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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18383D it is the complementary color #E7C7C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18383D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18383D shade: #1D3838, #2E4A4B, #3F5C5E, #506E71 and #618084

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18383D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18383D shade: #18383D, #07262A, #001417 and #000204

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18383D shade: #18393E, #182E3E, #18243E, #181A3E and #20183E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18383D shade: #18393E, #182E3E, #18243E, #181A3E and #18183E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18383D shade matches the following richer shades: #18393E, #113E45, #0A434C and #034853

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18383D shade: #18393E, #1F3437, #262F30, #2D2929 and #342422

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18383D shade: #183E2F, #183E39, #18393E, #182F3E and #18243E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18383D shade: #010203, #0C1E20, #18393E, #23545C and #2F6F79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18383D shade: #18383D, #24183E and #3E3418

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18383D shade: #18383D, #3E1839 and #393E18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18383D shade: #18383D, #24183E, #3E1D18 and #313E18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18383D shade: #18383D, #30183E, #3E1D18 and #263E18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 8 / 0 / 76

HEX #18383D

RGB 24 56 61

HSL 188.11, 0.44%, 0.17%

LAB 21.43, -10.04, -6.72

 

Complementary color

CMYK 0 / 14 / 16 / 9

HEX #E7C7C2

RGB 231 199 194

HSL 8.11, 0.44%, 0.83%

LAB 82.77, 10.49, 6.66

 

CMYK 48 / 0 / 0 / 78

HEX #1D3838

RGB 29 56 56

HSL 180, 0.32%, 0.17%

LAB 21.49, -10.26, -3.23

 

CMYK 39 / 1 / 0 / 71

HEX #2E4A4B

RGB 46 74 75

HSL 182.07, 0.24%, 0.24%

LAB 29.38, -10.2, -3.95

 

CMYK 33 / 2 / 0 / 63

HEX #3F5C5E

RGB 63 92 94

HSL 183.87, 0.2%, 0.31%

LAB 36.97, -10.12, -4.6

 

CMYK 29 / 3 / 0 / 56

HEX #506E71

RGB 80 110 113

HSL 185.45, 0.17%, 0.38%

LAB 44.3, -10.04, -5.2

 

CMYK 27 / 3 / 0 / 48

HEX #618084

RGB 97 128 132

HSL 186.86, 0.15%, 0.45%

LAB 51.43, -9.98, -5.77

 

CMYK 61 / 8 / 0 / 76

HEX #18383D

RGB 24 56 61

HSL 188.11, 0.44%, 0.17%

LAB 21.43, -10.04, -6.72

 

CMYK 83 / 10 / 0 / 84

HEX #07262A

RGB 7 38 42

HSL 186.86, 0.71%, 0.1%

LAB 13.22, -9.57, -5.97

 

CMYK 100 / 13 / 0 / 91

HEX #001417

RGB 0 20 23

HSL 187.83, 1%, 0.05%

LAB 5.08, -5.31, -4.09

 

CMYK 100 / 50 / 0 / 98

HEX #000204

RGB 0 2 4

HSL 210, 1%, 0.01%

LAB 0.47, -0.24, -0.94

 

CMYK 61 / 8 / 0 / 76

HEX #18393E

RGB 24 57 62

HSL 187.89, 0.44%, 0.17%

LAB 21.83, -10.32, -6.8

 

CMYK 61 / 26 / 0 / 76

HEX #182E3E

RGB 24 46 62

HSL 205.26, 0.44%, 0.17%

LAB 17.9, -3.13, -12.8

 

CMYK 61 / 42 / 0 / 76

HEX #18243E

RGB 24 36 62

HSL 221.05, 0.44%, 0.17%

LAB 14.42, 4.02, -18.23

 

CMYK 61 / 58 / 0 / 76

HEX #181A3E

RGB 24 26 62

HSL 236.84, 0.44%, 0.17%

LAB 11.14, 11.57, -23.46

 

CMYK 48 / 61 / 0 / 76

HEX #20183E

RGB 32 24 62

HSL 252.63, 0.44%, 0.17%

LAB 11.33, 15.26, -23.11

 

CMYK 61 / 8 / 0 / 76

HEX #18393E

RGB 24 57 62

HSL 187.89, 0.44%, 0.17%

LAB 21.83, -10.32, -6.8

 

CMYK 61 / 26 / 0 / 76

HEX #182E3E

RGB 24 46 62

HSL 205.26, 0.44%, 0.17%

LAB 17.9, -3.13, -12.8

 

CMYK 61 / 42 / 0 / 76

HEX #18243E

RGB 24 36 62

HSL 221.05, 0.44%, 0.17%

LAB 14.42, 4.02, -18.23

 

CMYK 61 / 58 / 0 / 76

HEX #181A3E

RGB 24 26 62

HSL 236.84, 0.44%, 0.17%

LAB 11.14, 11.57, -23.46

 

CMYK 61 / 61 / 0 / 76

HEX #18183E

RGB 24 24 62

HSL 240, 0.44%, 0.17%

LAB 10.52, 13.09, -24.46

 

CMYK 61 / 8 / 0 / 76

HEX #18393E

RGB 24 57 62

HSL 187.89, 0.44%, 0.17%

LAB 21.83, -10.32, -6.8

 

CMYK 75 / 10 / 0 / 73

HEX #113E45

RGB 17 62 69

HSL 188.08, 0.6%, 0.17%

LAB 23.65, -12.41, -8.75

 

CMYK 87 / 12 / 0 / 70

HEX #0A434C

RGB 10 67 76

HSL 188.18, 0.77%, 0.17%

LAB 25.57, -13.82, -10.48

 

CMYK 96 / 13 / 0 / 67

HEX #034853

RGB 3 72 83

HSL 188.25, 0.93%, 0.17%

LAB 27.51, -14.87, -12.08

 

CMYK 61 / 8 / 0 / 76

HEX #18393E

RGB 24 57 62

HSL 187.89, 0.44%, 0.17%

LAB 21.83, -10.32, -6.8

 

CMYK 44 / 5 / 0 / 78

HEX #1F3437

RGB 31 52 55

HSL 187.5, 0.28%, 0.17%

LAB 20.14, -7.41, -4.55

 

CMYK 21 / 2 / 0 / 81

HEX #262F30

RGB 38 47 48

HSL 186, 0.12%, 0.17%

LAB 18.62, -3.58, -1.94

 

CMYK 0 / 9 / 9 / 82

HEX #2D2929

RGB 45 41 41

HSL 0, 0.05%, 0.17%

LAB 17.01, 1.83, 0.66

 

CMYK 0 / 31 / 35 / 80

HEX #342422

RGB 52 36 34

HSL 6.67, 0.21%, 0.17%

LAB 16.04, 7.26, 4.32

 

CMYK 61 / 0 / 24 / 76

HEX #183E2F

RGB 24 62 47

HSL 156.32, 0.44%, 0.17%

LAB 23.15, -17.86, 5.19

 

CMYK 61 / 0 / 8 / 76

HEX #183E39

RGB 24 62 57

HSL 172.11, 0.44%, 0.17%

LAB 23.45, -14.95, -1.02

 

CMYK 61 / 8 / 0 / 76

HEX #18393E

RGB 24 57 62

HSL 187.89, 0.44%, 0.17%

LAB 21.83, -10.32, -6.8

 

CMYK 61 / 24 / 0 / 76

HEX #182F3E

RGB 24 47 62

HSL 203.68, 0.44%, 0.17%

LAB 18.25, -3.81, -12.25

 

CMYK 61 / 42 / 0 / 76

HEX #18243E

RGB 24 36 62

HSL 221.05, 0.44%, 0.17%

LAB 14.42, 4.02, -18.23

 

CMYK 67 / 33 / 0 / 99

HEX #010203

RGB 1 2 3

HSL 210, 0.5%, 0.01%

LAB 0.51, -0.12, -0.47

 

CMYK 63 / 6 / 0 / 87

HEX #0C1E20

RGB 12 30 32

HSL 186, 0.45%, 0.09%

LAB 9.88, -6.71, -3.68

 

CMYK 61 / 8 / 0 / 76

HEX #18393E

RGB 24 57 62

HSL 187.89, 0.44%, 0.17%

LAB 21.83, -10.32, -6.8

 

CMYK 62 / 9 / 0 / 64

HEX #23545C

RGB 35 84 92

HSL 188.42, 0.45%, 0.25%

LAB 32.86, -13.79, -9.65

 

CMYK 61 / 8 / 0 / 53

HEX #2F6F79

RGB 47 111 121

HSL 188.11, 0.44%, 0.33%

LAB 43.29, -17.13, -11.7

 

CMYK 61 / 8 / 0 / 76

HEX #18383D

RGB 24 56 61

HSL 188.11, 0.44%, 0.17%

LAB 21.43, -10.04, -6.72

 

CMYK 42 / 61 / 0 / 76

HEX #24183E

RGB 36 24 62

HSL 258.95, 0.44%, 0.17%

LAB 11.8, 16.44, -22.34

 

CMYK 0 / 16 / 61 / 76

HEX #3E3418

RGB 62 52 24

HSL 44.21, 0.44%, 0.17%

LAB 22.11, 0.15, 19.18

 

CMYK 61 / 8 / 0 / 76

HEX #18383D

RGB 24 56 61

HSL 188.11, 0.44%, 0.17%

LAB 21.43, -10.04, -6.72

 

CMYK 0 / 61 / 8 / 76

HEX #3E1839

RGB 62 24 57

HSL 307.89, 0.44%, 0.17%

LAB 15.34, 23.82, -12.94

 

CMYK 8 / 0 / 61 / 76

HEX #393E18

RGB 57 62 24

HSL 67.89, 0.44%, 0.17%

LAB 24.89, -8.74, 22.33

 

CMYK 61 / 8 / 0 / 76

HEX #18383D

RGB 24 56 61

HSL 188.11, 0.44%, 0.17%

LAB 21.43, -10.04, -6.72

 

CMYK 42 / 61 / 0 / 76

HEX #24183E

RGB 36 24 62

HSL 258.95, 0.44%, 0.17%

LAB 11.8, 16.44, -22.34

 

CMYK 0 / 53 / 61 / 76

HEX #3E1D18

RGB 62 29 24

HSL 7.89, 0.44%, 0.17%

LAB 15.32, 15.47, 10.67

 

CMYK 21 / 0 / 61 / 76

HEX #313E18

RGB 49 62 24

HSL 80.53, 0.44%, 0.17%

LAB 24.21, -12.63, 21.36

 

CMYK 61 / 8 / 0 / 76

HEX #18383D

RGB 24 56 61

HSL 188.11, 0.44%, 0.17%

LAB 21.43, -10.04, -6.72

 

CMYK 23 / 61 / 0 / 76

HEX #30183E

RGB 48 24 62

HSL 277.89, 0.44%, 0.17%

LAB 13.41, 20.23, -19.68

 

CMYK 0 / 53 / 61 / 76

HEX #3E1D18

RGB 62 29 24

HSL 7.89, 0.44%, 0.17%

LAB 15.32, 15.47, 10.67

 

CMYK 39 / 0 / 61 / 76

HEX #263E18

RGB 38 62 24

HSL 97.89, 0.44%, 0.17%

LAB 23.42, -17.58, 20.23

 

Description

Color code: HEX #18383D | qconv.com Color code: HEX #18383D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 56 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 56 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 8 magenta, none yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 8% 0% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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