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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18E0AA it is the complementary color #E71F55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18E0AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18E0AA shade: #1DE0A5, #2EF2B8, #3FFFCB, #50FFDE and #61FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18E0AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18E0AA shade: #18E0AA, #07CE97, #00BC84, #00AA71 and #00985E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18E0AA shade: #17E2AB, #17E274, #17E23E, #27E217 and #5EE217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18E0AA shade: #17E2AB, #17E2E2, #17ABE2, #1775E2 and #173EE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18E0AA shade matches the following richer shades: #17E2AB and #03F6B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18E0AA shade: #17E2AB, #2BCDA2, #40B998, #54A58F and #689186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18E0AA shade: #17E23C, #17E272, #17E2A8, #17E2DE and #17AFE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18E0AA shade: #0F9772, #13BC8F, #17E2AB, #38EABA and #5EEEC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18E0AA shade: #18E0AA, #1728E2 and #E25717

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18E0AA shade: #18E0AA, #A817E2 and #E2A817

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18E0AA shade: #18E0AA, #1728E2, #E21751 and #E2D117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18E0AA shade: #18E0AA, #4317E2, #E21751 and #B6E217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 24 / 12

HEX #18E0AA

RGB 24 224 170

HSL 163.8, 0.81%, 0.49%

LAB 79.85, -57.19, 13.98

 

Complementary color

CMYK 0 / 87 / 63 / 9

HEX #E71F55

RGB 231 31 85

HSL 343.8, 0.81%, 0.51%

LAB 50.25, 73.13, 22.97

 

CMYK 87 / 0 / 26 / 12

HEX #1DE0A5

RGB 29 224 165

HSL 161.85, 0.77%, 0.5%

LAB 79.78, -58.06, 16.52

 

CMYK 81 / 0 / 24 / 5

HEX #2EF2B8

RGB 46 242 184

HSL 162.24, 0.88%, 0.56%

LAB 85.78, -59.29, 15.05

 

CMYK 75 / 0 / 20 / 0

HEX #3FFFCB

RGB 63 255 203

HSL 163.75, 1%, 0.62%

LAB 90.27, -58.27, 11.62

 

CMYK 69 / 0 / 13 / 0

HEX #50FFDE

RGB 80 255 222

HSL 168.69, 1%, 0.66%

LAB 91.01, -51.64, 2.9

 

CMYK 62 / 0 / 5 / 0

HEX #61FFF1

RGB 97 255 241

HSL 174.68, 1%, 0.69%

LAB 91.87, -44.38, -5.64

 

CMYK 89 / 0 / 24 / 12

HEX #18E0AA

RGB 24 224 170

HSL 163.8, 0.81%, 0.49%

LAB 79.85, -57.19, 13.98

 

CMYK 97 / 0 / 27 / 19

HEX #07CE97

RGB 7 206 151

HSL 163.42, 0.93%, 0.42%

LAB 73.82, -55.47, 15.58

 

CMYK 100 / 0 / 30 / 26

HEX #00BC84

RGB 0 188 132

HSL 162.13, 1%, 0.37%

LAB 67.75, -53.3, 17.32

 

CMYK 100 / 0 / 34 / 33

HEX #00AA71

RGB 0 170 113

HSL 159.88, 1%, 0.33%

LAB 61.6, -50.84, 19.19

 

CMYK 100 / 0 / 38 / 40

HEX #00985E

RGB 0 152 94

HSL 157.11, 1%, 0.3%

LAB 55.34, -48.27, 21.15

 

CMYK 90 / 0 / 24 / 11

HEX #17E2AB

RGB 23 226 171

HSL 163.74, 0.82%, 0.49%

LAB 80.47, -57.77, 14.33

 

CMYK 90 / 0 / 49 / 11

HEX #17E274

RGB 23 226 116

HSL 147.49, 0.82%, 0.49%

LAB 79.52, -68.66, 41.12

 

CMYK 90 / 0 / 73 / 11

HEX #17E23E

RGB 23 226 62

HSL 131.53, 0.82%, 0.49%

LAB 79, -75.12, 63.66

 

CMYK 83 / 0 / 90 / 11

HEX #27E217

RGB 39 226 23

HSL 115.27, 0.82%, 0.49%

LAB 78.98, -75.94, 73.76

 

CMYK 58 / 0 / 90 / 11

HEX #5EE217

RGB 94 226 23

HSL 99.01, 0.82%, 0.49%

LAB 80.09, -66.45, 75.14

 

CMYK 90 / 0 / 24 / 11

HEX #17E2AB

RGB 23 226 171

HSL 163.74, 0.82%, 0.49%

LAB 80.47, -57.77, 14.33

 

CMYK 90 / 0 / 0 / 11

HEX #17E2E2

RGB 23 226 226

HSL 180, 0.82%, 0.49%

LAB 81.87, -43.23, -12.75

 

CMYK 90 / 24 / 0 / 11

HEX #17ABE2

RGB 23 171 226

HSL 196.26, 0.82%, 0.49%

LAB 65.59, -16.47, -37.63

 

CMYK 90 / 48 / 0 / 11

HEX #1775E2

RGB 23 117 226

HSL 212.22, 0.82%, 0.49%

LAB 49.97, 15.21, -62.43

 

CMYK 90 / 73 / 0 / 11

HEX #173EE2

RGB 23 62 226

HSL 228.47, 0.82%, 0.49%

LAB 36.21, 49.89, -84.93

 

CMYK 90 / 0 / 24 / 11

HEX #17E2AB

RGB 23 226 171

HSL 163.74, 0.82%, 0.49%

LAB 80.47, -57.77, 14.33

 

CMYK 99 / 0 / 27 / 4

HEX #03F6B4

RGB 3 246 180

HSL 163.7, 0.98%, 0.49%

LAB 86.62, -63.81, 18.25

 

CMYK 90 / 0 / 24 / 11

HEX #17E2AB

RGB 23 226 171

HSL 163.74, 0.82%, 0.49%

LAB 80.47, -57.77, 14.33

 

CMYK 79 / 0 / 21 / 20

HEX #2BCDA2

RGB 43 205 162

HSL 164.07, 0.65%, 0.49%

LAB 74.05, -50.2, 10.06

 

CMYK 65 / 0 / 18 / 27

HEX #40B998

RGB 64 185 152

HSL 163.64, 0.49%, 0.49%

LAB 68.06, -41.42, 6.99

 

CMYK 49 / 0 / 13 / 35

HEX #54A58F

RGB 84 165 143

HSL 163.7, 0.33%, 0.49%

LAB 62.32, -30.27, 3.8

 

CMYK 28 / 0 / 8 / 43

HEX #689186

RGB 104 145 134

HSL 163.9, 0.16%, 0.49%

LAB 56.99, -16.55, 1.29

 

CMYK 90 / 0 / 73 / 11

HEX #17E23C

RGB 23 226 60

HSL 130.94, 0.82%, 0.49%

LAB 78.98, -75.28, 64.34

 

CMYK 90 / 0 / 50 / 11

HEX #17E272

RGB 23 226 114

HSL 146.9, 0.82%, 0.49%

LAB 79.49, -68.97, 42.05

 

CMYK 90 / 0 / 26 / 11

HEX #17E2A8

RGB 23 226 168

HSL 162.86, 0.82%, 0.49%

LAB 80.41, -58.47, 15.82

 

CMYK 90 / 0 / 2 / 11

HEX #17E2DE

RGB 23 226 222

HSL 178.82, 0.82%, 0.49%

LAB 81.76, -44.39, -10.8

 

CMYK 90 / 23 / 0 / 11

HEX #17AFE2

RGB 23 175 226

HSL 195.07, 0.82%, 0.49%

LAB 66.77, -18.59, -35.79

 

CMYK 90 / 0 / 25 / 41

HEX #0F9772

RGB 15 151 114

HSL 163.68, 0.82%, 0.33%

LAB 55.53, -42.39, 10.23

 

CMYK 90 / 0 / 24 / 26

HEX #13BC8F

RGB 19 188 143

HSL 164.02, 0.82%, 0.41%

LAB 68.09, -49.92, 11.84

 

CMYK 90 / 0 / 24 / 11

HEX #17E2AB

RGB 23 226 171

HSL 163.74, 0.82%, 0.49%

LAB 80.47, -57.77, 14.33

 

CMYK 76 / 0 / 21 / 8

HEX #38EABA

RGB 56 234 186

HSL 163.82, 0.81%, 0.57%

LAB 83.56, -54.72, 10.89

 

CMYK 61 / 0 / 16 / 7

HEX #5EEEC7

RGB 94 238 199

HSL 163.75, 0.81%, 0.65%

LAB 85.83, -47.8, 7.44

 

CMYK 89 / 0 / 24 / 12

HEX #18E0AA

RGB 24 224 170

HSL 163.8, 0.81%, 0.49%

LAB 79.85, -57.19, 13.98

 

CMYK 90 / 82 / 0 / 11

HEX #1728E2

RGB 23 40 226

HSL 234.98, 0.82%, 0.49%

LAB 32.24, 61.32, -91.52

 

CMYK 0 / 62 / 90 / 11

HEX #E25717

RGB 226 87 23

HSL 18.92, 0.82%, 0.49%

LAB 55.12, 51.58, 59.53

 

CMYK 89 / 0 / 24 / 12

HEX #18E0AA

RGB 24 224 170

HSL 163.8, 0.81%, 0.49%

LAB 79.85, -57.19, 13.98

 

CMYK 26 / 90 / 0 / 11

HEX #A817E2

RGB 168 23 226

HSL 282.86, 0.82%, 0.49%

LAB 44.84, 78.87, -70.26

 

CMYK 0 / 26 / 90 / 11

HEX #E2A817

RGB 226 168 23

HSL 42.86, 0.82%, 0.49%

LAB 72.39, 10.22, 72.46

 

CMYK 89 / 0 / 24 / 12

HEX #18E0AA

RGB 24 224 170

HSL 163.8, 0.81%, 0.49%

LAB 79.85, -57.19, 13.98

 

CMYK 90 / 82 / 0 / 11

HEX #1728E2

RGB 23 40 226

HSL 234.98, 0.82%, 0.49%

LAB 32.24, 61.32, -91.52

 

CMYK 0 / 90 / 64 / 11

HEX #E21751

RGB 226 23 81

HSL 342.86, 0.82%, 0.49%

LAB 48.73, 72.97, 23.24

 

CMYK 0 / 8 / 90 / 11

HEX #E2D117

RGB 226 209 23

HSL 54.98, 0.82%, 0.49%

LAB 82.82, -11.03, 80.51

 

CMYK 89 / 0 / 24 / 12

HEX #18E0AA

RGB 24 224 170

HSL 163.8, 0.81%, 0.49%

LAB 79.85, -57.19, 13.98

 

CMYK 70 / 90 / 0 / 11

HEX #4317E2

RGB 67 23 226

HSL 253, 0.82%, 0.49%

LAB 32.47, 69.13, -91.07

 

CMYK 0 / 90 / 64 / 11

HEX #E21751

RGB 226 23 81

HSL 342.86, 0.82%, 0.49%

LAB 48.73, 72.97, 23.24

 

CMYK 19 / 0 / 90 / 11

HEX #B6E217

RGB 182 226 23

HSL 73, 0.82%, 0.49%

LAB 84.17, -37.4, 80.18

 

Description

Color code: HEX #18E0AA | qconv.com Color code: HEX #18E0AA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 224 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 224 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 24 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 24% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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