shade matches the following richer shades: #199094 and #0B9DA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #199296 shade: #199094, #278386, #357678, #43686A and #515B5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #199296 shade: #199454, #199475, #199294, #197194 and #195094

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #199296 shade: #0D4B4D, #136D70, #199094, #1FB2B7 and #25D4DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #199296 shade: #199296, #331994 and #946519

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #199296 shade: #199296, #941992 and #929419

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #199296 shade: #199296, #331994, #941B19 and #799419

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #199296 shade: #199296, #581994, #941B19 and #549419

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 3 / 0 / 41

HEX #199296

RGB 25 146 150

HSL 181.92, 0.71%, 0.34%

LAB 55.04, -29.06, -11.09

 

Complementary color

CMYK 0 / 53 / 54 / 10

HEX #E66D69

RGB 230 109 105

HSL 1.92, 0.71%, 0.66%

LAB 60.59, 46.6, 24.83

 

CMYK 79 / 0 / 1 / 43

HEX #1E9291

RGB 30 146 145

HSL 179.48, 0.66%, 0.35%

LAB 54.95, -30.16, -8.35

 

CMYK 71 / 0 / 0 / 36

HEX #2FA4A4

RGB 47 164 164

HSL 180, 0.55%, 0.41%

LAB 61.51, -31.12, -9.32

 

CMYK 65 / 1 / 0 / 28

HEX #40B6B7

RGB 64 182 183

HSL 180.5, 0.48%, 0.48%

LAB 67.99, -31.79, -10.18

 

CMYK 60 / 1 / 0 / 21

HEX #51C8CA

RGB 81 200 202

HSL 180.99, 0.53%, 0.55%

LAB 74.4, -32.25, -10.96

 

CMYK 56 / 1 / 0 / 13

HEX #62DADD

RGB 98 218 221

HSL 181.46, 0.64%, 0.63%

LAB 80.72, -32.57, -11.68

 

CMYK 83 / 3 / 0 / 41

HEX #199296

RGB 25 146 150

HSL 181.92, 0.71%, 0.34%

LAB 55.04, -29.06, -11.09

 

CMYK 94 / 2 / 0 / 49

HEX #088083

RGB 8 128 131

HSL 181.46, 0.88%, 0.27%

LAB 48.42, -27.43, -9.99

 

CMYK 100 / 2 / 0 / 56

HEX #006E70

RGB 0 110 112

HSL 181.07, 1%, 0.22%

LAB 41.72, -25.21, -8.72

 

CMYK 100 / 1 / 0 / 64

HEX #005C5D

RGB 0 92 93

HSL 180.65, 1%, 0.18%

LAB 34.89, -22.48, -7.28

 

CMYK 100 / 0 / 0 / 71

HEX #004A4A

RGB 0 74 74

HSL 180, 1%, 0.15%

LAB 27.82, -19.67, -5.78

 

CMYK 83 / 3 / 0 / 42

HEX #199094

RGB 25 144 148

HSL 181.95, 0.71%, 0.34%

LAB 54.33, -28.71, -11

 

CMYK 83 / 25 / 0 / 42

HEX #196F94

RGB 25 111 148

HSL 198.05, 0.71%, 0.34%

LAB 43.82, -11.04, -27.09

 

CMYK 83 / 48 / 0 / 42

HEX #194D94

RGB 25 77 148

HSL 214.63, 0.71%, 0.34%

LAB 33.25, 10.44, -43.84

 

CMYK 83 / 70 / 0 / 42

HEX #192C94

RGB 25 44 148

HSL 230.73, 0.71%, 0.34%

LAB 24.15, 32.94, -58.66

 

CMYK 74 / 83 / 0 / 42

HEX #261994

RGB 38 25 148

HSL 246.34, 0.71%, 0.34%

LAB 21, 44.9, -63.84

 

CMYK 83 / 3 / 0 / 42

HEX #199094

RGB 25 144 148

HSL 181.95, 0.71%, 0.34%

LAB 54.33, -28.71, -11

 

CMYK 83 / 25 / 0 / 42

HEX #196F94

RGB 25 111 148

HSL 198.05, 0.71%, 0.34%

LAB 43.82, -11.04, -27.09

 

CMYK 83 / 48 / 0 / 42

HEX #194D94

RGB 25 77 148

HSL 214.63, 0.71%, 0.34%

LAB 33.25, 10.44, -43.84

 

CMYK 83 / 70 / 0 / 42

HEX #192C94

RGB 25 44 148

HSL 230.73, 0.71%, 0.34%

LAB 24.15, 32.94, -58.66

 

CMYK 83 / 83 / 0 / 42

HEX #191994

RGB 25 25 148

HSL 240, 0.71%, 0.34%

LAB 20.2, 44.07, -65.19

 

CMYK 83 / 3 / 0 / 42

HEX #199094

RGB 25 144 148

HSL 181.95, 0.71%, 0.34%

LAB 54.33, -28.71, -11

 

CMYK 93 / 3 / 0 / 36

HEX #0B9DA2

RGB 11 157 162

HSL 181.99, 0.87%, 0.34%

LAB 58.78, -31.45, -12.33

 

CMYK 83 / 3 / 0 / 42

HEX #199094

RGB 25 144 148

HSL 181.95, 0.71%, 0.34%

LAB 54.33, -28.71, -11

 

CMYK 71 / 2 / 0 / 47

HEX #278386

RGB 39 131 134

HSL 181.89, 0.55%, 0.34%

LAB 49.96, -25.01, -9.4

 

CMYK 56 / 2 / 0 / 53

HEX #357678

RGB 53 118 120

HSL 181.79, 0.39%, 0.34%

LAB 45.73, -19.95, -7.41

 

CMYK 37 / 2 / 0 / 58

HEX #43686A

RGB 67 104 106

HSL 183.08, 0.23%, 0.34%

LAB 41.43, -12.55, -5.32

 

CMYK 12 / 1 / 0 / 64

HEX #515B5C

RGB 81 91 92

HSL 185.45, 0.06%, 0.34%

LAB 37.85, -3.66, -1.91

 

CMYK 83 / 0 / 43 / 42

HEX #199454

RGB 25 148 84

HSL 148.78, 0.71%, 0.34%

LAB 54.06, -47.08, 24.96

 

CMYK 83 / 0 / 21 / 42

HEX #199475

RGB 25 148 117

HSL 164.88, 0.71%, 0.34%

LAB 54.73, -39.56, 7.4

 

CMYK 83 / 1 / 0 / 42

HEX #199294

RGB 25 146 148

HSL 180.98, 0.71%, 0.34%

LAB 54.97, -29.69, -10.04

 

CMYK 83 / 24 / 0 / 42

HEX #197194

RGB 25 113 148

HSL 197.07, 0.71%, 0.34%

LAB 44.45, -12.2, -26.11

 

CMYK 83 / 46 / 0 / 42

HEX #195094

RGB 25 80 148

HSL 213.17, 0.71%, 0.34%

LAB 34.15, 8.42, -42.39

 

CMYK 83 / 3 / 0 / 70

HEX #0D4B4D

RGB 13 75 77

HSL 181.88, 0.71%, 0.18%

LAB 28.52, -17.67, -6.66

 

CMYK 83 / 3 / 0 / 56

HEX #136D70

RGB 19 109 112

HSL 181.94, 0.71%, 0.26%

LAB 41.6, -23.29, -8.87

 

CMYK 83 / 3 / 0 / 42

HEX #199094

RGB 25 144 148

HSL 181.95, 0.71%, 0.34%

LAB 54.33, -28.71, -11

 

CMYK 83 / 3 / 0 / 28

HEX #1FB2B7

RGB 31 178 183

HSL 181.97, 0.71%, 0.42%

LAB 66.18, -33.71, -12.97

 

CMYK 83 / 3 / 0 / 15

HEX #25D4DA

RGB 37 212 218

HSL 181.99, 0.71%, 0.5%

LAB 77.6, -38.51, -14.87

 

CMYK 83 / 3 / 0 / 41

HEX #199296

RGB 25 146 150

HSL 181.92, 0.71%, 0.34%

LAB 55.04, -29.06, -11.09

 

CMYK 66 / 83 / 0 / 42

HEX #331994

RGB 51 25 148

HSL 252.68, 0.71%, 0.34%

LAB 22.08, 46.03, -62.03

 

CMYK 0 / 32 / 83 / 42

HEX #946519

RGB 148 101 25

HSL 37.07, 0.71%, 0.34%

LAB 46.54, 12.36, 47.11

 

CMYK 83 / 3 / 0 / 41

HEX #199296

RGB 25 146 150

HSL 181.92, 0.71%, 0.34%

LAB 55.04, -29.06, -11.09

 

CMYK 0 / 83 / 1 / 42

HEX #941992

RGB 148 25 146

HSL 300.98, 0.71%, 0.34%

LAB 36.11, 61.17, -37.35

 

CMYK 1 / 0 / 83 / 42

HEX #929419

RGB 146 148 25

HSL 60.98, 0.71%, 0.34%

LAB 59.31, -14.75, 58.18

 

CMYK 83 / 3 / 0 / 41

HEX #199296

RGB 25 146 150

HSL 181.92, 0.71%, 0.34%

LAB 55.04, -29.06, -11.09

 

CMYK 66 / 83 / 0 / 42

HEX #331994

RGB 51 25 148

HSL 252.68, 0.71%, 0.34%

LAB 22.08, 46.03, -62.03

 

CMYK 0 / 82 / 83 / 42

HEX #941B19

RGB 148 27 25

HSL 0.98, 0.71%, 0.34%

LAB 32.15, 48.63, 33.76

 

CMYK 18 / 0 / 83 / 42

HEX #799419

RGB 121 148 25

HSL 73.17, 0.71%, 0.34%

LAB 57.38, -25.75, 55.75

 

CMYK 83 / 3 / 0 / 41

HEX #199296

RGB 25 146 150

HSL 181.92, 0.71%, 0.34%

LAB 55.04, -29.06, -11.09

 

CMYK 41 / 83 / 0 / 42

HEX #581994

RGB 88 25 148

HSL 270.73, 0.71%, 0.34%

LAB 26.47, 50.73, -54.64

 

CMYK 0 / 82 / 83 / 42

HEX #941B19

RGB 148 27 25

HSL 0.98, 0.71%, 0.34%

LAB 32.15, 48.63, 33.76

 

CMYK 43 / 0 / 83 / 42

HEX #549419

RGB 84 148 25

HSL 91.22, 0.71%, 0.34%

LAB 55.21, -40.26, 52.99

 

Description

Color code: HEX #199296 | qconv.com Color code: HEX #199296 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 146 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 146 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 3 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 3% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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