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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18CD55 it is the complementary color #E732AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18CD55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18CD55 shade: #1DCD50, #2EDF63, #3FF176, #50FF89 and #61FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18CD55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18CD55 shade: #18CD55, #07BB42, #00A92F, #00971C and #008509

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18CD55 shade: #18CD55, #18CD24, #3CCD18, #6DCD18 and #9ECD18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18CD55 shade: #18CD55, #18CD86, #18CDB6, #18B2CD and #1882CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18CD55 shade matches the following richer shades: #18CD55 and #05DF4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18CD55 shade: #18CD55, #2ABA5B, #3DA861, #4F9567 and #62836D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18CD55 shade: #3CCD18, #18CD24, #18CD54, #18CD84 and #18CDB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18CD55 shade: #0F8336, #13A845, #18CD55, #28E568 and #4DEA82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18CD55 shade: #18CD55, #186CCD and #CD1824

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18CD55 shade: #18CD55, #5418CD and #CD5418

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18CD55 shade: #18CD55, #186CCD, #CD1890 and #CD7818

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18CD55 shade: #18CD55, #1836CD, #CD1890 and #CDAF18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 59 / 20

HEX #18CD55

RGB 24 205 85

HSL 140.22, 0.79%, 0.45%

LAB 72.57, -66.41, 47.32

 

Complementary color

CMYK 0 / 78 / 26 / 9

HEX #E732AA

RGB 231 50 170

HSL 320.22, 0.79%, 0.55%

LAB 54.21, 76.24, -22.34

 

CMYK 86 / 0 / 61 / 20

HEX #1DCD50

RGB 29 205 80

HSL 137.39, 0.75%, 0.46%

LAB 72.56, -66.65, 49.57

 

CMYK 79 / 0 / 56 / 13

HEX #2EDF63

RGB 46 223 99

HSL 137.97, 0.73%, 0.53%

LAB 78.61, -68.26, 48.11

 

CMYK 74 / 0 / 51 / 5

HEX #3FF176

RGB 63 241 118

HSL 138.54, 0.86%, 0.6%

LAB 84.63, -69.39, 46.61

 

CMYK 69 / 0 / 46 / 0

HEX #50FF89

RGB 80 255 137

HSL 139.54, 1%, 0.66%

LAB 89.41, -68.78, 43.63

 

CMYK 62 / 0 / 39 / 0

HEX #61FF9C

RGB 97 255 156

HSL 142.41, 1%, 0.69%

LAB 90.07, -62.69, 35.3

 

CMYK 88 / 0 / 59 / 20

HEX #18CD55

RGB 24 205 85

HSL 140.22, 0.79%, 0.45%

LAB 72.57, -66.41, 47.32

 

CMYK 96 / 0 / 65 / 27

HEX #07BB42

RGB 7 187 66

HSL 139.67, 0.93%, 0.38%

LAB 66.5, -64.08, 48.8

 

CMYK 100 / 0 / 72 / 34

HEX #00A92F

RGB 0 169 47

HSL 136.69, 1%, 0.33%

LAB 60.41, -60.96, 50.01

 

CMYK 100 / 0 / 81 / 41

HEX #00971C

RGB 0 151 28

HSL 131.13, 1%, 0.3%

LAB 54.26, -57.15, 50.52

 

CMYK 100 / 0 / 93 / 48

HEX #008509

RGB 0 133 9

HSL 124.06, 1%, 0.26%

LAB 48, -52.82, 49.57

 

CMYK 88 / 0 / 59 / 20

HEX #18CD55

RGB 24 205 85

HSL 140.22, 0.79%, 0.45%

LAB 72.57, -66.41, 47.32

 

CMYK 88 / 0 / 82 / 20

HEX #18CD24

RGB 24 205 36

HSL 123.98, 0.79%, 0.45%

LAB 72.22, -70.83, 65.07

 

CMYK 71 / 0 / 88 / 20

HEX #3CCD18

RGB 60 205 24

HSL 108.07, 0.79%, 0.45%

LAB 72.69, -66.86, 68.34

 

CMYK 47 / 0 / 88 / 20

HEX #6DCD18

RGB 109 205 24

HSL 91.82, 0.79%, 0.45%

LAB 74.18, -54.81, 70.2

 

CMYK 23 / 0 / 88 / 20

HEX #9ECD18

RGB 158 205 24

HSL 75.58, 0.79%, 0.45%

LAB 76.68, -37.39, 73.3

 

CMYK 88 / 0 / 59 / 20

HEX #18CD55

RGB 24 205 85

HSL 140.22, 0.79%, 0.45%

LAB 72.57, -66.41, 47.32

 

CMYK 88 / 0 / 35 / 20

HEX #18CD86

RGB 24 205 134

HSL 156.46, 0.79%, 0.45%

LAB 73.27, -58.1, 23.84

 

CMYK 88 / 0 / 11 / 20

HEX #18CDB6

RGB 24 205 182

HSL 172.38, 0.79%, 0.45%

LAB 74.34, -46.51, -0.33

 

CMYK 88 / 13 / 0 / 20

HEX #18B2CD

RGB 24 178 205

HSL 188.95, 0.79%, 0.45%

LAB 66.86, -27.18, -24.11

 

CMYK 88 / 37 / 0 / 20

HEX #1882CD

RGB 24 130 205

HSL 204.86, 0.79%, 0.45%

LAB 52.47, -0.86, -46.55

 

CMYK 88 / 0 / 59 / 20

HEX #18CD55

RGB 24 205 85

HSL 140.22, 0.79%, 0.45%

LAB 72.57, -66.41, 47.32

 

CMYK 98 / 0 / 65 / 13

HEX #05DF4F

RGB 5 223 79

HSL 140.37, 0.96%, 0.45%

LAB 78.09, -73.44, 56.19

 

CMYK 88 / 0 / 59 / 20

HEX #18CD55

RGB 24 205 85

HSL 140.22, 0.79%, 0.45%

LAB 72.57, -66.41, 47.32

 

CMYK 77 / 0 / 51 / 27

HEX #2ABA5B

RGB 42 186 91

HSL 140.42, 0.63%, 0.45%

LAB 66.8, -57.51, 37.57

 

CMYK 64 / 0 / 42 / 34

HEX #3DA861

RGB 61 168 97

HSL 140.19, 0.47%, 0.45%

LAB 61.53, -46.61, 27.88

 

CMYK 47 / 0 / 31 / 42

HEX #4F9567

RGB 79 149 103

HSL 140.57, 0.31%, 0.45%

LAB 56.22, -32.84, 17.63

 

CMYK 25 / 0 / 17 / 49

HEX #62836D

RGB 98 131 109

HSL 140, 0.14%, 0.45%

LAB 51.76, -16.5, 8.14

 

CMYK 71 / 0 / 88 / 20

HEX #3CCD18

RGB 60 205 24

HSL 108.07, 0.79%, 0.45%

LAB 72.69, -66.86, 68.34

 

CMYK 88 / 0 / 82 / 20

HEX #18CD24

RGB 24 205 36

HSL 123.98, 0.79%, 0.45%

LAB 72.22, -70.83, 65.07

 

CMYK 88 / 0 / 59 / 20

HEX #18CD54

RGB 24 205 84

HSL 139.89, 0.79%, 0.45%

LAB 72.56, -66.54, 47.76

 

CMYK 88 / 0 / 36 / 20

HEX #18CD84

RGB 24 205 132

HSL 155.8, 0.79%, 0.45%

LAB 73.23, -58.51, 24.84

 

CMYK 88 / 0 / 12 / 20

HEX #18CDB5

RGB 24 205 181

HSL 172.04, 0.79%, 0.45%

LAB 74.31, -46.79, 0.17

 

CMYK 89 / 0 / 59 / 49

HEX #0F8336

RGB 15 131 54

HSL 140.17, 0.79%, 0.29%

LAB 47.75, -47.08, 32.89

 

CMYK 89 / 0 / 59 / 34

HEX #13A845

RGB 19 168 69

HSL 140.13, 0.8%, 0.37%

LAB 60.4, -57.06, 40.49

 

CMYK 88 / 0 / 59 / 20

HEX #18CD55

RGB 24 205 85

HSL 140.22, 0.79%, 0.45%

LAB 72.57, -66.41, 47.32

 

CMYK 83 / 0 / 55 / 10

HEX #28E568

RGB 40 229 104

HSL 140.32, 0.78%, 0.53%

LAB 80.45, -70.13, 47.99

 

CMYK 67 / 0 / 44 / 8

HEX #4DEA82

RGB 77 234 130

HSL 140.25, 0.79%, 0.61%

LAB 82.93, -62.96, 38.76

 

CMYK 88 / 0 / 59 / 20

HEX #18CD55

RGB 24 205 85

HSL 140.22, 0.79%, 0.45%

LAB 72.57, -66.41, 47.32

 

CMYK 88 / 47 / 0 / 20

HEX #186CCD

RGB 24 108 205

HSL 212.15, 0.79%, 0.45%

LAB 46.08, 12.79, -56.78

 

CMYK 0 / 88 / 82 / 20

HEX #CD1824

RGB 205 24 36

HSL 356.02, 0.79%, 0.45%

LAB 43.89, 65.7, 43.09

 

CMYK 88 / 0 / 59 / 20

HEX #18CD55

RGB 24 205 85

HSL 140.22, 0.79%, 0.45%

LAB 72.57, -66.41, 47.32

 

CMYK 59 / 88 / 0 / 20

HEX #5418CD

RGB 84 24 205

HSL 259.89, 0.79%, 0.45%

LAB 31.68, 64.68, -80.2

 

CMYK 0 / 59 / 88 / 20

HEX #CD5418

RGB 205 84 24

HSL 19.89, 0.79%, 0.45%

LAB 51.14, 45.33, 54.66

 

CMYK 88 / 0 / 59 / 20

HEX #18CD55

RGB 24 205 85

HSL 140.22, 0.79%, 0.45%

LAB 72.57, -66.41, 47.32

 

CMYK 88 / 47 / 0 / 20

HEX #186CCD

RGB 24 108 205

HSL 212.15, 0.79%, 0.45%

LAB 46.08, 12.79, -56.78

 

CMYK 0 / 88 / 30 / 20

HEX #CD1890

RGB 205 24 144

HSL 320.22, 0.79%, 0.45%

LAB 46.51, 73.03, -19.1

 

CMYK 0 / 41 / 88 / 20

HEX #CD7818

RGB 205 120 24

HSL 31.82, 0.79%, 0.45%

LAB 58.49, 26.98, 60.4

 

CMYK 88 / 0 / 59 / 20

HEX #18CD55

RGB 24 205 85

HSL 140.22, 0.79%, 0.45%

LAB 72.57, -66.41, 47.32

 

CMYK 88 / 74 / 0 / 20

HEX #1836CD

RGB 24 54 205

HSL 230.06, 0.79%, 0.45%

LAB 32.35, 47.33, -79.22

 

CMYK 0 / 88 / 30 / 20

HEX #CD1890

RGB 205 24 144

HSL 320.22, 0.79%, 0.45%

LAB 46.51, 73.03, -19.1

 

CMYK 0 / 15 / 88 / 20

HEX #CDAF18

RGB 205 175 24

HSL 50.06, 0.79%, 0.45%

LAB 72.03, -2.66, 71.06

 

Description

Color code: HEX #18CD55 | qconv.com Color code: HEX #18CD55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 205 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 205 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 59 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 59% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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