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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18C245 it is the complementary color #E73DBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18C245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18C245 shade: #1DC240, #2ED453, #3FE666, #50F879 and #61FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18C245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18C245 shade: #18C245, #07B032, #009E1F, #008C0C and #007A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18C245 shade: #18C345, #18C318, #47C318, #75C318 and #A3C318

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18C245 shade: #18C345, #18C373, #18C3A1, #18B6C3 and #1888C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18C245 shade matches the following richer shades: #18C345 and #06D43D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18C245 shade: #18C345, #29B14D, #3B9F56, #4D8D5E and #5F7C66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18C245 shade: #48C318, #1AC318, #18C342, #18C370 and #18C39E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18C245 shade: #0F792B, #139E38, #18C345, #20E354 and #45E870

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18C245 shade: #18C245, #1876C3 and #C31831

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18C245 shade: #18C245, #4218C3 and #C34218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18C245 shade: #18C245, #1876C3, #C31898 and #C36518

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18C245 shade: #18C245, #1842C3, #C31898 and #C39818

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 64 / 24

HEX #18C245

RGB 24 194 69

HSL 135.88, 0.78%, 0.43%

LAB 68.9, -64.92, 50.21

 

Complementary color

CMYK 0 / 74 / 19 / 9

HEX #E73DBA

RGB 231 61 186

HSL 315.88, 0.78%, 0.57%

LAB 55.96, 75.11, -28.96

 

CMYK 85 / 0 / 67 / 24

HEX #1DC240

RGB 29 194 64

HSL 132.73, 0.74%, 0.44%

LAB 68.91, -65.04, 52.33

 

CMYK 78 / 0 / 61 / 17

HEX #2ED453

RGB 46 212 83

HSL 133.37, 0.66%, 0.51%

LAB 75.01, -66.74, 51.1

 

CMYK 73 / 0 / 56 / 10

HEX #3FE666

RGB 63 230 102

HSL 134.01, 0.77%, 0.57%

LAB 81.08, -67.92, 49.74

 

CMYK 68 / 0 / 51 / 3

HEX #50F879

RGB 80 248 121

HSL 134.64, 0.92%, 0.64%

LAB 87.11, -68.71, 48.33

 

CMYK 62 / 0 / 45 / 0

HEX #61FF8C

RGB 97 255 140

HSL 136.33, 1%, 0.69%

LAB 89.84, -65.28, 42.82

 

CMYK 88 / 0 / 64 / 24

HEX #18C245

RGB 24 194 69

HSL 135.88, 0.78%, 0.43%

LAB 68.9, -64.92, 50.21

 

CMYK 96 / 0 / 72 / 31

HEX #07B032

RGB 7 176 50

HSL 135.27, 0.92%, 0.36%

LAB 62.78, -62.42, 51.33

 

CMYK 100 / 0 / 80 / 38

HEX #009E1F

RGB 0 158 31

HSL 131.77, 1%, 0.31%

LAB 56.64, -59, 51.86

 

CMYK 100 / 0 / 91 / 45

HEX #008C0C

RGB 0 140 12

HSL 125.14, 1%, 0.27%

LAB 50.43, -54.76, 51.1

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 88 / 0 / 65 / 24

HEX #18C345

RGB 24 195 69

HSL 135.79, 0.78%, 0.43%

LAB 69.22, -65.23, 50.57

 

CMYK 88 / 0 / 88 / 24

HEX #18C318

RGB 24 195 24

HSL 120, 0.78%, 0.43%

LAB 68.96, -68.54, 64.9

 

CMYK 64 / 0 / 88 / 24

HEX #47C318

RGB 71 195 24

HSL 103.51, 0.78%, 0.43%

LAB 69.78, -61.45, 65.93

 

CMYK 40 / 0 / 88 / 24

HEX #75C318

RGB 117 195 24

HSL 87.37, 0.78%, 0.43%

LAB 71.47, -48.29, 68.05

 

CMYK 16 / 0 / 88 / 24

HEX #A3C318

RGB 163 195 24

HSL 71.23, 0.78%, 0.43%

LAB 74.11, -30.78, 71.32

 

CMYK 88 / 0 / 65 / 24

HEX #18C345

RGB 24 195 69

HSL 135.79, 0.78%, 0.43%

LAB 69.22, -65.23, 50.57

 

CMYK 88 / 0 / 41 / 24

HEX #18C373

RGB 24 195 115

HSL 151.93, 0.78%, 0.43%

LAB 69.8, -58.3, 29.13

 

CMYK 88 / 0 / 17 / 24

HEX #18C3A1

RGB 24 195 161

HSL 168.07, 0.78%, 0.43%

LAB 70.73, -47.92, 5.82

 

CMYK 88 / 7 / 0 / 24

HEX #18B6C3

RGB 24 182 195

HSL 184.56, 0.78%, 0.43%

LAB 67.72, -32.35, -17.29

 

CMYK 88 / 30 / 0 / 24

HEX #1888C3

RGB 24 136 195

HSL 200.7, 0.78%, 0.43%

LAB 53.75, -8.15, -38.85

 

CMYK 88 / 0 / 65 / 24

HEX #18C345

RGB 24 195 69

HSL 135.79, 0.78%, 0.43%

LAB 69.22, -65.23, 50.57

 

CMYK 97 / 0 / 71 / 17

HEX #06D43D

RGB 6 212 61

HSL 136.02, 0.94%, 0.43%

LAB 74.48, -71.98, 59.36

 

CMYK 88 / 0 / 65 / 24

HEX #18C345

RGB 24 195 69

HSL 135.79, 0.78%, 0.43%

LAB 69.22, -65.23, 50.57

 

CMYK 77 / 0 / 56 / 31

HEX #29B14D

RGB 41 177 77

HSL 135.88, 0.62%, 0.43%

LAB 63.71, -56.59, 40.66

 

CMYK 63 / 0 / 46 / 38

HEX #3B9F56

RGB 59 159 86

HSL 136.2, 0.46%, 0.43%

LAB 58.41, -45.35, 29.66

 

CMYK 45 / 0 / 33 / 45

HEX #4D8D5E

RGB 77 141 94

HSL 135.94, 0.29%, 0.43%

LAB 53.42, -31.42, 18.85

 

CMYK 23 / 0 / 18 / 51

HEX #5F7C66

RGB 95 124 102

HSL 134.48, 0.13%, 0.43%

LAB 49.26, -15.21, 8.65

 

CMYK 63 / 0 / 88 / 24

HEX #48C318

RGB 72 195 24

HSL 103.16, 0.78%, 0.43%

LAB 69.81, -61.23, 65.96

 

CMYK 87 / 0 / 88 / 24

HEX #1AC318

RGB 26 195 24

HSL 119.3, 0.78%, 0.43%

LAB 68.98, -68.37, 64.92

 

CMYK 88 / 0 / 66 / 24

HEX #18C342

RGB 24 195 66

HSL 134.74, 0.78%, 0.43%

LAB 69.2, -65.55, 51.8

 

CMYK 88 / 0 / 43 / 24

HEX #18C370

RGB 24 195 112

HSL 150.88, 0.78%, 0.43%

LAB 69.75, -58.86, 30.62

 

CMYK 88 / 0 / 19 / 24

HEX #18C39E

RGB 24 195 158

HSL 167.02, 0.78%, 0.43%

LAB 70.66, -48.69, 7.35

 

CMYK 88 / 0 / 64 / 53

HEX #0F792B

RGB 15 121 43

HSL 135.85, 0.78%, 0.27%

LAB 44.16, -45.14, 34.15

 

CMYK 88 / 0 / 65 / 38

HEX #139E38

RGB 19 158 56

HSL 135.97, 0.79%, 0.35%

LAB 56.96, -55.48, 42.56

 

CMYK 88 / 0 / 65 / 24

HEX #18C345

RGB 24 195 69

HSL 135.79, 0.78%, 0.43%

LAB 69.22, -65.23, 50.57

 

CMYK 86 / 0 / 63 / 11

HEX #20E354

RGB 32 227 84

HSL 136, 0.78%, 0.51%

LAB 79.55, -72.69, 55.77

 

CMYK 70 / 0 / 52 / 9

HEX #45E870

RGB 69 232 112

HSL 135.83, 0.78%, 0.59%

LAB 81.92, -66.31, 46.14

 

CMYK 88 / 0 / 64 / 24

HEX #18C245

RGB 24 194 69

HSL 135.88, 0.78%, 0.43%

LAB 68.9, -64.92, 50.21

 

CMYK 88 / 39 / 0 / 24

HEX #1876C3

RGB 24 118 195

HSL 207.02, 0.78%, 0.43%

LAB 48.37, 2.6, -47.37

 

CMYK 0 / 88 / 75 / 24

HEX #C31831

RGB 195 24 49

HSL 351.23, 0.78%, 0.43%

LAB 41.96, 63.47, 33

 

CMYK 88 / 0 / 64 / 24

HEX #18C245

RGB 24 194 69

HSL 135.88, 0.78%, 0.43%

LAB 68.9, -64.92, 50.21

 

CMYK 66 / 88 / 0 / 24

HEX #4218C3

RGB 66 24 195

HSL 254.74, 0.78%, 0.43%

LAB 28.78, 60.75, -79.21

 

CMYK 0 / 66 / 88 / 24

HEX #C34218

RGB 195 66 24

HSL 14.74, 0.78%, 0.43%

LAB 46.4, 49.77, 50.21

 

CMYK 88 / 0 / 64 / 24

HEX #18C245

RGB 24 194 69

HSL 135.88, 0.78%, 0.43%

LAB 68.9, -64.92, 50.21

 

CMYK 88 / 39 / 0 / 24

HEX #1876C3

RGB 24 118 195

HSL 207.02, 0.78%, 0.43%

LAB 48.37, 2.6, -47.37

 

CMYK 0 / 88 / 22 / 24

HEX #C31898

RGB 195 24 152

HSL 315.09, 0.78%, 0.43%

LAB 44.97, 71.85, -26.46

 

CMYK 0 / 48 / 88 / 24

HEX #C36518

RGB 195 101 24

HSL 27.02, 0.78%, 0.43%

LAB 52.92, 32.91, 55.41

 

CMYK 88 / 0 / 64 / 24

HEX #18C245

RGB 24 194 69

HSL 135.88, 0.78%, 0.43%

LAB 68.9, -64.92, 50.21

 

CMYK 88 / 66 / 0 / 24

HEX #1842C3

RGB 24 66 195

HSL 225.26, 0.78%, 0.43%

LAB 34.05, 36.33, -70.58

 

CMYK 0 / 88 / 22 / 24

HEX #C31898

RGB 195 24 152

HSL 315.09, 0.78%, 0.43%

LAB 44.97, 71.85, -26.46

 

CMYK 0 / 22 / 88 / 24

HEX #C39818

RGB 195 152 24

HSL 44.91, 0.78%, 0.43%

LAB 65.06, 5.18, 65.1

 

Description

Color code: HEX #18C245 | qconv.com Color code: HEX #18C245 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 194 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 194 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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