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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19571A it is the complementary color #E6A8E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19571A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19571A shade: #1E5715, #2F6928, #407B3B, #518D4E and #629F61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19571A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19571A shade: #19571A, #084507, #003300, #002100 and #000F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19571A shade: #19561A, #285619, #395619, #4A5619 and #565319

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19571A shade: #19561A, #19562A, #19563B, #19564C and #195156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19571A shade matches the following richer shades: #19561A, #106011 and #076908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19571A shade: #19561A, #224D23, #2B442B, #343B34 and #3D323D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19571A shade: #3A5619, #295619, #195619, #195629 and #19563A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19571A shade: #061706, #0F3610, #19561A, #227623 and #2B962D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19571A shade: #19571A, #194A56 and #561931

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19571A shade: #19571A, #191956 and #561919

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19571A shade: #19571A, #194A56, #561956 and #562519

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19571A shade: #19571A, #193856, #561956 and #563819

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 70 / 66

HEX #19571A

RGB 25 87 26

HSL 120.97, 0.55%, 0.22%

LAB 32.03, -33.16, 28.86

 

Complementary color

CMYK 0 / 27 / 0 / 10

HEX #E6A8E5

RGB 230 168 229

HSL 300.97, 0.55%, 0.78%

LAB 76.37, 32.64, -21.72

 

CMYK 66 / 0 / 76 / 66

HEX #1E5715

RGB 30 87 21

HSL 111.82, 0.61%, 0.21%

LAB 32.14, -32.44, 31.36

 

CMYK 55 / 0 / 62 / 59

HEX #2F6928

RGB 47 105 40

HSL 113.54, 0.45%, 0.28%

LAB 39.34, -32.97, 30.32

 

CMYK 48 / 0 / 52 / 52

HEX #407B3B

RGB 64 123 59

HSL 115.31, 0.35%, 0.36%

LAB 46.41, -33.06, 28.97

 

CMYK 43 / 0 / 45 / 45

HEX #518D4E

RGB 81 141 78

HSL 117.14, 0.29%, 0.43%

LAB 53.33, -32.94, 27.6

 

CMYK 38 / 0 / 39 / 38

HEX #629F61

RGB 98 159 97

HSL 119.03, 0.24%, 0.5%

LAB 60.12, -32.74, 26.3

 

CMYK 71 / 0 / 70 / 66

HEX #19571A

RGB 25 87 26

HSL 120.97, 0.55%, 0.22%

LAB 32.03, -33.16, 28.86

 

CMYK 88 / 0 / 90 / 73

HEX #084507

RGB 8 69 7

HSL 119.03, 0.82%, 0.15%

LAB 24.71, -31.57, 29.51

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 100 / 0 / 100 / 94

HEX #000F00

RGB 0 15 0

HSL 120, 1%, 0.03%

LAB 3.09, -6.3, 4.51

 

CMYK 71 / 0 / 70 / 66

HEX #19561A

RGB 25 86 26

HSL 120.98, 0.55%, 0.22%

LAB 31.66, -32.76, 28.46

 

CMYK 53 / 0 / 71 / 66

HEX #285619

RGB 40 86 25

HSL 105.25, 0.55%, 0.22%

LAB 32.21, -28.55, 29.7

 

CMYK 34 / 0 / 71 / 66

HEX #395619

RGB 57 86 25

HSL 88.52, 0.55%, 0.22%

LAB 33.13, -22.05, 30.96

 

CMYK 14 / 0 / 71 / 66

HEX #4A5619

RGB 74 86 25

HSL 71.8, 0.55%, 0.22%

LAB 34.36, -14.42, 32.64

 

CMYK 0 / 3 / 71 / 66

HEX #565319

RGB 86 83 25

HSL 57.05, 0.55%, 0.22%

LAB 34.47, -6.89, 33.08

 

CMYK 71 / 0 / 70 / 66

HEX #19561A

RGB 25 86 26

HSL 120.98, 0.55%, 0.22%

LAB 31.66, -32.76, 28.46

 

CMYK 71 / 0 / 51 / 66

HEX #19562A

RGB 25 86 42

HSL 136.72, 0.55%, 0.22%

LAB 31.87, -30.34, 20

 

CMYK 71 / 0 / 31 / 66

HEX #19563B

RGB 25 86 59

HSL 153.44, 0.55%, 0.22%

LAB 32.21, -26.67, 10.16

 

CMYK 71 / 0 / 12 / 66

HEX #19564C

RGB 25 86 76

HSL 170.16, 0.55%, 0.22%

LAB 32.67, -22, 0.15

 

CMYK 71 / 6 / 0 / 66

HEX #195156

RGB 25 81 86

HSL 184.92, 0.55%, 0.22%

LAB 31.26, -16.08, -8.28

 

CMYK 71 / 0 / 70 / 66

HEX #19561A

RGB 25 86 26

HSL 120.98, 0.55%, 0.22%

LAB 31.66, -32.76, 28.46

 

CMYK 83 / 0 / 82 / 62

HEX #106011

RGB 16 96 17

HSL 120.75, 0.71%, 0.22%

LAB 35.04, -39.13, 35.78

 

CMYK 93 / 0 / 92 / 59

HEX #076908

RGB 7 105 8

HSL 120.61, 0.88%, 0.22%

LAB 38.14, -43.75, 41.3

 

CMYK 71 / 0 / 70 / 66

HEX #19561A

RGB 25 86 26

HSL 120.98, 0.55%, 0.22%

LAB 31.66, -32.76, 28.46

 

CMYK 56 / 0 / 55 / 70

HEX #224D23

RGB 34 77 35

HSL 121.4, 0.39%, 0.22%

LAB 28.82, -25.02, 20.34

 

CMYK 37 / 0 / 37 / 73

HEX #2B442B

RGB 43 68 43

HSL 120, 0.23%, 0.22%

LAB 26.22, -15.66, 12.18

 

CMYK 12 / 0 / 12 / 77

HEX #343B34

RGB 52 59 52

HSL 120, 0.06%, 0.22%

LAB 24.02, -4.58, 3.34

 

CMYK 0 / 18 / 0 / 76

HEX #3D323D

RGB 61 50 61

HSL 300, 0.1%, 0.22%

LAB 22.34, 7.31, -5.07

 

CMYK 33 / 0 / 71 / 66

HEX #3A5619

RGB 58 86 25

HSL 87.54, 0.55%, 0.22%

LAB 33.19, -21.63, 31.05

 

CMYK 52 / 0 / 71 / 66

HEX #295619

RGB 41 86 25

HSL 104.26, 0.55%, 0.22%

LAB 32.25, -28.21, 29.76

 

CMYK 71 / 0 / 71 / 66

HEX #195619

RGB 25 86 25

HSL 120, 0.55%, 0.22%

LAB 31.65, -32.88, 28.94

 

CMYK 71 / 0 / 52 / 66

HEX #195629

RGB 25 86 41

HSL 135.74, 0.55%, 0.22%

LAB 31.86, -30.52, 20.56

 

CMYK 71 / 0 / 33 / 66

HEX #19563A

RGB 25 86 58

HSL 152.46, 0.55%, 0.22%

LAB 32.19, -26.92, 10.75

 

CMYK 74 / 0 / 74 / 91

HEX #061706

RGB 6 23 6

HSL 120, 0.59%, 0.06%

LAB 6, -8.9, 6.36

 

CMYK 72 / 0 / 70 / 79

HEX #0F3610

RGB 15 54 16

HSL 121.54, 0.57%, 0.14%

LAB 19.13, -23.02, 19.52

 

CMYK 71 / 0 / 70 / 66

HEX #19561A

RGB 25 86 26

HSL 120.98, 0.55%, 0.22%

LAB 31.66, -32.76, 28.46

 

CMYK 71 / 0 / 70 / 54

HEX #227623

RGB 34 118 35

HSL 120.71, 0.55%, 0.3%

LAB 43.39, -42.08, 37.1

 

CMYK 71 / 0 / 70 / 41

HEX #2B962D

RGB 43 150 45

HSL 121.12, 0.55%, 0.38%

LAB 54.57, -50.75, 44.83

 

CMYK 71 / 0 / 70 / 66

HEX #19571A

RGB 25 87 26

HSL 120.97, 0.55%, 0.22%

LAB 32.03, -33.16, 28.86

 

CMYK 71 / 14 / 0 / 66

HEX #194A56

RGB 25 74 86

HSL 191.8, 0.55%, 0.22%

LAB 28.84, -12, -11.95

 

CMYK 0 / 71 / 43 / 66

HEX #561931

RGB 86 25 49

HSL 336.39, 0.55%, 0.22%

LAB 19.62, 30.5, -0.4

 

CMYK 71 / 0 / 70 / 66

HEX #19571A

RGB 25 87 26

HSL 120.97, 0.55%, 0.22%

LAB 32.03, -33.16, 28.86

 

CMYK 71 / 71 / 0 / 66

HEX #191956

RGB 25 25 86

HSL 240, 0.55%, 0.22%

LAB 13.07, 21.96, -36.94

 

CMYK 0 / 71 / 71 / 66

HEX #561919

RGB 86 25 25

HSL 0, 0.55%, 0.22%

LAB 18.99, 28.19, 15.58

 

CMYK 71 / 0 / 70 / 66

HEX #19571A

RGB 25 87 26

HSL 120.97, 0.55%, 0.22%

LAB 32.03, -33.16, 28.86

 

CMYK 71 / 14 / 0 / 66

HEX #194A56

RGB 25 74 86

HSL 191.8, 0.55%, 0.22%

LAB 28.84, -12, -11.95

 

CMYK 0 / 71 / 0 / 66

HEX #561956

RGB 86 25 86

HSL 300, 0.55%, 0.22%

LAB 21.38, 36.47, -23.13

 

CMYK 0 / 57 / 71 / 66

HEX #562519

RGB 86 37 25

HSL 11.8, 0.55%, 0.22%

LAB 21.48, 21.66, 18.62

 

CMYK 71 / 0 / 70 / 66

HEX #19571A

RGB 25 87 26

HSL 120.97, 0.55%, 0.22%

LAB 32.03, -33.16, 28.86

 

CMYK 71 / 35 / 0 / 66

HEX #193856

RGB 25 56 86

HSL 209.51, 0.55%, 0.22%

LAB 22.68, -0.45, -21.5

 

CMYK 0 / 71 / 0 / 66

HEX #561956

RGB 86 25 86

HSL 300, 0.55%, 0.22%

LAB 21.38, 36.47, -23.13

 

CMYK 0 / 35 / 71 / 66

HEX #563819

RGB 86 56 25

HSL 30.49, 0.55%, 0.22%

LAB 26.38, 9.86, 24.34

 

Description

Color code: HEX #19571A | qconv.com Color code: HEX #19571A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 87 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 87 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 70 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 70% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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