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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18A364 it is the complementary color #E75C9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18A364. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18A364 shade: #1DA35F, #2EB572, #3FC785, #50D998 and #61EBAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18A364. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18A364 shade: #18A364, #079151, #007F3E, #006D2B and #005B18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18A364 shade: #18A464, #18A43F, #18A419, #3DA418 and #62A418

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18A364 shade: #18A464, #18A48A, #1898A4, #1872A4 and #184CA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18A364 shade matches the following richer shades: #18A464 and #09B366

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18A364 shade: #18A464, #279463, #378562, #467660 and #55675F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18A364 shade: #18A418, #18A43D, #18A463, #18A488 and #189AA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18A364 shade: #0D5C38, #13804E, #18A464, #1DC87A and #2FDF8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18A364 shade: #18A364, #183DA4 and #A42B18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18A364 shade: #18A364, #6318A4 and #A46318

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18A364 shade: #18A364, #183DA4, #A41859 and #A47E18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18A364 shade: #18A364, #1D18A4, #A41859 and #9FA418

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 39 / 36

HEX #18A364

RGB 24 163 100

HSL 152.81, 0.74%, 0.37%

LAB 59.26, -49.62, 23.14

 

Complementary color

CMYK 0 / 60 / 33 / 9

HEX #E75C9B

RGB 231 92 155

HSL 332.81, 0.74%, 0.63%

LAB 58.98, 59.73, -6.37

 

CMYK 82 / 0 / 42 / 36

HEX #1DA35F

RGB 29 163 95

HSL 149.55, 0.7%, 0.38%

LAB 59.23, -50.12, 25.81

 

CMYK 75 / 0 / 37 / 29

HEX #2EB572

RGB 46 181 114

HSL 150.22, 0.59%, 0.45%

LAB 65.63, -51.07, 24.17

 

CMYK 68 / 0 / 33 / 22

HEX #3FC785

RGB 63 199 133

HSL 150.88, 0.55%, 0.51%

LAB 71.96, -51.64, 22.68

 

CMYK 63 / 0 / 30 / 15

HEX #50D998

RGB 80 217 152

HSL 151.53, 0.64%, 0.58%

LAB 78.23, -51.95, 21.32

 

CMYK 59 / 0 / 27 / 8

HEX #61EBAB

RGB 97 235 171

HSL 152.17, 0.78%, 0.65%

LAB 84.43, -52.09, 20.06

 

CMYK 85 / 0 / 39 / 36

HEX #18A364

RGB 24 163 100

HSL 152.81, 0.74%, 0.37%

LAB 59.26, -49.62, 23.14

 

CMYK 95 / 0 / 44 / 43

HEX #079151

RGB 7 145 81

HSL 152.17, 0.91%, 0.3%

LAB 52.83, -47.96, 24.96

 

CMYK 100 / 0 / 51 / 50

HEX #007F3E

RGB 0 127 62

HSL 149.29, 1%, 0.25%

LAB 46.35, -45.5, 26.96

 

CMYK 100 / 0 / 61 / 57

HEX #006D2B

RGB 0 109 43

HSL 143.67, 1%, 0.21%

LAB 39.77, -42.35, 29.01

 

CMYK 100 / 0 / 74 / 64

HEX #005B18

RGB 0 91 24

HSL 135.82, 1%, 0.18%

LAB 33.02, -38.76, 30.76

 

CMYK 85 / 0 / 39 / 36

HEX #18A464

RGB 24 164 100

HSL 152.57, 0.74%, 0.37%

LAB 59.59, -49.99, 23.57

 

CMYK 85 / 0 / 62 / 36

HEX #18A43F

RGB 24 164 63

HSL 136.71, 0.74%, 0.37%

LAB 59.07, -56.11, 41.77

 

CMYK 85 / 0 / 85 / 36

HEX #18A419

RGB 24 164 25

HSL 120.43, 0.74%, 0.37%

LAB 58.8, -59.46, 55.64

 

CMYK 63 / 0 / 85 / 36

HEX #3DA418

RGB 61 164 24

HSL 104.14, 0.74%, 0.37%

LAB 59.53, -53.2, 56.83

 

CMYK 40 / 0 / 85 / 36

HEX #62A418

RGB 98 164 24

HSL 88.29, 0.74%, 0.37%

LAB 60.97, -42.12, 58.64

 

CMYK 85 / 0 / 39 / 36

HEX #18A464

RGB 24 164 100

HSL 152.57, 0.74%, 0.37%

LAB 59.59, -49.99, 23.57

 

CMYK 85 / 0 / 16 / 36

HEX #18A48A

RGB 24 164 138

HSL 168.86, 0.74%, 0.37%

LAB 60.41, -40.95, 3.66

 

CMYK 85 / 7 / 0 / 36

HEX #1898A4

RGB 24 152 164

HSL 185.14, 0.74%, 0.37%

LAB 57.4, -27.62, -15.55

 

CMYK 85 / 30 / 0 / 36

HEX #1872A4

RGB 24 114 164

HSL 201.43, 0.74%, 0.37%

LAB 45.51, -6.89, -33.9

 

CMYK 85 / 54 / 0 / 36

HEX #184CA4

RGB 24 76 164

HSL 217.71, 0.74%, 0.37%

LAB 34.07, 17.52, -52.17

 

CMYK 85 / 0 / 39 / 36

HEX #18A464

RGB 24 164 100

HSL 152.57, 0.74%, 0.37%

LAB 59.59, -49.99, 23.57

 

CMYK 95 / 0 / 43 / 30

HEX #09B366

RGB 9 179 102

HSL 152.82, 0.9%, 0.37%

LAB 64.37, -55.97, 28.79

 

CMYK 85 / 0 / 39 / 36

HEX #18A464

RGB 24 164 100

HSL 152.57, 0.74%, 0.37%

LAB 59.59, -49.99, 23.57

 

CMYK 74 / 0 / 33 / 42

HEX #279463

RGB 39 148 99

HSL 153.03, 0.58%, 0.37%

LAB 54.57, -42.14, 17.4

 

CMYK 59 / 0 / 26 / 48

HEX #378562

RGB 55 133 98

HSL 153.08, 0.41%, 0.37%

LAB 50.06, -32.75, 11.81

 

CMYK 41 / 0 / 19 / 54

HEX #467660

RGB 70 118 96

HSL 152.5, 0.26%, 0.37%

LAB 45.78, -21.76, 7.04

 

CMYK 17 / 0 / 8 / 60

HEX #55675F

RGB 85 103 95

HSL 153.33, 0.1%, 0.37%

LAB 41.93, -8.58, 2.25

 

CMYK 85 / 0 / 85 / 36

HEX #18A418

RGB 24 164 24

HSL 120, 0.74%, 0.37%

LAB 58.8, -59.51, 55.89

 

CMYK 85 / 0 / 63 / 36

HEX #18A43D

RGB 24 164 61

HSL 135.86, 0.74%, 0.37%

LAB 59.05, -56.36, 42.67

 

CMYK 85 / 0 / 40 / 36

HEX #18A463

RGB 24 164 99

HSL 152.14, 0.74%, 0.37%

LAB 59.57, -50.2, 24.09

 

CMYK 85 / 0 / 17 / 36

HEX #18A488

RGB 24 164 136

HSL 168, 0.74%, 0.37%

LAB 60.36, -41.49, 4.71

 

CMYK 85 / 6 / 0 / 36

HEX #189AA4

RGB 24 154 164

HSL 184.29, 0.74%, 0.37%

LAB 58.02, -28.61, -14.6

 

CMYK 86 / 0 / 39 / 64

HEX #0D5C38

RGB 13 92 56

HSL 152.66, 0.75%, 0.21%

LAB 34.04, -32.06, 14.45

 

CMYK 85 / 0 / 39 / 50

HEX #13804E

RGB 19 128 78

HSL 152.48, 0.74%, 0.29%

LAB 47.14, -41.24, 19.15

 

CMYK 85 / 0 / 39 / 36

HEX #18A464

RGB 24 164 100

HSL 152.57, 0.74%, 0.37%

LAB 59.59, -49.99, 23.57

 

CMYK 86 / 0 / 39 / 22

HEX #1DC87A

RGB 29 200 122

HSL 152.63, 0.75%, 0.45%

LAB 71.54, -58.36, 27.8

 

CMYK 79 / 0 / 36 / 13

HEX #2FDF8F

RGB 47 223 143

HSL 152.73, 0.73%, 0.53%

LAB 79.25, -60.86, 27.27

 

CMYK 85 / 0 / 39 / 36

HEX #18A364

RGB 24 163 100

HSL 152.81, 0.74%, 0.37%

LAB 59.26, -49.62, 23.14

 

CMYK 85 / 63 / 0 / 36

HEX #183DA4

RGB 24 61 164

HSL 224.14, 0.74%, 0.37%

LAB 29.94, 27.71, -58.91

 

CMYK 0 / 74 / 85 / 36

HEX #A42B18

RGB 164 43 24

HSL 8.14, 0.74%, 0.37%

LAB 37.27, 48.38, 40.23

 

CMYK 85 / 0 / 39 / 36

HEX #18A364

RGB 24 163 100

HSL 152.81, 0.74%, 0.37%

LAB 59.26, -49.62, 23.14

 

CMYK 40 / 85 / 0 / 36

HEX #6318A4

RGB 99 24 164

HSL 272.14, 0.74%, 0.37%

LAB 29.38, 56.44, -59.59

 

CMYK 0 / 40 / 85 / 36

HEX #A46318

RGB 164 99 24

HSL 32.14, 0.74%, 0.37%

LAB 48.11, 20.74, 49.65

 

CMYK 85 / 0 / 39 / 36

HEX #18A364

RGB 24 163 100

HSL 152.81, 0.74%, 0.37%

LAB 59.26, -49.62, 23.14

 

CMYK 85 / 63 / 0 / 36

HEX #183DA4

RGB 24 61 164

HSL 224.14, 0.74%, 0.37%

LAB 29.94, 27.71, -58.91

 

CMYK 0 / 85 / 46 / 36

HEX #A41859

RGB 164 24 89

HSL 332.14, 0.74%, 0.37%

LAB 36.49, 57.86, -0.68

 

CMYK 0 / 23 / 85 / 36

HEX #A47E18

RGB 164 126 24

HSL 43.71, 0.74%, 0.37%

LAB 54.95, 5.47, 55.44

 

CMYK 85 / 0 / 39 / 36

HEX #18A364

RGB 24 163 100

HSL 152.81, 0.74%, 0.37%

LAB 59.26, -49.62, 23.14

 

CMYK 82 / 85 / 0 / 36

HEX #1D18A4

RGB 29 24 164

HSL 242.14, 0.74%, 0.37%

LAB 22.28, 49.77, -71.54

 

CMYK 0 / 85 / 46 / 36

HEX #A41859

RGB 164 24 89

HSL 332.14, 0.74%, 0.37%

LAB 36.49, 57.86, -0.68

 

CMYK 3 / 0 / 85 / 36

HEX #9FA418

RGB 159 164 24

HSL 62.14, 0.74%, 0.37%

LAB 64.95, -17.28, 63.63

 

Description

Color code: HEX #18A364 | qconv.com Color code: HEX #18A364 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 163 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 163 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 39 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 39% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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