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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1891EA it is the complementary color #E76E15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1891EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1891EA shade: #1D91E5, #2EA3F8, #3FB5FF, #50C7FF and #61D9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1891EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1891EA shade: #1891EA, #077FD7, #006DC4, #005BB1 and #00499E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1891EA shade: #1A91E9, #1A59E9, #1A21E9, #4A1AE9 and #821AE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1891EA shade: #1A91E9, #1A59E9, #1A21E9 and #1A1AE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1891EA shade matches the following richer shades: #1A91E9 and #0694FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1891EA shade: #1A91E9, #2E8ED5, #428BC1, #5688AD and #6B8598

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1891EA shade: #1AE9D1, #1ACAE9, #1A93E9, #1A5CE9 and #1A24E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1891EA shade: #0F64A2, #127BC8, #1A91E9, #40A3ED and #65B5F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1891EA shade: #1891EA, #9A1AE9 and #E6E91A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1891EA shade: #1891EA, #E91A93 and #93E91A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1891EA shade: #1891EA, #9A1AE9, #E9701A and #69E91A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1891EA shade: #1891EA, #D81AE9, #E9701A and #2BE91A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 38 / 0 / 8

HEX #1891EA

RGB 24 145 234

HSL 205.43, 0.83%, 0.51%

LAB 58.4, 1.17, -53.39

 

Complementary color

CMYK 0 / 52 / 91 / 9

HEX #E76E15

RGB 231 110 21

HSL 25.43, 0.83%, 0.49%

LAB 60.06, 42.62, 64.04

 

CMYK 87 / 37 / 0 / 10

HEX #1D91E5

RGB 29 145 229

HSL 205.2, 0.79%, 0.51%

LAB 58.2, -0.42, -50.93

 

CMYK 81 / 34 / 0 / 3

HEX #2EA3F8

RGB 46 163 248

HSL 205.25, 0.94%, 0.58%

LAB 64.61, -2.65, -51.22

 

CMYK 75 / 29 / 0 / 0

HEX #3FB5FF

RGB 63 181 255

HSL 203.13, 1%, 0.62%

LAB 70.4, -8.58, -45.86

 

CMYK 69 / 22 / 0 / 0

HEX #50C7FF

RGB 80 199 255

HSL 199.2, 1%, 0.66%

LAB 75.93, -16.07, -37.2

 

CMYK 62 / 15 / 0 / 0

HEX #61D9FF

RGB 97 217 255

HSL 194.43, 1%, 0.69%

LAB 81.5, -22.68, -28.57

 

CMYK 90 / 38 / 0 / 8

HEX #1891EA

RGB 24 145 234

HSL 205.43, 0.83%, 0.51%

LAB 58.4, 1.17, -53.39

 

CMYK 97 / 41 / 0 / 16

HEX #077FD7

RGB 7 127 215

HSL 205.38, 0.94%, 0.44%

LAB 51.98, 4.08, -53

 

CMYK 100 / 44 / 0 / 23

HEX #006DC4

RGB 0 109 196

HSL 206.63, 1%, 0.38%

LAB 45.53, 7.57, -52.51

 

CMYK 100 / 49 / 0 / 31

HEX #005BB1

RGB 0 91 177

HSL 209.15, 1%, 0.35%

LAB 39, 11.51, -51.96

 

CMYK 100 / 54 / 0 / 38

HEX #00499E

RGB 0 73 158

HSL 212.28, 1%, 0.31%

LAB 32.33, 15.74, -51.41

 

CMYK 89 / 38 / 0 / 9

HEX #1A91E9

RGB 26 145 233

HSL 205.51, 0.82%, 0.51%

LAB 58.37, 0.9, -52.88

 

CMYK 89 / 62 / 0 / 9

HEX #1A59E9

RGB 26 89 233

HSL 221.74, 0.82%, 0.51%

LAB 43.13, 35.95, -77.5

 

CMYK 89 / 86 / 0 / 9

HEX #1A21E9

RGB 26 33 233

HSL 237.97, 0.82%, 0.51%

LAB 32.24, 66.29, -95.52

 

CMYK 68 / 89 / 0 / 9

HEX #4A1AE9

RGB 74 26 233

HSL 253.91, 0.82%, 0.51%

LAB 34.14, 70.47, -92.27

 

CMYK 44 / 89 / 0 / 9

HEX #821AE9

RGB 130 26 233

HSL 270.14, 0.82%, 0.51%

LAB 40.19, 75.06, -82.07

 

CMYK 89 / 38 / 0 / 9

HEX #1A91E9

RGB 26 145 233

HSL 205.51, 0.82%, 0.51%

LAB 58.37, 0.9, -52.88

 

CMYK 89 / 62 / 0 / 9

HEX #1A59E9

RGB 26 89 233

HSL 221.74, 0.82%, 0.51%

LAB 43.13, 35.95, -77.5

 

CMYK 89 / 86 / 0 / 9

HEX #1A21E9

RGB 26 33 233

HSL 237.97, 0.82%, 0.51%

LAB 32.24, 66.29, -95.52

 

CMYK 89 / 89 / 0 / 9

HEX #1A1AE9

RGB 26 26 233

HSL 240, 0.82%, 0.51%

LAB 31.44, 68.69, -96.84

 

CMYK 89 / 38 / 0 / 9

HEX #1A91E9

RGB 26 145 233

HSL 205.51, 0.82%, 0.51%

LAB 58.37, 0.9, -52.88

 

CMYK 98 / 42 / 0 / 1

HEX #0694FD

RGB 6 148 253

HSL 205.51, 0.98%, 0.51%

LAB 60.17, 5.94, -61.05

 

CMYK 89 / 38 / 0 / 9

HEX #1A91E9

RGB 26 145 233

HSL 205.51, 0.82%, 0.51%

LAB 58.37, 0.9, -52.88

 

CMYK 78 / 33 / 0 / 16

HEX #2E8ED5

RGB 46 142 213

HSL 205.51, 0.67%, 0.51%

LAB 56.81, -3.13, -44.17

 

CMYK 66 / 28 / 0 / 24

HEX #428BC1

RGB 66 139 193

HSL 205.51, 0.51%, 0.51%

LAB 55.56, -5.66, -34.81

 

CMYK 50 / 21 / 0 / 32

HEX #5688AD

RGB 86 136 173

HSL 205.52, 0.35%, 0.51%

LAB 54.66, -6.27, -24.72

 

CMYK 30 / 13 / 0 / 40

HEX #6B8598

RGB 107 133 152

HSL 205.33, 0.18%, 0.51%

LAB 54.2, -4.63, -13.2

 

CMYK 89 / 0 / 10 / 9

HEX #1AE9D1

RGB 26 233 209

HSL 173.04, 0.82%, 0.51%

LAB 83.5, -50.84, -1.35

 

CMYK 89 / 13 / 0 / 9

HEX #1ACAE9

RGB 26 202 233

HSL 188.99, 0.82%, 0.51%

LAB 75.04, -29.81, -26.83

 

CMYK 89 / 37 / 0 / 9

HEX #1A93E9

RGB 26 147 233

HSL 204.93, 0.82%, 0.51%

LAB 58.95, -0.28, -51.96

 

CMYK 89 / 61 / 0 / 9

HEX #1A5CE9

RGB 26 92 233

HSL 220.87, 0.82%, 0.51%

LAB 43.88, 34.04, -76.28

 

CMYK 89 / 85 / 0 / 9

HEX #1A24E9

RGB 26 36 233

HSL 237.1, 0.82%, 0.51%

LAB 32.62, 65.14, -94.88

 

CMYK 91 / 38 / 0 / 36

HEX #0F64A2

RGB 15 100 162

HSL 205.31, 0.83%, 0.35%

LAB 40.94, 0.27, -39.97

 

CMYK 91 / 39 / 0 / 22

HEX #127BC8

RGB 18 123 200

HSL 205.38, 0.83%, 0.43%

LAB 50.05, 1.12, -47.56

 

CMYK 89 / 38 / 0 / 9

HEX #1A91E9

RGB 26 145 233

HSL 205.51, 0.82%, 0.51%

LAB 58.37, 0.9, -52.88

 

CMYK 73 / 31 / 0 / 7

HEX #40A3ED

RGB 64 163 237

HSL 205.66, 0.83%, 0.59%

LAB 64.48, -4.6, -45.36

 

CMYK 58 / 25 / 0 / 6

HEX #65B5F0

RGB 101 181 240

HSL 205.47, 0.82%, 0.67%

LAB 70.94, -7.65, -36.8

 

CMYK 90 / 38 / 0 / 8

HEX #1891EA

RGB 24 145 234

HSL 205.43, 0.83%, 0.51%

LAB 58.4, 1.17, -53.39

 

CMYK 34 / 89 / 0 / 9

HEX #9A1AE9

RGB 154 26 233

HSL 277.1, 0.82%, 0.51%

LAB 43.5, 77.84, -76.53

 

CMYK 1 / 0 / 89 / 9

HEX #E6E91A

RGB 230 233 26

HSL 60.87, 0.82%, 0.51%

LAB 89.48, -21.1, 85.38

 

CMYK 90 / 38 / 0 / 8

HEX #1891EA

RGB 24 145 234

HSL 205.43, 0.83%, 0.51%

LAB 58.4, 1.17, -53.39

 

CMYK 0 / 89 / 37 / 9

HEX #E91A93

RGB 233 26 147

HSL 324.93, 0.82%, 0.51%

LAB 52.03, 79.08, -12.02

 

CMYK 37 / 0 / 89 / 9

HEX #93E91A

RGB 147 233 26

HSL 84.93, 0.82%, 0.51%

LAB 84.25, -53.24, 78.98

 

CMYK 90 / 38 / 0 / 8

HEX #1891EA

RGB 24 145 234

HSL 205.43, 0.83%, 0.51%

LAB 58.4, 1.17, -53.39

 

CMYK 34 / 89 / 0 / 9

HEX #9A1AE9

RGB 154 26 233

HSL 277.1, 0.82%, 0.51%

LAB 43.5, 77.84, -76.53

 

CMYK 0 / 52 / 89 / 9

HEX #E9701A

RGB 233 112 26

HSL 24.93, 0.82%, 0.51%

LAB 60.77, 42.49, 63.29

 

CMYK 55 / 0 / 89 / 9

HEX #69E91A

RGB 105 233 26

HSL 97.1, 0.82%, 0.51%

LAB 82.57, -65.97, 76.89

 

CMYK 90 / 38 / 0 / 8

HEX #1891EA

RGB 24 145 234

HSL 205.43, 0.83%, 0.51%

LAB 58.4, 1.17, -53.39

 

CMYK 7 / 89 / 0 / 9

HEX #D81AE9

RGB 216 26 233

HSL 295.07, 0.82%, 0.51%

LAB 53.19, 86.78, -60.35

 

CMYK 0 / 52 / 89 / 9

HEX #E9701A

RGB 233 112 26

HSL 24.93, 0.82%, 0.51%

LAB 60.77, 42.49, 63.29

 

CMYK 82 / 0 / 89 / 9

HEX #2BE91A

RGB 43 233 26

HSL 115.07, 0.82%, 0.51%

LAB 81.22, -77.4, 75.2

 

Description

Color code: HEX #1891EA | qconv.com Color code: HEX #1891EA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 145 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 145 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 38 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 38% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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