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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #198E82 it is the complementary color #E6717D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #198E82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #198E82 shade: #1E8E7D, #2FA090, #40B2A3, #51C4B6 and #62D6C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #198E82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #198E82 shade: #198E82, #087C6F, #006A5C, #005849 and #004636

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #198E82 shade: #198F82, #198F63, #198F43, #198F23 and #2E8F19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #198E82 shade: #198F82, #197B8F, #195B8F, #193B8F and #191C8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #198E82 shade matches the following richer shades: #198F82 and #0B9C8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #198E82 shade: #198F82, #268178, #34736D, #426662 and #4F5857

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #198E82 shade: #198F42, #198F61, #198F81, #197D8F and #195D8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #198E82 shade: #0C4842, #136B62, #198F82, #1FB2A3 and #25D5C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #198E82 shade: #198E82, #23198F and #8F5219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #198E82 shade: #198E82, #81198F and #8F8119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #198E82 shade: #198E82, #23198F, #8F1926 and #858F19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #198E82 shade: #198E82, #46198F, #8F1926 and #618F19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 8 / 44

HEX #198E82

RGB 25 142 130

HSL 173.85, 0.7%, 0.33%

LAB 53.13, -33.26, -2.39

 

Complementary color

CMYK 0 / 51 / 46 / 10

HEX #E6717D

RGB 230 113 125

HSL 353.85, 0.7%, 0.67%

LAB 61.75, 46.42, 14.96

 

CMYK 79 / 0 / 12 / 44

HEX #1E8E7D

RGB 30 142 125

HSL 170.89, 0.65%, 0.34%

LAB 53.06, -34.19, 0.41

 

CMYK 71 / 0 / 10 / 37

HEX #2FA090

RGB 47 160 144

HSL 171.5, 0.55%, 0.41%

LAB 59.67, -34.96, -0.76

 

CMYK 64 / 0 / 8 / 30

HEX #40B2A3

RGB 64 178 163

HSL 172.11, 0.47%, 0.47%

LAB 66.19, -35.45, -1.79

 

CMYK 59 / 0 / 7 / 23

HEX #51C4B6

RGB 81 196 182

HSL 172.7, 0.49%, 0.54%

LAB 72.63, -35.74, -2.71

 

CMYK 54 / 0 / 6 / 16

HEX #62D6C9

RGB 98 214 201

HSL 173.28, 0.59%, 0.61%

LAB 78.99, -35.91, -3.56

 

CMYK 82 / 0 / 8 / 44

HEX #198E82

RGB 25 142 130

HSL 173.85, 0.7%, 0.33%

LAB 53.13, -33.26, -2.39

 

CMYK 94 / 0 / 10 / 51

HEX #087C6F

RGB 8 124 111

HSL 173.28, 0.88%, 0.26%

LAB 46.46, -31.82, -1.08

 

CMYK 100 / 0 / 13 / 58

HEX #006A5C

RGB 0 106 92

HSL 172.08, 1%, 0.21%

LAB 39.72, -29.72, 0.47

 

CMYK 100 / 0 / 17 / 65

HEX #005849

RGB 0 88 73

HSL 169.77, 1%, 0.17%

LAB 32.83, -27.06, 2.23

 

CMYK 100 / 0 / 23 / 73

HEX #004636

RGB 0 70 54

HSL 166.29, 1%, 0.14%

LAB 25.7, -24.31, 4.13

 

CMYK 83 / 0 / 9 / 44

HEX #198F82

RGB 25 143 130

HSL 173.39, 0.7%, 0.33%

LAB 53.45, -33.73, -1.92

 

CMYK 83 / 0 / 31 / 44

HEX #198F63

RGB 25 143 99

HSL 157.63, 0.7%, 0.33%

LAB 52.68, -41.92, 14.77

 

CMYK 83 / 0 / 53 / 44

HEX #198F43

RGB 25 143 67

HSL 141.36, 0.7%, 0.33%

LAB 52.13, -48.25, 31.56

 

CMYK 83 / 0 / 76 / 44

HEX #198F23

RGB 25 143 35

HSL 125.08, 0.7%, 0.33%

LAB 51.81, -52.15, 45.82

 

CMYK 68 / 0 / 83 / 44

HEX #2E8F19

RGB 46 143 25

HSL 109.32, 0.7%, 0.33%

LAB 52.17, -49.26, 49.69

 

CMYK 83 / 0 / 9 / 44

HEX #198F82

RGB 25 143 130

HSL 173.39, 0.7%, 0.33%

LAB 53.45, -33.73, -1.92

 

CMYK 83 / 14 / 0 / 44

HEX #197B8F

RGB 25 123 143

HSL 190.17, 0.7%, 0.33%

LAB 47.44, -19.56, -18.54

 

CMYK 83 / 36 / 0 / 44

HEX #195B8F

RGB 25 91 143

HSL 206.44, 0.7%, 0.33%

LAB 37.25, -0.78, -34.42

 

CMYK 83 / 59 / 0 / 44

HEX #193B8F

RGB 25 59 143

HSL 222.71, 0.7%, 0.33%

LAB 27.62, 20.79, -49.89

 

CMYK 83 / 80 / 0 / 44

HEX #191C8F

RGB 25 28 143

HSL 238.47, 0.7%, 0.33%

LAB 20.13, 40.84, -62.22

 

CMYK 83 / 0 / 9 / 44

HEX #198F82

RGB 25 143 130

HSL 173.39, 0.7%, 0.33%

LAB 53.45, -33.73, -1.92

 

CMYK 93 / 0 / 10 / 39

HEX #0B9C8D

RGB 11 156 141

HSL 173.79, 0.87%, 0.33%

LAB 57.82, -37.39, -1.83

 

CMYK 83 / 0 / 9 / 44

HEX #198F82

RGB 25 143 130

HSL 173.39, 0.7%, 0.33%

LAB 53.45, -33.73, -1.92

 

CMYK 71 / 0 / 7 / 49

HEX #268178

RGB 38 129 120

HSL 174.07, 0.54%, 0.33%

LAB 48.85, -28.4, -2.84

 

CMYK 55 / 0 / 5 / 55

HEX #34736D

RGB 52 115 109

HSL 174.29, 0.38%, 0.33%

LAB 44.37, -21.78, -2.85

 

CMYK 35 / 0 / 4 / 60

HEX #426662

RGB 66 102 98

HSL 173.33, 0.21%, 0.33%

LAB 40.48, -13.85, -1.85

 

CMYK 10 / 0 / 1 / 65

HEX #4F5857

RGB 79 88 87

HSL 173.33, 0.05%, 0.33%

LAB 36.61, -3.76, -0.63

 

CMYK 83 / 0 / 54 / 44

HEX #198F42

RGB 25 143 66

HSL 140.85, 0.7%, 0.33%

LAB 52.11, -48.41, 32.06

 

CMYK 83 / 0 / 32 / 44

HEX #198F61

RGB 25 143 97

HSL 156.61, 0.7%, 0.33%

LAB 52.64, -42.38, 15.84

 

CMYK 83 / 0 / 10 / 44

HEX #198F81

RGB 25 143 129

HSL 172.88, 0.7%, 0.33%

LAB 53.42, -34.02, -1.38

 

CMYK 83 / 13 / 0 / 44

HEX #197D8F

RGB 25 125 143

HSL 189.15, 0.7%, 0.33%

LAB 48.08, -20.64, -17.56

 

CMYK 83 / 35 / 0 / 44

HEX #195D8F

RGB 25 93 143

HSL 205.42, 0.7%, 0.33%

LAB 37.88, -2.04, -33.43

 

CMYK 83 / 0 / 8 / 72

HEX #0C4842

RGB 12 72 66

HSL 174, 0.71%, 0.16%

LAB 27.04, -19.91, -1.73

 

CMYK 82 / 0 / 8 / 58

HEX #136B62

RGB 19 107 98

HSL 173.86, 0.7%, 0.25%

LAB 40.47, -26.76, -2.06

 

CMYK 83 / 0 / 9 / 44

HEX #198F82

RGB 25 143 130

HSL 173.39, 0.7%, 0.33%

LAB 53.45, -33.73, -1.92

 

CMYK 83 / 0 / 8 / 30

HEX #1FB2A3

RGB 31 178 163

HSL 173.88, 0.7%, 0.41%

LAB 65.57, -39.6, -2.77

 

CMYK 83 / 0 / 8 / 16

HEX #25D5C3

RGB 37 213 195

HSL 173.86, 0.7%, 0.49%

LAB 77.23, -45.52, -3.07

 

CMYK 82 / 0 / 8 / 44

HEX #198E82

RGB 25 142 130

HSL 173.85, 0.7%, 0.33%

LAB 53.13, -33.26, -2.39

 

CMYK 76 / 83 / 0 / 44

HEX #23198F

RGB 35 25 143

HSL 245.08, 0.7%, 0.33%

LAB 20.19, 43.1, -62.1

 

CMYK 0 / 43 / 83 / 44

HEX #8F5219

RGB 143 82 25

HSL 28.98, 0.7%, 0.33%

LAB 41.13, 21.05, 41.96

 

CMYK 82 / 0 / 8 / 44

HEX #198E82

RGB 25 142 130

HSL 173.85, 0.7%, 0.33%

LAB 53.13, -33.26, -2.39

 

CMYK 10 / 83 / 0 / 44

HEX #81198F

RGB 129 25 143

HSL 292.88, 0.7%, 0.33%

LAB 32.58, 56.89, -41.34

 

CMYK 0 / 10 / 83 / 44

HEX #8F8119

RGB 143 129 25

HSL 52.88, 0.7%, 0.33%

LAB 53.61, -5.89, 53.14

 

CMYK 82 / 0 / 8 / 44

HEX #198E82

RGB 25 142 130

HSL 173.85, 0.7%, 0.33%

LAB 53.13, -33.26, -2.39

 

CMYK 76 / 83 / 0 / 44

HEX #23198F

RGB 35 25 143

HSL 245.08, 0.7%, 0.33%

LAB 20.19, 43.1, -62.1

 

CMYK 0 / 83 / 73 / 44

HEX #8F1926

RGB 143 25 38

HSL 353.39, 0.7%, 0.33%

LAB 31.05, 48.19, 24.37

 

CMYK 7 / 0 / 83 / 44

HEX #858F19

RGB 133 143 25

HSL 65.08, 0.7%, 0.33%

LAB 56.78, -17.97, 55.58

 

CMYK 82 / 0 / 8 / 44

HEX #198E82

RGB 25 142 130

HSL 173.85, 0.7%, 0.33%

LAB 53.13, -33.26, -2.39

 

CMYK 51 / 83 / 0 / 44

HEX #46198F

RGB 70 25 143

HSL 262.88, 0.7%, 0.33%

LAB 23.61, 46.85, -56.33

 

CMYK 0 / 83 / 73 / 44

HEX #8F1926

RGB 143 25 38

HSL 353.39, 0.7%, 0.33%

LAB 31.05, 48.19, 24.37

 

CMYK 32 / 0 / 83 / 44

HEX #618F19

RGB 97 143 25

HSL 83.39, 0.7%, 0.33%

LAB 54.3, -33.24, 52.42

 

Description

Color code: HEX #198E82 | qconv.com Color code: HEX #198E82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 142 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 142 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 8 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 8% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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