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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #178C34 it is the complementary color #E873CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #178C34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #178C34 shade: #1C8C2F, #2D9E42, #3EB055, #4FC268 and #60D47B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #178C34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #178C34 shade: #178C34, #067A21, #00680E, #005600 and #004400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #178C34 shade: #168C33, #198C16, #398C16, #588C16 and #788C16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #178C34 shade: #168C33, #168C53, #168C73, #16858C and #16658C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #178C34 shade matches the following richer shades: #168C33 and #09992D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #178C34 shade: #168C33, #247F3A, #317141, #3E6447 and #4B574E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #178C34 shade: #3A8C16, #1A8C16, #168C32, #168C51 and #168C70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #178C34 shade: #0B4519, #116826, #168C33, #1CAF41 and #22D34E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #178C34 shade: #178C34, #16598C and #8C162A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #178C34 shade: #178C34, #32168C and #8C3216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #178C34 shade: #178C34, #16598C, #8C1670 and #8C4916

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #178C34 shade: #178C34, #16368C, #8C1670 and #8C6D16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 63 / 45

HEX #178C34

RGB 23 140 52

HSL 134.87, 0.72%, 0.32%

LAB 50.9, -49.61, 37.56

 

Complementary color

CMYK 0 / 50 / 13 / 9

HEX #E873CB

RGB 232 115 203

HSL 314.87, 0.72%, 0.68%

LAB 64.75, 56.09, -25.08

 

CMYK 80 / 0 / 66 / 45

HEX #1C8C2F

RGB 28 140 47

HSL 130.18, 0.67%, 0.33%

LAB 50.93, -49.57, 39.93

 

CMYK 72 / 0 / 58 / 38

HEX #2D9E42

RGB 45 158 66

HSL 131.15, 0.56%, 0.4%

LAB 57.47, -50.79, 38.58

 

CMYK 65 / 0 / 52 / 31

HEX #3EB055

RGB 62 176 85

HSL 132.11, 0.48%, 0.47%

LAB 63.94, -51.45, 37.12

 

CMYK 59 / 0 / 46 / 24

HEX #4FC268

RGB 79 194 104

HSL 133.04, 0.49%, 0.54%

LAB 70.35, -51.76, 35.68

 

CMYK 55 / 0 / 42 / 17

HEX #60D47B

RGB 96 212 123

HSL 133.97, 0.57%, 0.6%

LAB 76.68, -51.86, 34.3

 

CMYK 84 / 0 / 63 / 45

HEX #178C34

RGB 23 140 52

HSL 134.87, 0.72%, 0.32%

LAB 50.9, -49.61, 37.56

 

CMYK 95 / 0 / 73 / 52

HEX #067A21

RGB 6 122 33

HSL 133.97, 0.91%, 0.25%

LAB 44.33, -47.42, 38.84

 

CMYK 100 / 0 / 87 / 59

HEX #00680E

RGB 0 104 14

HSL 128.08, 1%, 0.2%

LAB 37.72, -43.84, 39.26

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 84 / 0 / 64 / 45

HEX #168C33

RGB 22 140 51

HSL 134.75, 0.73%, 0.32%

LAB 50.88, -49.85, 38

 

CMYK 82 / 0 / 84 / 45

HEX #198C16

RGB 25 140 22

HSL 118.47, 0.73%, 0.32%

LAB 50.71, -52.11, 49.05

 

CMYK 59 / 0 / 84 / 45

HEX #398C16

RGB 57 140 22

HSL 102.2, 0.73%, 0.32%

LAB 51.48, -45.65, 50.04

 

CMYK 37 / 0 / 84 / 45

HEX #588C16

RGB 88 140 22

HSL 86.44, 0.73%, 0.32%

LAB 52.83, -35.49, 51.76

 

CMYK 14 / 0 / 84 / 45

HEX #788C16

RGB 120 140 22

HSL 70.17, 0.73%, 0.32%

LAB 54.87, -22.3, 54.35

 

CMYK 84 / 0 / 64 / 45

HEX #168C33

RGB 22 140 51

HSL 134.75, 0.73%, 0.32%

LAB 50.88, -49.85, 38

 

CMYK 84 / 0 / 41 / 45

HEX #168C53

RGB 22 140 83

HSL 151.02, 0.73%, 0.32%

LAB 51.33, -44.56, 21.92

 

CMYK 84 / 0 / 18 / 45

HEX #168C73

RGB 22 140 115

HSL 167.29, 0.73%, 0.32%

LAB 52.02, -36.89, 4.67

 

CMYK 84 / 5 / 0 / 45

HEX #16858C

RGB 22 133 140

HSL 183.56, 0.73%, 0.32%

LAB 50.5, -26.06, -12.13

 

CMYK 84 / 28 / 0 / 45

HEX #16658C

RGB 22 101 140

HSL 199.83, 0.73%, 0.32%

LAB 40.2, -8.43, -27.97

 

CMYK 84 / 0 / 64 / 45

HEX #168C33

RGB 22 140 51

HSL 134.75, 0.73%, 0.32%

LAB 50.88, -49.85, 38

 

CMYK 94 / 0 / 71 / 40

HEX #09992D

RGB 9 153 45

HSL 135, 0.89%, 0.32%

LAB 55.1, -55.8, 45.25

 

CMYK 84 / 0 / 64 / 45

HEX #168C33

RGB 22 140 51

HSL 134.75, 0.73%, 0.32%

LAB 50.88, -49.85, 38

 

CMYK 72 / 0 / 54 / 50

HEX #247F3A

RGB 36 127 58

HSL 134.51, 0.56%, 0.32%

LAB 46.79, -42.07, 29.75

 

CMYK 57 / 0 / 42 / 56

HEX #317141

RGB 49 113 65

HSL 135, 0.4%, 0.32%

LAB 42.53, -32.01, 20.59

 

CMYK 38 / 0 / 29 / 61

HEX #3E6447

RGB 62 100 71

HSL 134.21, 0.23%, 0.32%

LAB 38.89, -20.41, 12.28

 

CMYK 14 / 0 / 10 / 66

HEX #4B574E

RGB 75 87 78

HSL 135, 0.07%, 0.32%

LAB 35.72, -6.71, 3.65

 

CMYK 59 / 0 / 84 / 45

HEX #3A8C16

RGB 58 140 22

HSL 101.69, 0.73%, 0.32%

LAB 51.51, -45.38, 50.08

 

CMYK 81 / 0 / 84 / 45

HEX #1A8C16

RGB 26 140 22

HSL 117.97, 0.73%, 0.32%

LAB 50.73, -51.97, 49.07

 

CMYK 84 / 0 / 64 / 45

HEX #168C32

RGB 22 140 50

HSL 134.24, 0.73%, 0.32%

LAB 50.87, -49.97, 38.46

 

CMYK 84 / 0 / 42 / 45

HEX #168C51

RGB 22 140 81

HSL 150, 0.73%, 0.32%

LAB 51.29, -44.96, 22.98

 

CMYK 84 / 0 / 20 / 45

HEX #168C70

RGB 22 140 112

HSL 165.76, 0.73%, 0.32%

LAB 51.95, -37.7, 6.29

 

CMYK 84 / 0 / 64 / 73

HEX #0B4519

RGB 11 69 25

HSL 134.48, 0.73%, 0.16%

LAB 24.94, -28.95, 21.2

 

CMYK 84 / 0 / 63 / 59

HEX #116826

RGB 17 104 38

HSL 134.48, 0.72%, 0.24%

LAB 38.13, -39.55, 29.71

 

CMYK 84 / 0 / 64 / 45

HEX #168C33

RGB 22 140 51

HSL 134.75, 0.73%, 0.32%

LAB 50.88, -49.85, 38

 

CMYK 84 / 0 / 63 / 31

HEX #1CAF41

RGB 28 175 65

HSL 135.1, 0.72%, 0.4%

LAB 62.75, -59.04, 45.07

 

CMYK 84 / 0 / 63 / 17

HEX #22D34E

RGB 34 211 78

HSL 134.92, 0.72%, 0.48%

LAB 74.49, -68.31, 52.65

 

CMYK 84 / 0 / 63 / 45

HEX #178C34

RGB 23 140 52

HSL 134.87, 0.72%, 0.32%

LAB 50.9, -49.61, 37.56

 

CMYK 84 / 36 / 0 / 45

HEX #16598C

RGB 22 89 140

HSL 205.93, 0.73%, 0.32%

LAB 36.38, -1, -33.98

 

CMYK 0 / 84 / 70 / 45

HEX #8C162A

RGB 140 22 42

HSL 349.83, 0.73%, 0.32%

LAB 30.2, 48.32, 20.6

 

CMYK 84 / 0 / 63 / 45

HEX #178C34

RGB 23 140 52

HSL 134.87, 0.72%, 0.32%

LAB 50.9, -49.61, 37.56

 

CMYK 64 / 84 / 0 / 45

HEX #32168C

RGB 50 22 140

HSL 254.24, 0.73%, 0.32%

LAB 20.62, 44.9, -59.47

 

CMYK 0 / 64 / 84 / 45

HEX #8C3216

RGB 140 50 22

HSL 14.24, 0.73%, 0.32%

LAB 33.8, 36.86, 36.39

 

CMYK 84 / 0 / 63 / 45

HEX #178C34

RGB 23 140 52

HSL 134.87, 0.72%, 0.32%

LAB 50.9, -49.61, 37.56

 

CMYK 84 / 36 / 0 / 45

HEX #16598C

RGB 22 89 140

HSL 205.93, 0.73%, 0.32%

LAB 36.38, -1, -33.98

 

CMYK 0 / 84 / 20 / 45

HEX #8C1670

RGB 140 22 112

HSL 314.24, 0.73%, 0.32%

LAB 32.52, 55.08, -21.89

 

CMYK 0 / 48 / 84 / 45

HEX #8C4916

RGB 140 73 22

HSL 25.93, 0.73%, 0.32%

LAB 38.55, 24.74, 40.73

 

CMYK 84 / 0 / 63 / 45

HEX #178C34

RGB 23 140 52

HSL 134.87, 0.72%, 0.32%

LAB 50.9, -49.61, 37.56

 

CMYK 84 / 61 / 0 / 45

HEX #16368C

RGB 22 54 140

HSL 223.73, 0.73%, 0.32%

LAB 25.87, 22.77, -50.9

 

CMYK 0 / 84 / 20 / 45

HEX #8C1670

RGB 140 22 112

HSL 314.24, 0.73%, 0.32%

LAB 32.52, 55.08, -21.89

 

CMYK 0 / 22 / 84 / 45

HEX #8C6D16

RGB 140 109 22

HSL 44.24, 0.73%, 0.32%

LAB 47.71, 3.89, 48.84

 

Description

Color code: HEX #178C34 | qconv.com Color code: HEX #178C34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 140 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 140 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 63 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 63% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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