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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #179CC8 it is the complementary color #E86337. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #179CC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #179CC8 shade: #1C9CC3, #2DAED6, #3EC0E9, #4FD2FC and #60E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #179CC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #179CC8 shade: #179CC8, #068AB5, #0078A2, #00668F and #00547C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #179CC8 shade: #179CC8, #176CC8, #173DC8, #2117C8 and #5117C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #179CC8 shade: #179CC8, #176CC8, #173DC8 and #1717C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #179CC8 shade matches the following richer shades: #179CC8 and #05A5DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #179CC8 shade: #179CC8, #2993B6, #3B8AA4, #4E8192 and #607880

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #179CC8 shade: #17C893, #17C8C2, #179FC8, #1770C8 and #1740C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #179CC8 shade: #0E637E, #137FA3, #179CC8, #24B5E5 and #49C1E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #179CC8 shade: #179CC8, #6417C8 and #C8AB17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #179CC8 shade: #179CC8, #C8179F and #9FC817

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #179CC8 shade: #179CC8, #6417C8, #C84017 and #7CC817

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #179CC8 shade: #179CC8, #9917C8, #C84017 and #46C817

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 22 / 0 / 22

HEX #179CC8

RGB 23 156 200

HSL 194.92, 0.79%, 0.44%

LAB 60.01, -17.54, -31.9

 

Complementary color

CMYK 0 / 57 / 76 / 9

HEX #E86337

RGB 232 99 55

HSL 14.92, 0.79%, 0.56%

LAB 58.37, 49.15, 49.36

 

CMYK 86 / 20 / 0 / 24

HEX #1C9CC3

RGB 28 156 195

HSL 194.01, 0.75%, 0.44%

LAB 59.86, -18.96, -29.32

 

CMYK 79 / 19 / 0 / 16

HEX #2DAED6

RGB 45 174 214

HSL 194.2, 0.67%, 0.51%

LAB 66.28, -20.55, -29.94

 

CMYK 73 / 18 / 0 / 9

HEX #3EC0E9

RGB 62 192 233

HSL 194.39, 0.8%, 0.58%

LAB 72.63, -21.8, -30.49

 

CMYK 69 / 17 / 0 / 1

HEX #4FD2FC

RGB 79 210 252

HSL 194.57, 0.97%, 0.65%

LAB 78.92, -22.8, -30.99

 

CMYK 62 / 11 / 0 / 0

HEX #60E4FF

RGB 96 228 255

HSL 190.19, 1%, 0.69%

LAB 84.58, -28.27, -23.87

 

CMYK 89 / 22 / 0 / 22

HEX #179CC8

RGB 23 156 200

HSL 194.92, 0.79%, 0.44%

LAB 60.01, -17.54, -31.9

 

CMYK 97 / 24 / 0 / 29

HEX #068AB5

RGB 6 138 181

HSL 194.74, 0.94%, 0.37%

LAB 53.55, -15.31, -31.19

 

CMYK 100 / 26 / 0 / 36

HEX #0078A2

RGB 0 120 162

HSL 195.56, 1%, 0.32%

LAB 47.03, -12.5, -30.37

 

CMYK 100 / 29 / 0 / 44

HEX #00668F

RGB 0 102 143

HSL 197.2, 1%, 0.28%

LAB 40.39, -9.32, -29.5

 

CMYK 100 / 32 / 0 / 51

HEX #00547C

RGB 0 84 124

HSL 199.35, 1%, 0.24%

LAB 33.55, -5.94, -28.66

 

CMYK 89 / 22 / 0 / 22

HEX #179CC8

RGB 23 156 200

HSL 194.92, 0.79%, 0.44%

LAB 60.01, -17.54, -31.9

 

CMYK 89 / 46 / 0 / 22

HEX #176CC8

RGB 23 108 200

HSL 211.19, 0.79%, 0.44%

LAB 45.74, 10.77, -54.46

 

CMYK 89 / 70 / 0 / 22

HEX #173DC8

RGB 23 61 200

HSL 227.12, 0.79%, 0.44%

LAB 33.33, 41.29, -74.69

 

CMYK 84 / 89 / 0 / 22

HEX #2117C8

RGB 33 23 200

HSL 243.39, 0.79%, 0.44%

LAB 27.04, 60.79, -85.11

 

CMYK 60 / 89 / 0 / 22

HEX #5117C8

RGB 81 23 200

HSL 259.66, 0.79%, 0.44%

LAB 30.72, 63.47, -78.89

 

CMYK 89 / 22 / 0 / 22

HEX #179CC8

RGB 23 156 200

HSL 194.92, 0.79%, 0.44%

LAB 60.01, -17.54, -31.9

 

CMYK 89 / 46 / 0 / 22

HEX #176CC8

RGB 23 108 200

HSL 211.19, 0.79%, 0.44%

LAB 45.74, 10.77, -54.46

 

CMYK 89 / 70 / 0 / 22

HEX #173DC8

RGB 23 61 200

HSL 227.12, 0.79%, 0.44%

LAB 33.33, 41.29, -74.69

 

CMYK 89 / 89 / 0 / 22

HEX #1717C8

RGB 23 23 200

HSL 240, 0.79%, 0.44%

LAB 26.64, 60.52, -85.79

 

CMYK 89 / 22 / 0 / 22

HEX #179CC8

RGB 23 156 200

HSL 194.92, 0.79%, 0.44%

LAB 60.01, -17.54, -31.9

 

CMYK 98 / 24 / 0 / 15

HEX #05A5DA

RGB 5 165 218

HSL 194.93, 0.96%, 0.44%

LAB 63.35, -16.72, -36.73

 

CMYK 89 / 22 / 0 / 22

HEX #179CC8

RGB 23 156 200

HSL 194.92, 0.79%, 0.44%

LAB 60.01, -17.54, -31.9

 

CMYK 77 / 19 / 0 / 29

HEX #2993B6

RGB 41 147 182

HSL 194.89, 0.63%, 0.44%

LAB 56.8, -17.43, -26.68

 

CMYK 64 / 16 / 0 / 36

HEX #3B8AA4

RGB 59 138 164

HSL 194.86, 0.47%, 0.44%

LAB 53.8, -15.91, -20.96

 

CMYK 47 / 12 / 0 / 43

HEX #4E8192

RGB 78 129 146

HSL 195, 0.3%, 0.44%

LAB 51.15, -12.31, -14.49

 

CMYK 25 / 6 / 0 / 50

HEX #607880

RGB 96 120 128

HSL 195, 0.14%, 0.44%

LAB 48.86, -6.76, -7.26

 

CMYK 89 / 0 / 27 / 22

HEX #17C893

RGB 23 200 147

HSL 162.03, 0.79%, 0.44%

LAB 71.96, -53.42, 15.13

 

CMYK 89 / 0 / 3 / 22

HEX #17C8C2

RGB 23 200 194

HSL 177.97, 0.79%, 0.44%

LAB 73.15, -41.02, -8.59

 

CMYK 89 / 21 / 0 / 22

HEX #179FC8

RGB 23 159 200

HSL 193.9, 0.79%, 0.44%

LAB 60.91, -19.15, -30.49

 

CMYK 89 / 44 / 0 / 22

HEX #1770C8

RGB 23 112 200

HSL 209.83, 0.79%, 0.44%

LAB 46.9, 8.23, -52.6

 

CMYK 89 / 68 / 0 / 22

HEX #1740C8

RGB 23 64 200

HSL 226.1, 0.79%, 0.44%

LAB 34.02, 39.41, -73.54

 

CMYK 89 / 21 / 0 / 51

HEX #0E637E

RGB 14 99 126

HSL 194.46, 0.8%, 0.27%

LAB 38.77, -13.27, -21.73

 

CMYK 88 / 22 / 0 / 36

HEX #137FA3

RGB 19 127 163

HSL 195, 0.79%, 0.36%

LAB 49.45, -15.14, -27.17

 

CMYK 89 / 22 / 0 / 22

HEX #179CC8

RGB 23 156 200

HSL 194.92, 0.79%, 0.44%

LAB 60.01, -17.54, -31.9

 

CMYK 84 / 21 / 0 / 10

HEX #24B5E5

RGB 36 181 229

HSL 194.92, 0.79%, 0.52%

LAB 68.81, -19.93, -34.26

 

CMYK 69 / 17 / 0 / 9

HEX #49C1E9

RGB 73 193 233

HSL 195, 0.78%, 0.6%

LAB 73.18, -20.88, -29.62

 

CMYK 89 / 22 / 0 / 22

HEX #179CC8

RGB 23 156 200

HSL 194.92, 0.79%, 0.44%

LAB 60.01, -17.54, -31.9

 

CMYK 50 / 89 / 0 / 22

HEX #6417C8

RGB 100 23 200

HSL 266.1, 0.79%, 0.44%

LAB 32.9, 65.22, -75.21

 

CMYK 0 / 15 / 89 / 22

HEX #C8AB17

RGB 200 171 23

HSL 50.17, 0.79%, 0.44%

LAB 70.5, -2.78, 69.86

 

CMYK 89 / 22 / 0 / 22

HEX #179CC8

RGB 23 156 200

HSL 194.92, 0.79%, 0.44%

LAB 60.01, -17.54, -31.9

 

CMYK 0 / 89 / 21 / 22

HEX #C8179F

RGB 200 23 159

HSL 313.9, 0.79%, 0.44%

LAB 46.17, 73.9, -28.72

 

CMYK 21 / 0 / 89 / 22

HEX #9FC817

RGB 159 200 23

HSL 73.9, 0.79%, 0.44%

LAB 75.29, -34.74, 72.36

 

CMYK 89 / 22 / 0 / 22

HEX #179CC8

RGB 23 156 200

HSL 194.92, 0.79%, 0.44%

LAB 60.01, -17.54, -31.9

 

CMYK 50 / 89 / 0 / 22

HEX #6417C8

RGB 100 23 200

HSL 266.1, 0.79%, 0.44%

LAB 32.9, 65.22, -75.21

 

CMYK 0 / 68 / 89 / 22

HEX #C84017

RGB 200 64 23

HSL 13.9, 0.79%, 0.44%

LAB 46.99, 52.28, 51.45

 

CMYK 38 / 0 / 89 / 22

HEX #7CC817

RGB 124 200 23

HSL 85.76, 0.79%, 0.44%

LAB 73.32, -47.93, 69.93

 

CMYK 89 / 22 / 0 / 22

HEX #179CC8

RGB 23 156 200

HSL 194.92, 0.79%, 0.44%

LAB 60.01, -17.54, -31.9

 

CMYK 24 / 89 / 0 / 22

HEX #9917C8

RGB 153 23 200

HSL 284.07, 0.79%, 0.44%

LAB 40.5, 71.92, -62.46

 

CMYK 0 / 68 / 89 / 22

HEX #C84017

RGB 200 64 23

HSL 13.9, 0.79%, 0.44%

LAB 46.99, 52.28, 51.45

 

CMYK 65 / 0 / 89 / 22

HEX #46C817

RGB 70 200 23

HSL 104.07, 0.79%, 0.44%

LAB 71.33, -63.35, 67.45

 

Description

Color code: HEX #179CC8 | qconv.com Color code: HEX #179CC8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 156 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 156 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 22 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 22% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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