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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #197F84 it is the complementary color #E6807B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #197F84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #197F84 shade: #1E7F7F, #2F9192, #40A3A5, #51B5B8 and #62C7CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #197F84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #197F84 shade: #197F84, #086D71, #005B5E, #00494B and #003738

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #197F84 shade: #197F84, #196284, #194584, #192884 and #261984

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #197F84 shade: #197F84, #196284, #194584, #192884 and #191984

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #197F84 shade matches the following richer shades: #197F84 and #0C8B91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #197F84 shade: #197F84, #267478, #32686B, #3F5C5E and #4C5151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #197F84 shade: #19844F, #19846B, #198184, #196484 and #194784

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #197F84 shade: #0C3D3F, #125E62, #197F84, #1FA1A7 and #26C2CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #197F84 shade: #197F84, #321984 and #845D19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #197F84 shade: #197F84, #841981 and #818419

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #197F84 shade: #197F84, #321984, #841C19 and #6B8419

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #197F84 shade: #197F84, #521984, #841C19 and #4B8419

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 4 / 0 / 48

HEX #197F84

RGB 25 127 132

HSL 182.8, 0.68%, 0.31%

LAB 48.32, -25.35, -10.71

 

Complementary color

CMYK 0 / 44 / 47 / 10

HEX #E6807B

RGB 230 128 123

HSL 2.8, 0.68%, 0.69%

LAB 64.72, 38.66, 20.18

 

CMYK 76 / 0 / 0 / 50

HEX #1E7F7F

RGB 30 127 127

HSL 180, 0.62%, 0.31%

LAB 48.24, -26.39, -7.87

 

CMYK 68 / 1 / 0 / 43

HEX #2F9192

RGB 47 145 146

HSL 180.61, 0.51%, 0.38%

LAB 55, -27.19, -8.8

 

CMYK 61 / 1 / 0 / 35

HEX #40A3A5

RGB 64 163 165

HSL 181.19, 0.44%, 0.45%

LAB 61.66, -27.71, -9.62

 

CMYK 56 / 2 / 0 / 28

HEX #51B5B8

RGB 81 181 184

HSL 181.75, 0.42%, 0.52%

LAB 68.21, -28.04, -10.36

 

CMYK 52 / 2 / 0 / 20

HEX #62C7CB

RGB 98 199 203

HSL 182.29, 0.5%, 0.59%

LAB 74.67, -28.26, -11.04

 

CMYK 81 / 4 / 0 / 48

HEX #197F84

RGB 25 127 132

HSL 182.8, 0.68%, 0.31%

LAB 48.32, -25.35, -10.71

 

CMYK 93 / 4 / 0 / 56

HEX #086D71

RGB 8 109 113

HSL 182.29, 0.87%, 0.24%

LAB 41.5, -23.83, -9.65

 

CMYK 100 / 3 / 0 / 63

HEX #005B5E

RGB 0 91 94

HSL 181.91, 1%, 0.18%

LAB 34.58, -21.61, -8.38

 

CMYK 100 / 3 / 0 / 71

HEX #00494B

RGB 0 73 75

HSL 181.6, 1%, 0.15%

LAB 27.5, -18.77, -6.92

 

CMYK 100 / 2 / 0 / 78

HEX #003738

RGB 0 55 56

HSL 181.07, 1%, 0.11%

LAB 20.12, -15.81, -5.38

 

CMYK 81 / 4 / 0 / 48

HEX #197F84

RGB 25 127 132

HSL 182.8, 0.68%, 0.31%

LAB 48.32, -25.35, -10.71

 

CMYK 81 / 26 / 0 / 48

HEX #196284

RGB 25 98 132

HSL 199.07, 0.68%, 0.31%

LAB 38.91, -9.36, -25.13

 

CMYK 81 / 48 / 0 / 48

HEX #194584

RGB 25 69 132

HSL 215.33, 0.68%, 0.31%

LAB 29.74, 9.35, -39.67

 

CMYK 81 / 70 / 0 / 48

HEX #192884

RGB 25 40 132

HSL 231.59, 0.68%, 0.31%

LAB 21.54, 29.49, -52.99

 

CMYK 71 / 81 / 0 / 48

HEX #261984

RGB 38 25 132

HSL 247.29, 0.68%, 0.31%

LAB 19.11, 39.82, -56.97

 

CMYK 81 / 4 / 0 / 48

HEX #197F84

RGB 25 127 132

HSL 182.8, 0.68%, 0.31%

LAB 48.32, -25.35, -10.71

 

CMYK 81 / 26 / 0 / 48

HEX #196284

RGB 25 98 132

HSL 199.07, 0.68%, 0.31%

LAB 38.91, -9.36, -25.13

 

CMYK 81 / 48 / 0 / 48

HEX #194584

RGB 25 69 132

HSL 215.33, 0.68%, 0.31%

LAB 29.74, 9.35, -39.67

 

CMYK 81 / 70 / 0 / 48

HEX #192884

RGB 25 40 132

HSL 231.59, 0.68%, 0.31%

LAB 21.54, 29.49, -52.99

 

CMYK 81 / 81 / 0 / 48

HEX #191984

RGB 25 25 132

HSL 240, 0.68%, 0.31%

LAB 18.22, 38.75, -58.47

 

CMYK 81 / 4 / 0 / 48

HEX #197F84

RGB 25 127 132

HSL 182.8, 0.68%, 0.31%

LAB 48.32, -25.35, -10.71

 

CMYK 92 / 4 / 0 / 43

HEX #0C8B91

RGB 12 139 145

HSL 182.71, 0.85%, 0.31%

LAB 52.5, -28.1, -12.04

 

CMYK 81 / 4 / 0 / 48

HEX #197F84

RGB 25 127 132

HSL 182.8, 0.68%, 0.31%

LAB 48.32, -25.35, -10.71

 

CMYK 68 / 3 / 0 / 53

HEX #267478

RGB 38 116 120

HSL 182.93, 0.52%, 0.31%

LAB 44.6, -21.8, -9.15

 

CMYK 53 / 3 / 0 / 58

HEX #32686B

RGB 50 104 107

HSL 183.16, 0.36%, 0.31%

LAB 40.64, -16.92, -7.19

 

CMYK 33 / 2 / 0 / 63

HEX #3F5C5E

RGB 63 92 94

HSL 183.87, 0.2%, 0.31%

LAB 36.97, -10.12, -4.6

 

CMYK 6 / 0 / 0 / 68

HEX #4C5151

RGB 76 81 81

HSL 180, 0.03%, 0.31%

LAB 34.02, -2, -0.7

 

CMYK 81 / 0 / 40 / 48

HEX #19844F

RGB 25 132 79

HSL 150.28, 0.68%, 0.31%

LAB 48.6, -41.92, 20.55

 

CMYK 81 / 0 / 19 / 48

HEX #19846B

RGB 25 132 107

HSL 165.98, 0.68%, 0.31%

LAB 49.22, -35.21, 5.29

 

CMYK 81 / 2 / 0 / 48

HEX #198184

RGB 25 129 132

HSL 181.68, 0.68%, 0.31%

LAB 48.97, -26.36, -9.73

 

CMYK 81 / 24 / 0 / 48

HEX #196484

RGB 25 100 132

HSL 197.94, 0.68%, 0.31%

LAB 39.56, -10.55, -24.13

 

CMYK 81 / 46 / 0 / 48

HEX #194784

RGB 25 71 132

HSL 214.21, 0.68%, 0.31%

LAB 30.35, 7.98, -38.68

 

CMYK 81 / 3 / 0 / 75

HEX #0C3D3F

RGB 12 61 63

HSL 182.35, 0.68%, 0.15%

LAB 22.91, -14.83, -5.88

 

CMYK 82 / 4 / 0 / 62

HEX #125E62

RGB 18 94 98

HSL 183, 0.69%, 0.23%

LAB 36.01, -20.19, -8.69

 

CMYK 81 / 4 / 0 / 48

HEX #197F84

RGB 25 127 132

HSL 182.8, 0.68%, 0.31%

LAB 48.32, -25.35, -10.71

 

CMYK 81 / 4 / 0 / 35

HEX #1FA1A7

RGB 31 161 167

HSL 182.65, 0.69%, 0.39%

LAB 60.4, -30.51, -12.7

 

CMYK 81 / 4 / 0 / 21

HEX #26C2CA

RGB 38 194 202

HSL 182.93, 0.68%, 0.47%

LAB 71.73, -34.9, -15.05

 

CMYK 81 / 4 / 0 / 48

HEX #197F84

RGB 25 127 132

HSL 182.8, 0.68%, 0.31%

LAB 48.32, -25.35, -10.71

 

CMYK 62 / 81 / 0 / 48

HEX #321984

RGB 50 25 132

HSL 254.02, 0.68%, 0.31%

LAB 20.2, 41.13, -55.14

 

CMYK 0 / 30 / 81 / 48

HEX #845D19

RGB 132 93 25

HSL 38.13, 0.68%, 0.31%

LAB 42.47, 9.54, 42.67

 

CMYK 81 / 4 / 0 / 48

HEX #197F84

RGB 25 127 132

HSL 182.8, 0.68%, 0.31%

LAB 48.32, -25.35, -10.71

 

CMYK 0 / 81 / 2 / 48

HEX #841981

RGB 132 25 129

HSL 301.68, 0.68%, 0.31%

LAB 32.23, 55.09, -33.18

 

CMYK 2 / 0 / 81 / 48

HEX #818419

RGB 129 132 25

HSL 61.68, 0.68%, 0.31%

LAB 53.21, -13.98, 52.3

 

CMYK 81 / 4 / 0 / 48

HEX #197F84

RGB 25 127 132

HSL 182.8, 0.68%, 0.31%

LAB 48.32, -25.35, -10.71

 

CMYK 62 / 81 / 0 / 48

HEX #321984

RGB 50 25 132

HSL 254.02, 0.68%, 0.31%

LAB 20.2, 41.13, -55.14

 

CMYK 0 / 79 / 81 / 48

HEX #841C19

RGB 132 28 25

HSL 1.68, 0.68%, 0.31%

LAB 28.92, 43.26, 29.42

 

CMYK 19 / 0 / 81 / 48

HEX #6B8419

RGB 107 132 25

HSL 74.02, 0.68%, 0.31%

LAB 51.49, -23.82, 50.12

 

CMYK 81 / 4 / 0 / 48

HEX #197F84

RGB 25 127 132

HSL 182.8, 0.68%, 0.31%

LAB 48.32, -25.35, -10.71

 

CMYK 38 / 81 / 0 / 48

HEX #521984

RGB 82 25 132

HSL 271.96, 0.68%, 0.31%

LAB 24.18, 45.87, -48.46

 

CMYK 0 / 79 / 81 / 48

HEX #841C19

RGB 132 28 25

HSL 1.68, 0.68%, 0.31%

LAB 28.92, 43.26, 29.42

 

CMYK 43 / 0 / 81 / 48

HEX #4B8419

RGB 75 132 25

HSL 91.96, 0.68%, 0.31%

LAB 49.58, -36.61, 47.65

 

Description

Color code: HEX #197F84 | qconv.com Color code: HEX #197F84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 127 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 127 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 4 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 4% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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