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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18A975 it is the complementary color #E7568A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18A975. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18A975 shade: #1DA970, #2EBB83, #3FCD96, #50DFA9 and #61F1BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18A975. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18A975 shade: #18A975, #079762, #00854F, #00733C and #006129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18A975 shade: #18A975, #18A94E, #18A927, #30A918 and #57A918

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18A975 shade: #18A975, #18A99C, #188FA9, #1868A9 and #1840A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18A975 shade matches the following richer shades: #18A975 and #08B979

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18A975 shade: #18A975, #279971, #378A6C, #477A68 and #566A63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18A975 shade: #18A926, #18A94D, #18A974, #18A99B and #1891A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18A975 shade: #0D6143, #13855C, #18A975, #1DCD8E and #32E1A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18A975 shade: #18A975, #1830A9 and #A93A18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18A975 shade: #18A975, #7418A9 and #A97418

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18A975 shade: #18A975, #1830A9, #A9184D and #A99118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18A975 shade: #18A975, #2B18A9, #A9184D and #96A918

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 31 / 34

HEX #18A975

RGB 24 169 117

HSL 158.48, 0.75%, 0.38%

LAB 61.53, -48.24, 16.93

 

Complementary color

CMYK 0 / 63 / 40 / 9

HEX #E7568A

RGB 231 86 138

HSL 338.48, 0.75%, 0.62%

LAB 57.54, 60.41, 1.44

 

CMYK 83 / 0 / 34 / 34

HEX #1DA970

RGB 29 169 112

HSL 155.57, 0.71%, 0.39%

LAB 61.49, -48.9, 19.62

 

CMYK 75 / 0 / 30 / 27

HEX #2EBB83

RGB 46 187 131

HSL 156.17, 0.61%, 0.46%

LAB 67.84, -49.84, 18.06

 

CMYK 69 / 0 / 27 / 20

HEX #3FCD96

RGB 63 205 150

HSL 156.76, 0.59%, 0.53%

LAB 74.14, -50.44, 16.65

 

CMYK 64 / 0 / 24 / 13

HEX #50DFA9

RGB 80 223 169

HSL 157.34, 0.69%, 0.59%

LAB 80.37, -50.79, 15.37

 

CMYK 60 / 0 / 22 / 5

HEX #61F1BC

RGB 97 241 188

HSL 157.92, 0.84%, 0.66%

LAB 86.55, -50.98, 14.2

 

CMYK 86 / 0 / 31 / 34

HEX #18A975

RGB 24 169 117

HSL 158.48, 0.75%, 0.38%

LAB 61.53, -48.24, 16.93

 

CMYK 95 / 0 / 35 / 41

HEX #079762

RGB 7 151 98

HSL 157.92, 0.91%, 0.31%

LAB 55.13, -46.65, 18.66

 

CMYK 100 / 0 / 41 / 48

HEX #00854F

RGB 0 133 79

HSL 155.64, 1%, 0.26%

LAB 48.69, -44.37, 20.61

 

CMYK 100 / 0 / 48 / 55

HEX #00733C

RGB 0 115 60

HSL 151.3, 1%, 0.23%

LAB 42.14, -41.54, 22.72

 

CMYK 100 / 0 / 58 / 62

HEX #006129

RGB 0 97 41

HSL 145.36, 1%, 0.19%

LAB 35.42, -38.44, 24.87

 

CMYK 86 / 0 / 31 / 34

HEX #18A975

RGB 24 169 117

HSL 158.48, 0.75%, 0.38%

LAB 61.53, -48.24, 16.93

 

CMYK 86 / 0 / 54 / 34

HEX #18A94E

RGB 24 169 78

HSL 142.34, 0.75%, 0.38%

LAB 60.89, -55.68, 36.71

 

CMYK 86 / 0 / 77 / 34

HEX #18A927

RGB 24 169 39

HSL 126.21, 0.75%, 0.38%

LAB 60.53, -60.09, 53.09

 

CMYK 72 / 0 / 86 / 34

HEX #30A918

RGB 48 169 24

HSL 110.07, 0.75%, 0.38%

LAB 60.84, -57.63, 57.87

 

CMYK 49 / 0 / 86 / 34

HEX #57A918

RGB 87 169 24

HSL 93.93, 0.75%, 0.38%

LAB 62.06, -47.82, 59.41

 

CMYK 86 / 0 / 31 / 34

HEX #18A975

RGB 24 169 117

HSL 158.48, 0.75%, 0.38%

LAB 61.53, -48.24, 16.93

 

CMYK 86 / 0 / 8 / 34

HEX #18A99C

RGB 24 169 156

HSL 174.62, 0.75%, 0.38%

LAB 62.48, -38.12, -3.42

 

CMYK 86 / 15 / 0 / 34

HEX #188FA9

RGB 24 143 169

HSL 190.76, 0.75%, 0.38%

LAB 54.77, -21.33, -22.42

 

CMYK 86 / 38 / 0 / 34

HEX #1868A9

RGB 24 104 169

HSL 206.9, 0.75%, 0.38%

LAB 42.7, 1.16, -41.28

 

CMYK 86 / 62 / 0 / 34

HEX #1840A9

RGB 24 64 169

HSL 223.45, 0.75%, 0.38%

LAB 31.17, 27.66, -59.9

 

CMYK 86 / 0 / 31 / 34

HEX #18A975

RGB 24 169 117

HSL 158.48, 0.75%, 0.38%

LAB 61.53, -48.24, 16.93

 

CMYK 96 / 0 / 35 / 27

HEX #08B979

RGB 8 185 121

HSL 158.31, 0.92%, 0.38%

LAB 66.62, -54.32, 21.7

 

CMYK 86 / 0 / 31 / 34

HEX #18A975

RGB 24 169 117

HSL 158.48, 0.75%, 0.38%

LAB 61.53, -48.24, 16.93

 

CMYK 75 / 0 / 26 / 40

HEX #279971

RGB 39 153 113

HSL 158.95, 0.59%, 0.38%

LAB 56.49, -41.02, 12.19

 

CMYK 60 / 0 / 22 / 46

HEX #378A6C

RGB 55 138 108

HSL 158.31, 0.43%, 0.38%

LAB 51.92, -32.71, 8.66

 

CMYK 42 / 0 / 15 / 52

HEX #477A68

RGB 71 122 104

HSL 158.82, 0.26%, 0.38%

LAB 47.31, -21.67, 4.51

 

CMYK 19 / 0 / 7 / 58

HEX #566A63

RGB 86 106 99

HSL 159, 0.1%, 0.38%

LAB 43.04, -9.05, 1.44

 

CMYK 86 / 0 / 78 / 34

HEX #18A926

RGB 24 169 38

HSL 125.79, 0.75%, 0.38%

LAB 60.52, -60.16, 53.42

 

CMYK 86 / 0 / 54 / 34

HEX #18A94D

RGB 24 169 77

HSL 141.93, 0.75%, 0.38%

LAB 60.88, -55.83, 37.19

 

CMYK 86 / 0 / 31 / 34

HEX #18A974

RGB 24 169 116

HSL 158.07, 0.75%, 0.38%

LAB 61.51, -48.47, 17.45

 

CMYK 86 / 0 / 8 / 34

HEX #18A99B

RGB 24 169 155

HSL 174.21, 0.75%, 0.38%

LAB 62.45, -38.4, -2.91

 

CMYK 86 / 14 / 0 / 34

HEX #1891A9

RGB 24 145 169

HSL 189.93, 0.75%, 0.38%

LAB 55.39, -22.38, -21.46

 

CMYK 87 / 0 / 31 / 62

HEX #0D6143

RGB 13 97 67

HSL 158.57, 0.76%, 0.22%

LAB 36.06, -31.55, 10.54

 

CMYK 86 / 0 / 31 / 48

HEX #13855C

RGB 19 133 92

HSL 158.42, 0.75%, 0.3%

LAB 49.11, -40.08, 13.83

 

CMYK 86 / 0 / 31 / 34

HEX #18A975

RGB 24 169 117

HSL 158.48, 0.75%, 0.38%

LAB 61.53, -48.24, 16.93

 

CMYK 86 / 0 / 31 / 20

HEX #1DCD8E

RGB 29 205 142

HSL 158.52, 0.75%, 0.46%

LAB 73.47, -56.05, 19.89

 

CMYK 78 / 0 / 28 / 12

HEX #32E1A2

RGB 50 225 162

HSL 158.4, 0.74%, 0.54%

LAB 80.26, -57.33, 18.8

 

CMYK 86 / 0 / 31 / 34

HEX #18A975

RGB 24 169 117

HSL 158.48, 0.75%, 0.38%

LAB 61.53, -48.24, 16.93

 

CMYK 86 / 72 / 0 / 34

HEX #1830A9

RGB 24 48 169

HSL 230.07, 0.75%, 0.38%

LAB 27.22, 38.13, -66.39

 

CMYK 0 / 66 / 86 / 34

HEX #A93A18

RGB 169 58 24

HSL 14.07, 0.75%, 0.38%

LAB 40.45, 44.01, 43.38

 

CMYK 86 / 0 / 31 / 34

HEX #18A975

RGB 24 169 117

HSL 158.48, 0.75%, 0.38%

LAB 61.53, -48.24, 16.93

 

CMYK 31 / 86 / 0 / 34

HEX #7418A9

RGB 116 24 169

HSL 278.07, 0.75%, 0.38%

LAB 32.33, 60.03, -57.68

 

CMYK 0 / 31 / 86 / 34

HEX #A97418

RGB 169 116 24

HSL 38.07, 0.75%, 0.38%

LAB 52.94, 13.39, 53.99

 

CMYK 86 / 0 / 31 / 34

HEX #18A975

RGB 24 169 117

HSL 158.48, 0.75%, 0.38%

LAB 61.53, -48.24, 16.93

 

CMYK 86 / 72 / 0 / 34

HEX #1830A9

RGB 24 48 169

HSL 230.07, 0.75%, 0.38%

LAB 27.22, 38.13, -66.39

 

CMYK 0 / 86 / 54 / 34

HEX #A9184D

RGB 169 24 77

HSL 338.07, 0.75%, 0.38%

LAB 37.16, 58.15, 8.14

 

CMYK 0 / 14 / 86 / 34

HEX #A99118

RGB 169 145 24

HSL 50.07, 0.75%, 0.38%

LAB 60.56, -2.74, 60.34

 

CMYK 86 / 0 / 31 / 34

HEX #18A975

RGB 24 169 117

HSL 158.48, 0.75%, 0.38%

LAB 61.53, -48.24, 16.93

 

CMYK 75 / 86 / 0 / 34

HEX #2B18A9

RGB 43 24 169

HSL 247.86, 0.75%, 0.38%

LAB 23.78, 52.01, -72.07

 

CMYK 0 / 86 / 54 / 34

HEX #A9184D

RGB 169 24 77

HSL 338.07, 0.75%, 0.38%

LAB 37.16, 58.15, 8.14

 

CMYK 11 / 0 / 86 / 34

HEX #96A918

RGB 150 169 24

HSL 67.86, 0.75%, 0.38%

LAB 65.69, -23.71, 63.96

 

Description

Color code: HEX #18A975 | qconv.com Color code: HEX #18A975 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 169 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 169 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 31 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 31% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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