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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #196A23 it is the complementary color #E695DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #196A23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #196A23 shade: #1E6A1E, #2F7C31, #408E44, #51A057 and #62B26A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #196A23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #196A23 shade: #196A23, #085810, #004600, #003400 and #002200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #196A23 shade: #196B23, #256B19, #3B6B19, #516B19 and #676B19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #196A23 shade: #196B23, #196B39, #196B4F, #196B65 and #195A6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #196A23 shade matches the following richer shades: #196B23, #0E761B and #038013

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #196A23 shade: #196B23, #23602B, #2E5533, #394B3B and #444043

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #196A23 shade: #3B6B19, #256B19, #196B22, #196B38 and #196B4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #196A23 shade: #09280D, #114918, #196B23, #218C2E and #28AE39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #196A23 shade: #196A23, #19516B and #6B1930

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #196A23 shade: #196A23, #22196B and #6B2219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #196A23 shade: #196A23, #19516B, #6B1961 and #6B3319

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #196A23 shade: #196A23, #19386B, #6B1961 and #6B4B19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 67 / 58

HEX #196A23

RGB 25 106 35

HSL 127.41, 0.62%, 0.26%

LAB 38.96, -39.39, 32.19

 

Complementary color

CMYK 0 / 35 / 4 / 10

HEX #E695DC

RGB 230 149 220

HSL 307.41, 0.62%, 0.74%

LAB 71.88, 41.1, -23.63

 

CMYK 72 / 0 / 72 / 58

HEX #1E6A1E

RGB 30 106 30

HSL 120, 0.56%, 0.27%

LAB 39.03, -38.97, 34.63

 

CMYK 62 / 0 / 60 / 51

HEX #2F7C31

RGB 47 124 49

HSL 121.56, 0.45%, 0.34%

LAB 45.96, -39.74, 33.46

 

CMYK 55 / 0 / 52 / 44

HEX #408E44

RGB 64 142 68

HSL 123.08, 0.38%, 0.4%

LAB 52.79, -40.01, 32.07

 

CMYK 49 / 0 / 46 / 37

HEX #51A057

RGB 81 160 87

HSL 124.56, 0.33%, 0.47%

LAB 59.51, -40.02, 30.68

 

CMYK 45 / 0 / 40 / 30

HEX #62B26A

RGB 98 178 106

HSL 126, 0.34%, 0.54%

LAB 66.12, -39.88, 29.35

 

CMYK 76 / 0 / 67 / 58

HEX #196A23

RGB 25 106 35

HSL 127.41, 0.62%, 0.26%

LAB 38.96, -39.39, 32.19

 

CMYK 91 / 0 / 82 / 65

HEX #085810

RGB 8 88 16

HSL 126, 0.83%, 0.19%

LAB 31.96, -37.53, 33.1

 

CMYK 100 / 0 / 100 / 73

HEX #004600

RGB 0 70 0

HSL 120, 1%, 0.14%

LAB 24.89, -33.97, 32.47

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 100 / 0 / 100 / 87

HEX #002200

RGB 0 34 0

HSL 120, 1%, 0.07%

LAB 10.14, -20.27, 14.75

 

CMYK 77 / 0 / 67 / 58

HEX #196B23

RGB 25 107 35

HSL 127.32, 0.62%, 0.26%

LAB 39.32, -39.76, 32.58

 

CMYK 65 / 0 / 77 / 58

HEX #256B19

RGB 37 107 25

HSL 111.22, 0.62%, 0.26%

LAB 39.54, -38.19, 37.36

 

CMYK 45 / 0 / 77 / 58

HEX #3B6B19

RGB 59 107 25

HSL 95.12, 0.62%, 0.26%

LAB 40.44, -31.34, 38.54

 

CMYK 24 / 0 / 77 / 58

HEX #516B19

RGB 81 107 25

HSL 79.02, 0.62%, 0.26%

LAB 41.74, -22.47, 40.28

 

CMYK 4 / 0 / 77 / 58

HEX #676B19

RGB 103 107 25

HSL 62.93, 0.62%, 0.26%

LAB 43.46, -12.44, 42.53

 

CMYK 77 / 0 / 67 / 58

HEX #196B23

RGB 25 107 35

HSL 127.32, 0.62%, 0.26%

LAB 39.32, -39.76, 32.58

 

CMYK 77 / 0 / 47 / 58

HEX #196B39

RGB 25 107 57

HSL 143.41, 0.62%, 0.26%

LAB 39.61, -36.31, 21.24

 

CMYK 77 / 0 / 26 / 58

HEX #196B4F

RGB 25 107 79

HSL 159.51, 0.62%, 0.26%

LAB 40.06, -31.36, 8.88

 

CMYK 77 / 0 / 6 / 58

HEX #196B65

RGB 25 107 101

HSL 175.61, 0.62%, 0.26%

LAB 40.67, -25.09, -3.57

 

CMYK 77 / 16 / 0 / 58

HEX #195A6B

RGB 25 90 107

HSL 192.44, 0.62%, 0.26%

LAB 35.16, -13.88, -15.57

 

CMYK 77 / 0 / 67 / 58

HEX #196B23

RGB 25 107 35

HSL 127.32, 0.62%, 0.26%

LAB 39.32, -39.76, 32.58

 

CMYK 88 / 0 / 77 / 54

HEX #0E761B

RGB 14 118 27

HSL 127.5, 0.79%, 0.26%

LAB 42.96, -45.98, 39.87

 

CMYK 98 / 0 / 85 / 50

HEX #038013

RGB 3 128 19

HSL 127.68, 0.95%, 0.26%

LAB 46.32, -50.64, 45.76

 

CMYK 77 / 0 / 67 / 58

HEX #196B23

RGB 25 107 35

HSL 127.32, 0.62%, 0.26%

LAB 39.32, -39.76, 32.58

 

CMYK 64 / 0 / 55 / 62

HEX #23602B

RGB 35 96 43

HSL 127.87, 0.47%, 0.26%

LAB 35.79, -32.05, 24.37

 

CMYK 46 / 0 / 40 / 67

HEX #2E5533

RGB 46 85 51

HSL 127.69, 0.3%, 0.26%

LAB 32.52, -22.12, 15.64

 

CMYK 24 / 0 / 21 / 71

HEX #394B3B

RGB 57 75 59

HSL 126.67, 0.14%, 0.26%

LAB 29.96, -10.83, 7.26

 

CMYK 0 / 6 / 1 / 73

HEX #444043

RGB 68 64 67

HSL 315, 0.03%, 0.26%

LAB 27.58, 2.36, -1.22

 

CMYK 45 / 0 / 77 / 58

HEX #3B6B19

RGB 59 107 25

HSL 95.12, 0.62%, 0.26%

LAB 40.44, -31.34, 38.54

 

CMYK 65 / 0 / 77 / 58

HEX #256B19

RGB 37 107 25

HSL 111.22, 0.62%, 0.26%

LAB 39.54, -38.19, 37.36

 

CMYK 77 / 0 / 68 / 58

HEX #196B22

RGB 25 107 34

HSL 126.59, 0.62%, 0.26%

LAB 39.31, -39.88, 33.05

 

CMYK 77 / 0 / 48 / 58

HEX #196B38

RGB 25 107 56

HSL 142.68, 0.62%, 0.26%

LAB 39.59, -36.5, 21.78

 

CMYK 77 / 0 / 27 / 58

HEX #196B4E

RGB 25 107 78

HSL 158.78, 0.62%, 0.26%

LAB 40.04, -31.61, 9.45

 

CMYK 78 / 0 / 68 / 84

HEX #09280D

RGB 9 40 13

HSL 127.74, 0.63%, 0.1%

LAB 13.26, -18.64, 13.7

 

CMYK 77 / 0 / 67 / 71

HEX #114918

RGB 17 73 24

HSL 127.5, 0.62%, 0.18%

LAB 26.59, -29.56, 23.71

 

CMYK 77 / 0 / 67 / 58

HEX #196B23

RGB 25 107 35

HSL 127.32, 0.62%, 0.26%

LAB 39.32, -39.76, 32.58

 

CMYK 76 / 0 / 67 / 45

HEX #218C2E

RGB 33 140 46

HSL 127.29, 0.62%, 0.34%

LAB 51.01, -48.93, 40.49

 

CMYK 77 / 0 / 67 / 32

HEX #28AE39

RGB 40 174 57

HSL 127.61, 0.63%, 0.42%

LAB 62.52, -58.14, 48.34

 

CMYK 76 / 0 / 67 / 58

HEX #196A23

RGB 25 106 35

HSL 127.41, 0.62%, 0.26%

LAB 38.96, -39.39, 32.19

 

CMYK 77 / 24 / 0 / 58

HEX #19516B

RGB 25 81 107

HSL 199.02, 0.62%, 0.26%

LAB 32.15, -8.5, -20.21

 

CMYK 0 / 77 / 55 / 58

HEX #6B1930

RGB 107 25 48

HSL 343.17, 0.62%, 0.26%

LAB 23.79, 37.54, 6.82

 

CMYK 76 / 0 / 67 / 58

HEX #196A23

RGB 25 106 35

HSL 127.41, 0.62%, 0.26%

LAB 38.96, -39.39, 32.19

 

CMYK 68 / 77 / 0 / 58

HEX #22196B

RGB 34 25 107

HSL 246.59, 0.62%, 0.26%

LAB 15.99, 30.98, -46.09

 

CMYK 0 / 68 / 77 / 58

HEX #6B2219

RGB 107 34 25

HSL 6.59, 0.62%, 0.26%

LAB 24.77, 31.97, 23.45

 

CMYK 76 / 0 / 67 / 58

HEX #196A23

RGB 25 106 35

HSL 127.41, 0.62%, 0.26%

LAB 38.96, -39.39, 32.19

 

CMYK 77 / 24 / 0 / 58

HEX #19516B

RGB 25 81 107

HSL 199.02, 0.62%, 0.26%

LAB 32.15, -8.5, -20.21

 

CMYK 0 / 77 / 9 / 58

HEX #6B1961

RGB 107 25 97

HSL 307.32, 0.62%, 0.26%

LAB 25.82, 43.96, -23.16

 

CMYK 0 / 52 / 77 / 58

HEX #6B3319

RGB 107 51 25

HSL 19.02, 0.62%, 0.26%

LAB 28.28, 22.84, 27.34

 

CMYK 76 / 0 / 67 / 58

HEX #196A23

RGB 25 106 35

HSL 127.41, 0.62%, 0.26%

LAB 38.96, -39.39, 32.19

 

CMYK 77 / 48 / 0 / 58

HEX #19386B

RGB 25 56 107

HSL 217.32, 0.62%, 0.26%

LAB 23.99, 8.1, -33.11

 

CMYK 0 / 77 / 9 / 58

HEX #6B1961

RGB 107 25 97

HSL 307.32, 0.62%, 0.26%

LAB 25.82, 43.96, -23.16

 

CMYK 0 / 30 / 77 / 58

HEX #6B4B19

RGB 107 75 25

HSL 36.59, 0.62%, 0.26%

LAB 34.45, 8.34, 33.81

 

Description

Color code: HEX #196A23 | qconv.com Color code: HEX #196A23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 106 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 106 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 67 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 67% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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