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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #192192 it is the complementary color #E6DE6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #192192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #192192 shade: #1E218D, #2F33A0, #4045B3, #5157C6 and #6269D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #192192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #192192 shade: #192192, #080F7F, #00006C, #000059 and #000046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #192192 shade: #192194, #321994, #531994, #741994 and #941992

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #192192 shade: #192194 and #191994

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #192192 shade matches the following richer shades: #192194 and #0B15A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #192192 shade: #192194, #272D86, #353978, #43456A and #51515C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #192192 shade: #196394, #194294, #192194, #311994 and #521994

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #192192 shade: #0D114D, #131970, #192194, #1F29B7 and #2531DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #192192 shade: #192192, #941983 and #529419

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #192192 shade: #192192, #941921 and #219419

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #192192 shade: #192192, #941983, #948C19 and #199429

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #192192 shade: #192192, #94195E, #948C19 and #19944E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 77 / 0 / 43

HEX #192192

RGB 25 33 146

HSL 236.03, 0.71%, 0.34%

LAB 21.47, 39.05, -61.85

 

Complementary color

CMYK 0 / 3 / 53 / 10

HEX #E6DE6D

RGB 230 222 109

HSL 56.03, 0.71%, 0.66%

LAB 87.08, -11.81, 55.63

 

CMYK 79 / 77 / 0 / 45

HEX #1E218D

RGB 30 33 141

HSL 238.38, 0.65%, 0.34%

LAB 21.16, 37.67, -59.25

 

CMYK 71 / 68 / 0 / 37

HEX #2F33A0

RGB 47 51 160

HSL 237.88, 0.55%, 0.41%

LAB 28.14, 35.08, -59.4

 

CMYK 64 / 61 / 0 / 30

HEX #4045B3

RGB 64 69 179

HSL 237.39, 0.47%, 0.48%

LAB 35.2, 32.74, -59.19

 

CMYK 59 / 56 / 0 / 22

HEX #5157C6

RGB 81 87 198

HSL 236.92, 0.51%, 0.55%

LAB 42.22, 30.73, -58.87

 

CMYK 55 / 52 / 0 / 15

HEX #6269D9

RGB 98 105 217

HSL 236.47, 0.61%, 0.62%

LAB 49.14, 29.04, -58.53

 

CMYK 83 / 77 / 0 / 43

HEX #192192

RGB 25 33 146

HSL 236.03, 0.71%, 0.34%

LAB 21.47, 39.05, -61.85

 

CMYK 94 / 88 / 0 / 50

HEX #080F7F

RGB 8 15 127

HSL 236.47, 0.88%, 0.26%

LAB 15.09, 41.36, -60.52

 

CMYK 100 / 100 / 0 / 58

HEX #00006C

RGB 0 0 108

HSL 240, 1%, 0.21%

LAB 9.66, 42.08, -57.31

 

CMYK 100 / 100 / 0 / 65

HEX #000059

RGB 0 0 89

HSL 240, 1%, 0.17%

LAB 6.52, 36.3, -49.87

 

CMYK 100 / 100 / 0 / 73

HEX #000046

RGB 0 0 70

HSL 240, 1%, 0.14%

LAB 3.99, 27.1, -40.87

 

CMYK 83 / 78 / 0 / 42

HEX #192194

RGB 25 33 148

HSL 236.1, 0.71%, 0.34%

LAB 21.7, 39.75, -62.71

 

CMYK 66 / 83 / 0 / 42

HEX #321994

RGB 50 25 148

HSL 252.2, 0.71%, 0.34%

LAB 21.99, 45.93, -62.18

 

CMYK 44 / 83 / 0 / 42

HEX #531994

RGB 83 25 148

HSL 268.29, 0.71%, 0.34%

LAB 25.78, 49.99, -55.8

 

CMYK 22 / 83 / 0 / 42

HEX #741994

RGB 116 25 148

HSL 284.39, 0.71%, 0.34%

LAB 30.75, 55.41, -47.48

 

CMYK 0 / 83 / 1 / 42

HEX #941992

RGB 148 25 146

HSL 300.98, 0.71%, 0.34%

LAB 36.11, 61.17, -37.35

 

CMYK 83 / 78 / 0 / 42

HEX #192194

RGB 25 33 148

HSL 236.1, 0.71%, 0.34%

LAB 21.7, 39.75, -62.71

 

CMYK 83 / 83 / 0 / 42

HEX #191994

RGB 25 25 148

HSL 240, 0.71%, 0.34%

LAB 20.2, 44.07, -65.19

 

CMYK 83 / 78 / 0 / 42

HEX #192194

RGB 25 33 148

HSL 236.1, 0.71%, 0.34%

LAB 21.7, 39.75, -62.71

 

CMYK 93 / 87 / 0 / 36

HEX #0B15A2

RGB 11 21 162

HSL 236.03, 0.87%, 0.34%

LAB 20.89, 49.85, -72.66

 

CMYK 83 / 78 / 0 / 42

HEX #192194

RGB 25 33 148

HSL 236.1, 0.71%, 0.34%

LAB 21.7, 39.75, -62.71

 

CMYK 71 / 66 / 0 / 47

HEX #272D86

RGB 39 45 134

HSL 236.21, 0.55%, 0.34%

LAB 23.77, 28.53, -50.57

 

CMYK 56 / 53 / 0 / 53

HEX #353978

RGB 53 57 120

HSL 236.42, 0.39%, 0.34%

LAB 26.85, 17.9, -36.72

 

CMYK 37 / 35 / 0 / 58

HEX #43456A

RGB 67 69 106

HSL 236.92, 0.23%, 0.34%

LAB 30.62, 9.09, -21.8

 

CMYK 12 / 12 / 0 / 64

HEX #51515C

RGB 81 81 92

HSL 240, 0.06%, 0.34%

LAB 34.82, 2.5, -6.41

 

CMYK 83 / 33 / 0 / 42

HEX #196394

RGB 25 99 148

HSL 203.9, 0.71%, 0.34%

LAB 40.03, -3.84, -33.04

 

CMYK 83 / 55 / 0 / 42

HEX #194294

RGB 25 66 148

HSL 220, 0.71%, 0.34%

LAB 30.01, 17.96, -49.07

 

CMYK 83 / 78 / 0 / 42

HEX #192194

RGB 25 33 148

HSL 236.1, 0.71%, 0.34%

LAB 21.7, 39.75, -62.71

 

CMYK 67 / 83 / 0 / 42

HEX #311994

RGB 49 25 148

HSL 251.71, 0.71%, 0.34%

LAB 21.89, 45.84, -62.33

 

CMYK 45 / 83 / 0 / 42

HEX #521994

RGB 82 25 148

HSL 267.8, 0.71%, 0.34%

LAB 25.65, 49.84, -56.02

 

CMYK 83 / 78 / 0 / 70

HEX #0D114D

RGB 13 17 77

HSL 236.25, 0.71%, 0.18%

LAB 9.18, 22.4, -37.2

 

CMYK 83 / 78 / 0 / 56

HEX #131970

RGB 19 25 112

HSL 236.13, 0.71%, 0.26%

LAB 15.51, 31.19, -50.17

 

CMYK 83 / 78 / 0 / 42

HEX #192194

RGB 25 33 148

HSL 236.1, 0.71%, 0.34%

LAB 21.7, 39.75, -62.71

 

CMYK 83 / 78 / 0 / 28

HEX #1F29B7

RGB 31 41 183

HSL 236.05, 0.71%, 0.42%

LAB 27.56, 47.53, -74.2

 

CMYK 83 / 78 / 0 / 15

HEX #2531DA

RGB 37 49 218

HSL 236.02, 0.71%, 0.5%

LAB 33.25, 54.99, -85.24

 

CMYK 83 / 77 / 0 / 43

HEX #192192

RGB 25 33 146

HSL 236.03, 0.71%, 0.34%

LAB 21.47, 39.05, -61.85

 

CMYK 0 / 83 / 11 / 42

HEX #941983

RGB 148 25 131

HSL 308.29, 0.71%, 0.34%

LAB 35.26, 58.85, -29.44

 

CMYK 45 / 0 / 83 / 42

HEX #529419

RGB 82 148 25

HSL 92.2, 0.71%, 0.34%

LAB 55.12, -40.95, 52.87

 

CMYK 83 / 77 / 0 / 43

HEX #192192

RGB 25 33 146

HSL 236.03, 0.71%, 0.34%

LAB 21.47, 39.05, -61.85

 

CMYK 0 / 83 / 78 / 42

HEX #941921

RGB 148 25 33

HSL 356.1, 0.71%, 0.34%

LAB 32.04, 49.47, 28.91

 

CMYK 78 / 0 / 83 / 42

HEX #219419

RGB 33 148 25

HSL 116.1, 0.71%, 0.34%

LAB 53.57, -53.35, 50.89

 

CMYK 83 / 77 / 0 / 43

HEX #192192

RGB 25 33 146

HSL 236.03, 0.71%, 0.34%

LAB 21.47, 39.05, -61.85

 

CMYK 0 / 83 / 11 / 42

HEX #941983

RGB 148 25 131

HSL 308.29, 0.71%, 0.34%

LAB 35.26, 58.85, -29.44

 

CMYK 0 / 5 / 83 / 42

HEX #948C19

RGB 148 140 25

HSL 56.1, 0.71%, 0.34%

LAB 57.19, -9.59, 56.43

 

CMYK 83 / 0 / 72 / 42

HEX #199429

RGB 25 148 41

HSL 127.8, 0.71%, 0.34%

LAB 53.54, -53.24, 45.28

 

CMYK 83 / 77 / 0 / 43

HEX #192192

RGB 25 33 146

HSL 236.03, 0.71%, 0.34%

LAB 21.47, 39.05, -61.85

 

CMYK 0 / 83 / 36 / 42

HEX #94195E

RGB 148 25 94

HSL 326.34, 0.71%, 0.34%

LAB 33.56, 54.03, -8.61

 

CMYK 0 / 5 / 83 / 42

HEX #948C19

RGB 148 140 25

HSL 56.1, 0.71%, 0.34%

LAB 57.19, -9.59, 56.43

 

CMYK 83 / 0 / 47 / 42

HEX #19944E

RGB 25 148 78

HSL 145.85, 0.71%, 0.34%

LAB 53.96, -48.19, 28.07

 

Description

Color code: HEX #192192 | qconv.com Color code: HEX #192192 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 33 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 33 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 77 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 77% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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