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Color name
HEX #179122

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #179122 it is the complementary color #E86EDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #179122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #179122 shade: #1C911D, #2DA330, #3EB543, #4FC756 and #60D969

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #179122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #179122 shade: #179122, #067F0F, #006D00, #005B00 and #004900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #179122 shade: #169121, #2C9116, #4D9116, #6F9116 and #909116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #179122 shade: #169121, #169142, #169164, #169185 and #167C91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #179122 shade matches the following richer shades: #169121 and #099F16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #179122 shade: #169121, #24832C, #317638, #3F6843 and #4D5B4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #179122 shade: #4E9116, #2D9116, #169120, #169141 and #169162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #179122 shade: #0B4A11, #116D19, #169121, #1CB52A and #21D832

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #179122 shade: #179122, #166E91 and #91163D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #179122 shade: #179122, #201691 and #912016

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #179122 shade: #179122, #166E91, #911687 and #913916

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #179122 shade: #179122, #164991, #911687 and #915E16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 77 / 43

HEX #179122

RGB 23 145 34

HSL 125.41, 0.73%, 0.33%

LAB 52.45, -53.12, 46.82

 

Complementary color

CMYK 0 / 53 / 5 / 9

HEX #E86EDD

RGB 232 110 221

HSL 305.41, 0.73%, 0.67%

LAB 64.59, 61.34, -35.42

 

CMYK 81 / 0 / 80 / 43

HEX #1C911D

RGB 28 145 29

HSL 120.51, 0.68%, 0.34%

LAB 52.49, -52.86, 48.61

 

CMYK 72 / 0 / 71 / 36

HEX #2DA330

RGB 45 163 48

HSL 121.53, 0.57%, 0.41%

LAB 58.94, -54.56, 48.24

 

CMYK 66 / 0 / 63 / 29

HEX #3EB543

RGB 62 181 67

HSL 122.52, 0.49%, 0.48%

LAB 65.34, -55.59, 47.27

 

CMYK 60 / 0 / 57 / 22

HEX #4FC756

RGB 79 199 86

HSL 123.5, 0.52%, 0.55%

LAB 71.68, -56.17, 46.06

 

CMYK 56 / 0 / 52 / 15

HEX #60D969

RGB 96 217 105

HSL 124.46, 0.61%, 0.61%

LAB 77.95, -56.46, 44.76

 

CMYK 84 / 0 / 77 / 43

HEX #179122

RGB 23 145 34

HSL 125.41, 0.73%, 0.33%

LAB 52.45, -53.12, 46.82

 

CMYK 95 / 0 / 88 / 50

HEX #067F0F

RGB 6 127 15

HSL 124.46, 0.91%, 0.26%

LAB 45.98, -50.32, 46.54

 

CMYK 100 / 0 / 100 / 57

HEX #006D00

RGB 0 109 0

HSL 120, 1%, 0.21%

LAB 39.47, -46.09, 44.48

 

CMYK 100 / 0 / 100 / 64

HEX #005B00

RGB 0 91 0

HSL 120, 1%, 0.18%

LAB 32.88, -40.61, 39.19

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 85 / 0 / 77 / 43

HEX #169121

RGB 22 145 33

HSL 125.37, 0.74%, 0.33%

LAB 52.43, -53.31, 47.16

 

CMYK 70 / 0 / 85 / 43

HEX #2C9116

RGB 44 145 22

HSL 109.27, 0.74%, 0.33%

LAB 52.78, -50.54, 51.08

 

CMYK 47 / 0 / 85 / 43

HEX #4D9116

RGB 77 145 22

HSL 93.17, 0.74%, 0.33%

LAB 53.91, -41.54, 52.52

 

CMYK 23 / 0 / 85 / 43

HEX #6F9116

RGB 111 145 22

HSL 76.59, 0.74%, 0.33%

LAB 55.77, -28.62, 54.89

 

CMYK 1 / 0 / 85 / 43

HEX #909116

RGB 144 145 22

HSL 60.49, 0.74%, 0.33%

LAB 58.26, -14.17, 58

 

CMYK 85 / 0 / 77 / 43

HEX #169121

RGB 22 145 33

HSL 125.37, 0.74%, 0.33%

LAB 52.43, -53.31, 47.16

 

CMYK 85 / 0 / 54 / 43

HEX #169142

RGB 22 145 66

HSL 141.46, 0.74%, 0.33%

LAB 52.75, -49.45, 32.82

 

CMYK 85 / 0 / 31 / 43

HEX #169164

RGB 22 145 100

HSL 158.05, 0.74%, 0.33%

LAB 53.32, -42.8, 15.08

 

CMYK 85 / 0 / 8 / 43

HEX #169185

RGB 22 145 133

HSL 174.15, 0.74%, 0.33%

LAB 54.15, -34.04, -2.63

 

CMYK 85 / 14 / 0 / 43

HEX #167C91

RGB 22 124 145

HSL 190.24, 0.74%, 0.33%

LAB 47.79, -19.68, -19.18

 

CMYK 85 / 0 / 77 / 43

HEX #169121

RGB 22 145 33

HSL 125.37, 0.74%, 0.33%

LAB 52.43, -53.31, 47.16

 

CMYK 94 / 0 / 86 / 38

HEX #099F16

RGB 9 159 22

HSL 125.2, 0.89%, 0.33%

LAB 56.99, -59.29, 54.7

 

CMYK 85 / 0 / 77 / 43

HEX #169121

RGB 22 145 33

HSL 125.37, 0.74%, 0.33%

LAB 52.43, -53.31, 47.16

 

CMYK 73 / 0 / 66 / 49

HEX #24832C

RGB 36 131 44

HSL 125.05, 0.57%, 0.33%

LAB 47.99, -45.45, 38.08

 

CMYK 58 / 0 / 53 / 54

HEX #317638

RGB 49 118 56

HSL 126.09, 0.41%, 0.33%

LAB 44.08, -35.74, 27.58

 

CMYK 39 / 0 / 36 / 59

HEX #3F6843

RGB 63 104 67

HSL 125.85, 0.25%, 0.33%

LAB 40.18, -22.93, 16.44

 

CMYK 15 / 0 / 14 / 64

HEX #4D5B4E

RGB 77 91 78

HSL 124.29, 0.08%, 0.33%

LAB 37.13, -8.3, 5.69

 

CMYK 46 / 0 / 85 / 43

HEX #4E9116

RGB 78 145 22

HSL 92.68, 0.74%, 0.33%

LAB 53.95, -41.2, 52.58

 

CMYK 69 / 0 / 85 / 43

HEX #2D9116

RGB 45 145 22

HSL 108.78, 0.74%, 0.33%

LAB 52.8, -50.33, 51.11

 

CMYK 85 / 0 / 78 / 43

HEX #169120

RGB 22 145 32

HSL 124.88, 0.74%, 0.33%

LAB 52.43, -53.39, 47.5

 

CMYK 85 / 0 / 55 / 43

HEX #169141

RGB 22 145 65

HSL 140.98, 0.74%, 0.33%

LAB 52.73, -49.61, 33.31

 

CMYK 85 / 0 / 32 / 43

HEX #169162

RGB 22 145 98

HSL 157.07, 0.74%, 0.33%

LAB 53.28, -43.26, 16.15

 

CMYK 85 / 0 / 77 / 71

HEX #0B4A11

RGB 11 74 17

HSL 125.71, 0.74%, 0.17%

LAB 26.76, -31.98, 27.37

 

CMYK 84 / 0 / 77 / 57

HEX #116D19

RGB 17 109 25

HSL 125.22, 0.73%, 0.25%

LAB 39.79, -42.79, 37.46

 

CMYK 85 / 0 / 77 / 43

HEX #169121

RGB 22 145 33

HSL 125.37, 0.74%, 0.33%

LAB 52.43, -53.31, 47.16

 

CMYK 85 / 0 / 77 / 29

HEX #1CB52A

RGB 28 181 42

HSL 125.49, 0.73%, 0.41%

LAB 64.53, -63.11, 56.03

 

CMYK 85 / 0 / 77 / 15

HEX #21D832

RGB 33 216 50

HSL 125.57, 0.73%, 0.49%

LAB 75.86, -72.39, 64.55

 

CMYK 84 / 0 / 77 / 43

HEX #179122

RGB 23 145 34

HSL 125.41, 0.73%, 0.33%

LAB 52.45, -53.12, 46.82

 

CMYK 85 / 24 / 0 / 43

HEX #166E91

RGB 22 110 145

HSL 197.07, 0.74%, 0.33%

LAB 43.31, -11.86, -26.1

 

CMYK 0 / 85 / 58 / 43

HEX #91163D

RGB 145 22 61

HSL 340.98, 0.74%, 0.33%

LAB 31.65, 50.95, 10.16

 

CMYK 84 / 0 / 77 / 43

HEX #179122

RGB 23 145 34

HSL 125.41, 0.73%, 0.33%

LAB 52.45, -53.12, 46.82

 

CMYK 78 / 85 / 0 / 43

HEX #201691

RGB 32 22 145

HSL 244.88, 0.74%, 0.33%

LAB 19.74, 44.95, -64.08

 

CMYK 0 / 78 / 85 / 43

HEX #912016

RGB 145 32 22

HSL 4.88, 0.74%, 0.33%

LAB 32.06, 46.02, 35.11

 

CMYK 84 / 0 / 77 / 43

HEX #179122

RGB 23 145 34

HSL 125.41, 0.73%, 0.33%

LAB 52.45, -53.12, 46.82

 

CMYK 85 / 24 / 0 / 43

HEX #166E91

RGB 22 110 145

HSL 197.07, 0.74%, 0.33%

LAB 43.31, -11.86, -26.1

 

CMYK 0 / 85 / 7 / 43

HEX #911687

RGB 145 22 135

HSL 304.88, 0.74%, 0.33%

LAB 34.69, 59.52, -32.87

 

CMYK 0 / 61 / 85 / 43

HEX #913916

RGB 145 57 22

HSL 17.07, 0.74%, 0.33%

LAB 35.99, 35.38, 38.72

 

CMYK 84 / 0 / 77 / 43

HEX #179122

RGB 23 145 34

HSL 125.41, 0.73%, 0.33%

LAB 52.45, -53.12, 46.82

 

CMYK 85 / 50 / 0 / 43

HEX #164991

RGB 22 73 145

HSL 215.12, 0.74%, 0.33%

LAB 31.76, 11.64, -44.42

 

CMYK 0 / 85 / 7 / 43

HEX #911687

RGB 145 22 135

HSL 304.88, 0.74%, 0.33%

LAB 34.69, 59.52, -32.87

 

CMYK 0 / 35 / 85 / 43

HEX #915E16

RGB 145 94 22

HSL 35.12, 0.74%, 0.33%

LAB 44.35, 14.93, 46.14

 

Description

Color code: HEX #179122 | qconv.com Color code: HEX #179122 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 145 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 145 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 77 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 77% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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