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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #197964 it is the complementary color #E6869B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #197964. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #197964 shade: #1E795F, #2F8B72, #409D85, #51AF98 and #62C1AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #197964. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #197964 shade: #197964, #086751, #00553E, #00432B and #003118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #197964 shade: #197A65, #197A4B, #197A30, #1B7A19 and #367A19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #197964 shade: #197A65, #19757A, #195B7A, #19417A and #19267A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #197964 shade matches the following richer shades: #197A65, #0D866C and #019272

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #197964 shade: #197A65, #256E5E, #316257, #3D5651 and #494A4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #197964 shade: #197A2F, #197A49, #197A63, #19777A and #195D7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #197964 shade: #0B362C, #125849, #197A65, #209D81 and #27BF9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #197964 shade: #197964, #191C7A and #7A3C19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #197964 shade: #197964, #63197A and #7A6319

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #197964 shade: #197964, #191C7A, #7A192F and #7A7719

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #197964 shade: #197964, #33197A, #7A192F and #607A19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 17 / 53

HEX #197964

RGB 25 121 100

HSL 166.88, 0.66%, 0.29%

LAB 45.36, -32.13, 3.87

 

Complementary color

CMYK 0 / 42 / 33 / 10

HEX #E6869B

RGB 230 134 155

HSL 346.88, 0.66%, 0.71%

LAB 66.7, 39.12, 4.91

 

CMYK 75 / 0 / 21 / 53

HEX #1E795F

RGB 30 121 95

HSL 162.86, 0.6%, 0.3%

LAB 45.33, -32.8, 6.8

 

CMYK 66 / 0 / 18 / 45

HEX #2F8B72

RGB 47 139 114

HSL 163.7, 0.49%, 0.36%

LAB 52.16, -33.28, 5.5

 

CMYK 59 / 0 / 15 / 38

HEX #409D85

RGB 64 157 133

HSL 164.52, 0.42%, 0.43%

LAB 58.88, -33.49, 4.37

 

CMYK 54 / 0 / 13 / 31

HEX #51AF98

RGB 81 175 152

HSL 165.32, 0.37%, 0.5%

LAB 65.5, -33.54, 3.36

 

CMYK 49 / 0 / 11 / 24

HEX #62C1AB

RGB 98 193 171

HSL 166.11, 0.43%, 0.57%

LAB 72.01, -33.5, 2.44

 

CMYK 79 / 0 / 17 / 53

HEX #197964

RGB 25 121 100

HSL 166.88, 0.66%, 0.29%

LAB 45.36, -32.13, 3.87

 

CMYK 92 / 0 / 21 / 60

HEX #086751

RGB 8 103 81

HSL 166.11, 0.86%, 0.22%

LAB 38.46, -30.94, 5.36

 

CMYK 100 / 0 / 27 / 67

HEX #00553E

RGB 0 85 62

HSL 163.76, 1%, 0.17%

LAB 31.45, -28.92, 7.16

 

CMYK 100 / 0 / 36 / 74

HEX #00432B

RGB 0 67 43

HSL 158.51, 1%, 0.13%

LAB 24.29, -26.08, 9.29

 

CMYK 100 / 0 / 51 / 81

HEX #003118

RGB 0 49 24

HSL 149.39, 1%, 0.1%

LAB 16.81, -22.98, 11.64

 

CMYK 80 / 0 / 17 / 52

HEX #197A65

RGB 25 122 101

HSL 167.01, 0.66%, 0.29%

LAB 45.72, -32.32, 3.8

 

CMYK 80 / 0 / 39 / 52

HEX #197A4B

RGB 25 122 75

HSL 150.93, 0.66%, 0.29%

LAB 45.13, -38.75, 18.19

 

CMYK 80 / 0 / 61 / 52

HEX #197A30

RGB 25 122 48

HSL 134.23, 0.66%, 0.29%

LAB 44.72, -43.55, 32.36

 

CMYK 78 / 0 / 80 / 52

HEX #1B7A19

RGB 27 122 25

HSL 118.76, 0.66%, 0.29%

LAB 44.55, -45.71, 42.26

 

CMYK 56 / 0 / 80 / 52

HEX #367A19

RGB 54 122 25

HSL 102.06, 0.66%, 0.29%

LAB 45.32, -39.36, 43.28

 

CMYK 80 / 0 / 17 / 52

HEX #197A65

RGB 25 122 101

HSL 167.01, 0.66%, 0.29%

LAB 45.72, -32.32, 3.8

 

CMYK 80 / 4 / 0 / 52

HEX #19757A

RGB 25 117 122

HSL 183.09, 0.66%, 0.29%

LAB 44.71, -23.49, -10.21

 

CMYK 80 / 25 / 0 / 52

HEX #195B7A

RGB 25 91 122

HSL 199.18, 0.66%, 0.29%

LAB 36.16, -8.92, -23.3

 

CMYK 80 / 47 / 0 / 52

HEX #19417A

RGB 25 65 122

HSL 215.26, 0.66%, 0.29%

LAB 27.82, 8, -36.49

 

CMYK 80 / 69 / 0 / 52

HEX #19267A

RGB 25 38 122

HSL 231.96, 0.66%, 0.29%

LAB 20.04, 26.97, -49.14

 

CMYK 80 / 0 / 17 / 52

HEX #197A65

RGB 25 122 101

HSL 167.01, 0.66%, 0.29%

LAB 45.72, -32.32, 3.8

 

CMYK 90 / 0 / 19 / 47

HEX #0D866C

RGB 13 134 108

HSL 167.11, 0.82%, 0.29%

LAB 49.76, -36.88, 5.47

 

CMYK 99 / 0 / 22 / 43

HEX #019272

RGB 1 146 114

HSL 166.76, 0.99%, 0.29%

LAB 53.79, -41.06, 7.75

 

CMYK 80 / 0 / 17 / 52

HEX #197A65

RGB 25 122 101

HSL 167.01, 0.66%, 0.29%

LAB 45.72, -32.32, 3.8

 

CMYK 66 / 0 / 15 / 57

HEX #256E5E

RGB 37 110 94

HSL 166.85, 0.5%, 0.29%

LAB 41.77, -26.66, 2.32

 

CMYK 50 / 0 / 11 / 62

HEX #316257

RGB 49 98 87

HSL 166.53, 0.33%, 0.29%

LAB 37.98, -19.61, 1.14

 

CMYK 29 / 0 / 6 / 66

HEX #3D5651

RGB 61 86 81

HSL 168, 0.17%, 0.29%

LAB 34.48, -10.66, -0.15

 

CMYK 1 / 0 / 0 / 71

HEX #494A4A

RGB 73 74 74

HSL 180, 0.01%, 0.29%

LAB 31.37, -0.41, -0.15

 

CMYK 80 / 0 / 61 / 52

HEX #197A2F

RGB 25 122 47

HSL 133.61, 0.66%, 0.29%

LAB 44.7, -43.69, 32.85

 

CMYK 80 / 0 / 40 / 52

HEX #197A49

RGB 25 122 73

HSL 149.69, 0.66%, 0.29%

LAB 45.09, -39.18, 19.28

 

CMYK 80 / 0 / 19 / 52

HEX #197A63

RGB 25 122 99

HSL 165.77, 0.66%, 0.29%

LAB 45.67, -32.87, 4.91

 

CMYK 80 / 2 / 0 / 52

HEX #19777A

RGB 25 119 122

HSL 181.86, 0.66%, 0.29%

LAB 45.37, -24.52, -9.23

 

CMYK 80 / 24 / 0 / 52

HEX #195D7A

RGB 25 93 122

HSL 197.94, 0.66%, 0.29%

LAB 36.82, -10.13, -22.28

 

CMYK 80 / 0 / 19 / 79

HEX #0B362C

RGB 11 54 44

HSL 166.05, 0.66%, 0.13%

LAB 19.6, -17.48, 2.07

 

CMYK 80 / 0 / 17 / 65

HEX #125849

RGB 18 88 73

HSL 167.14, 0.66%, 0.21%

LAB 33.11, -25.07, 2.66

 

CMYK 80 / 0 / 17 / 52

HEX #197A65

RGB 25 122 101

HSL 167.01, 0.66%, 0.29%

LAB 45.72, -32.32, 3.8

 

CMYK 80 / 0 / 18 / 38

HEX #209D81

RGB 32 157 129

HSL 166.56, 0.66%, 0.37%

LAB 58.04, -39.58, 5.33

 

CMYK 80 / 0 / 18 / 25

HEX #27BF9D

RGB 39 191 157

HSL 166.58, 0.66%, 0.45%

LAB 69.56, -46.09, 6.34

 

CMYK 79 / 0 / 17 / 53

HEX #197964

RGB 25 121 100

HSL 166.88, 0.66%, 0.29%

LAB 45.36, -32.13, 3.87

 

CMYK 80 / 77 / 0 / 52

HEX #191C7A

RGB 25 28 122

HSL 238.14, 0.66%, 0.29%

LAB 17.66, 33.49, -53.06

 

CMYK 0 / 51 / 80 / 52

HEX #7A3C19

RGB 122 60 25

HSL 21.65, 0.66%, 0.29%

LAB 32.79, 24.31, 32.81

 

CMYK 79 / 0 / 17 / 53

HEX #197964

RGB 25 121 100

HSL 166.88, 0.66%, 0.29%

LAB 45.36, -32.13, 3.87

 

CMYK 19 / 80 / 0 / 52

HEX #63197A

RGB 99 25 122

HSL 285.77, 0.66%, 0.29%

LAB 26.02, 46.83, -39.03

 

CMYK 0 / 19 / 80 / 52

HEX #7A6319

RGB 122 99 25

HSL 45.77, 0.66%, 0.29%

LAB 42.96, 1.23, 42.72

 

CMYK 79 / 0 / 17 / 53

HEX #197964

RGB 25 121 100

HSL 166.88, 0.66%, 0.29%

LAB 45.36, -32.13, 3.87

 

CMYK 80 / 77 / 0 / 52

HEX #191C7A

RGB 25 28 122

HSL 238.14, 0.66%, 0.29%

LAB 17.66, 33.49, -53.06

 

CMYK 0 / 80 / 61 / 52

HEX #7A192F

RGB 122 25 47

HSL 346.39, 0.66%, 0.29%

LAB 26.84, 42.27, 12.19

 

CMYK 0 / 2 / 80 / 52

HEX #7A7719

RGB 122 119 25

HSL 58.14, 0.66%, 0.29%

LAB 48.76, -10.16, 48.08

 

CMYK 79 / 0 / 17 / 53

HEX #197964

RGB 25 121 100

HSL 166.88, 0.66%, 0.29%

LAB 45.36, -32.13, 3.87

 

CMYK 58 / 80 / 0 / 52

HEX #33197A

RGB 51 25 122

HSL 256.08, 0.66%, 0.29%

LAB 19.24, 38.22, -50.37

 

CMYK 0 / 80 / 61 / 52

HEX #7A192F

RGB 122 25 47

HSL 346.39, 0.66%, 0.29%

LAB 26.84, 42.27, 12.19

 

CMYK 21 / 0 / 80 / 52

HEX #607A19

RGB 96 122 25

HSL 76.08, 0.66%, 0.29%

LAB 47.59, -23.56, 46.24

 

Description

Color code: HEX #197964 | qconv.com Color code: HEX #197964 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 121 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 121 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 17 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 17% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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