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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #188990 it is the complementary color #E7766F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #188990. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #188990 shade: #1D898B, #2E9B9E, #3FADB1, #50BFC4 and #61D1D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #188990. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #188990 shade: #188990, #07777D, #00656A, #005357 and #004144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #188990 shade: #18888F, #18688F, #18488F, #18288F and #28188F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #188990 shade: #18888F, #18688F, #18488F, #18288F and #18188F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #188990 shade matches the following richer shades: #18888F and #0A949D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #188990 shade: #18888F, #267C82, #337074, #416467 and #4E5859

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #188990 shade: #188F56, #188F76, #18898F, #186A8F and #184A8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #188990 shade: #0C4549, #12676C, #18888F, #1EAAB3 and #24CCD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #188990 shade: #188990, #36188F and #8F6618

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #188990 shade: #188990, #8F1889 and #898F18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #188990 shade: #188990, #36188F, #8F1E18 and #728F18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #188990 shade: #188990, #5A188F, #8F1E18 and #4E8F18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 5 / 0 / 44

HEX #188990

RGB 24 137 144

HSL 183.5, 0.71%, 0.33%

LAB 51.95, -26.6, -12.27

 

Complementary color

CMYK 0 / 49 / 52 / 9

HEX #E7766F

RGB 231 118 111

HSL 3.5, 0.71%, 0.67%

LAB 62.59, 43.02, 24.1

 

CMYK 79 / 1 / 0 / 45

HEX #1D898B

RGB 29 137 139

HSL 181.09, 0.65%, 0.33%

LAB 51.86, -27.72, -9.5

 

CMYK 71 / 2 / 0 / 38

HEX #2E9B9E

RGB 46 155 158

HSL 181.61, 0.55%, 0.4%

LAB 58.5, -28.67, -10.43

 

CMYK 64 / 2 / 0 / 31

HEX #3FADB1

RGB 63 173 177

HSL 182.11, 0.48%, 0.47%

LAB 65.06, -29.32, -11.25

 

CMYK 59 / 3 / 0 / 23

HEX #50BFC4

RGB 80 191 196

HSL 182.59, 0.5%, 0.54%

LAB 71.52, -29.77, -12

 

CMYK 55 / 3 / 0 / 16

HEX #61D1D7

RGB 97 209 215

HSL 183.05, 0.6%, 0.61%

LAB 77.9, -30.08, -12.68

 

CMYK 83 / 5 / 0 / 44

HEX #188990

RGB 24 137 144

HSL 183.5, 0.71%, 0.33%

LAB 51.95, -26.6, -12.27

 

CMYK 94 / 5 / 0 / 51

HEX #07777D

RGB 7 119 125

HSL 183.05, 0.89%, 0.26%

LAB 45.25, -24.96, -11.22

 

CMYK 100 / 5 / 0 / 58

HEX #00656A

RGB 0 101 106

HSL 182.83, 1%, 0.21%

LAB 38.46, -22.64, -9.97

 

CMYK 100 / 5 / 0 / 66

HEX #005357

RGB 0 83 87

HSL 182.76, 1%, 0.17%

LAB 31.52, -19.84, -8.57

 

CMYK 100 / 4 / 0 / 73

HEX #004144

RGB 0 65 68

HSL 182.65, 1%, 0.13%

LAB 24.32, -16.93, -7.12

 

CMYK 83 / 5 / 0 / 44

HEX #18888F

RGB 24 136 143

HSL 183.53, 0.71%, 0.33%

LAB 51.59, -26.43, -12.23

 

CMYK 83 / 27 / 0 / 44

HEX #18688F

RGB 24 104 143

HSL 199.66, 0.71%, 0.33%

LAB 41.34, -8.89, -27.98

 

CMYK 83 / 50 / 0 / 44

HEX #18488F

RGB 24 72 143

HSL 215.8, 0.71%, 0.33%

LAB 31.38, 11.69, -43.81

 

CMYK 83 / 72 / 0 / 44

HEX #18288F

RGB 24 40 143

HSL 231.93, 0.71%, 0.33%

LAB 22.64, 33.58, -58.07

 

CMYK 72 / 83 / 0 / 44

HEX #28188F

RGB 40 24 143

HSL 248.07, 0.71%, 0.33%

LAB 20.39, 43.98, -61.75

 

CMYK 83 / 5 / 0 / 44

HEX #18888F

RGB 24 136 143

HSL 183.53, 0.71%, 0.33%

LAB 51.59, -26.43, -12.23

 

CMYK 83 / 27 / 0 / 44

HEX #18688F

RGB 24 104 143

HSL 199.66, 0.71%, 0.33%

LAB 41.34, -8.89, -27.98

 

CMYK 83 / 50 / 0 / 44

HEX #18488F

RGB 24 72 143

HSL 215.8, 0.71%, 0.33%

LAB 31.38, 11.69, -43.81

 

CMYK 83 / 72 / 0 / 44

HEX #18288F

RGB 24 40 143

HSL 231.93, 0.71%, 0.33%

LAB 22.64, 33.58, -58.07

 

CMYK 83 / 83 / 0 / 44

HEX #18188F

RGB 24 24 143

HSL 240, 0.71%, 0.33%

LAB 19.35, 42.89, -63.5

 

CMYK 83 / 5 / 0 / 44

HEX #18888F

RGB 24 136 143

HSL 183.53, 0.71%, 0.33%

LAB 51.59, -26.43, -12.23

 

CMYK 94 / 6 / 0 / 38

HEX #0A949D

RGB 10 148 157

HSL 183.67, 0.88%, 0.33%

LAB 55.76, -28.72, -14.03

 

CMYK 83 / 5 / 0 / 44

HEX #18888F

RGB 24 136 143

HSL 183.53, 0.71%, 0.33%

LAB 51.59, -26.43, -12.23

 

CMYK 71 / 5 / 0 / 49

HEX #267C82

RGB 38 124 130

HSL 183.91, 0.55%, 0.33%

LAB 47.55, -22.82, -10.68

 

CMYK 56 / 3 / 0 / 55

HEX #337074

RGB 51 112 116

HSL 183.69, 0.39%, 0.33%

LAB 43.59, -18.36, -8.23

 

CMYK 37 / 3 / 0 / 60

HEX #416467

RGB 65 100 103

HSL 184.74, 0.23%, 0.33%

LAB 39.94, -11.69, -5.71

 

CMYK 12 / 1 / 0 / 65

HEX #4E5859

RGB 78 88 89

HSL 185.45, 0.07%, 0.33%

LAB 36.59, -3.68, -1.92

 

CMYK 83 / 0 / 40 / 44

HEX #188F56

RGB 24 143 86

HSL 151.26, 0.71%, 0.33%

LAB 52.41, -44.89, 21.7

 

CMYK 83 / 0 / 17 / 44

HEX #188F76

RGB 24 143 118

HSL 167.39, 0.71%, 0.33%

LAB 53.11, -37.21, 4.51

 

CMYK 83 / 4 / 0 / 44

HEX #18898F

RGB 24 137 143

HSL 183.03, 0.71%, 0.33%

LAB 51.91, -26.93, -11.74

 

CMYK 83 / 26 / 0 / 44

HEX #186A8F

RGB 24 106 143

HSL 198.66, 0.71%, 0.33%

LAB 41.98, -10.08, -26.98

 

CMYK 83 / 48 / 0 / 44

HEX #184A8F

RGB 24 74 143

HSL 214.79, 0.71%, 0.33%

LAB 31.98, 10.33, -42.84

 

CMYK 84 / 5 / 0 / 71

HEX #0C4549

RGB 12 69 73

HSL 183.93, 0.72%, 0.17%

LAB 26.2, -15.84, -7.55

 

CMYK 83 / 5 / 0 / 58

HEX #12676C

RGB 18 103 108

HSL 183.33, 0.71%, 0.25%

LAB 39.43, -21.59, -9.71

 

CMYK 83 / 5 / 0 / 44

HEX #18888F

RGB 24 136 143

HSL 183.53, 0.71%, 0.33%

LAB 51.59, -26.43, -12.23

 

CMYK 83 / 5 / 0 / 30

HEX #1EAAB3

RGB 30 170 179

HSL 183.62, 0.71%, 0.41%

LAB 63.57, -31.2, -14.66

 

CMYK 83 / 5 / 0 / 16

HEX #24CCD6

RGB 36 204 214

HSL 183.37, 0.71%, 0.49%

LAB 75.09, -36.09, -16.51

 

CMYK 83 / 5 / 0 / 44

HEX #188990

RGB 24 137 144

HSL 183.5, 0.71%, 0.33%

LAB 51.95, -26.6, -12.27

 

CMYK 62 / 83 / 0 / 44

HEX #36188F

RGB 54 24 143

HSL 255.13, 0.71%, 0.33%

LAB 21.66, 45.32, -59.61

 

CMYK 0 / 29 / 83 / 44

HEX #8F6618

RGB 143 102 24

HSL 39.33, 0.71%, 0.33%

LAB 46.19, 9.42, 46.94

 

CMYK 83 / 5 / 0 / 44

HEX #188990

RGB 24 137 144

HSL 183.5, 0.71%, 0.33%

LAB 51.95, -26.6, -12.27

 

CMYK 0 / 83 / 4 / 44

HEX #8F1889

RGB 143 24 137

HSL 303.03, 0.71%, 0.33%

LAB 34.6, 58.95, -34.27

 

CMYK 4 / 0 / 83 / 44

HEX #898F18

RGB 137 143 24

HSL 63.03, 0.71%, 0.33%

LAB 57.1, -16.21, 56.26

 

CMYK 83 / 5 / 0 / 44

HEX #188990

RGB 24 137 144

HSL 183.5, 0.71%, 0.33%

LAB 51.95, -26.6, -12.27

 

CMYK 62 / 83 / 0 / 44

HEX #36188F

RGB 54 24 143

HSL 255.13, 0.71%, 0.33%

LAB 21.66, 45.32, -59.61

 

CMYK 0 / 79 / 83 / 44

HEX #8F1E18

RGB 143 30 24

HSL 3.03, 0.71%, 0.33%

LAB 31.43, 46.11, 33.27

 

CMYK 20 / 0 / 83 / 44

HEX #728F18

RGB 114 143 24

HSL 74.62, 0.71%, 0.33%

LAB 55.37, -26.31, 54.07

 

CMYK 83 / 5 / 0 / 44

HEX #188990

RGB 24 137 144

HSL 183.5, 0.71%, 0.33%

LAB 51.95, -26.6, -12.27

 

CMYK 37 / 83 / 0 / 44

HEX #5A188F

RGB 90 24 143

HSL 273.28, 0.71%, 0.33%

LAB 26.19, 50.21, -52

 

CMYK 0 / 79 / 83 / 44

HEX #8F1E18

RGB 143 30 24

HSL 3.03, 0.71%, 0.33%

LAB 31.43, 46.11, 33.27

 

CMYK 45 / 0 / 83 / 44

HEX #4E8F18

RGB 78 143 24

HSL 92.77, 0.71%, 0.33%

LAB 53.31, -40.28, 51.45

 

Description

Color code: HEX #188990 | qconv.com Color code: HEX #188990 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 137 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 137 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 5 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 5% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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