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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #183952 it is the complementary color #E7C6AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #183952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #183952 shade: #1D394D, #2E4B60, #3F5D73, #506F86 and #618199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #183952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #183952 shade: #183952, #07273F, #00152C, #000319 and #000006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #183952 shade: #183953, #182953, #181953, #261853 and #361853

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #183952 shade: #183953, #182953, #181953 and #181853

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #183952 shade matches the following richer shades: #183953, #0F3A5B and #063C64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #183952 shade: #183953, #20384A, #293741, #323639 and #3A3430

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #183952 shade: #18534C, #184A53, #183A53, #182A53 and #181B53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #183952 shade: #050D13, #0E2333, #183953, #214F72 and #2A6692

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #183952 shade: #183952, #3C1853 and #525318

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #183952 shade: #183952, #53183A and #3A5318

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #183952 shade: #183952, #3C1853, #533018 and #2E5318

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #183952 shade: #183952, #4E1853, #533018 and #1D5318

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 30 / 0 / 68

HEX #183952

RGB 24 57 82

HSL 205.86, 0.55%, 0.21%

LAB 22.76, -2.91, -18.74

 

Complementary color

CMYK 0 / 14 / 25 / 9

HEX #E7C6AD

RGB 231 198 173

HSL 25.86, 0.55%, 0.79%

LAB 82.05, 7.92, 16.85

 

CMYK 62 / 26 / 0 / 70

HEX #1D394D

RGB 29 57 77

HSL 205, 0.45%, 0.21%

LAB 22.73, -3.69, -15.44

 

CMYK 52 / 22 / 0 / 62

HEX #2E4B60

RGB 46 75 96

HSL 205.2, 0.35%, 0.28%

LAB 30.54, -4.27, -15.68

 

CMYK 45 / 19 / 0 / 55

HEX #3F5D73

RGB 63 93 115

HSL 205.38, 0.29%, 0.35%

LAB 38.06, -4.64, -15.93

 

CMYK 40 / 17 / 0 / 47

HEX #506F86

RGB 80 111 134

HSL 205.56, 0.25%, 0.42%

LAB 45.35, -4.9, -16.21

 

CMYK 37 / 16 / 0 / 40

HEX #618199

RGB 97 129 153

HSL 205.71, 0.22%, 0.49%

LAB 52.44, -5.1, -16.51

 

CMYK 71 / 30 / 0 / 68

HEX #183952

RGB 24 57 82

HSL 205.86, 0.55%, 0.21%

LAB 22.76, -2.91, -18.74

 

CMYK 89 / 38 / 0 / 75

HEX #07273F

RGB 7 39 63

HSL 205.71, 0.8%, 0.14%

LAB 14.71, -1.34, -18.53

 

CMYK 100 / 52 / 0 / 83

HEX #00152C

RGB 0 21 44

HSL 211.36, 1%, 0.09%

LAB 6.49, 1.65, -17.95

 

CMYK 100 / 88 / 0 / 90

HEX #000319

RGB 0 3 25

HSL 232.8, 1%, 0.05%

LAB 1.22, 3.25, -11.26

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 71 / 31 / 0 / 67

HEX #183953

RGB 24 57 83

HSL 206.44, 0.55%, 0.21%

LAB 22.81, -2.52, -19.32

 

CMYK 71 / 51 / 0 / 67

HEX #182953

RGB 24 41 83

HSL 222.71, 0.55%, 0.21%

LAB 17.48, 8.83, -27.76

 

CMYK 71 / 70 / 0 / 67

HEX #181953

RGB 24 25 83

HSL 238.98, 0.55%, 0.21%

LAB 12.7, 20.63, -35.51

 

CMYK 54 / 71 / 0 / 67

HEX #261853

RGB 38 24 83

HSL 254.24, 0.55%, 0.21%

LAB 13.77, 24.01, -33.71

 

CMYK 35 / 71 / 0 / 67

HEX #361853

RGB 54 24 83

HSL 270.51, 0.55%, 0.21%

LAB 15.81, 27.79, -30.3

 

CMYK 71 / 31 / 0 / 67

HEX #183953

RGB 24 57 83

HSL 206.44, 0.55%, 0.21%

LAB 22.81, -2.52, -19.32

 

CMYK 71 / 51 / 0 / 67

HEX #182953

RGB 24 41 83

HSL 222.71, 0.55%, 0.21%

LAB 17.48, 8.83, -27.76

 

CMYK 71 / 70 / 0 / 67

HEX #181953

RGB 24 25 83

HSL 238.98, 0.55%, 0.21%

LAB 12.7, 20.63, -35.51

 

CMYK 71 / 71 / 0 / 67

HEX #181853

RGB 24 24 83

HSL 240, 0.55%, 0.21%

LAB 12.43, 21.34, -35.95

 

CMYK 71 / 31 / 0 / 67

HEX #183953

RGB 24 57 83

HSL 206.44, 0.55%, 0.21%

LAB 22.81, -2.52, -19.32

 

CMYK 84 / 36 / 0 / 64

HEX #0F3A5B

RGB 15 58 91

HSL 206.05, 0.72%, 0.21%

LAB 23.28, -1.42, -23.87

 

CMYK 94 / 40 / 0 / 61

HEX #063C64

RGB 6 60 100

HSL 205.53, 0.89%, 0.21%

LAB 24.29, 0.12, -28.14

 

CMYK 71 / 31 / 0 / 67

HEX #183953

RGB 24 57 83

HSL 206.44, 0.55%, 0.21%

LAB 22.81, -2.52, -19.32

 

CMYK 57 / 24 / 0 / 71

HEX #20384A

RGB 32 56 74

HSL 205.71, 0.4%, 0.21%

LAB 22.41, -3.33, -13.93

 

CMYK 37 / 15 / 0 / 75

HEX #293741

RGB 41 55 65

HSL 205, 0.23%, 0.21%

LAB 22.25, -2.84, -8.08

 

CMYK 12 / 5 / 0 / 78

HEX #323639

RGB 50 54 57

HSL 205.71, 0.07%, 0.21%

LAB 22.34, -0.97, -2.47

HEX #323639

CMYK 0 / 10 / 17 / 77

HEX #3A3430

RGB 58 52 48

HSL 24, 0.09%, 0.21%

LAB 22.19, 1.83, 3.49

HEX #3A3430

CMYK 71 / 0 / 8 / 67

HEX #18534C

RGB 24 83 76

HSL 172.88, 0.55%, 0.21%

LAB 31.58, -20.62, -1.44

 

CMYK 71 / 11 / 0 / 67

HEX #184A53

RGB 24 74 83

HSL 189.15, 0.55%, 0.21%

LAB 28.69, -13.26, -10.26

 

CMYK 71 / 30 / 0 / 67

HEX #183A53

RGB 24 58 83

HSL 205.42, 0.55%, 0.21%

LAB 23.15, -3.19, -18.78

 

CMYK 71 / 49 / 0 / 67

HEX #182A53

RGB 24 42 83

HSL 221.69, 0.55%, 0.21%

LAB 17.8, 8.09, -27.25

 

CMYK 71 / 67 / 0 / 67

HEX #181B53

RGB 24 27 83

HSL 236.95, 0.55%, 0.21%

LAB 13.25, 19.19, -34.62

 

CMYK 74 / 32 / 0 / 93

HEX #050D13

RGB 5 13 19

HSL 205.71, 0.58%, 0.05%

LAB 3.32, -1.02, -3.86

 

CMYK 73 / 31 / 0 / 80

HEX #0E2333

RGB 14 35 51

HSL 205.95, 0.57%, 0.13%

LAB 12.83, -2.28, -13

 

CMYK 71 / 31 / 0 / 67

HEX #183953

RGB 24 57 83

HSL 206.44, 0.55%, 0.21%

LAB 22.81, -2.52, -19.32

 

CMYK 71 / 31 / 0 / 55

HEX #214F72

RGB 33 79 114

HSL 205.93, 0.55%, 0.29%

LAB 32.1, -3.28, -24.67

 

CMYK 71 / 30 / 0 / 43

HEX #2A6692

RGB 42 102 146

HSL 205.38, 0.55%, 0.37%

LAB 41.33, -4.22, -29.76

 

CMYK 71 / 30 / 0 / 68

HEX #183952

RGB 24 57 82

HSL 205.86, 0.55%, 0.21%

LAB 22.76, -2.91, -18.74

 

CMYK 28 / 71 / 0 / 67

HEX #3C1853

RGB 60 24 83

HSL 276.61, 0.55%, 0.21%

LAB 16.69, 29.32, -28.84

 

CMYK 1 / 0 / 71 / 67

HEX #525318

RGB 82 83 24

HSL 61.02, 0.55%, 0.21%

LAB 34.08, -8.93, 33.03

 

CMYK 71 / 30 / 0 / 68

HEX #183952

RGB 24 57 82

HSL 205.86, 0.55%, 0.21%

LAB 22.76, -2.91, -18.74

 

CMYK 0 / 71 / 30 / 67

HEX #53183A

RGB 83 24 58

HSL 325.42, 0.55%, 0.21%

LAB 19.22, 31.18, -7.38

 

CMYK 30 / 0 / 71 / 67

HEX #3A5318

RGB 58 83 24

HSL 85.42, 0.55%, 0.21%

LAB 32.15, -20.16, 30.42

 

CMYK 71 / 30 / 0 / 68

HEX #183952

RGB 24 57 82

HSL 205.86, 0.55%, 0.21%

LAB 22.76, -2.91, -18.74

 

CMYK 28 / 71 / 0 / 67

HEX #3C1853

RGB 60 24 83

HSL 276.61, 0.55%, 0.21%

LAB 16.69, 29.32, -28.84

 

CMYK 0 / 42 / 71 / 67

HEX #533018

RGB 83 48 24

HSL 24.41, 0.55%, 0.21%

LAB 23.73, 13.41, 21.79

 

CMYK 45 / 0 / 71 / 67

HEX #2E5318

RGB 46 83 24

HSL 97.63, 0.55%, 0.21%

LAB 31.42, -25.09, 29.42

 

CMYK 71 / 30 / 0 / 68

HEX #183952

RGB 24 57 82

HSL 205.86, 0.55%, 0.21%

LAB 22.76, -2.91, -18.74

 

CMYK 6 / 71 / 0 / 67

HEX #4E1853

RGB 78 24 83

HSL 294.92, 0.55%, 0.21%

LAB 19.63, 34.15, -23.97

 

CMYK 0 / 42 / 71 / 67

HEX #533018

RGB 83 48 24

HSL 24.41, 0.55%, 0.21%

LAB 23.73, 13.41, 21.79

 

CMYK 65 / 0 / 71 / 67

HEX #1D5318

RGB 29 83 24

HSL 114.92, 0.55%, 0.21%

LAB 30.67, -30.74, 28.39

 

Description

Color code: HEX #183952 | qconv.com Color code: HEX #183952 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 57 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 57 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 30 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 30% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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