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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1894E1 it is the complementary color #E76B1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1894E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1894E1 shade: #1D94DC, #2EA6EF, #3FB8FF, #50CAFF and #61DCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1894E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1894E1 shade: #1894E1, #0782CE, #0070BB, #005EA8 and #004C95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1894E1 shade: #1794E2, #175EE2, #1727E2, #3E17E2 and #7517E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1894E1 shade: #1794E2, #175EE2, #1727E2 and #1717E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1894E1 shade matches the following richer shades: #1794E2 and #0399F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1894E1 shade: #1794E2, #2B8FCD, #408BB9, #5486A5 and #688191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1894E1 shade: #17E2C0, #17CDE2, #1797E2, #1761E2 and #172BE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1894E1 shade: #0F6397, #137CBC, #1794E2, #38A6EA and #5EB7EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1894E1 shade: #1894E1, #8A17E2 and #E2DB17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1894E1 shade: #1894E1, #E21797 and #97E217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1894E1 shade: #1894E1, #8A17E2, #E26117 and #6FE217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1894E1 shade: #1894E1, #C717E2, #E26117 and #32E217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 34 / 0 / 12

HEX #1894E1

RGB 24 148 225

HSL 202.99, 0.81%, 0.49%

LAB 58.8, -3.95, -47.76

 

Complementary color

CMYK 0 / 54 / 87 / 9

HEX #E76B1E

RGB 231 107 30

HSL 22.99, 0.81%, 0.51%

LAB 59.52, 44.25, 60.92

 

CMYK 87 / 33 / 0 / 14

HEX #1D94DC

RGB 29 148 220

HSL 202.62, 0.77%, 0.49%

LAB 58.61, -5.5, -45.27

 

CMYK 81 / 31 / 0 / 6

HEX #2EA6EF

RGB 46 166 239

HSL 202.69, 0.86%, 0.56%

LAB 65.03, -7.54, -45.63

 

CMYK 75 / 28 / 0 / 0

HEX #3FB8FF

RGB 63 184 255

HSL 202.19, 1%, 0.62%

LAB 71.25, -10.22, -44.52

 

CMYK 69 / 21 / 0 / 0

HEX #50CAFF

RGB 80 202 255

HSL 198.17, 1%, 0.66%

LAB 76.78, -17.63, -35.89

 

CMYK 62 / 14 / 0 / 0

HEX #61DCFF

RGB 97 220 255

HSL 193.29, 1%, 0.69%

LAB 82.35, -24.18, -27.28

 

CMYK 89 / 34 / 0 / 12

HEX #1894E1

RGB 24 148 225

HSL 202.99, 0.81%, 0.49%

LAB 58.8, -3.95, -47.76

 

CMYK 97 / 37 / 0 / 19

HEX #0782CE

RGB 7 130 206

HSL 202.91, 0.93%, 0.42%

LAB 52.36, -1.23, -47.31

 

CMYK 100 / 40 / 0 / 27

HEX #0070BB

RGB 0 112 187

HSL 204.06, 1%, 0.37%

LAB 45.87, 2.07, -46.76

 

CMYK 100 / 44 / 0 / 34

HEX #005EA8

RGB 0 94 168

HSL 206.43, 1%, 0.33%

LAB 39.3, 5.83, -46.15

 

CMYK 100 / 49 / 0 / 42

HEX #004C95

RGB 0 76 149

HSL 209.4, 1%, 0.29%

LAB 32.57, 9.87, -45.58

 

CMYK 90 / 35 / 0 / 11

HEX #1794E2

RGB 23 148 226

HSL 203.05, 0.82%, 0.49%

LAB 58.84, -3.63, -48.25

 

CMYK 90 / 58 / 0 / 11

HEX #175EE2

RGB 23 94 226

HSL 219.01, 0.82%, 0.49%

LAB 43.77, 29.95, -72.51

 

CMYK 90 / 83 / 0 / 11

HEX #1727E2

RGB 23 39 226

HSL 235.27, 0.82%, 0.49%

LAB 32.09, 61.76, -91.77

 

CMYK 73 / 90 / 0 / 11

HEX #3E17E2

RGB 62 23 226

HSL 251.53, 0.82%, 0.49%

LAB 32.1, 68.88, -91.71

 

CMYK 48 / 90 / 0 / 11

HEX #7517E2

RGB 117 23 226

HSL 267.78, 0.82%, 0.49%

LAB 37.64, 72.84, -82.36

 

CMYK 90 / 35 / 0 / 11

HEX #1794E2

RGB 23 148 226

HSL 203.05, 0.82%, 0.49%

LAB 58.84, -3.63, -48.25

 

CMYK 90 / 58 / 0 / 11

HEX #175EE2

RGB 23 94 226

HSL 219.01, 0.82%, 0.49%

LAB 43.77, 29.95, -72.51

 

CMYK 90 / 83 / 0 / 11

HEX #1727E2

RGB 23 39 226

HSL 235.27, 0.82%, 0.49%

LAB 32.09, 61.76, -91.77

 

CMYK 90 / 90 / 0 / 11

HEX #1717E2

RGB 23 23 226

HSL 240, 0.82%, 0.49%

LAB 30.12, 67.67, -95.05

 

CMYK 90 / 35 / 0 / 11

HEX #1794E2

RGB 23 148 226

HSL 203.05, 0.82%, 0.49%

LAB 58.84, -3.63, -48.25

 

CMYK 99 / 38 / 0 / 4

HEX #0399F6

RGB 3 153 246

HSL 202.96, 0.98%, 0.49%

LAB 61.18, 0.26, -55.59

 

CMYK 90 / 35 / 0 / 11

HEX #1794E2

RGB 23 148 226

HSL 203.05, 0.82%, 0.49%

LAB 58.84, -3.63, -48.25

 

CMYK 79 / 30 / 0 / 20

HEX #2B8FCD

RGB 43 143 205

HSL 202.96, 0.65%, 0.49%

LAB 56.65, -6.91, -39.93

 

CMYK 65 / 25 / 0 / 27

HEX #408BB9

RGB 64 139 185

HSL 202.81, 0.49%, 0.49%

LAB 55.13, -8.69, -30.92

 

CMYK 49 / 19 / 0 / 35

HEX #5486A5

RGB 84 134 165

HSL 202.96, 0.33%, 0.49%

LAB 53.66, -8.02, -21.67

 

CMYK 28 / 11 / 0 / 43

HEX #688191

RGB 104 129 145

HSL 203.41, 0.16%, 0.49%

LAB 52.61, -5.07, -11.56

 

CMYK 90 / 0 / 15 / 11

HEX #17E2C0

RGB 23 226 192

HSL 169.95, 0.82%, 0.49%

LAB 80.95, -52.59, 3.93

 

CMYK 90 / 9 / 0 / 11

HEX #17CDE2

RGB 23 205 226

HSL 186.21, 0.82%, 0.49%

LAB 75.66, -33.62, -22.12

 

CMYK 90 / 33 / 0 / 11

HEX #1797E2

RGB 23 151 226

HSL 202.17, 0.82%, 0.49%

LAB 59.71, -5.36, -46.87

 

CMYK 90 / 57 / 0 / 11

HEX #1761E2

RGB 23 97 226

HSL 218.13, 0.82%, 0.49%

LAB 44.55, 28.02, -71.23

 

CMYK 90 / 81 / 0 / 11

HEX #172BE2

RGB 23 43 226

HSL 234.09, 0.82%, 0.49%

LAB 32.7, 59.94, -90.75

 

CMYK 90 / 34 / 0 / 41

HEX #0F6397

RGB 15 99 151

HSL 202.94, 0.82%, 0.33%

LAB 40.01, -3.49, -34.87

 

CMYK 90 / 34 / 0 / 26

HEX #137CBC

RGB 19 124 188

HSL 202.72, 0.82%, 0.41%

LAB 49.72, -4.05, -41.21

 

CMYK 90 / 35 / 0 / 11

HEX #1794E2

RGB 23 148 226

HSL 203.05, 0.82%, 0.49%

LAB 58.84, -3.63, -48.25

 

CMYK 76 / 29 / 0 / 8

HEX #38A6EA

RGB 56 166 234

HSL 202.92, 0.81%, 0.57%

LAB 65.01, -8.28, -42.91

 

CMYK 61 / 23 / 0 / 7

HEX #5EB7EE

RGB 94 183 238

HSL 202.92, 0.81%, 0.65%

LAB 71.16, -10.66, -35.4

 

CMYK 89 / 34 / 0 / 12

HEX #1894E1

RGB 24 148 225

HSL 202.99, 0.81%, 0.49%

LAB 58.8, -3.95, -47.76

 

CMYK 39 / 90 / 0 / 11

HEX #8A17E2

RGB 138 23 226

HSL 273.99, 0.82%, 0.49%

LAB 40.42, 75.08, -77.67

 

CMYK 0 / 3 / 90 / 11

HEX #E2DB17

RGB 226 219 23

HSL 57.93, 0.82%, 0.49%

LAB 85.45, -16.01, 82.55

 

CMYK 89 / 34 / 0 / 12

HEX #1894E1

RGB 24 148 225

HSL 202.99, 0.81%, 0.49%

LAB 58.8, -3.95, -47.76

 

CMYK 0 / 90 / 33 / 11

HEX #E21797

RGB 226 23 151

HSL 322.17, 0.82%, 0.49%

LAB 50.71, 78.4, -16.54

 

CMYK 33 / 0 / 90 / 11

HEX #97E217

RGB 151 226 23

HSL 82.17, 0.82%, 0.49%

LAB 82.4, -49.08, 78

 

CMYK 89 / 34 / 0 / 12

HEX #1894E1

RGB 24 148 225

HSL 202.99, 0.81%, 0.49%

LAB 58.8, -3.95, -47.76

 

CMYK 39 / 90 / 0 / 11

HEX #8A17E2

RGB 138 23 226

HSL 273.99, 0.82%, 0.49%

LAB 40.42, 75.08, -77.67

 

CMYK 0 / 57 / 90 / 11

HEX #E26117

RGB 226 97 23

HSL 21.87, 0.82%, 0.49%

LAB 56.86, 47.02, 60.8

 

CMYK 51 / 0 / 90 / 11

HEX #6FE217

RGB 111 226 23

HSL 93.99, 0.82%, 0.49%

LAB 80.65, -61.97, 75.84

 

CMYK 89 / 34 / 0 / 12

HEX #1894E1

RGB 24 148 225

HSL 202.99, 0.81%, 0.49%

LAB 58.8, -3.95, -47.76

 

CMYK 12 / 90 / 0 / 11

HEX #C717E2

RGB 199 23 226

HSL 292.02, 0.82%, 0.49%

LAB 49.79, 83.41, -62

 

CMYK 0 / 57 / 90 / 11

HEX #E26117

RGB 226 97 23

HSL 21.87, 0.82%, 0.49%

LAB 56.86, 47.02, 60.8

 

CMYK 78 / 0 / 90 / 11

HEX #32E217

RGB 50 226 23

HSL 112.02, 0.82%, 0.49%

LAB 79.12, -74.68, 73.94

 

Description

Color code: HEX #1894E1 | qconv.com Color code: HEX #1894E1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 148 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 148 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 34 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 34% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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