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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18C699 it is the complementary color #E73966. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18C699. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18C699 shade: #1DC694, #2ED8A7, #3FEABA, #50FCCD and #61FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18C699. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18C699 shade: #18C699, #07B486, #00A273, #009060 and #007E4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18C699 shade: #18C79A, #18C76B, #18C73C, #24C718 and #53C718

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18C699 shade: #18C79A, #18C5C7, #1896C7, #1867C7 and #1838C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18C699 shade matches the following richer shades: #18C79A and #06D9A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18C699 shade: #18C79A, #2AB591, #3CA388, #4F9180 and #617F77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18C699 shade: #18C73B, #18C76A, #18C799, #18C7C7 and #1899C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18C699 shade: #0F7E61, #14A27E, #18C79A, #25E4B2 and #4AE8BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18C699 shade: #18C699, #1824C7 and #C75318

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18C699 shade: #18C699, #9918C7 and #C79918

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18C699 shade: #18C699, #1824C7, #C71847 and #C7BC18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18C699 shade: #18C699, #4118C7, #C71847 and #9EC718

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 23 / 22

HEX #18C699

RGB 24 198 153

HSL 164.48, 0.78%, 0.44%

LAB 71.47, -51.14, 11.22

 

Complementary color

CMYK 0 / 75 / 56 / 9

HEX #E73966

RGB 231 57 102

HSL 344.48, 0.78%, 0.56%

LAB 52.81, 67.87, 16.14

 

CMYK 85 / 0 / 25 / 22

HEX #1DC694

RGB 29 198 148

HSL 162.25, 0.74%, 0.45%

LAB 71.41, -52, 13.83

 

CMYK 79 / 0 / 23 / 15

HEX #2ED8A7

RGB 46 216 167

HSL 162.71, 0.69%, 0.51%

LAB 77.57, -53.11, 12.38

 

CMYK 73 / 0 / 21 / 8

HEX #3FEABA

RGB 63 234 186

HSL 163.16, 0.8%, 0.58%

LAB 83.68, -53.9, 11.07

 

CMYK 68 / 0 / 19 / 1

HEX #50FCCD

RGB 80 252 205

HSL 163.6, 0.97%, 0.65%

LAB 89.74, -54.46, 9.87

 

CMYK 62 / 0 / 12 / 0

HEX #61FFE0

RGB 97 255 224

HSL 168.23, 1%, 0.69%

LAB 91.43, -48.6, 2.53

 

CMYK 88 / 0 / 23 / 22

HEX #18C699

RGB 24 198 153

HSL 164.48, 0.78%, 0.44%

LAB 71.47, -51.14, 11.22

 

CMYK 96 / 0 / 26 / 29

HEX #07B486

RGB 7 180 134

HSL 164.05, 0.93%, 0.37%

LAB 65.29, -49.49, 12.81

 

CMYK 100 / 0 / 29 / 36

HEX #00A273

RGB 0 162 115

HSL 162.59, 1%, 0.32%

LAB 59.05, -47.32, 14.57

 

CMYK 100 / 0 / 33 / 44

HEX #009060

RGB 0 144 96

HSL 160, 1%, 0.28%

LAB 52.72, -44.79, 16.49

 

CMYK 100 / 0 / 39 / 51

HEX #007E4D

RGB 0 126 77

HSL 156.67, 1%, 0.25%

LAB 46.25, -42.14, 18.5

 

CMYK 88 / 0 / 23 / 22

HEX #18C79A

RGB 24 199 154

HSL 164.57, 0.78%, 0.44%

LAB 71.81, -51.3, 11.15

 

CMYK 88 / 0 / 46 / 22

HEX #18C76B

RGB 24 199 107

HSL 148.46, 0.78%, 0.44%

LAB 70.94, -61.13, 34.71

 

CMYK 88 / 0 / 70 / 22

HEX #18C73C

RGB 24 199 60

HSL 132.34, 0.78%, 0.44%

LAB 70.43, -67.36, 55.53

 

CMYK 82 / 0 / 88 / 22

HEX #24C718

RGB 36 199 24

HSL 115.89, 0.78%, 0.44%

LAB 70.38, -68.54, 66.18

 

CMYK 58 / 0 / 88 / 22

HEX #53C718

RGB 83 199 24

HSL 99.77, 0.78%, 0.44%

LAB 71.39, -59.95, 67.45

 

CMYK 88 / 0 / 23 / 22

HEX #18C79A

RGB 24 199 154

HSL 164.57, 0.78%, 0.44%

LAB 71.81, -51.3, 11.15

 

CMYK 88 / 1 / 0 / 22

HEX #18C5C7

RGB 24 197 199

HSL 180.69, 0.78%, 0.44%

LAB 72.4, -38.13, -12.43

 

CMYK 88 / 25 / 0 / 22

HEX #1896C7

RGB 24 150 199

HSL 196.8, 0.78%, 0.44%

LAB 58.16, -14.57, -34.21

 

CMYK 88 / 48 / 0 / 22

HEX #1867C7

RGB 24 103 199

HSL 212.91, 0.78%, 0.44%

LAB 44.26, 13.64, -56.27

 

CMYK 88 / 72 / 0 / 22

HEX #1838C7

RGB 24 56 199

HSL 229.03, 0.78%, 0.44%

LAB 32.14, 44.04, -76.07

 

CMYK 88 / 0 / 23 / 22

HEX #18C79A

RGB 24 199 154

HSL 164.57, 0.78%, 0.44%

LAB 71.81, -51.3, 11.15

 

CMYK 97 / 0 / 25 / 15

HEX #06D9A3

RGB 6 217 163

HSL 164.64, 0.95%, 0.44%

LAB 77.47, -56.86, 14.31

 

CMYK 88 / 0 / 23 / 22

HEX #18C79A

RGB 24 199 154

HSL 164.57, 0.78%, 0.44%

LAB 71.81, -51.3, 11.15

 

CMYK 77 / 0 / 20 / 29

HEX #2AB591

RGB 42 181 145

HSL 164.46, 0.62%, 0.44%

LAB 66.2, -44.6, 8.11

 

CMYK 63 / 0 / 17 / 36

HEX #3CA388

RGB 60 163 136

HSL 164.27, 0.46%, 0.44%

LAB 60.72, -36.28, 5.32

 

CMYK 46 / 0 / 12 / 43

HEX #4F9180

RGB 79 145 128

HSL 164.55, 0.29%, 0.44%

LAB 55.55, -25.36, 2.48

 

CMYK 24 / 0 / 6 / 50

HEX #617F77

RGB 97 127 119

HSL 164, 0.13%, 0.44%

LAB 50.75, -12.5, 0.84

 

CMYK 88 / 0 / 70 / 22

HEX #18C73B

RGB 24 199 59

HSL 132, 0.78%, 0.44%

LAB 70.43, -67.45, 55.91

 

CMYK 88 / 0 / 47 / 22

HEX #18C76A

RGB 24 199 106

HSL 148.11, 0.78%, 0.44%

LAB 70.93, -61.31, 35.2

 

CMYK 88 / 0 / 23 / 22

HEX #18C799

RGB 24 199 153

HSL 164.23, 0.78%, 0.44%

LAB 71.79, -51.54, 11.66

 

CMYK 88 / 0 / 0 / 22

HEX #18C7C7

RGB 24 199 199

HSL 180, 0.78%, 0.44%

LAB 73, -39.04, -11.53

 

CMYK 88 / 23 / 0 / 22

HEX #1899C7

RGB 24 153 199

HSL 195.77, 0.78%, 0.44%

LAB 59.07, -16.21, -32.79

 

CMYK 88 / 0 / 23 / 51

HEX #0F7E61

RGB 15 126 97

HSL 164.32, 0.79%, 0.28%

LAB 46.83, -36.22, 7.72

 

CMYK 88 / 0 / 22 / 36

HEX #14A27E

RGB 20 162 126

HSL 164.79, 0.78%, 0.36%

LAB 59.43, -43.56, 8.99

 

CMYK 88 / 0 / 23 / 22

HEX #18C79A

RGB 24 199 154

HSL 164.57, 0.78%, 0.44%

LAB 71.81, -51.3, 11.15

 

CMYK 84 / 0 / 22 / 11

HEX #25E4B2

RGB 37 228 178

HSL 164.29, 0.78%, 0.52%

LAB 81.34, -56.01, 11.9

 

CMYK 68 / 0 / 18 / 9

HEX #4AE8BF

RGB 74 232 191

HSL 164.43, 0.77%, 0.6%

LAB 83.41, -50.42, 8.09

 

CMYK 88 / 0 / 23 / 22

HEX #18C699

RGB 24 198 153

HSL 164.48, 0.78%, 0.44%

LAB 71.47, -51.14, 11.22

 

CMYK 88 / 82 / 0 / 22

HEX #1824C7

RGB 24 36 199

HSL 235.89, 0.78%, 0.44%

LAB 28.33, 54.92, -82.39

 

CMYK 0 / 58 / 88 / 22

HEX #C75318

RGB 199 83 24

HSL 20.23, 0.78%, 0.44%

LAB 49.97, 43.56, 53.33

 

CMYK 88 / 0 / 23 / 22

HEX #18C699

RGB 24 198 153

HSL 164.48, 0.78%, 0.44%

LAB 71.47, -51.14, 11.22

 

CMYK 23 / 88 / 0 / 22

HEX #9918C7

RGB 153 24 199

HSL 284.23, 0.78%, 0.44%

LAB 40.49, 71.53, -61.89

 

CMYK 0 / 23 / 88 / 22

HEX #C79918

RGB 199 153 24

HSL 44.23, 0.78%, 0.44%

LAB 65.74, 6.42, 65.82

 

CMYK 88 / 0 / 23 / 22

HEX #18C699

RGB 24 198 153

HSL 164.48, 0.78%, 0.44%

LAB 71.47, -51.14, 11.22

 

CMYK 88 / 82 / 0 / 22

HEX #1824C7

RGB 24 36 199

HSL 235.89, 0.78%, 0.44%

LAB 28.33, 54.92, -82.39

 

CMYK 0 / 88 / 64 / 22

HEX #C71847

RGB 199 24 71

HSL 343.89, 0.78%, 0.44%

LAB 43.14, 65.53, 21.08

 

CMYK 0 / 6 / 88 / 22

HEX #C7BC18

RGB 199 188 24

HSL 56.23, 0.78%, 0.44%

LAB 74.93, -12.03, 73.14

 

CMYK 88 / 0 / 23 / 22

HEX #18C699

RGB 24 198 153

HSL 164.48, 0.78%, 0.44%

LAB 71.47, -51.14, 11.22

 

CMYK 67 / 88 / 0 / 22

HEX #4118C7

RGB 65 24 199

HSL 254.06, 0.78%, 0.44%

LAB 29.16, 61.73, -80.93

 

CMYK 0 / 88 / 64 / 22

HEX #C71847

RGB 199 24 71

HSL 343.89, 0.78%, 0.44%

LAB 43.14, 65.53, 21.08

 

CMYK 21 / 0 / 88 / 22

HEX #9EC718

RGB 158 199 24

HSL 74.06, 0.78%, 0.44%

LAB 74.94, -34.66, 71.87

 

Description

Color code: HEX #18C699 | qconv.com Color code: HEX #18C699 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 198 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 198 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 23 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 23% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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