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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #199037 it is the complementary color #E66FC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #199037. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #199037 shade: #1E9032, #2FA245, #40B458, #51C66B and #62D87E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #199037. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #199037 shade: #199037, #087E24, #006C11, #005A00 and #004800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #199037 shade: #198F36, #1B8F19, #3B8F19, #5A8F19 and #7A8F19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #199037 shade: #198F36, #198F56, #198F76, #19878F and #19688F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #199037 shade matches the following richer shades: #198F36 and #0B9C30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #199037 shade: #198F36, #26813D, #347344, #42664B and #4F5851

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #199037 shade: #3A8F19, #1B8F19, #198F36, #198F56 and #198F75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #199037 shade: #0C481C, #136B29, #198F36, #1FB244 and #25D551

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #199037 shade: #199037, #195A8F and #8F192A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #199037 shade: #199037, #36198F and #8F3619

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #199037 shade: #199037, #195A8F, #8F1971 and #8F4E19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #199037 shade: #199037, #19368F, #8F1971 and #8F7119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 62 / 44

HEX #199037

RGB 25 144 55

HSL 135.13, 0.7%, 0.33%

LAB 52.32, -50.35, 37.77

 

Complementary color

CMYK 0 / 52 / 13 / 10

HEX #E66FC8

RGB 230 111 200

HSL 315.13, 0.7%, 0.67%

LAB 63.64, 56.94, -25.11

 

CMYK 79 / 0 / 65 / 44

HEX #1E9032

RGB 30 144 50

HSL 130.53, 0.66%, 0.34%

LAB 52.35, -50.31, 40.15

 

CMYK 71 / 0 / 57 / 36

HEX #2FA245

RGB 47 162 69

HSL 131.48, 0.55%, 0.41%

LAB 58.86, -51.47, 38.78

 

CMYK 64 / 0 / 51 / 29

HEX #40B458

RGB 64 180 88

HSL 132.41, 0.48%, 0.48%

LAB 65.31, -52.1, 37.32

 

CMYK 59 / 0 / 46 / 22

HEX #51C66B

RGB 81 198 107

HSL 133.33, 0.51%, 0.55%

LAB 71.69, -52.4, 35.88

 

CMYK 55 / 0 / 42 / 15

HEX #62D87E

RGB 98 216 126

HSL 134.24, 0.6%, 0.62%

LAB 78, -52.49, 34.51

 

CMYK 83 / 0 / 62 / 44

HEX #199037

RGB 25 144 55

HSL 135.13, 0.7%, 0.33%

LAB 52.32, -50.35, 37.77

 

CMYK 94 / 0 / 71 / 51

HEX #087E24

RGB 8 126 36

HSL 134.24, 0.88%, 0.26%

LAB 45.77, -48.24, 39.1

 

CMYK 100 / 0 / 84 / 58

HEX #006C11

RGB 0 108 17

HSL 129.44, 1%, 0.21%

LAB 39.18, -44.89, 39.69

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 83 / 0 / 62 / 44

HEX #198F36

RGB 25 143 54

HSL 134.75, 0.7%, 0.33%

LAB 51.97, -50.13, 37.84

 

CMYK 81 / 0 / 83 / 44

HEX #1B8F19

RGB 27 143 25

HSL 118.98, 0.7%, 0.33%

LAB 51.78, -52.62, 49.18

 

CMYK 59 / 0 / 83 / 44

HEX #3B8F19

RGB 59 143 25

HSL 102.71, 0.7%, 0.33%

LAB 52.56, -46.07, 50.19

 

CMYK 37 / 0 / 83 / 44

HEX #5A8F19

RGB 90 143 25

HSL 86.95, 0.7%, 0.33%

LAB 53.91, -35.93, 51.92

 

CMYK 15 / 0 / 83 / 44

HEX #7A8F19

RGB 122 143 25

HSL 70.68, 0.7%, 0.33%

LAB 55.94, -22.83, 54.51

 

CMYK 83 / 0 / 62 / 44

HEX #198F36

RGB 25 143 54

HSL 134.75, 0.7%, 0.33%

LAB 51.97, -50.13, 37.84

 

CMYK 83 / 0 / 40 / 44

HEX #198F56

RGB 25 143 86

HSL 151.02, 0.7%, 0.33%

LAB 52.42, -44.78, 21.72

 

CMYK 83 / 0 / 17 / 44

HEX #198F76

RGB 25 143 118

HSL 167.29, 0.7%, 0.33%

LAB 53.12, -37.11, 4.53

 

CMYK 83 / 6 / 0 / 44

HEX #19878F

RGB 25 135 143

HSL 184.07, 0.7%, 0.33%

LAB 51.29, -25.83, -12.69

 

CMYK 83 / 27 / 0 / 44

HEX #19688F

RGB 25 104 143

HSL 199.83, 0.7%, 0.33%

LAB 41.36, -8.79, -27.95

 

CMYK 83 / 0 / 62 / 44

HEX #198F36

RGB 25 143 54

HSL 134.75, 0.7%, 0.33%

LAB 51.97, -50.13, 37.84

 

CMYK 93 / 0 / 69 / 39

HEX #0B9C30

RGB 11 156 48

HSL 135.31, 0.87%, 0.33%

LAB 56.15, -56.31, 45.13

 

CMYK 83 / 0 / 62 / 44

HEX #198F36

RGB 25 143 54

HSL 134.75, 0.7%, 0.33%

LAB 51.97, -50.13, 37.84

 

CMYK 71 / 0 / 53 / 49

HEX #26813D

RGB 38 129 61

HSL 135.16, 0.54%, 0.33%

LAB 47.56, -41.99, 29.12

 

CMYK 55 / 0 / 41 / 55

HEX #347344

RGB 52 115 68

HSL 135.24, 0.38%, 0.33%

LAB 43.37, -31.53, 20

 

CMYK 35 / 0 / 26 / 60

HEX #42664B

RGB 66 102 75

HSL 135, 0.21%, 0.33%

LAB 39.86, -19.25, 11.26

 

CMYK 10 / 0 / 8 / 65

HEX #4F5851

RGB 79 88 81

HSL 133.33, 0.05%, 0.33%

LAB 36.43, -5.08, 2.85

 

CMYK 59 / 0 / 83 / 44

HEX #3A8F19

RGB 58 143 25

HSL 103.22, 0.7%, 0.33%

LAB 52.53, -46.34, 50.15

 

CMYK 81 / 0 / 83 / 44

HEX #1B8F19

RGB 27 143 25

HSL 118.98, 0.7%, 0.33%

LAB 51.78, -52.62, 49.18

 

CMYK 83 / 0 / 62 / 44

HEX #198F36

RGB 25 143 54

HSL 134.75, 0.7%, 0.33%

LAB 51.97, -50.13, 37.84

 

CMYK 83 / 0 / 40 / 44

HEX #198F56

RGB 25 143 86

HSL 151.02, 0.7%, 0.33%

LAB 52.42, -44.78, 21.72

 

CMYK 83 / 0 / 18 / 44

HEX #198F75

RGB 25 143 117

HSL 166.78, 0.7%, 0.33%

LAB 53.1, -37.38, 5.07

 

CMYK 83 / 0 / 61 / 72

HEX #0C481C

RGB 12 72 28

HSL 136, 0.71%, 0.16%

LAB 26.15, -29.51, 20.95

 

CMYK 82 / 0 / 62 / 58

HEX #136B29

RGB 19 107 41

HSL 135, 0.7%, 0.25%

LAB 39.27, -39.94, 29.51

 

CMYK 83 / 0 / 62 / 44

HEX #198F36

RGB 25 143 54

HSL 134.75, 0.7%, 0.33%

LAB 51.97, -50.13, 37.84

 

CMYK 83 / 0 / 62 / 30

HEX #1FB244

RGB 31 178 68

HSL 135.1, 0.7%, 0.41%

LAB 63.79, -59.34, 44.92

 

CMYK 83 / 0 / 62 / 16

HEX #25D551

RGB 37 213 81

HSL 135, 0.7%, 0.49%

LAB 75.19, -68.29, 52.15

 

CMYK 83 / 0 / 62 / 44

HEX #199037

RGB 25 144 55

HSL 135.13, 0.7%, 0.33%

LAB 52.32, -50.35, 37.77

 

CMYK 83 / 37 / 0 / 44

HEX #195A8F

RGB 25 90 143

HSL 206.95, 0.7%, 0.33%

LAB 36.93, -0.14, -34.92

 

CMYK 0 / 83 / 71 / 44

HEX #8F192A

RGB 143 25 42

HSL 351.36, 0.7%, 0.33%

LAB 31.12, 48.38, 21.88

 

CMYK 83 / 0 / 62 / 44

HEX #199037

RGB 25 144 55

HSL 135.13, 0.7%, 0.33%

LAB 52.32, -50.35, 37.77

 

CMYK 62 / 83 / 0 / 44

HEX #36198F

RGB 54 25 143

HSL 254.75, 0.7%, 0.33%

LAB 21.81, 44.87, -59.36

 

CMYK 0 / 62 / 83 / 44

HEX #8F3619

RGB 143 54 25

HSL 14.75, 0.7%, 0.33%

LAB 35.1, 36.18, 36.28

 

CMYK 83 / 0 / 62 / 44

HEX #199037

RGB 25 144 55

HSL 135.13, 0.7%, 0.33%

LAB 52.32, -50.35, 37.77

 

CMYK 83 / 37 / 0 / 44

HEX #195A8F

RGB 25 90 143

HSL 206.95, 0.7%, 0.33%

LAB 36.93, -0.14, -34.92

 

CMYK 0 / 83 / 21 / 44

HEX #8F1971

RGB 143 25 113

HSL 315.25, 0.7%, 0.33%

LAB 33.41, 55.15, -21.1

 

CMYK 0 / 45 / 83 / 44

HEX #8F4E19

RGB 143 78 25

HSL 26.95, 0.7%, 0.33%

LAB 40.18, 23.33, 41.08

 

CMYK 83 / 0 / 62 / 44

HEX #199037

RGB 25 144 55

HSL 135.13, 0.7%, 0.33%

LAB 52.32, -50.35, 37.77

 

CMYK 83 / 62 / 0 / 44

HEX #19368F

RGB 25 54 143

HSL 225.25, 0.7%, 0.33%

LAB 26.24, 24.25, -52.15

 

CMYK 0 / 83 / 21 / 44

HEX #8F1971

RGB 143 25 113

HSL 315.25, 0.7%, 0.33%

LAB 33.41, 55.15, -21.1

 

CMYK 0 / 21 / 83 / 44

HEX #8F7119

RGB 143 113 25

HSL 44.75, 0.7%, 0.33%

LAB 49.15, 3.11, 49.22

 

Description

Color code: HEX #199037 | qconv.com Color code: HEX #199037 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 144 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 144 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 62 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 62% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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