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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #191852 it is the complementary color #E6E7AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #191852. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #191852 shade: #1E184D, #2F2A60, #403C73, #514E86 and #626099

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #191852. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #191852 shade: #191852, #08063F, #00002C, #000019 and #000006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #191852 shade: #191853, #281853, #381853, #481853 and #53184D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #191852 shade: #191853 and #181853

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #191852 shade matches the following richer shades: #191853, #100F5B and #080664

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #191852 shade: #191853, #21204A, #292941, #323239 and #3A3A30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #191852 shade: #183653, #182653, #191853, #281853 and #381853

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #191852 shade: #050513, #0F0E33, #191853, #222172 and #2C2A92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #191852 shade: #191852, #531846 and #2E5318

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #191852 shade: #191852, #531918 and #185319

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #191852 shade: #191852, #531846, #525318 and #185324

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #191852 shade: #191852, #531834, #525318 and #185336

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 71 / 0 / 68

HEX #191852

RGB 25 24 82

HSL 241.03, 0.55%, 0.21%

LAB 12.41, 21.12, -35.3

 

Complementary color

CMYK 0 / 0 / 25 / 9

HEX #E6E7AD

RGB 230 231 173

HSL 61.03, 0.55%, 0.79%

LAB 90.32, -9.43, 28.22

 

CMYK 61 / 69 / 0 / 70

HEX #1E184D

RGB 30 24 77

HSL 246.79, 0.52%, 0.2%

LAB 12.38, 20.18, -31.89

 

CMYK 51 / 56 / 0 / 62

HEX #2F2A60

RGB 47 42 96

HSL 245.56, 0.39%, 0.27%

LAB 20.46, 18.37, -31.54

 

CMYK 44 / 48 / 0 / 55

HEX #403C73

RGB 64 60 115

HSL 244.36, 0.31%, 0.34%

LAB 28.27, 16.99, -31.22

 

CMYK 40 / 42 / 0 / 47

HEX #514E86

RGB 81 78 134

HSL 243.21, 0.26%, 0.42%

LAB 35.83, 15.91, -30.99

 

CMYK 36 / 37 / 0 / 40

HEX #626099

RGB 98 96 153

HSL 242.11, 0.23%, 0.49%

LAB 43.16, 15.04, -30.85

 

CMYK 70 / 71 / 0 / 68

HEX #191852

RGB 25 24 82

HSL 241.03, 0.55%, 0.21%

LAB 12.41, 21.12, -35.3

 

CMYK 87 / 90 / 0 / 75

HEX #08063F

RGB 8 6 63

HSL 242.11, 0.83%, 0.14%

LAB 4.88, 21.78, -34.4

 

CMYK 100 / 100 / 0 / 83

HEX #00002C

RGB 0 0 44

HSL 240, 1%, 0.09%

LAB 1.64, 11.54, -25.61

 

CMYK 100 / 100 / 0 / 90

HEX #000019

RGB 0 0 25

HSL 240, 1%, 0.05%

LAB 0.63, 4.46, -12.12

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 70 / 71 / 0 / 67

HEX #191853

RGB 25 24 83

HSL 241.02, 0.55%, 0.21%

LAB 12.51, 21.5, -35.82

 

CMYK 52 / 71 / 0 / 67

HEX #281853

RGB 40 24 83

HSL 256.27, 0.55%, 0.21%

LAB 14, 24.45, -33.33

 

CMYK 33 / 71 / 0 / 67

HEX #381853

RGB 56 24 83

HSL 272.54, 0.55%, 0.21%

LAB 16.1, 28.29, -29.82

 

CMYK 13 / 71 / 0 / 67

HEX #481853

RGB 72 24 83

HSL 288.81, 0.55%, 0.21%

LAB 18.61, 32.52, -25.66

 

CMYK 0 / 71 / 7 / 67

HEX #53184D

RGB 83 24 77

HSL 306.1, 0.55%, 0.21%

LAB 20.16, 34.37, -19.02

 

CMYK 70 / 71 / 0 / 67

HEX #191853

RGB 25 24 83

HSL 241.02, 0.55%, 0.21%

LAB 12.51, 21.5, -35.82

 

CMYK 71 / 71 / 0 / 67

HEX #181853

RGB 24 24 83

HSL 240, 0.55%, 0.21%

LAB 12.43, 21.34, -35.95

 

CMYK 70 / 71 / 0 / 67

HEX #191853

RGB 25 24 83

HSL 241.02, 0.55%, 0.21%

LAB 12.51, 21.5, -35.82

 

CMYK 82 / 84 / 0 / 64

HEX #100F5B

RGB 16 15 91

HSL 240.79, 0.72%, 0.21%

LAB 10.61, 29.35, -44.39

 

CMYK 92 / 94 / 0 / 61

HEX #080664

RGB 8 6 100

HSL 241.28, 0.89%, 0.21%

LAB 9.81, 36.75, -51.75

 

CMYK 70 / 71 / 0 / 67

HEX #191853

RGB 25 24 83

HSL 241.02, 0.55%, 0.21%

LAB 12.51, 21.5, -35.82

 

CMYK 55 / 57 / 0 / 71

HEX #21204A

RGB 33 32 74

HSL 241.43, 0.4%, 0.21%

LAB 14.68, 14.02, -26.1

 

CMYK 37 / 37 / 0 / 75

HEX #292941

RGB 41 41 65

HSL 240, 0.23%, 0.21%

LAB 17.64, 6.83, -15.17

 

CMYK 12 / 12 / 0 / 78

HEX #323239

RGB 50 50 57

HSL 240, 0.07%, 0.21%

LAB 21.04, 1.72, -4.41

 

CMYK 0 / 0 / 17 / 77

HEX #3A3A30

RGB 58 58 48

HSL 60, 0.09%, 0.21%

LAB 24.13, -2.12, 6.23

 

CMYK 71 / 35 / 0 / 67

HEX #183653

RGB 24 54 83

HSL 209.49, 0.55%, 0.21%

LAB 21.79, -0.47, -20.92

 

CMYK 71 / 54 / 0 / 67

HEX #182653

RGB 24 38 83

HSL 225.76, 0.55%, 0.21%

LAB 16.53, 11.05, -29.3

 

CMYK 70 / 71 / 0 / 67

HEX #191853

RGB 25 24 83

HSL 241.02, 0.55%, 0.21%

LAB 12.51, 21.5, -35.82

 

CMYK 52 / 71 / 0 / 67

HEX #281853

RGB 40 24 83

HSL 256.27, 0.55%, 0.21%

LAB 14, 24.45, -33.33

 

CMYK 33 / 71 / 0 / 67

HEX #381853

RGB 56 24 83

HSL 272.54, 0.55%, 0.21%

LAB 16.1, 28.29, -29.82

 

CMYK 74 / 74 / 0 / 93

HEX #050513

RGB 5 5 19

HSL 240, 0.58%, 0.05%

LAB 1.7, 2.29, -6.23

 

CMYK 71 / 73 / 0 / 80

HEX #0F0E33

RGB 15 14 51

HSL 241.62, 0.57%, 0.13%

LAB 5.91, 13.31, -23.99

 

CMYK 70 / 71 / 0 / 67

HEX #191853

RGB 25 24 83

HSL 241.02, 0.55%, 0.21%

LAB 12.51, 21.5, -35.82

 

CMYK 70 / 71 / 0 / 55

HEX #222172

RGB 34 33 114

HSL 240.74, 0.55%, 0.29%

LAB 18.55, 28.41, -46.42

 

CMYK 70 / 71 / 0 / 43

HEX #2C2A92

RGB 44 42 146

HSL 241.15, 0.55%, 0.37%

LAB 24.53, 35.41, -56.76

 

CMYK 70 / 71 / 0 / 68

HEX #191852

RGB 25 24 82

HSL 241.03, 0.55%, 0.21%

LAB 12.41, 21.12, -35.3

 

CMYK 0 / 71 / 16 / 67

HEX #531846

RGB 83 24 70

HSL 313.22, 0.55%, 0.21%

LAB 19.78, 33.12, -14.83

 

CMYK 45 / 0 / 71 / 67

HEX #2E5318

RGB 46 83 24

HSL 97.63, 0.55%, 0.21%

LAB 31.42, -25.09, 29.42

 

CMYK 70 / 71 / 0 / 68

HEX #191852

RGB 25 24 82

HSL 241.03, 0.55%, 0.21%

LAB 12.41, 21.12, -35.3

 

CMYK 0 / 70 / 71 / 67

HEX #531918

RGB 83 25 24

HSL 1.02, 0.55%, 0.21%

LAB 18.37, 26.94, 15.36

 

CMYK 71 / 0 / 70 / 67

HEX #185319

RGB 24 83 25

HSL 121.02, 0.55%, 0.21%

LAB 30.52, -31.91, 27.68

 

CMYK 70 / 71 / 0 / 68

HEX #191852

RGB 25 24 82

HSL 241.03, 0.55%, 0.21%

LAB 12.41, 21.12, -35.3

 

CMYK 0 / 71 / 16 / 67

HEX #531846

RGB 83 24 70

HSL 313.22, 0.55%, 0.21%

LAB 19.78, 33.12, -14.83

 

CMYK 1 / 0 / 71 / 67

HEX #525318

RGB 82 83 24

HSL 61.02, 0.55%, 0.21%

LAB 34.08, -8.93, 33.03

 

CMYK 71 / 0 / 57 / 67

HEX #185324

RGB 24 83 36

HSL 132.2, 0.55%, 0.21%

LAB 30.66, -30.32, 21.94

 

CMYK 70 / 71 / 0 / 68

HEX #191852

RGB 25 24 82

HSL 241.03, 0.55%, 0.21%

LAB 12.41, 21.12, -35.3

 

CMYK 0 / 71 / 37 / 67

HEX #531834

RGB 83 24 52

HSL 331.53, 0.55%, 0.21%

LAB 18.97, 30.32, -3.54

 

CMYK 1 / 0 / 71 / 67

HEX #525318

RGB 82 83 24

HSL 61.02, 0.55%, 0.21%

LAB 34.08, -8.93, 33.03

 

CMYK 71 / 0 / 35 / 67

HEX #185336

RGB 24 83 54

HSL 150.51, 0.55%, 0.21%

LAB 30.99, -26.68, 11.59

 

Description

Color code: HEX #191852 | qconv.com Color code: HEX #191852 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 24 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 24 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 71 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 71% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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