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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1839A3 it is the complementary color #E7C65C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1839A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1839A3 shade: #1D399E, #2E4BB1, #3F5DC4, #506FD7 and #6181EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1839A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1839A3 shade: #1839A3, #072790, #00157D, #00036A and #000057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1839A3 shade: #1839A4, #1D18A4, #4218A4, #6818A4 and #8E18A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1839A3 shade: #1839A4 and #1818A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1839A3 shade matches the following richer shades: #1839A4 and #0931B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1839A3 shade: #1839A4, #274194, #374985, #465176 and #555967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1839A3 shade: #1885A4, #1860A4, #183BA4, #1A18A4 and #4018A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1839A3 shade: #0D205C, #132D80, #1839A4, #1D46C8 and #2F59DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1839A3 shade: #1839A3, #9D18A4 and #73A418

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1839A3 shade: #1839A3, #A4183B and #3BA418

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1839A3 shade: #1839A3, #9D18A4, #A48118 and #1FA418

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1839A3 shade: #1839A3, #A41881, #A48118 and #18A43B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 65 / 0 / 36

HEX #1839A3

RGB 24 57 163

HSL 225.76, 0.74%, 0.37%

LAB 28.81, 30.01, -60.16

 

Complementary color

CMYK 0 / 14 / 60 / 9

HEX #E7C65C

RGB 231 198 92

HSL 45.76, 0.74%, 0.63%

LAB 80.82, -0.48, 56.27

 

CMYK 82 / 64 / 0 / 38

HEX #1D399E

RGB 29 57 158

HSL 226.98, 0.69%, 0.37%

LAB 28.53, 28.48, -57.59

 

CMYK 74 / 58 / 0 / 31

HEX #2E4BB1

RGB 46 75 177

HSL 226.72, 0.59%, 0.44%

LAB 35.57, 25.57, -57.45

 

CMYK 68 / 53 / 0 / 23

HEX #3F5DC4

RGB 63 93 196

HSL 226.47, 0.53%, 0.51%

LAB 42.57, 23.21, -57.2

 

CMYK 63 / 48 / 0 / 16

HEX #506FD7

RGB 80 111 215

HSL 226.22, 0.63%, 0.58%

LAB 49.47, 21.3, -56.92

 

CMYK 59 / 45 / 0 / 8

HEX #6181EA

RGB 97 129 234

HSL 225.99, 0.77%, 0.65%

LAB 56.27, 19.72, -56.66

 

CMYK 85 / 65 / 0 / 36

HEX #1839A3

RGB 24 57 163

HSL 225.76, 0.74%, 0.37%

LAB 28.81, 30.01, -60.16

 

CMYK 95 / 73 / 0 / 44

HEX #072790

RGB 7 39 144

HSL 225.99, 0.91%, 0.3%

LAB 21.98, 33.68, -59.79

 

CMYK 100 / 83 / 0 / 51

HEX #00157D

RGB 0 21 125

HSL 229.92, 1%, 0.25%

LAB 15.58, 37.38, -58.45

 

CMYK 100 / 97 / 0 / 58

HEX #00036A

RGB 0 3 106

HSL 238.3, 1%, 0.21%

LAB 9.84, 39.92, -55.69

 

CMYK 100 / 100 / 0 / 66

HEX #000057

RGB 0 0 87

HSL 240, 1%, 0.17%

LAB 6.22, 35.52, -49.01

 

CMYK 85 / 65 / 0 / 36

HEX #1839A4

RGB 24 57 164

HSL 225.86, 0.74%, 0.37%

LAB 28.9, 30.4, -60.61

 

CMYK 82 / 85 / 0 / 36

HEX #1D18A4

RGB 29 24 164

HSL 242.14, 0.74%, 0.37%

LAB 22.28, 49.77, -71.54

 

CMYK 60 / 85 / 0 / 36

HEX #4218A4

RGB 66 24 164

HSL 258, 0.74%, 0.37%

LAB 25.24, 52.45, -66.56

 

CMYK 37 / 85 / 0 / 36

HEX #6818A4

RGB 104 24 164

HSL 274.29, 0.74%, 0.37%

LAB 30.1, 57.16, -58.38

 

CMYK 13 / 85 / 0 / 36

HEX #8E18A4

RGB 142 24 164

HSL 290.57, 0.74%, 0.37%

LAB 36.15, 63.33, -48.28

 

CMYK 85 / 65 / 0 / 36

HEX #1839A4

RGB 24 57 164

HSL 225.86, 0.74%, 0.37%

LAB 28.9, 30.4, -60.61

 

CMYK 85 / 85 / 0 / 36

HEX #1818A4

RGB 24 24 164

HSL 240, 0.74%, 0.37%

LAB 22.04, 49.56, -71.95

 

CMYK 85 / 65 / 0 / 36

HEX #1839A4

RGB 24 57 164

HSL 225.86, 0.74%, 0.37%

LAB 28.9, 30.4, -60.61

 

CMYK 95 / 73 / 0 / 30

HEX #0931B3

RGB 9 49 179

HSL 225.88, 0.9%, 0.37%

LAB 28.14, 40.54, -70.88

 

CMYK 85 / 65 / 0 / 36

HEX #1839A4

RGB 24 57 164

HSL 225.86, 0.74%, 0.37%

LAB 28.9, 30.4, -60.61

 

CMYK 74 / 56 / 0 / 42

HEX #274194

RGB 39 65 148

HSL 225.69, 0.58%, 0.37%

LAB 30.28, 20.3, -48.62

 

CMYK 59 / 45 / 0 / 48

HEX #374985

RGB 55 73 133

HSL 226.15, 0.41%, 0.37%

LAB 32.42, 12.17, -35.92

 

CMYK 41 / 31 / 0 / 54

HEX #465176

RGB 70 81 118

HSL 226.25, 0.26%, 0.37%

LAB 34.99, 5.87, -22.49

 

CMYK 17 / 14 / 0 / 60

HEX #555967

RGB 85 89 103

HSL 226.67, 0.1%, 0.37%

LAB 37.94, 1.69, -8.56

 

CMYK 85 / 19 / 0 / 36

HEX #1885A4

RGB 24 133 164

HSL 193.29, 0.74%, 0.37%

LAB 51.44, -17.72, -24.66

 

CMYK 85 / 41 / 0 / 36

HEX #1860A4

RGB 24 96 164

HSL 209.14, 0.74%, 0.37%

LAB 39.98, 4.27, -42.66

 

CMYK 85 / 64 / 0 / 36

HEX #183BA4

RGB 24 59 164

HSL 225, 0.74%, 0.37%

LAB 29.42, 29.06, -59.76

 

CMYK 84 / 85 / 0 / 36

HEX #1A18A4

RGB 26 24 164

HSL 240.86, 0.74%, 0.37%

LAB 22.14, 49.64, -71.79

 

CMYK 61 / 85 / 0 / 36

HEX #4018A4

RGB 64 24 164

HSL 257.14, 0.74%, 0.37%

LAB 25.03, 52.26, -66.91

 

CMYK 86 / 65 / 0 / 64

HEX #0D205C

RGB 13 32 92

HSL 225.57, 0.75%, 0.21%

LAB 14.91, 17.71, -38

 

CMYK 85 / 65 / 0 / 50

HEX #132D80

RGB 19 45 128

HSL 225.69, 0.74%, 0.29%

LAB 22.21, 23.93, -49.39

 

CMYK 85 / 65 / 0 / 36

HEX #1839A4

RGB 24 57 164

HSL 225.86, 0.74%, 0.37%

LAB 28.9, 30.4, -60.61

 

CMYK 86 / 65 / 0 / 22

HEX #1D46C8

RGB 29 70 200

HSL 225.61, 0.75%, 0.45%

LAB 35.62, 35.92, -70.91

 

CMYK 79 / 60 / 0 / 13

HEX #2F59DF

RGB 47 89 223

HSL 225.68, 0.73%, 0.53%

LAB 42.88, 33.68, -72.23

 

CMYK 85 / 65 / 0 / 36

HEX #1839A3

RGB 24 57 163

HSL 225.76, 0.74%, 0.37%

LAB 28.81, 30.01, -60.16

 

CMYK 4 / 85 / 0 / 36

HEX #9D18A4

RGB 157 24 164

HSL 297, 0.74%, 0.37%

LAB 38.73, 66.05, -44

 

CMYK 30 / 0 / 85 / 36

HEX #73A418

RGB 115 164 24

HSL 81, 0.74%, 0.37%

LAB 61.88, -35.78, 59.79

 

CMYK 85 / 65 / 0 / 36

HEX #1839A3

RGB 24 57 163

HSL 225.76, 0.74%, 0.37%

LAB 28.81, 30.01, -60.16

 

CMYK 0 / 85 / 64 / 36

HEX #A4183B

RGB 164 24 59

HSL 345, 0.74%, 0.37%

LAB 35.72, 55.59, 17.63

 

CMYK 64 / 0 / 85 / 36

HEX #3BA418

RGB 59 164 24

HSL 105, 0.74%, 0.37%

LAB 59.48, -53.67, 56.75

 

CMYK 85 / 65 / 0 / 36

HEX #1839A3

RGB 24 57 163

HSL 225.76, 0.74%, 0.37%

LAB 28.81, 30.01, -60.16

 

CMYK 4 / 85 / 0 / 36

HEX #9D18A4

RGB 157 24 164

HSL 297, 0.74%, 0.37%

LAB 38.73, 66.05, -44

 

CMYK 0 / 21 / 85 / 36

HEX #A48118

RGB 164 129 24

HSL 45, 0.74%, 0.37%

LAB 55.74, 3.79, 56.11

 

CMYK 81 / 0 / 85 / 36

HEX #1FA418

RGB 31 164 24

HSL 117, 0.74%, 0.37%

LAB 58.89, -58.71, 56

 

CMYK 85 / 65 / 0 / 36

HEX #1839A3

RGB 24 57 163

HSL 225.76, 0.74%, 0.37%

LAB 28.81, 30.01, -60.16

 

CMYK 0 / 85 / 21 / 36

HEX #A41881

RGB 164 24 129

HSL 315, 0.74%, 0.37%

LAB 38.08, 62.31, -23.57

 

CMYK 0 / 21 / 85 / 36

HEX #A48118

RGB 164 129 24

HSL 45, 0.74%, 0.37%

LAB 55.74, 3.79, 56.11

 

CMYK 85 / 0 / 64 / 36

HEX #18A43B

RGB 24 164 59

HSL 135, 0.74%, 0.37%

LAB 59.03, -56.6, 43.55

 

Description

Color code: HEX #1839A3 | qconv.com Color code: HEX #1839A3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 57 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 57 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 65 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 65% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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